#applique panel

[everythingandaves]

christmas bear applique fabric panel

#i got this for 99 cents at the thrift #christmas #vintage christmas #christmas bear #vintage bear #applique panel

[serendipitouscrafts]

This quilt has a massive split near the edge that I am repairing with cluster of flower appliqués.

It is getting a new binding too, but I think I need to stabilize the edge a bit with the patches first.

I am going to have to make so many flowers!

#quilting #english paper piecing #epp #cheater panel repairs #applique

[beequiltydesigns]

Website : https://www.beequiltydesigns.com/

Address : Red Oak, Iowa

Phone : [phone]

Bee Quilty is an Iowa based online small business that started the summer of 2020. Where it's all about quilting - picking beautiful fabrics, quilting tools, patterns and accessories with a goal of providing you with the best quilting supplies at fair prices.

Business mail : [email protected]

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Facebook : https://www.facebook.com/beequilty

Instagram : https://www.instagram.com/beequiltydesigns/

#alto's quilt cut 2 fabric cutting system #quilted ironing board fabric #120 wide quilt backing fabric #oh happy day quilt book #applique paper for quilting #labels for handmade quilts #animal barn quilts #lake themed quilts #american jane quilts #3 yard fabric quilt patterns #quilters select mats #tumbler block quilt patterns #modern quilt shop #accuquilt dies in sizzix big shot #hexagon ruler quilting #3 6 9 quilt pattern #quilted wall panels #5 tools and materials used in quilting #supplies for quilting

[trans-axolotl]

ID: [A 20 inch quilt made out of yellow and purple fabric, with a larger center panel and an outer border made of squares. In the center panel, silhouettes of people sitting at a picnic are appliqued on, as well as the text "Has this ever happened before?". Image 2 is a zoomed in close up of one of the appliqued figures.]

final project for my feminist disability studies class that i made in 3 hours today! I illustrated a scene from the film Every Body that has archival footage from the first ever meeting of intersex society of north america, where there's these ten intersex people sitting on a picnic blanket, openly talking about surviving medical violence and trauma and grief. and there's this really powerful moment of reclamation where one of the activists says "10 hermaphrodites in one place-has this ever happened before?" so i made this quilt and wrote an essay talking about systemic ableism, intersex is/as/with disability, and how feminist politics of crip futurity provide a framework for us to think about intersex futures and celebrate intersex joy.

literally procrastinated on this project for so long and did the essay and quilt today, so glad i finished it before the deadline. thought i'd share with the intersexy mutuals <3

#personal #intersex #finals season is killing me but we will survive #disability studies #most of my classes do not have any creative work so it was so fun to get a class that required us to make art

[pwlanier]

Pictorial wool applique textile panel with floral designs, stretcher-mounted.

Southbay Auctions

#american folk art #needlework

[chic-a-gigot]

Le Petit écho de la mode, no. 8, vol. 11, 24 février 1889, Paris. (1.) Toilette peau soie vert sauge et peau soie maïs brodée or. — (2.) Toilette voile brodé fond mauve très pâle et voile uni même teinte. Modèles de Mme Dufourmentelle, 30, boulevard des Italiens. Ville de Paris / Bibliothèque Forney

(1.) Toilette peau soie vert sauge et peau soie maïs brodée or. — Jupe plissée peau soie maïs ornée de broderie or tissée à même retombant sur deux tuyautés en pareil sur les côtés. Larges panneaux peau soie garnis de broderie même teinte en relief. La jupe forme le pouf droit derrière. Corsage court rentré dans la taille. L’ampleur des pinces forme des plis devant. Large ceinture en surah formant deux pans sur le côté gauche, serrés en bourse au bas par des appliques en passementerie, empiècement en broderie or, col Médicis garni de dentelle. Manche à coude garnie de broderie au bas.

