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#anyway. something something stories are always cycles and sometimes they are tragedies but that doesn't make them any less worth telling
2sw · 8 months
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🖤Understanding Season 4&5 Sam🖤
long post, 30 gifs
sorry I don't care if my english sucks or not anymore. I live with the urge to defend Sam 24/7, that's what it's about.
this post looks weird on pc… recommend you to read on the app
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Supernatural S1E01 Pilot // S1E06 Skin S3E08 A Very Supernatural Christmas S4E19 Jump the Shark
Do you see the parallels here? This is why I think people who say season 4 Sam was annoying also hate every other character in this show, they just don't realize that. It was not a big deal when other characters treated Sam the way they did, but when Sam started to mirror them you suddenly find it annoying? That's absurd. I know almost every filmmaking choice of this show is unfair to Sam and I hate that too, but still we audiences can see things from various angles and think for ourselves. And sometimes you need to see the story as a story, not something to take sides.
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Supernatural S3E16 No Rest for the Wicked Supernatural S4E04 Metamorphosis
Sam lost his entire family at the end of season 3. He was full of remorse, and to make up for that he was literally following his family's footsteps. Sam became obsessed with revenge like John did after Mary died. Season 4 was about that vicious cycle, the tragedy of it. Dean sold his soul for Sam just like John did for him. Sam tried to be more like his dad and big brother and did what they taught him. And Sam's relapse was a part of the addiction cycle. But Dean locking up Sam in the panic room changed nothing, the final seal was broken after all. So Lucifer gets out, and the oldest family drama is about to start all over again. It wasn't about who was right or wrong. It was about the circle, a never ending story. The next season was about restoring trust in each other and seeking redemption, and Sam eventually broke the chain by sacrificing himself. That's what makes Swan Song the tragic ending of all time. (though it all comes back as the show keeps going on... but what is spn without The Codependency™)
So, yeah, it's beyond me how some people can't see the reason behind Sam's choices in this season cause the context was SO clear. If you watch the show, you can see how much Sam and Dean affect each other and how much both are affected by John in different ways. And it's natural because they are family. We are who we are because of everyone and everything that has happened in our lives, and same goes for every fictional character, including Sam. It's just as simple as that. Sam was just trying to live by his brother's will while battling with grief and loss. He had to keep on fighting without Dean. And the reason why Dean wasn't with him was because Dean sold his soul to save Sam and went to hell for it. It not only made Sam the sole survivor of the family but also made the very being of him their entire legacy. Starting with Mary making a deal with Azazel, every choice ever made in this family is what brought him there. As I said earlier, it's the cycle. And a consequence. In short, if it is a sin, I think it’s everyone’s.
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Supernatural S4E04 Metamorphosis
Sam and Dean's fate to be vessels? Their destiny? It doesn't matter in the end. This show was always about fate AND free will. Free will was always there. You always have choices. Sam was the one who believed that most desperately so he became the one who broke the cycle. Even though it was only the last page, he ripped out the written fate anyway and wrote the ending himself. YES HE IS THE MAIN CHARACTER. And after everything he did for the world, the story made him suffer eternal agony with the Devil because he is also a tragic hero figure. (SIGH literally the character of all time)
You can see this all only as an observer, as an audience. For Sam, the only thing he could do at the moment was just find the person to blame―in this case, it's a demon named Lilith― and get revenge. And he was lost somewhere along the road, he became an addict because he couldn't do anything about his loved ones dying, but when he drinks the demon blood it gives him power and a sense of control. (aaaaaand I still don't get why writers wrote this as some kind of diabolical desire in 4x18. I get it sammy what the fuck would chuck know about helplessness)
You can say you wouldn't suck up the demon blood, that's fine, but this story was written in this way, and if Sam didn't do that, the story couldn't go forward. Why? Because he is the main character. (It always had to be you, Sammy!) And reminds you that if you want to watch a show with multiple seasons, you have to remember what happened before to understand what’s going on now. So please don't make up things in your head, just go back to where it all started. There are contexts in everything. Everyone is a consequence of each other, but we don't have to be bound to that fact. We have choices: to change, to make things better. That's why we should be kind to each other, and for that, I love and respect Sam so much cause he didn't let his traumas define him and always tried to be a better person. ♡
I'm not done yet!!! see also this:
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Supernatural S3E04 Sin City Supernatural S4E04 Metamorphosis
Dean worried when Sam killed a demon with the Colt to save him cause it also killed a person who was being possessed, and it was 'cold'. But then when he finds out about the demon blood, he is so mad that he doesn't even care about the fact Sam was saving possession victims and just screaming in Sam's face "Use the knife!". It's so??? What is the logic here? This just proves it's always been about his feelings, not really about saving people. Is that an evil thing? No, I don’t think so. Dean is just a human, he can’t control what he feels. But if you use this to beat up Sam, I'll go feral then. Cause Sam is a human too.
