#artist is joseph blackburn

[diioonysus]

"purple is a color that sparks imagination and awakens the spirit."

#artist is joseph blackburn #cant find artist #artist is frans verhas #-cant find artist #artist is claude monet #artist is jane morgan #artist is maria waye #the portait is of barbara palmer but i cant find the artist #artist is leonor fini #artist is catherine hyde #artist is james coleman #artist is abraham jassens but im pretty sure that isn't the original color of the painting but it looks better in purple anyways #--cant find artist #artist is nadiiia boichenko #artist is jaanika talts #art history #history #art

[moon-meridian]

hello, friends! here is a collection of some of my favorite faces. i'll update this list as i come into contact with faces that i've been introduced to and want to interact with. please keep in mind that this list is just what comes to mind, i love new faces so feel free to suggest new ones to me !#happyroleplaying

ACTORS

a-e

aaron paul, aaron taylor-johnson, aaron tveit, adam dimarco, adan canto, alan ritchson, alberto rosende, alexander calvert, alexander skarsgard, alex fitzalan, alfie allen, alfonso herrera, alfred enoch, alvaro rico, andre lamoglia, andrew garfield, andrew matarazzo, andy samberg, angus cloud, antoni porowski, antony starr, armie hammer, aron piper, austin butler, avan jogia, ben barnes, bill skarsgard, blair redford, blake jenner, bob morley, boyd holbrook, brandon flynn, brant daughtry, brenton thwaites, brian j. smith, bright vachirawit chivaaree, cameron monaghan, casey cott, carter jenkins, chace crawford, chadwick boseman, chance perdomo, charles melton, charlie coxx, charlie heaton, charlie hunnam, charlie weber, chase stokes, cheyenne jackson, chris evans, chris hemsworth, chris messina, chris pine, christian navarro, christopher abbott, chris wood, cody christian, cody fern, cole sprouse, colton haynes, curran walters, dacre montgomery, daniel sharman, darren barnet, darren criss, david castaneda, david castro, david corenswet, dean geyer, dominic cooper, dominic sherwood, drey ray tanner, drew van acker, dylan minnette, dylan o'brien, dylan sprayberry, dylan sprouse, ed westwick, eka darville, eric dane, evan peters.

f-l

felix mallard, finn jones, finn wittrock, froy gutierrez, gavin leatherwood, gong yoo, grant gustin, gregg sulkin, gus kenworthy, hart denton, hasan minhaj, henry cavill, henry zaga, herman tommeras, hero fiennes-tiffin, hugh dancy, ian bohen, ian harding, ian somerhalder, itzan escamilla, iwan rheon, jack falahee, jack quaid, jack mulhern, jack o'connell, jacob artist, jacob elordi, jai courtney, jan luis castellanos, jared padelecki, jason momoa, jedidiah goodacre, jensen ackles, jeremy allen white, jeremy jordan, joe dempsie, joe keery, joel kinnaman, joel mchale, joe manganiello, jonathan groff, jon bernthal, jon krazinski, jordan fisher, jorge lopez, joseph gilgun, josh hartnett, joshua bassett, justin hartley, justin theroux, karamo brown, karl urban, kit harrington, kj apa, kyle allen, liam hemsworth, logan shroyer, louis partridge, lucien laviscount, luke evans, luke pasqualino.

m-s

manny jacinto, manu rios, matt bomer, matthew daddario, mark pellegrino, mason gooding, maxence danet-fauvel, max irons, max riemelt, mena massoud, michael cimino, michael trevino, michael vlamis, michele morrone, michiel huisman, miguel bernardeau, miguel herran, mike colter, miguel angel silvestre, miles heizer, milo ventimiglia, nathan parsons, nicholas galitzine, nick robinson, nico mirallegro, nico tortorella, nikolaj coster-waldua, noah centineo, nolan gerard funk, oliver jackson-cohen, oliver stark, omar ayuso, omar rudberg, oscar isaac, paul wesley, penn badgley, pol granch, rafael silva, rahul kohli, rami malik, richard madden, ricky whittle, riz ahmed, robert sheehan, rome flynn, ronen rubenstein, ross lynch, rudy pankow, rupert grint, ryan guzman, ryan kelley, ryan potter, sam claflin, sam heughan, samuel larson, scott eastwood, sean teale, sebastian de souza, sebastian stan, shiloh fernandez, skeet ulrich, steven strait.

t-z

taron egerton, taylor zakhar perez, theo james, thomas doherty, timothy granaderos, timothy olyphant, toby kebbell, toby wallace, tom ellis, tom hiddleston, tom holland, tom hopper, tom pelphrey, tyler blackburn, tyler hoechlin, tyler lawrence gray, tyler posey, wentworth miller, zac efron.

MUSICIANS

austin porter, benito ocasio (bad bunny), brandon arreaga, charlie puth, dominic fike, edwin honoret, harry styles, jack gilinsky, jack harlow, jaden smith, joe jonas, lil nas z, machine gun kelly, nick jonas, nick mara, omar apollo, shawn mendes, troye sivan, zayn malik, zion kuwonu.