(2.) Toilette voile brodé fond mauve très pâle et voile uni même teinte. — Jupe plissée en voile tout uni découpée en dents au bas, recouverte d’une draperie plissée à droite continuant la jupe, gracieusement relevée à gauche et plissée en coquille au bas. Corsage entièrement plisse sous une ceinture en même tissu posée sur un transparent de soie terminée sur le côté sous un nœud de faille assortie. Nœud pareil sur la draperie. Collerette plissée en voile brodé, surmonté d’un col droit. Manche plissée, revers brodé, sur la manche, draperie de ruban formant nœud sur le dessus.

—

(1.) Sage green silk skin ensemble and gold embroidered corn silk skin. — Pleated corn silk skirt decorated with woven gold embroidery falling over two similar pipes on the sides. Large silk skin panels trimmed with embroidery in the same shade in relief. The skirt forms the right pouf behind. Short bodice tucked into the waist. The fullness of the darts forms pleats in the front. Wide surah belt forming two sections on the left side, tightened in a purse at the bottom with trimmings appliques, gold embroidery yoke, Medici collar trimmed with lace. Elbow sleeve trimmed with embroidery at the bottom.

(2.) Embroidered voile ensemble with very pale mauve background and plain voile in the same shade. — Pleated skirt in plain voile cut into teeth at the bottom, covered with pleated drapery on the right continuing the skirt, gracefully raised on the left and pleated like a shell at the bottom. Fully pleated bodice under a belt in the same fabric placed on a transparent silk finished on the side under a matching fault bow. Same knot on the drapery. Pleated collar in embroidered veil, topped with a straight collar. Pleated sleeve, embroidered cuff, on the sleeve, ribbon drapery forming a bow on the top.

#Le Petit écho de la mode #19th century #1880s #1889 #on this day #February 24 #periodical #fashion #fashion plate #cover #description #Forney #dress #bustle #collar #devant et dos #Modèles de chez #Madame Dufourmentelle

[here-be-a-dragon]

This weeks quilt mending adventures include appliqueing a patch, cross-stitching for reinforcement over fraying seams with invisible thread, and re-doing some decorative embroidery on panels where it was partially unraveled

#mending #sewing #quilting #fiber crafts #fiber art #quilt repair #textiles

[pacthesis]

áo dài month - week 1

day 1

no raglan sleeve!

cool piping!

looks kinda masc imo!

embroidered and 3d flowers!

sequin bird! cool tassel!

the headpiece (khăn đóng) is a type of turban! it was a gift from my mom's coworker! she wore it on her wedding day!

day 2

the iconic raglan sleeve! like a baseball tee!

first made their debut in the 1950s apparently!

floral appliques!

short sleeve!

my parents got this from a nice local!

day 3

ditched the raglan sleeve for a trendy puff sleeve!

but still kept the iconic high collar!

crystal beading along neckline and sleeves!

double layered chiffon!

looks regency romance imo!

day 4

embroidered flowers!

iconic raglan sleeve!

iconic high collar!

iconic long panels!

cropped blazer and denim.. probably less iconic!

many vintage áo dài use snap fastener buttons in the front! now more áo dài use a back zipper for ease and convenience!

day 5

floral print!

sheer raglan sleeve!

taffeta long panels!

the headband (khăn vấn) is another type of turban! i think..

my mom said she thinks it resembles more of the northern style!

day 6

embroidered flowers along sleeves, bust and panel!

thrifted lace duster!

my mom wore one over her áo dài for her wedding!

áo dài can be worn whenever! work, school, casually, formally- by men, women, kids- everyone!

day 7

knee-length panels!

round collar!

jacquard!

sakura, butterfly and dove print!

2023 is the year of the cat! meo! this year’s element is water!

anyway the vietnamese zodiac uses cat! the chinese zodiac uses rabbit!