And look at Ruby's masterful manipulation skill. Makes Sam feel guilty about everything, and comes back with what he needs when no one's left around him. She really was the best of those sons of bitches.
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Supernatural S4E04 Metamorphosis
Seriously, what was Sam supposed to do? Everyone on this show didn't even bother to understand Sam and just decided everything he ever did was fundamentally wrong. Sam was using his own body to change the things outside of him, cause there is nothing he can do about the fact of his body, the blood in it. In life, there are things we can change and we can't. We have to live with that non-negotiable fact for our whole life. Sam learned this most painful way... And one thing about Sam is that he never let the unchangeable things make him give up the things he can change. It's not always a good thing though, cause Sam in s4 was very self-destructive. He was obsessive, and that is one of his problems. Sam is so stubborn and doesn't give up on anything easily. Actually this problem could be solved after s7 cause he tried to move on, but s8 happened… so it got worse, kept getting worse, and look what happened in s10. The most heartbreaking domino effect, I'd say...
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Supernatural S5E03 Free to Be You and Me Supernatural S5E06 I Believe the Children Are Our Future
Anyways, back to the point. Unfortunately, Sam started the apocalypse. And what did he do after that? When the whole world tried to hunt him down, the devil wanted to crawl inside him, and an angel called him an abomination? He didn't give up there to remain that abomination. He didn’t surrender. Instead, Sam begged for a second chance. He wanted to atone, wanted redemption. He still believed in others even though he lost trust in himself. He believed there was still something he could do about it. Even when he was possessed by Lucifer, he fought till the end to save his brother and the world. And he did it. He was a fucking hero at that moment, sadly a tragic one too. But the important thing is: Sam Winchester represents hope. (I think Swan Song was a perfect ending as a tragedy. This show got weaker and weaker after s5 which kinda ruined the perfection, but I'm also so glad the show continued cause this message fits more hopefully in Carry On. I needed to see Sam rewarded with something better than eternal agony after all those additional tortures of 10 more seasons.)
One last thing, you know what's funny about Metamorphosis? Dean had nothing to say about the fact Sam saved more people than when they were hunting together, so he just went "That what Ruby wants you to think?" Dude what was going on in your mind. like that was what Ruby intended, he was right about that only by chance, but I still find it funny that Dean said that at this exact moment. And he does this a lot, attacking the messenger when he can't refute the message. He didn't have any rational reasons like Sam, he just didn't like it and that's all(and honestly I think this can be an actual reason too cause there's a history behind it which I talked about it here. I wish Dean had just talked to Sam and had a real conversation. but he never talks about his feelings, that's what Dean Winchester does. so… yep not gonna happen. also, if the brothers have a healthy relationship, that is not supernatural lol), so he brought up Angels and evoked Sam's religious guilt. And the Angels in question also turned out to be manipulative assholes later. Everyone makes mistakes, but somehow Sam is always the one who gets most condemned and blamed. Dean, On the other hand, is justified by the narrative so many times even when it is actually his fault. As I said, unfair. This is not even a Dean crit post, I'm just mad at unreasonable people and the way this show works in general.
I swear I was normal before watching this season. Sam's demon blood arc was what made me insanely fall in love with him, so when I found out all those hate for Sam… that really could be my villain origin story but instead I chose to be on tumblr, so yeah I believe love wins<3 ha what a way to end a post. sorry guys
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leviiackrman · 1 year
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OC’S ROLE IN A TRAGEDY;
I was tagged by my dears @simonxriley @corvosattano + @marivenah to use this uquiz for my kiddos - thank you boyos🤍
Tagging: @chuckhansen @sstewyhosseini @risingsh0t @florbelles @confidentandgood @indorilnerevarine @liurnia @noonfaerie @denerims @arklay @jendoe @phillipsgraves @unholymilf @shadowglens @shellibisshe @baldurrs @jinfromyarikawa @queennymeria @benningsthing @roofgeese @solasan + @kingsroad
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MISUNDERSTOOD VILLAIN;
prepare for an onslaught of both the most dehumanizing and hateful takes, and flood of thirst comments. you are chronically misunderstood. whether or not you're actually evil is debatable. you may be acting out for revenge, to defend someone you love, or even just to protect yourself. you're a pretty jaded person. you don't trust or even really like most people. maybe you did at one point. but that part of you is gone, and you don't go a single day without grieving it. you think a lot about what your life could have been. you're stuck in the past. you're angry and maybe you don't even want to be, but this is the only way you can see to survive. you're open, but less in a trusting way and more like a wound. you don't like to let people see you, but the hurt spills out of you before you can stop it. you're impulsive, even as you try hard to plan and prepare. maybe someday your side of the story will finally be heard. until then, you can convince yourself that being hated is safer anyway.