EASTERN

bang chan, choi chanhee, choi minho, christian yu, han seungwoo, jackson wang, jay park, jung ki-suck, kim jennie, kim jisoo, kim jongdae, kwon hyuk lai, kuan-lin, lalisa manoban, lee dae-hwi, lee tae-min, mark yien tuan, ong seong-wu, roseanne park, taehyung, wong kunhang, wu yi fan, xiao dejun, and yan an.

MODELS

adam senn, adil haddaoui, adrien sahores, agustin bruno, arthur gosse, billy vandendooren, bo develius, brad skelly, brooklyn beckham, cameron dallas, casey jackson, christian hogue, daniel abohzira, daniel bederov, david gandy, derek chadwick, desire mia, diego barrueco, francisco lachowski, gage gomez, gui fedrezzi, harvey newton-haydon, isha blaaker, ivan kozak, jacob bixenman, janis danner, jamie dornan, joe collier, jordan torres, juan betancourt, julian schratter, kit butler, lenny izaguire, manu rios, marlon teixeira, marvin cortes, matthew noszka, matty carrington, maverick mcconnell, michael yerger, neels visser, nick bateman, nicolas simoes, nyle dimarco, ollie loudon, owen lindberg, rafael lazzini, rafael miller, reese king, richard diess, robbie satchwell, sean opry, simon loof, simon nessman, tanner reese, tom webb, vinnie hacker, will higginson, xavier serrano, zander fitzpatrick

UNCLASSIFIED

gus kenworthy, noah beck, ryan garcia, vlad hoshin.

#resources: muse list

[doppelgaenger-portraits]

1. Mrs Gillam Daniel 1755 2. Hannah Wentworth Atkinson 1760

Artist: Joseph Blackburn

3. Barbara Bagot 1749

Artist: Thomas Hudson

1. Lillias Scott 1748

2. Lady Jemima Campbell 1741

3. Arabella Pershal 1740

Artist Allan Ramsay

#thomas hudson #joseph blackburn #18th century portrait #18th century art #1740s #1760s #1750s #18th century

[wrongpublishing]

BOOK REVIEW: COLLAGE MACABRE, AN ANTHOLOGY OF ART HORROR

by Elizabeth Broadbent, Staff Writer.

How did these people scare me so bad with paint? 

Truth: I once lived in a dorm so artsy they called us the Cereal Bowl (‘cause we were “the flakes and the nuts.”). Living with a bunch of theater kids, visual artists, sculptors, and writers for three years means I have seen things, and I’m not talking about someone else’s sexcapades or our  if-we-catch-you-up-there-you’re-expelled creepy-ass attic. We dialed 1-800-The-Great-Beyond on multiple occasions. Dead people talked to us in dreams. Psychic stuff happened on the reg. Seriously, my boyfriend once duct-taped me to a wall as performance art. No art-based anthology would scare me. Go back to drawing school. 

Then I read Collage Macabre, coming from Future Dead Collective on April 18, 2023.

In retrospect, I probably freaked them out with the fangirl tweeting. Scaring me with paint? The paint was only the beginning. I will never crochet again. Sculpture? Thanks, y’all. I will now gaze upon my favorite works and wonder what nefarious artistry created them. We always knew that performance art could turn into the sun and go wrong (see above reference to duct tape), but could you really make me fear theater? Really, Timothy Lanz? Didn’t think that story was going to go there. Never saw it coming, and it came, and that’s etched in my brain-cave for eternity now, thanks (I absolutely and completely adored it; goddamn did that anthology end on a bang). 

In any collection, you’ll love some stories more than others: that’s what makes a good anthology, because my tastes are different than your tastes, and there’s a difference between “This wasn’t my favorite” and “This was not a good story.” Every single story’s great. They all veer in different directions; they all stick their landings. They span time and place and subgenre.

I refuse to pick favorites because what I love best will not necessarily be what you love best, and it’s all awesome. Ai Jiang’s spare prose is a beautiful counterpoint to Ryan Marie Ketterer’s more jarring, yet ornate style. Mob’s romantic “The Red Lady” and Jessica Peter’s “A Study in Umber” bump lusciously against the voices in Joseph Andre Thomas’s “The Preparator” and Erik McHatton’s “Station 42” (if you get it, you get it, and if you don’t, you don’t). 

Sure, paint it black, TJ Price. Whatevs—but oh sweet baby Jesus that’s not whatevs at all. Demi-Louise Blackburn took me through a second-person POV I enjoyed: a difficult feat (and a great story). Clearly, these authors are, when relevant, masters of the art they describe—Rachel Searcey, for example, is a filmmaker—and that authenticity shines through their stories.  

This is a beautiful collection, a haunting collection, a collection of stories not soon forgotten. From romantic obsessives to art students learning to see, from television-headed men to tottering-sticked sculptures, these stories of depraved art and artists will stay with you. I loved it so much I had to:

Stop myself from tweeting each author. I looked like a weirdo.

