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#aziraphale's face when he realizes
dontfuckingbother · 5 months
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1941-crowley-slut · 8 months
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I hope everyone realizes that aside from Crowley not being in heaven, Aziraphale will also not have anything else he likes.
There are no books in heaven. There's no tea or hot chocolate, no music, no crêpes or sushi. So not only does he lose the love of his life and has to operate without him, but he also isn't allowed any of his comfort things, all while I'm sure the angels are hostile against him (even if they pretend otherwise).
Aziraphale has nothing.
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only-one-brain-cell · 9 months
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Crowley fell first but Aziraphale fell harder
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imagopersonal · 9 months
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Aziraphale was about to confess too before Metatron and his coffee came into the bookshop;
Okay, hear me out. In 2x02, when they’re talking about “how people fall in love”, Crowley talks about sudden rainstorms,
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which is an obvious reference to how he fell in love, about 6000 years earlier (poor demon thinks everyone falls in love the way he did)
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Aziraphale doesn’t get it and answers “seems a bit unlikely”. He didn’t connect the dots, he doesn’t think Crowley loves him that way. All he knows about falling in love is what he read in books. Of course he fell in love with Crowley too, but I’m pretty sure he did in ‘41 when Crowley saved his books from a bomb, and that’s a bit hard to recreate, so… balls.
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That’s his idea, you make two people dance together and they magically fall in love, which is so in-character I want to scream. Now let’s get to 2x05. We know Aziraphale always tried to avoid organizing those meetings, but he’s suddenly so excited about it he is WILLING TO GIVE AWAY HIS BOOKS. Why would he do something like that? There’s no way it’s actually to make Maggie and Nina fall in love. At that point, Muriel doesn’t even care anymore about it, they all know the truth about the miracle is about to be revealed, so there’s no point in being so persistent about Maggie and Nina’s relationship. He’s an angel; of course he cares about humans being happy, but I don’t think he cares so much about two semi-strangers’ love life that he’s willing to give away BOOKS for the off chance that the Jane Austen method will actually work on two humans he knows nothing about. So, my conclusion is, he’s organizing that night for him and Crowley. They are the ones that he hopes realize they’re deeply in love with each other, and that is something worth giving away books for. Which explains why he’s so excited but also a bit scared when he asks Crowley to dance with him.
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It explains why he ignores the fact that Crowley is trying to tell him that something important and dangerous is about to happen, just so they can have a little dance. It also explains this reaction when he sees Gabriel and Beelzebub being in love with each other
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and the way he looks at Crowley while they’re talking about them.
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I mean, I know he always stares lovingly at him, but not like that, right? That’s a face that screams “I’m so going to tell you I love you when all this is over”.
So, my point is:
Fuck Metatron.
That’s my point.
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Imago
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actual-changeling · 9 months
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i have watched the kiss scene and the breakup as a whole more times than i can count and my brain is still trying to process all the things it picked up on.
my newest painful obsession: aziraphale thought crowley came back for him.
they kiss, aziraphale says i forgive you and instead condemns them both, crowley leaves. the lip touching itself is fucking essay worthy because holy SHIT the amount of micro expressions flickering across his face is endless, michael sheen acted his ass off.
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i think it's a mixture of surprise, unspoken love, a HEAVY dose of fear, disbelief, and oh my god what did he just do what did i just do. he turns away from the door and we get a very very quick shot of how exactly he is angled.
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standing up straight with faked spiteful anger, the same anger he spit at crowley out of fear and insecurity, chin up, clearly waiting for something - or rather someone. we gotta remember that every single time crowley has left aziraphale, he came back. every. single. time. he came back and apologized, that's what they do.
crowley comes back and aziraphale forgives him and they continue bearing their silence.
the bell rings when the door opens again, just like it did when crowley left, and just. look at his face. how quickly he swivels around. the blink and you will miss it spark of hope.
