Another film that I haven’t heard anyone talk about. Which is a shame, it’s a beautiful picture. Heartbreaking and surprising and understated and powerful and beautiful. Women Talking is definitely one I would recommend. It received the Oscar for Best Adapted Screenplay.
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Women Talking
For a VaRiEtY of reasons last week I went down some rabbit holes around this movie + the principals involved.
Navigating this experience illuminated how I want to stretch + grow in terms of exercising leadership, no matter my role within a group or community. I stand in wonder learning a bit about how DeDe Gardner, Sarah Polley + Frances McDormand collaborate. Their vision of how movies can create conversations to help shift important social dynamics INSPIRES ME.
If you are similarly interested, here's some links you might enjoy.
update 3/12/23 8:00pm
SARAH POLLEY JUST WON THE ACADEMY AWARD FOR BEST ADAPTED SCREENPLAY!!! Watch her JoYfuLLy run up to give her iNsiGhTfuL acceptance speech here.
Back in Sept2022 at TIFF2022 (25 min) this L o V e L y small group convo happened. Among other bits, LOVED moderator Sonia Lawrence's summary statement that what she takes from the film into her life is not the community's lack of judgment, but their presence of care.
Here's Frances at MVFF (54 min) - where she read some bits from Sarah Polley's brave book Run Towards The Danger; spoke about the magnificient collaboration between Polley (screenwriter + director), producer Dede Gardner + herself; and described the impact of Polley's way of exercising leadership on others. Watching this video is the first time I've seriously considered using the descriptor 'matriarchal leadership style.'
Loved this bit (which is mostly a direct quote), "Movies are not answers, but they are propaganda + conversation starters... we're actively screening at colleges + universities... using the moving to talk about the future, not about the horrible present, but the future + try to radicalise the conversation more. "
Claire Foy in a convo moderated by Kate Erbland (28 min) - about how Foy landed as Salome, what it was like to work with Polley as a director, and more. At 14:05 min there's a sweet bit about the experience of acting with Ben Whishaw + his role in the movie.
NYFF60 (19 min) - Eugene Hernandez does an admirable job getting each person to reflect on the movie within this relatively short panel conversation.
In February Polley + Ben, and then Buckley + Foy were on London Live (9:25 min). L O V E D how about 3/4 of the way through Buckley gently pushes back on interviewer's assumption that the women character's lives were foreign to the actors playing them. They're not, she said, not at all. What WAS foreign + welcome was the ability for a group of women to have an extended conversation about a complex issue and then to make a decision which will have an impact on the rest of their lives. D A M N, if that isn't sobering!
I didn't know August Winter before watching these interviews, so found this Autostraddle interview w/cast member August Winter about the movie + navigating the industry as a non-binary actor + this video. I appreciate hearing from them directly about their character Melvin who is a trans man + learning why silence is such a significant part of their character's behaviour.
Lastly, reading some of Polley's IG posts reminds me that the people I admire most know their worth, yet a l w a y s shine a light on those around them. After listening + watching Polley today, I am even.more.encouraged to do the same. Currently the latter is easier than the former. #work in progress
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Rookie-Critic's Top 25 Films of 2022:
Honorable Mentions - Women Talking (dir. Sarah Polley)
The most ensemble-y of ensemble films from last year, Sarah Polley's meditation on women's role in their own freedom and independence and what it means to truly have a life of choice is a tour de force of acting prowess. All of the film's numerous actresses, from old to young, get a chance to show the audience what they can do. I'm normally not one for films that feel like stage plays, and this most certainly does, but somehow it feels above the pitfalls of that kind of story. It is basically a bunch of monologues and TED Talk-esque discussions strung together, but it's done in a way that asks the audience to engage with what's being said, not to merely sit and listen, but to think, to apply the points being brought up to yourself, to understand, and to accept. The fact that the Best Supporting Actress category at this year's Academy Award wasn't flooded with actresses from this film is a testament to how truly special this year was for movies, because the women of Women Talking are something to behold.
Currently available to rent/purchase on digital (iTunes, Amazon, Vudu, etc.) on on DVD & Blu-ray through Orion & Universal Studios.
Read my full review of Women Talking here.
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So fun to see August Winter and Katie Douglas back on tv together even if it was just for a quick scene. Also fun to see Guelph
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"Women Talking"
A talky film with difficult subject matter, dialogue, and situations, but it's also a story that is hopeful and empowering. #TIFF22
This film was screened at the Toronto International Film Festival
Writer / director Sarah Polley brings novelist Miriam Toews‘ acclaimed novel to the screen in “Women Talking,” a story that, despite its secluded religious colony setting, has themes that ring true throughout America’s history of antiquated patriarchal systems. It’s a film about the strength of women and their ability to work…
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Orphan Black: Echoes - Season 1 – TV Review
TL;DR – This is an interesting spin on the original, that works well within the framework that was set, even if it does not quite get the tone right in places.
⭐⭐⭐⭐
Rating: 3.5 out of 5.
Disclosure – I paid for the Stan service that viewed this series.Warning – Contains scenes that may cause distress.
Orphan Black: Echoes Review –
Back in the day, I was fascinated by this small show out of…
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