Stop myself from reading the whole thing at once. This book demands savoring, like good wine, rather than devouring. You wouldn’t stride through an art museum, would you? Then give this collection time. Stop. Look. Contemplate. These stories deserve your full attention.

Twitter: @ collagemacabre

Instagram: @ collage_macabre

Preorder on Amazon for April 18

#review #gothic fiction #fiction #short fiction #gothic literature #book review #horror books #horror anthology #gothic anthology #fiction review #horror fiction #horror literature #indie lit #indie literature #indie horror

[dliilb]

Aerosol Jezus - Cozey (Official Music Video) from Aerosol Jezus on Vimeo.

Spotify: open.spotify.com/track/260jow7TUHsSOWQysjvK5Y?si=f776d8439d704a2b Apple Music: music.apple.com/us/album/cozey/1615434136?i=1615434137 Instagram: instagram.com/aerosoljezus

Directed by Mitchell Abraham Co-Director and Director of Photography - Zachary Ostapchenko Produced, Edited, Color, and Visual Effects by Mitchell Abraham Story by Robert Abraham ------------------------------------------------------------------- Description: Experience the exhilarating journey of an astronaut, propelled far from home by his obsession to unearth mysterious gems strewn across the galaxy in this sci-fi epic, as he discovers the true cost of his pursuit. ------------------------------------------------------------------- Warehouse Shoot Crew: Executive Producer - Danny Pollack Executive Producer - Collin Druz Production Manager - David Flynn Production Coordinator - Mare Andrews Director of Photography - Adam Grenley Assistant Camera - Kane Katubig BTS Photo & Video - Lanre Ako Gaffer - Chase Erickson Key Grip - Josh Adams Stunt Coordinator - Erik Aude Rigging Coordinator - Mark Musashi Production Designer - Grace Landgraf Costume Designer - Kate Broardrick HMU Artist - Melissa Saavedra Assistant Director - Matthew Rawleston Production Assistant - Jonah Evans Production Assistant - Lucas Henderson Actress - Katie Blackburn Management - Wade Davis ------------------------------------------------------------------- Additional Shooting / Post Production: Project Development / Camera Operator - Robert Abraham Assistant Camera / Costume Coordinator - Kimo Karp Underwater Photography / Camera Operator - Jonah Evans Camera Operator - Nicolas Devore Green Screen Drone Operator - Joseph Cargulia Camera Operator - Jesse Rojas Assistant Camera - Daniel Botero Assistant Camera - Ann Marie Abraham Additional Rotoscoping / Compositing - Thermonuclear (Sherif Higazy, Karim Higazy)

Timeline 349 (422HQ) (4K) (Same as Timeline) (Rec.709-A) (Auto Data Levels)

[asfaltics]

found

1933 . cover, detail . Afro-American Artists, New York and Boston (1970) . 20211114

background to this volume is told by Jasmine Liu in “Black Power in Print Illuminates the Rich Artistic Legacy of the Movement” at Hyperallergic (October 13, 2021) : here and at the online exhibit Black Power in Print The exhibition catalogue is out of print; its introduction (by Edmund Barry Gaither) is available here.

the artists in the exhibition (and this catalogue) were (are) — Boston / Ronald Boutte; Calvin Burnett, Dana C. Chandler, Jr.; Henry DeLeon; Milton Johnson; Lois Marilou Jones; Harriet Kennedy; Edward McCluney, Jr.; Jerry Pinkney; Stanley Pinckney (Babaluaiye S. Délé); Gary Rickson; Al Smith; Richard Stroud; Lovett Thompson; Richard Waters; John Wilson; Ellen Banks; Richard Yarde New York / Emma Amos; Benny Andrews; Ellsworth Ausby; Malcolm Bailey; Romare Bearden; Robert Blackburn; Betty Blayton; Lynn Bowers; Frank Bowling; Marvin Brown; John Chandler; Edward Clark; Cliff Joseph; Eldzier Cortor; Ernest Crichlow; Emilio Cruz; Avel de Knight; James Denmark; Reginald Gammon; Felrath Hines; Alvin Hollingsworth; Bill Howell; Zell Ingram; Gerald Jackson; Daniel L. Johnson; Benjamin Jones; Tonnie Jones; Jacob Lawrence; Hughie Lee-Smith; Norman Lewis; Tom Lloyd; Alvin D. Loving, Jr.; Richard Mayhew; Algernon Miller; Joseph Overstreet; Louise Parks; John W. Rohden; Barbara Chase Riboud; Bill Rivers; Mahler Ryder; Raymond Saunders; Thomas Sills; Vincent Smith; Alma Thomas; Bob Thompson; Russ Thompson, Lloyd Toone; Luther Van; Paul Waters; Jack White; Yvonne Williams; Hale Woodruff

—

found this copy, weathered mildewed broken, on the street in Allston (Boston) during this afternoon’s walk.  