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and then the pure devastation when he realizes it's not crowley.
aziraphale thought crowley was coming back for him. he was WAITING for him to come back. even after all that, he couldn't imagine crowley actually leaving him behind, especially not after that kiss and his entire indirect love confession.
just like crowley thought for a tiny heartbeat that aziraphale was kissing him back, aziraphale hoped, hell, he fucking thought he KNEW crowley would never abandon him. not after "i could always rely on you. you could always rely on me." aziraphale has taken him for granted, of course he thought it was him coming through the door.
but that spark of hope gets stomped out beneath the metatrash's feet and he fully turns around, unable to face him and the reality of it all.
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this time, he went too far.
this time, crowley did not want forgiveness.
he was about to say i love you and turned it into i forgive you, still clinging to their old ways, their old rituals, just that they are no longer those beings, no longer in that specific relationship. everything has changed.
they both thought the other would never abandon them. turns out they were both wrong.
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books-and-omens · 9 months
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Heyyyyyy I’d really like to talk more about the ball, who’s with me.
Because for all its glitter, the ball is dark. No, seriously, it’s dark. It’s eerie, it’s disturbing, and the narrative doesn’t shy away from showing us just how much. 
As in a classic fairytale, mortals are being spirited away into another realm to dance through the night. Here, however, we see exactly who is orchestrating the dance, and why.
And we empathize with him, but watching Aziraphale has never been so painful or so unsettling.
Nina arrives distraught and is immediately hit with the realization that she doesn’t feel distraught, even though she knows she should be feeling it. She confronts Aziraphale and he just tells her: oh yes! :) no long faces tonight! And she is disturbed throughout the ball, thinks she is losing her mind, questions and fights the enchantment… but from time to time, the enchantment still takes hold.
And just—
Aziraphale. Aziraphale, you do know that manipulating people is wrong, don’t you? You… do know that? And yes, of course, neither Crowley’s nor Aziraphale’s approach to morality is human. They are eldritch, they are otherworldly. It was Crowley who changed the paintball guns into real guns in S1, though of course, the humans still had choice in using them.
But the ball is still different.
We’ve never seen Aziraphale do anything quite so disturbing before, or go so obviously deep into his own delusion. There are moments during these scenes when even Crowley, permanently frustrated, is very nearly disturbed. (“Angel! What are you doing?” or “Making it rain is one thing, but a BALL?”)
I fully think that by that point in the story, Aziraphale is not all right. He is in an anxiety spiral, denying reality fiercely, obstinately, disastrously, not listening to any of Crowley’s hissed warnings. Yes, yes, he is giddy, he is in love. It’s so very important for him that everything go RIGHT this night, the night he gets to dance with Crowley. Is he even aware of everything he is conjuring up, of the enchantment he has woven? The humans who step through the doors of the bookshop change: their clothing, their mood, their speech patterns… By this point, is Aziraphale doing this consciously at all? Or is reality conforming to his expectations, forcing everyone into a replica of the nineteenth century while Aziraphale himself, distracted and smitten, works himself up to inviting Crowley to dance?
In the first few episodes, as fear and danger grow, as Aziraphale is faced with the danger specifically to Crowley (I don’t see why he would risk his existence for you, Shax tells him in the car), Aziraphale only denies reality all the more fiercely, only holds on to his plans tighter, only puts more force into them and exerts more control (really, rather like the archangels with their Great Plan).
And the ball, beautiful and otherworldly and eerie as it is, is also a dire warning. 
In the morning, it will be Crowley, not Aziraphale, who will get told off for manipulating Nina and Maggie. Aziraphale won’t reflect on this. He won’t be forced to reflect, and Metatron will manipulate him in turn.
There is a plan to follow. The show must go on.
GOD the ball is so dark.
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wordsinhaled · 9 months
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i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”
many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well
metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.
it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)
so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way
aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.
but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on
and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun
like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience
aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.
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ennas-aesthetic · 9 months
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You know what I just realized?
When Crowley said, "that's the point. No nightingales," I paused and went - huh. So both Aziraphale and Crowley KNEW about the actual nightingale bird that sang in Berkeley square? We as the audience are AWARE about it, of course, because God's narration told us so. We also know that, outside the mise en scène, Tori Amos' A Nightingale Sang in Berkeley Square plays as the end credits for season 1 roll.