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UNASSUMING EXTRA;
you had maybe 3 lines but you will forever own my heart. you play a very minor role, one often forgotten about (not by me tho bby, i'll love you forever). however, your significance in the story is pretty big. something about you propels the story forward in a way no one else can do. you tend to blend into the background, and you probably like it that way. you want a simple life, free from the drama of the main characters. unfortunately, your story is almost always cut short. your role is usually a death that kickstarts the plot. going unnoticed did not save you, but it probably did bring you some peace of mind.
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SWEET SUPPORTING CHARACTER;
i wanna be your grandma so bad, please let me pinch your face and knit you a sweater. you're most likely the best friend of the protagonist, and there's some possible overlap between you and the narrator. you're sweet and try very hard to be selfless. you watch the ones you love descend into darkness, and make every effort to help them through it all. it's not enough. you keep trying to make it enough. you provide comic relief, a listening ear, a hug, advice── any method of support you can think of. your own personal tragedy isn't documented. sometimes you wish it was, even though you're the one who ensures it is not. you want people to care for you the way you do for others. but you refuse to ask for it, so you wait for others to read between the lines. they usually don't. at least you're the one who gets to survive the tragedy. no matter how many times you beg to trade places, it is always you at the end, sitting at someone else's grave.
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DESPERATE NARRATOR;
this story is a cycle, and you're spinning around it like a hamster in a ball being tormented by a cat. you know how this story ends. after all, you've told it a thousand times. but you try to change it every time. you love the people in this story more than anything. so watching them fall victim to the narrative breaks you in a way you can't begin to describe. but all you can do is tell the story── their story── with tears in your eyes. you're prone to anxiety and feelings of helplessness. you have so much love in your heart, and for once you wish it would change something. it didn't. it doesn't. it won't. but you refuse to stop telling the story. and you refuse to stop loving the people in it. in this way, no one is stronger than you. you just wish being strong hurt less.
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TORTURED LOVE INTEREST;
you're so hot. sorry about the horrors. you're the kind of person people immediately notice. whether you have a distinct style, are more outgoing, or are just plain beautiful, you make an impression. people usually feel the need to protect you, which probably frustrates you to no end. you're not weak! you're not fragile! you're not helpless! but the people in your life tend to disagree. maybe it's your lover, the protagonist, trying to keep you out of their own turmoil. maybe it's someone responsible for you in some way, keeping you away from your lover, while they head down an increasingly dark path. regardless, all you really want is a sense of autonomy! unfortunately, you're very likely to die before that happens. the audience will be so caught up in the grief your death causes the protagonist that they forget to grieve you as a person. you deserved better, but unfortunately this is not your story. maybe it should have been.
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SWEET SUPPORTING CHARACTER;
i wanna be your grandma so bad, please let me pinch your face and knit you a sweater. you're most likely the best friend of the protagonist, and there's some possible overlap between you and the narrator. you're sweet and try very hard to be selfless. you watch the ones you love descend into darkness, and make every effort to help them through it all. it's not enough. you keep trying to make it enough. you provide comic relief, a listening ear, a hug, advice── any method of support you can think of. your own personal tragedy isn't documented. sometimes you wish it was, even though you're the one who ensures it is not. you want people to care for you the way you do for others. but you refuse to ask for it, so you wait for others to read between the lines. they usually don't. at least you're the one who gets to survive the tragedy. no matter how many times you beg to trade places, it is always you at the end, sitting at someone else's grave.
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imogenkol · 1 year
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— What’s your OC’s role in a tragedy?