#for completeness’s sake

[mishinashen]

Sisters by Sir John Everett Millais, 1868

John Everett Millais's portrait of Lady Campbell (1861-1933) was one of three pictures Millais exhibited in 1884 at the Grosvenor Gallery, along with his portrait of the Marquess of Lorne, Queen Victoria's son-in-law (National Gallery, Ottawa), and Millais's image of Lady Campbell when she was a child, from fifteen years earlier (1868-9, fig. 1). It was characteristic of Millais to exhibit society portraits or images of politicians at the Grosvenor, where many of his patrons were frequent visitors. By contrast, in the same year he showed three portraits and an historical picture, An Idyll, 1745 (Lady Lever Art Gallery, Port Sunlight) at the Royal Academy of Arts, and three fancy pictures, Little Miss Muffet (private collection), A Message from the Sea (private collection), and The Mistletoe-Gatherer (private collection, on loan to the National Gallery of South Africa, Capetown) at Thomas McLean's more populist gallery on the Haymarket. Of these nine new pictures, Lady Campbell was the most impressive offering of the year. Millais posed her in a fashionable cap-sleeved white evening dress, with its narrow shoulders and wide bust and a small bouquet of forget-me-nots fastened in front, and a triple-strand pearl necklace, and seated on an oak chest alongside her gloves and a blue Nankin vase filled with tulips. She holds a fan, and looks off to her right. Behind her is a loosely painted yellow floriated tapestry. Nina Lehmann's father commissioned this portrait, as he had the one of her as a child, and in some ways they complement each other. The red camellia held in the lap has been changed to a lady's fan, and the overlarge earthenware pot that the young Nina sits upon, with its drips of glazing along the bottom, has been replaced by a more elegant, refined, and smaller in scale to the sitter, Chinese Porcelain vessel. The work was painted in the month leading up to Nina Lehmann's marriage, to Guy Theophilus Campbell, 3rd Bt, of Thames Ditton, born in 1854 and who served in the Afghan War of 1878-80. They married on 30 April 1884, just before the Grosvenor opened in the first week of May, and less than two years after he had succeeded as Baronet. They would have four boys and two girls. He died 12 September 1931, and she in 1933. Millais's painting of Nina when she was a young girl (fig. 1) was titled Nina, daughter of Frederick Lehman, Esq., and he exhibited it at the Royal Academy in 1869. In that earlier picture, he employed a predominantly white tone and relaxed atmosphere as pursued in many of his images of young girls-such as Spring (1856-9, Lady Lever Art Gallery, Port Sunlight) and Sisters (1868, lot 8). The picture was calculated to appeal to clients with evolved tastes. The sitter's father, Frederick Lehmann (1826-91) was a businessman, violinist, and musical aficionado whose wife, born Jane Gibson Chambers but known as Nina (b. 1830), was a pianist. She was the daughter of the publisher Robert Chambers, founder of the Edinburgh Journal. Lehmann made his fortune dealing arms in the American Civil War. One of his brothers was Henri Lehmann (1814-82), a pupil of J.A.D. Ingres, and the other was Millais's friend, Rudolf Lehmann (1819-1905), also a painter, who lived at Worth Villas, Campden Hill, and who married Jane Chambers's sister Amelia. The Lehmanns were close to Millais's friends such as the novelist Wilkie Collins, musicians including the violinist Joseph Joachim, the conductor and pianist Charles Hall, and other members of English musical society. The Lehmanns held frequent musical evenings for London's artistic society in their house at 15, Berkeley Square. In addition, Lehmann's sister Eliza, married Ernst Benzon, and the Benzons would also become patrons of Millais. It was through society connections that Millais gained the first commission to paint Lehmann's daughter, and then to paint her again to celebrate her marriage. Millais was working on the portrait in early April, when he wrote to his daughter Mary, 'I have finished my pictures for the RA and they have been sent away this morning so I feel a load taken off my back. Your Uncle William was here yesterday and showed the public my works. I believe some hundreds came, but I went out to avoid the Crowd. I have one day's holiday tomorrow and then I have Nina Lehmann sitting to me, as her Father is very anxious for her portrait to go to the Grosvenor gallery. All the pictures are very much liked and I shall set about doing the other Commissions from Mr. Wertheimer'. (John Everett Millais to Mary Millais, at 31, Devonshire Terrace, W.impole Street, from Palace Gate, dated 7 April 1884, Pierpont Morgan Library, Millais Papers MA.1485). The opulence of this portrait, and the interest in fashion and elegant environs was a later and more modern manifestation of the Georgian revival that Millais had spearheaded in the 1860s with portraits such as Sisters (1868, lot 8). Here, Millais worked in a mode that reflected concerns in contemporary continental art, where artists like Pierre Auguste-Renoir collaborated with sitters such as Madame Georges Charpentier, posed in 1878 with her two children in her apartment and surrounded by a litany of forms associated with the pan-European Aesthetic Movement. Such paintings represented cultivated tastes in clothing and accoutrements (often Asian in style), and also bore elegant and evocative brushwork free from the detailed description of Millais's earlier Pre-Raphaelite style. As Claude Phillips wrote in The Academy of the Grosvenor Gallery display of 1884, 'It was a somewhat bold venture on the part of Mr. Millais to have placed in juxtaposition his superb and well-remembered portrait of 'Miss Nina Lehmann' (57), painted in 1869, and his new portrait of the same lady - now Lady Campbell - (62). The former is one of his most complete and admirable works, and is one to which Englishmen are glad to point as an example of perfect technique from the hand of one of their painters. The new portrait, though in it the master-hand is still visible, and there is much to admire - especially the elegant pose and treatment of the head - does not support comparison with the earlier one either as regards the painting of the flesh, the complete and harmonious rendering of the surroundings, or general charm and accomplishment'.