#ao dai #áo dài

[andrewvehansen]

Community Garden

This 53″ x 46″ quilt was made for the 2023 Brooklyn Quilts! show put on by the Brooklyn Quilters Guild. It was completed in February 2023. It is mostly machine pieced with hand-appliqued triangles sewn on the borders. The middle panel is quilted with roses and the borders are quilted with leaves. The binding is a rainbow patchwork made with the same fabrics as the triangles. Over the last year…

View On WordPress

#Andrew Ve Hansen #Art quilt #Boy meets quilt #boymeetsquilt #Brooklyn quilter #Contemporary quilt #FMQ #Free-motion quilting #LGBTQ+ #Modern quilt #Quilt blog #Quilt blogger #quilting #quilts #Rainbow quilt

[gradientdescentthreads]

Embroidery Journal: Quilting + Applique For Only-Vaguely-Nefarious Purposes

I've finally cleared out my commission backlog enough to start a new project for myself, and this is one I'm really excited to tackle: an addition to my personal embroidery collection in the form of a horror art panel by @barbatusart. I spent entirely too much time last year embroidering cutesy little souvenirs for my coworkers. I think I'm allowed a little fun for myself now.

However: The solid color blocks in the background gave me brief pause. So I decided to whip up a quick little test project to experiment with how to work them in using a combination of quilting, applique, and lots of really really painstaking work with an x-acto knife. Experiment, steps, and final results below!

Step 1: Collecting Materials

Texture and fabric weight do make a very noticeable difference in any fiber arts project. For that reason, it's important to do test projects using the same fabrics you plan to make the final piece out of. Lucky for me, I have an abundant stash to choose from.

Step 2: Design

Alternately known as the step wherein I began to suspect I was going overboard by hand-drawing original artwork just for one little test project. In other news, guess what y'all - I can free-hand sketch eyes now!

Step 3: Quilt The Background

Please excuse the cat hair. For this test I'm just going for two color blocks but I think it's clear how this concept would extend to the geometric background in the artwork we're building towards.

Step 4: Create A Stencil

The idea here is that we should create cut-outs in the quilted layer, from under which the white fabric will show through. My design is not ideal for this because it has a relatively light outline, so there's not much margin for error. However, looking back at the comic panel that is my ultimate goal, the outlines there are fairly heavy and bold. If I can make it work on my sketch, I'm confident I can make it work on the final piece.

Step 5: Cut, Bond, and Hoop

A spot of quilter's spray adhesive was adequate to fix the two fabrics together. A keen eye will note that the final stencil was just a bit larger than intended and didn't quite perfectly line up. This is where the thin lines in my design aren't doing me any favors. But - good enough for now.

Step 6: Hey Look, It Worked

Would you look at that! I think this did actually do what I wanted to.

Notes For Improvement:

Using stabilizer on the quilted layer will help reduce distortion when it comes to placing it over top of the base layer - probably very important with a bigger design

Double sided iron-on stabilizer might be the way to go to keep both layers nice and bonded and prevent wrinkles

Thick outlines on the design border are definitely a must

That maroon fabric looks ok in this picture but in poor lighting, it very quickly disappears into the black, I might need to pick a different fabric

#embroidery #handmade #tutorial #applique #quilting

[everythingandaves]

got this applique panel at the thrift store for 99 cents !!

i desperately want to use it but i haven't figured out a good project yet

#vintage christmas #christmas fabric #christmas bears #vintage fabric #sewing

[serendipitouscrafts]

I love mourning doves so much. I love their big round bodies and their tiny heads, and the weird noises they make when the take off.

Last year, before I was gardening on my balcony and there was more room for birds to land, the mourning doves nesting in the pine trees across the pond would fly up to my balcony with nesting materials looking confused, wondering if their nest was up on my balcony only to realize that no, no it was in the tree across the pond. They would waddle up to the edge of the balcony and rather than take off like most birds do, they would tip themselves over the edge in a lazy flopping motion. Then they would fly across to deposit their twigs. They would repeat that process all afternoon, each time coming to the balcony looking for their nest “did we put it over here? I was just over here… no wait, it’s on a tree.”

So I think my mourning dove patch will have to be nestled into the flowers along the edge where it will be easy to seen when I am in bed.