I was tagged by @corvosattano @jackiesarch and @simonxriley to do this uquiz thank you lovelies!!! 💕💕💕
Tagging: @chuckhansen @jendoe @phillipsgraves @marivenah @shellibisshe @detectivelokis @socially-awkward-skeleton @sstewyhosseini @roofgeese @aceghosts @queennymeria @indorilnerevarine @nokstella @florbelles @jinfromyarikawa @risingsh0t and anyone else who wants to!
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misunderstood villain
prepare for an onslaught of both the most dehumanizing and hateful takes, and flood of thirst comments. you are chronically misunderstood. whether or not you're actually evil is debatable. you may be acting out for revenge, to defend someone you love, or even just to protect yourself. you're a pretty jaded person. you don't trust or even really like most people. maybe you did at one point. but that part of you is gone, and you don't go a single day without grieving it. you think a lot about what your life could have been. you're stuck in the past. you're angry and maybe you don't even want to be, but this is the only way you can see to survive. you're open, but less in a trusting way and more like a wound. you don't like to let people see you, but the hurt spills out of you before you can stop it. you're impulsive, even as you try hard to plan and prepare. maybe someday your side of the story will finally be heard. until then, you can convince yourself that being hated is safer anyway.
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desperate narrator
this story is a cycle, and you're spinning around it like a hamster in a ball being tormented by a cat. you know how this story ends. after all, you've told it a thousand times. but you try to change it every time. you love the people in this story more than anything. so watching them fall victim to the narrative breaks you in a way you can't begin to describe. but all you can do is tell the story- their story- with tears in your eyes. you're prone to anxiety and feelings of helplessness. you have so much love in your heart, and for once you wish it would change something. it didn't. it doesn't. it won't. but you refuse to stop telling the story. and you refuse to stop loving the people in it. in this way, no one is stronger than you. you just wish being strong hurt less.
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sweet supporting character
i wanna be your grandma so bad, please let me pinch your face and knit you a sweater. you're most likely the best friend of the protagonist, and there's some possible overlap between you and the narrator. you're sweet and try very hard to be selfless. you watch the ones you love descend into darkness, and make every effort to help them through it all. it's not enough. you keep trying to make it enough. you provide comic relief, a listening ear, a hug, advice any method of support you can think of. your own personal tragedy isn't documented. sometimes you wish it was, even though you're the one who ensures it is not. you want people to care for you the way you do for others. but you refuse to ask for it, so you wait for others to read between the lines. they usually don't. at least you're the one who gets to survive the tragedy. no matter how many times you beg to trade places, it is always you at the end, sitting at someone else's grave.
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bold protagonist
you're the star of the show, baby! and boy does that come with a lot of emotional turmoil. you have a seemingly endless supply of determination. whether you have a lot of goals, or one big one, you're constantly working towards it. you're pretty restless, and struggle with imposter syndrome and generally feeling like you should be doing more. your insecurity might not be immediately obvious to others, however, as you come across as very strong and bold. vulnerability is not your strong suit, and that's likely to be your downfall. if only you had just let people in, and asked for help... well, maybe this was always gonna be a tragedy.
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What's Your Role In The Tragic Play
Tagged by @inafieldofdaisies and@madparadoxum to do this uquiz https://uquiz.com/quiz/y7ORUH/whats-your-role-in-the-tragic-play
Esther Seed
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sweet supporting character
i wanna be your grandma so bad, please let me pinch your face and knit you a sweater. you're most likely the best friend of the protagonist, and there's some possible overlap between you and the narrator. you're sweet and try very hard to be selfless. you watch the ones you love descend into darkness, and make every effort to help them through it all. it's not enough. you keep trying to make it enough. you provide comic relief, a listening ear, a hug, advice── any method of support you can think of. your own personal tragedy isn't documented. sometimes you wish it was, even though you're the one who ensures it is not. you want people to care for you the way you do for others. but you refuse to ask for it, so you wait for others to read between the lines. they usually don't. at least you're the one who gets to survive the tragedy. no matter how many times you beg to trade places, it is always you at the end, sitting at someone else's grave.
Micheal Shea
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misunderstood villain
prepare for an onslaught of both the most dehumanizing and hateful takes, and flood of thirst comments. you are chronically misunderstood. whether or not you're actually evil is debatable. you may be acting out for revenge, to defend someone you love, or even just to protect yourself. you're a pretty jaded person. you don't trust or even really like most people. maybe you did at one point. but that part of you is gone, and you don't go a single day without grieving it. you think a lot about what your life could have been. you're stuck in the past. you're angry and maybe you don't even want to be, but this is the only way you can see to survive. you're open, but less in a trusting way and more like a wound. you don't like to let people see you, but the hurt spills out of you before you can stop it. you're impulsive, even as you try hard to plan and prepare. maybe someday your side of the story will finally be heard. until then, you can convince yourself that being hated is safer anyway.