Yet in the same year the critic Henry Blackburn called Millais 'the greatest living portrait-painter,' and Phillips's opinion resonated more in the 1880s, when Millais's more finished child images, whether portraits or fancy pictures, were routinely and favourably compared to the Georgian era works of Sir Joshua Reynolds and Thomas Gainsborough, than today. Now, it is Millais's more freely painted and suggestive portraits of women such as Hearts are Trumps (1872, Tate), Louise Jopling (1879, National Portrait Gallery), and Kate Perugini (1880, private collection) that seem his most advanced works, and reveal him to be one of the finest portraitists of the period, and the painter who laid the groundwork for John Singer Sargent and Giovanni Boldini and the next generation of European portraitists.

#art #pre-raphaelite #millais #children

[fallcnshcrts]

hello! i’m in the mood to use my supernatural muses more since it’s halloween season!!, so pls give this a like or message for a one liner/plot based/ halloween starter from the following muses!

VINCENT REYES. 31. werewolf. owner of club x. pansexual. manny jacinto fc.  CARMEN RAMOS. 24. vampire dancer. homosexual. claudia salas fc. XAVIER JOHNSON. 20. warlock. bio science major. heterosexual. aubrey joseph fc. TRINITY SIMS. 30. witch. graphic designer. bisexual. nafessa williams fc. DARREN WALSH. 32. werewolf. detective. heterosexual. derek theler fc. AUBREY HEWITT. 22. witch. fashion design student. on gymnastic team. bisexual. sydney park fc. OLIVER KELLAN. 24. werewolf. chef assistant. bisexual. rj cyler or algee smith fc. AUDREE YATES. 30. werewolf. paramedic. heterosexual. kylie bunbury fc. ANDREW KELLER. 30. vampire. mechanic. bisexual. tyler blackburn fc. ZARA HUNTER. 30 werewolf. tattoo artist. homosexual. shay mitchell fc. ARIADNE CARVER. 27. psychic. fortune teller. pansexual. kehlani parrish fc. MARILYN WELLS. 37. vampire. musuem curator. bisexual. sophia bush fc. NADINE PHAN. 31. witch. herbalist. bisexual. karruche tran fc.

#indie rp #urban indie rp #indie roleplay #starter call #urban indie roleplay #also open to mutuals and non mututals

[tiny-librarian]

18th Century Portraits with pink dresses:

Maria Carolina of Austria by Anton Raphael Mengs

Marie Adelaide of France by Jean Marc Nattier

Deborah Hall by William Williams

Eunice Brown Fitch by Joseph Blackburn

Marie Clotilde of France by  Francois Hubert Drouais

Maria Theresa by Martin van Meyetens

Eunice Dennie Burr by John Singleton Copley

Maria Theresa of Savoy by an Unknown Artist

Baroness de Neubourg-Cromière by Alexander Roslin

Marie Salle by Maurice Quentin de La Tour

#maria carolina of austria #madame adelaide #madame clotilde #deborah hall #Eunice Brown Fitch #maria theresa #Eunice Dennie Burr #maria theresa of savoy #Baroness de Neubourg-Cromière #marie salle #long live the queue

[sinceileftyoublog]

Clinic Interview: Shambolic and Chaotic

Photo by Rhian Askins

BY JORDAN MAINZER

"It’s like they never left” is certainly an overused adage, but for Clinic, it’s remarkably true. The Liverpool indie rock band who broke out with their beloved debut Internal Wrangler in 2000 last released a record 7 years ago--before Friday, that is. Wheeltappers and Shunters, named after an absurd 70′s variety show of a similar name, is perhaps the best distillation of Clinic ever put to record, 60′s inspired in its aesthetic, uniquely British in its outlook. The album’s upbeat and fun to listen to, and from a broad standpoint, it allows Adrian “Ade” Blackburn and company to capture the spirit of England today, cynical about the future of the country but carrying on nonetheless.

Blackburn spoke to me over the phone last week about the new album, working with engineer Dilip Harris (Mount Kimbie, King Krule, Sons of Kemet), and looking back at the band’s old records. Read the conversation below, edited for length and clarity.

Since I Left You: How does it feel to release your first record in 7 years?

Ade Blackburn: It felt really good to release another record, because, as you say, it’s been 7 years. We’ve done a few other bits and pieces in between, but to get to the point of releasing a record is great.