#mourning dove #epp #cheater panel repairs #applique #visible mending

[arengnera]

The Flesh Dress

All of the fabric for this was reclaimed from curtains, scraps, tights, discarded tule from a local highschool prom that I snatched up like a horrible little vulture. The boning in the bodice was done with huge zip-ties but I’m not convinced getting real sewable boning wouldn’t have been worth it. The channels on the reinforcement were a bit of a bitch. The swords I also forged myself, but this ain’t about them. A lot of (mostly fake) blood, sweat and tears went into this one and I’m super pleased with the results. Huge shout out to @spoonbendersanonymous​ who was kind enough to lend me the fake blood, their anatomical text book, and had me sit down to watch Bride of Reanimator for inspiration.

Process photos and bonus photoshoot pictures below the cut!

Original sketches! A lot of me trying to figure out how to make boning look like bones while maintaining a classic shape. I said edwardian on the sketch but it honestly might be Victorian I'm really not sure. This was a combined art project for one of my classes, the idea was using old fashioned mourning traditions and clothes in a modern and campy way, to complain about how much capitalism erodes our time to mourn. At least that’s what I told the professor, It’s really about making a weird and off putting dress first and foremost.

Tape pattern and paper pattern! This was my first time doing this so don't take thus as any sort of guide.

It worked though, as shown by the world’s worst corset fitting - the pink thing on my arm was where I was planning on putting the upper sleeve, I was trying to see if my poof was good since my sleeves were a lot thinner and a lot longer than what would have been optimal for the amount of poof I wanted, I had to do some work around with the fabric I had

Now I’m just bragging about getting eyelets to look clean and good for once in my life. If I was going to do anything different about this though, I would ad more eases in the back, because I need to contort horribly to get out of the bodice, I fit it too well

This bad boy was really the crux of the whole project. The entire thing was a pun so I could applique an anatomically accurate heart on a sheer sleeve.

This was was it’s intermediary stage, where I was suddenly very much out of time for the first deadline and had to put off adding all of the gore I wanted to, so the simple applique heart had to do. The skirt itself was way less poofy than I would have liked, and didn’t quite give the silhouette I wanted. I ended up going with the train because the under skirt isn’t actually connected in the back. Thus is the nature of working with weird panels of curtains you’ve already cut into for a few other projects. God bless the thrift store curtain section.

The guts were made by sewing together sheer tights, and filling them with polyfill. Here they are, before they were stippled with liquid flesh colored latex and soaked in fabric paint - and after where you can see all that extra TEXTURE

I was able to use it for another project though, and I was very happy with the beading work here, although I did end up losing my biggest strand at some point.

Here’s my makeup test! I played around with doing some blood red lips but decided the blueish corpse look was better. Fun fact! I drove home wearing a sweatshirt that says “I heart corpse desecration” on it through the snow storm, and pulled over to offer some guy a hand with his car, forgetting I still looked like this. He turned me down.

The face of someone who can definitely be trusted for road side assistance. - Also I was posing as the two of swords tarot illustration for the final gallery exhibit.

#art #fashion #sewing #I'm finally getting around to putting this out there so I can find it again #I have so many pictures but I'm afraid tumbler won't let me show them all #Maybe I'll make another post about the swords #but those are decidedly less well made #turns out forging is very hard and I never tempered them or sharpened them properly #I lost one of my pomels in the forge and gave up which is why the hilts are resin cast #but I made a couple of shitty ass swords though! Which I think is more swords than most people have ever made so I'll take it #This dress also specificly got me told that I couldn't come to a wedding as a reanimated corpse #which is very funny and only slightly homophobic

[kirsteninthesun]

Why the AG dolls are dolls, in universe

So, since Courtney has a Molly doll, that makes American Girl dolls canon in the universe they themselves exist in. Why, then, were these girls chosen to become dolls? What about these people made them the ones to have their stories canonized?

Kaya: Kaya lived until the 1830s, and had a number of children. One of her granddaughters was recorded speaking the Nez Perce language (Niimi'ipuutímt), singing, and recounting stories from her childhood. In universe, American Girl went looking for stories of young native girls in heroic situations and found the audio recordings of Kaya(at the time, Swan Circling)’s granddaughter telling stories of her grandmother’s escape from captivity, and did more research.