Rajesh Cohen and Jim Richards
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desperate narrator
this story is a cycle, and you're spinning around it like a hamster in a ball being tormented by a cat. you know how this story ends. after all, you've told it a thousand times. but you try to change it every time. you love the people in this story more than anything. so watching them fall victim to the narrative breaks you in a way you can't begin to describe. but all you can do is tell the story── their story── with tears in your eyes. you're prone to anxiety and feelings of helplessness. you have so much love in your heart, and for once you wish it would change something. it didn't. it doesn't. it won't. but you refuse to stop telling the story. and you refuse to stop loving the people in it. in this way, no one is stronger than you. you just wish being strong hurt less.
Anna and Selena
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unassuming extra
you had maybe 3 lines but you will forever own my heart. you play a very minor role, one often forgotten about (not by me tho bby, i'll love you forever). however, your significance in the story is pretty big. something about you propels the story forward in a way no one else can do. you tend to blend into the background, and you probably like it that way. you want a simple life, free from the drama of the main characters. unfortunately, your story is almost always cut short. your role is usually a death that kickstarts the plot. going unnoticed did not save you, but it probably did bring you some peace of mind.
Deputy Carey Rorke
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bold protagonist
you're the star of the show, baby! and boy does that come with a lot of emotional turmoil. you have a seemingly endless supply of determination. whether you have a lot of goals, or one big one, you're constantly working towards it. you're pretty restless, and struggle with imposter syndrome and generally feeling like you should be doing more. your insecurity might not be immediately obvious to others, however, as you come across as very strong and bold. vulnerability is not your strong suit, and that's likely to be your downfall. if only you had just let people in, and asked for help... well, maybe this was always gonna be a tragedy.
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firstaidspray · 1 year
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Your Role in the Tragedy
Tagged by @roofgeese to do this uquiz. Thank you!!
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misunderstood villain
prepare for an onslaught of both the most dehumanizing and hateful takes, and flood of thirst comments. you are chronically misunderstood. whether or not you're actually evil is debatable. you may be acting out for revenge, to defend someone you love, or even just to protect yourself. you're a pretty jaded person. you don't trust or even really like most people. maybe you did at one point. but that part of you is gone, and you don't go a single day without grieving it. you think a lot about what your life could have been. you're stuck in the past. you're angry and maybe you don't even want to be, but this is the only way you can see to survive. you're open, but less in a trusting way and more like a wound. you don't like to let people see you, but the hurt spills out of you before you can stop it. you're impulsive, even as you try hard to plan and prepare. maybe someday your side of the story will finally be heard. until then, you can convince yourself that being hated is safer anyway.
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desperate narrator
this story is a cycle, and you're spinning around it like a hamster in a ball being tormented by a cat. you know how this story ends. after all, you've told it a thousand times. but you try to change it every time. you love the people in this story more than anything. so watching them fall victim to the narrative breaks you in a way you can't begin to describe. but all you can do is tell the story── their story── with tears in your eyes. you're prone to anxiety and feelings of helplessness. you have so much love in your heart, and for once you wish it would change something. it didn't. it doesn't. it won't. but you refuse to stop telling the story. and you refuse to stop loving the people in it. in this way, no one is stronger than you. you just wish being strong hurt less.
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sweet supporting character
i wanna be your grandma so bad, please let me pinch your face and knit you a sweater. you're most likely the best friend of the protagonist, and there's some possible overlap between you and the narrator. you're sweet and try very hard to be selfless. you watch the ones you love descend into darkness, and make every effort to help them through it all. it's not enough. you keep trying to make it enough. you provide comic relief, a listening ear, a hug, advice── any method of support you can think of. your own personal tragedy isn't documented. sometimes you wish it was, even though you're the one who ensures it is not. you want people to care for you the way you do for others. but you refuse to ask for it, so you wait for others to read between the lines. they usually don't. at least you're the one who gets to survive the tragedy. no matter how many times you beg to trade places, it is always you at the end, sitting at someone else's grave.
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17yearcicada · 3 years
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hadestown- road to hell (reprise) // the two towers- j.r.r. tolkien // richard silken // the wolf in white- john darnielle // the last scene in the movie- eleanor hsieh // the magnus archives- big picture // high noon over camelot- "justice"
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