SILY: You’ve talked about why you wanted to make the type of record you made in terms of the times that we’re in--you wanted it to be an escape and took the title from a 70′s variety show. What about the show made you want to name the album after it?

AB: The variety show was really chaotic. It was set in a working men’s social club. I thought that kind of summed up what the mood of things are like in Britain a bit. Shambolic and chaotic, but still, people try to enjoy themselves.

SILY: Having not released an album in 7 years, when the political climate has, in many people’s eyes, flipped on its head, did you feel like you needed to respond in some way?

AB: Yeah, I think that’s right. We didn’t want to directly make the album about that. But this has been building up for 20 years, so it’s naturally going to be something that crept into the lyrics.

SILY: Aesthetically, Wheeltappers and Shunters is even more retro in terms of your garage pop aesthetic. What influenced that?

AB: It is more so than Free Reign; that was a bit more of an electronic, jazzier sound. With this, one thing we were determined to do was make it fun sounding. With that, we probably went back to some old rock and roll sounds. A bit more carefree than thought out too much.

SILY: The first couple songs already released to the public, “Laughing Cavalier” and “Rubber Bullets”--did the label want those as singles, or was it you who thought they really encapsulated the feeling of the record?

AB: I think they cover a couple of sides to the record. One’s got more of a circus, variety, character to it. The other one’s a bit more punk, rock and roll sounding. Sometimes, in the past we’d only have one single, but when you have two, it gives people more of an idea of what the album is.

SILY: The album is not monochrome at all--it really has many sides to it.

AB: Yeah, we just wanted to keep the album short to a point, to not see it as a collection of songs but an entertaining half hour by any means.

SILY: What’s the story behind the video for “Laughing Cavalier”?

AB: The video came through Domino. It was [Joseph May] who did it in London. He had done the one for “Rubber Bullets” as well. It’s got almost a British sort of theme to it. They both have neanderthal elements mixed with some circus stuff.

SILY: “Fairyboat of the Mind” really stood out to me from an instrumental standpoint. Can you talk a little about the structure and instrumentation on that song? And who’s doing the vocal harmonies behind you?

AB: We hadn’t really done an instrumental like that for quite a while. We wanted to get back to mixing in clarinet and the harmonica. The spoken word bits on it are Jonathan Hartley, the keyboardist, and the backing vocals are Brian Campbell, the bass player. That again was a fun thing to do. It stops and starts where you don’t want it to.

SILY: It’s off-kilter.

AB: It’s quite a haunting melody. It reminds me of a David Axelrod song.

SILY: Do you have a favorite track on the record?

AB: I think probably “D.I.S.C.I.P.L.E” is my favorite. The more sort of full-on punk type songs are the ones I feel most confident about. Everything doesn’t have to be too precise. It can be rough around the edges. We could record it really quickly.

SILY: How did you come to work with Dilip Harris?

AB: That was through Domino. We always record ourselves in Hartley’s home studio. I spoke to Dilip, and he seemed to have a really good grasp of what we were going for. He wanted to be quite playful putting it together. He put more effects on it than we would have.

SILY: Had you heard any of his work before working with him?

AB: I hadn’t heard a lot, but I had heard some of it. It’s quite a mixed bag, isn’t it? He’s done some mainstream stuff and some lo-fi stuff. I liked the fact he had done both because we wanted a bit of both. We didn’t want it to be too lo-fi sounding.

SILY: What’s the artistic inspiration behind the cover art?

AB: That cover art was from an original album called The Sounds & Songs of Britain, which came out in 1975. That’s got various sorts of sound effects from the countryside, and it’s also got the town criers you hear at the end of “Be Yourself”. It’s got bits of dialogue and sound effects we used, and we realized the cover was pretty perfect for our album, so we just decided to use that.

SILY: Have you played these songs live?

AB: We played a BBC Radio 6 Music event in March. That was the first thing we had done. But we’re not playing live until June.

SILY: What’s the approach you’re taking in adapting the songs to the stage?

AB: We play quite a few off the new LP. It’s usually what you’ve been rehearsing. They sound a bit more raw and punky. They sound like they’ve got a lot of life in them.

SILY: When you come up with a setlist and you’re playing a lot of new songs, when you pick from your back catalog, do you play what fans want to hear, or do you pick songs that you think will go well with the new material?

AB: We always try to do quite a lot of what fans and people would want to hear. We do half a set of that, and then throw in a few obscure album tracks or B-sides, and then new songs. You always try to avoid making it difficult for the audience. It should be entertaining.

SILY: Do you have any U.S. tour dates coming up?

AB: Possibly. We’re looking at that at the moment. It would be in the autumn. It’s been 7 years since we’ve played, so we should get some dates together.

SILY: Is there anything you’ve been listening to, reading, or watching lately that’s caught your attention?

AB: The last book that I read were Room at the Top by John Braine, which is set in the late 50′s in Britain. I’m always drawn to those British writers. [laughs]

SILY: Does what you’re listening to when you write and record have any influence on what you’re writing and recording?