Felicity: As an adult, Felicity married and moved to Massachusetts. One of her sons became a fiction writer, writing serialized stories in newspapers, and turned his mother’s recollections of the war into short stories for children. These stories were later adapted by AG’s writers.

Caroline: Caroline’s story waxed and waned in popularity. Her family’s story was well documented and two books have been written about it. In Sackets Harbor, there is an Abbott family statue. She was a natural choice for AG when deciding to write about the War of 1812.

Josefina: Josefina succeeded in her goal of becoming a curandera. She later moved to Mexico City, where she had a long career of working with children in need. She was honored with multiple awards for her work throughout Mexico. When AG looked to release a Hispanic doll, a Mexican born researcher suggested Josefina Montoya, with the caveat that she was from Mexico. The team later realized she was born in a part of Mexico that would later become the United States.

Kirsten: Kirsten lived into her 90s. She became a schoolteacher before marrying at 25, and then spent much of her time quilting. She won numerous awards for her work, which specialized in applique. In her 80s, she created a quilt portraying the journey of immigration from Sweden through fabric- embroidery from Sweden to quilted panels from America- and was filmed discussing it on a local TV station at age 93. In that interview, she told the stories of Marta, Sari, and Singing Bird. She recorded her life in a series of journals and stories, which her family catalogued and published in a book about Swedish immigrants to Minnesota, giving AG lots of information to work with.

Addy: Addy lived most of her life in Philadelphia. She became a teacher, temporarily retired to raise three children, then returned to teaching. In the 1920s, she was recorded on audio telling her life’s story. AG was searching through records of formerly enslaved women, and chose Addy’s story because of her recollections of Janie and Ida Bean. Ida Bean was preserved by Addy’s family, occasionally rented to museums, and later used to create the Ida Bean doll that was sold with Addy. Her photograph hangs in the hallway of the school she taught at, along with an Addy doll in a glass case.

(Part 1)

#american girl #theories

[pwlanier]

AMERICAN FRIENDSHIP ALBUM APPLIQUE AND PIECED TIED BED COVER

having 41 on-point pattern blocks featuring various designs in printed fabrics, many of the blocks with embroidered or ink-signed signatures/initials to the top or backing, some signatures with dates, printed fabric latticed sashing, front-over-back binding, three-paneled plain backing. Names include Jane Stafford, S.A. Hinckler with “Jan 20th 1850” date, Hannah J. Caldwell, Eliza Dunlap with “Jan 1849” date, Ann Jane Furguson with “6 Jan 1849” date, Elisabeth Austin with “NY Jany 1849” date, and Elizabeth King.

Jeffrey Evans

#american folk art #quilt #textiles

[aggravateddurian]

Rouge Raxxa, the Aldecaldos' upgunned Basilisk

The XT 451 Basilisk is a cargo hovercraft built by Militech between 2058 and 2063. The vehicle saw use by Militech and NUSA forces during the Unification War in 2070. By 2077, this vehicle was considered third rate, and obsolete, at least in the NUSA.

Rouge Raxxa is the name given to an upgunned and re-engined Basilisk stolen by Panam Palmer, V and a group of Aldecaldos in or about May of 2077. Among the modifications were a QianT dual 25mm autocannon, anti-tank guided missile (ATGM) launchers, and an upgraded powerplant. Visual inspection of the vehicle's final form also indicates that the Aldecaldos affixed panels of applique armour to the vehicle, to enhance its survivability.

By default, the Basilisk comes unarmed. An example of such a Basilisk can be found in an abandoned Militech display in Night City, alongside a showcase of luxury sportscars. However, some variants have been seen armed with a 20mm autocannon.

It is not established whether this Basilisk, which can be found in the EBM Petrochem Stadium in Dogtown, is a real Basilisk or a mock-up.

#cyberpunk #cyberpunk 2077 #cyberpunk 2077 photomode #cp2077 #cp2077 photomode #virtual photography #my vp #aldecaldos #militech #militech basilisk