AB: What I find is that, say, what I’ve listened to in the previous year then would influence me when I’m putting songs together. Once I’m actually recording, it has the opposite effect. If I go in and record something quite melodic, I’ll want to go home and listen to something raw.

SILY: Looking back at some of your old albums, do you find you still connect with them? Is it easy to inhabit the headspace you were in when you made them?

AB: [pauses] I think I know pretty much a lot of the time what headspace I was in. Some of it, I listen to and can’t understand why I went in a certain direction. But the majority of the time, I can still relate to what the ideas were at the time. After we made the albums, we didn’t listen back to them. It’s only more recently we’ve listened back to them. I was really quite pleased. They were a good listen.

SILY: Do you think you would ever reissue or do a retrospective or tour a classic album like Internal Wrangler?

AB: Possibly. I do like that. I think we’ve got quite a lot of demos and different songs and alternatives and instrumental pieces we did for Internal Wrangler. So we could certainly piece something together.

#clinic #interviews #domino #shambolic and chaotic #rhian askins #internal wrangler #wheeltappers and shunters #adrian ade blackburn #adrian blackburn #ade blackburn #dilip harris #mount kimbie #king krule #sons of kemet #free reign #joseph may #jonathan hartley #brian campbell #carl turney #david axelrod #the sounds & songs of britain #bbc radio 6 music #room at the top #john braine

[diioonysus]

dresses + art

#portrait of sabina seupham spalding by federico de madrazo y kuntz #portrait of anne blackett by maria verelst #portrait of mary sylvester by joseph blackburn #portrait of lady and her daughter by philip alexius de laszlo #ms hugh hammersley by john singer sargent #alice crawford in the role of olivia in “twelfth night” by william logsdail #portrait of lady by jules louis machard #lady dr. m by friedrich august von kaulbach #i cannot find this artist for some reason #juene suissesse de brienz by joseph desire court #princess maria carolina augusta of bourbon by franz xaver winterhalter #portrait of josefa del aguila ceballos by federico de madrazo #princess tatiana yusupova by franz xavier winterhalter #portrait of a lady in a white gown by unknown #fairies by madeleine jeanne lemaire #portrait of a lady by hugh de twenbrokes glazebrook #phila franks by thomas hudson #portrait of marguerite de seve by nicolas de largillere #portrait of marie-anne de chateauneuf by nicolas de largillere #penelope bayfield by thomas hudson #portrait of louise-elizabeth of france with her son by adelaide labille-guiard #i cant find this artist so if someone knows please let me know #self-portrait with harp by rose-adelaide ducreux #portrait of irma geijer nee von hallwyl by julius kronberg #countess carolina maraini sommaruga by vittorio matteo corcos #portrait of millicent duchess of sutherland by john singer sargent #flaming june by sir frederick leighton #portrait of anne of austria by peter paul rubens #judith by eglon hendrick van der neer #portrait of donna franca florio by giovanni boldini

[goalwarm9]

Top Guidelines Of Heading on a staycation? Here's our ultimate Derry bucket list

Not known Details About 'Bridgerton' star Nicola Coughlan shares throwback photo

The best accompaniment to this trip is our 2-hour Derry Girls City Walk which includes extra areas included in the show in the spiritual house of the program Derry.

Take the History-packed Derry Walls Walking Tour

Saturday, 25 July: Walking Tour of the Derry City Walls and Tour of Murals with the Bogside Artists – Irish Studies

Satisfying point, Bloody Sunday Monolith, Joseph Pl 29-37, Londonderry, BT48 6LH.

Go to the middle ages walled city of Derry and uncover, through the eyes of two local and appealing guides, it's typically chequered and troublesome past. Coming from opposite sides of the political conflict, these guides will lead you on their strolling tour of the city walls and neighboring Bogside location and will tell you as they see it.

Discover also how today's unionist's rallying call of 'No Give up' and the nationalist slogan 'Free Derry' happened. This directed trip provides an opportunity for the visitor to stroll the walls giving a platform to view the initial street strategy below which is still out there today, and after that to be led on a directed trip of the close-by Bogside area positioned simply outside the old town walls.

Top Guidelines Of Private Troubles Walking Tour Derry Londonderry

The team behind the award winning Martin Mc, Crossan city tours, who began running once again earlier this week. The business has been choosing the last 20 years. But a regional award-winning tour company got back to service this week and are preparing themselves for an increase of staycationers over the summertime.

Nevertheless, Covid-19 caused the cancellation of planned occasions and efficiently put an end to global travel. Read This from Martin Mc, Crossan City Tours, Charlene Blackburn, from the company, stated that she could see the disastrous impact coming long previously numerous understood how bad it was going to be." We were believing this year was going to be bigger than ever, since that is the method it typically is with tourism.

Trip guide Garvin Kerr with Oscar chose starlet Saoirse Ronan" We were anticipating an increase of visitors as a result of the worldwide appeal of Derry Girls. We had been looking at different avenues to bring in a different demographic and even more local people so we decided to begin a Derry Girls tour." Our main consumers are global visitors, primarily from North America, Canada and Australia, who remain in the 60 plus age classification.

#Walls Of Derry Tour #Derry Tourist Attractions #Derry Walking Tours #Walking Tour Derry

[raselafsaofia]

In my MIT studies in Floristry, I was told that 'a good florist should be able to make an arrangement from anything.' This was a challenge that I began to apply to objects outside of this field. The conversations around objects and their power to both hold value and add value. The book by Jennifer Van Horn; The power of Objects in the Eighteenth-century British America. She talks about this aspect of objects. She uses the in the introduction the works by Joseph Blackburn, a portrait painter in the 18th Century. Blackburn was commisioned by early settler merchants, to paint their portraits. The portrait of Francis Jones who was the President of Bermuda. The work featured Francis Jones sitting at his desk with an open letter in hand. In the corner of the painting is what appears to be a painting hanging on the wall with a faint outline of a ship sailing out into the horizon. This painting of Blackburn served two purposes. It provided the sitter Francis Jones the opportunity to communicate to the viewers both his status and wealth, whilst at the same time giving Blackburn a form of advertisement for his work as an artist. This led to more commissions amongst Francis Jones affluent circles of aquaintances.

Van Horn was presenting the idea of the multifaceted influence and impact of objects.

This multifaceted power that object's hold, is what makes working with readymade and found objects so exciting. The ability of an object to bring layers of meaning as signifiers gives the work that is made their value. This responsibility that I give to the objects in my work is why the selection of each object is important. The objects are chosen for their aesthetic quality, but being fully aware that the viewers may see and encounter the works in a very different way from me. The readings if the works and what it could say is left open as my interest is not to dictate to the possible readings of the work but to make work that satisfy my aesthetic requirements.

These requirements are from a design perspective. The presence of the work in the space is determined by my utilising of the elements and principles of design to construct the

work.

My relationship to the materials and objects are to do with the composition, placement and the visual presence of the work in the space.

As in this piece here. While it is still in its experimental stage, the consideration is given mainly on how it looks visually. This aesthetic demand is tge one I seek to satisfy, this is the only requirement that I am putting on the process. The rest is left to what the objects used, could imply or bring to the work.

This is a place I am relieved to have finally arrived to. I am aware of the anti-beauty discussions that exist in art history and the push away from art for arts sake's conversations that have gone on. I am not making a case for beauty or for ornamentations, I simply want to put together combinations of objects that satisfy my need for well proportioned, arrangements.

This to me is the case of an itch that I need to scratch. This need to satisfy my own demands on objects is what is giving energy and fueling my making so far. I am compelled to exhaust all of this fuel and energy to see where it leads and what may emerge from it.

[sidekickhq]

Fc suggestions for billy Kaplan and Franklin Richards pretty please

of course ! for billy i’d love to see gregg sulkin, justice smith, nat wolff, matthew daddario, ryan potter, charlie rowe, elliot fletcher, ryan guzman, noah centineo, tyler young, avan jogia, mena massoud, tyler blackburn, ezra miller, david lambert, alexander koch, dev patel and for franklin i suggest: justice smith, john boyega, aubrey joseph, frank dillane, odiseas georgiadis, jacob artist, lucien laviscount, jordan calloway, rome flynn, shameik moore, keith powers, alfie enoch, luke sabbat, lil nas x, khylin rhambo ! 

#marvel rp #appless rp #next gen rp #oc rp #comics rp #fc help #answered #Anonymous

[harvard-art-museums-photography]

X-radiograph(s) of "Miss Ann Phillips", April 4, 1983, Harvard Art Museums: Photographs

X-Radiograph Description: X-Radiograph (1 sheet, detail of drapery) X-Radiograph Settings: 5 ma, 40 kv, 50 sec. Burroughs Number: 4096 X-Radiograph(s) of: Artist: Blackburne, Joseph, American, ca.1730-after 1778 Title: Miss Ann Phillips De... Harvard Art Museums/Straus Center for Conservation and Technical Studies, Alan Burroughs Collection of X-Radiographs

https://www.harvardartmuseums.org/collections/object/347604

#museumarchive

[hannahrph]

do you know of any actors that is able to play dichen latchman's brother (half or full) in his late 20s - late 30s. ty.

i couldn’t find any fcs that are part tibetan male fcs out there. so if anyone has any suggestions please reply. however, here are some fcs who are at least half white: bob morley, toby regbo, sean teale, paul wesley, michael trevino, dj cotrona, brett dalton, diego luna, chris evans, sebastian stan, chris wood, jack falahee, jeremy allen white, jacob artist, charlie hunnam, nathaniel buzolic, tyler hoechlin, aaron tveit, tyler blackburn, kit harington, austin butler, zac efron, joseph morgan, daniel sharman, tyler posey, dylan o’brien, richard madden, luke evans, aiden turner, sam claflin, nico tortorella, jedidiah goodarce, gregg sulkin, avan jogia, & grant gustin !!

#appless rp #rph #rpt #rpc #fc help #Anonymous