But the s1 end credits song, I assumed, was non-diegetic. As in, like the soundtracks that permeate throughout most films, the song could only be heard by the AUDIENCE, and not by the characters. In addition, the characters THEMSELVES cannot hear what God says to the audience - and logically speaking both Crowley and Aziraphale could not have known about a singular, inconspicuous bird singing despite the noise of the traffic. Especially not when the Nightingale sings while they're currently dining at the Ritz.
So the 'No Nightingales' line WORKS for the audience - it's an incredible gut punch that leaves you weeping. But since we never heard or saw either Aziraphale and Crowley acknowledge the Nightingale, did that line have the same devastating impact to the both of them?
Oh, it absolutely did. Maybe even worse than we could ever imagine.
Because Crowley WASN'T just talking about that damn nightingale bird, was he? If you rewatch Season 1, Episode 6, you can see and hear VERY clearly that while Aziraphale and Crowley settle on their usual table at the Ritz, a pianist plays A Nightingale Sang in Berkeley Square inside the scene itself. Unlike the end credits, the piano version of the song is a DIEGETIC sound! That means both the Aziraphale and Crowley can hear it LOUD AS DAY.
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And it's JUST - the heart-breaking contrast this has to Beelzebub and Gabriel's Everyday. When Crowley says 'No Nightingales," he implies that that was THEIR song. It's a specific reference enough to know that this became part of their history - of their rich plethora of inside jokes and shared memories. And judging by Aziraphale's shattered face, he KNEW the significance of the line. He KNEW that Crowley is throwing back THEIR song to his face. "If Gabriel and Beelzebub can do it, why can't we? Why can't we make the Nightingale a reality, the same way they made their Everyday come true?"
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That A Nightingale Sang in Berkeley Square is Aziraphale and Crowley's Everyday becomes fact when Crowley turns the Bentley's radio on, only for it to play THIS song. THEIR song. Which SHOULD HAVE brought them together. It SHOULD HAVE. It worked for Gabriel and Beelzebub, didn't it?
Turns out, not every problem could be fixed by making that song yours.
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I think I have a potentially controversial opinion on Aziraphale and the ending.
So one of the things that made me smile so, SO much, was THIS:
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That PURE ABSOLUTE UTTER JOY.
We have not seen ANYTHING like that from demon Crowley. We've seen him be drunk and silly, we've seen him be amused, but we've not seen this.
Now, let's consider what we know about Heaven:
It's never fully populated. ALL of the shots are completely devoid of angels, except for a few, who are almost always just getting somewhere and never really talking to each other.
Where I thought the archangels were a tight clan, it really looks like they're super catty and prone to jealousy. No doubt they would stab each other in the back happily if it came down to it. How much of Heaven is like that, if even the archangels all hate each other?
Aziraphale already has a nervous disposition when he meets Crowley. Is he perhaps an angel that NEVER fit in? Is he familiar with being ostracized by his peers? Just how lonely IS Heaven? Crowley seems to be a pretty powerful angel, and HE doesn't even know that it's all getting shut down in 6000 years -- it's like no one talks to anyone.
Aziraphale, during their whole meeting, looks absolutely smitten. At one point, Crowley goes, "Look at you! You're gorgeous!" and Aziraphale looks over with happy surprise, just before realizing he's not looking at him but rather at what he's created. And then, when Crowley starts going on about making suggestions and asking questions, Aziraphale is IMMEDIATELY concerned and doesn't want him to get into trouble.
Aziraphale is hooked on this angel, and I cannot help but think that this is perhaps the first angel who has ever WELCOMED Aziraphale into his company.
He is hooked on this angel, and the way Crowley smiles is with the light of all the stars he's just created, and it's infectious and it brings a smile to Aziraphale's face as well. And then this angel shields him from the oncoming falling stars.
He is hooked on this angel, and then this angel goes and joins the Great Rebellion, and becomes fallen himself.
"You were an angel once," Aziraphale said, softly, at the bandstand. He remembers.
I think it's reasonable to guess that Heaven has never felt so warm as it did in the presence of millions of exploding stars, next to the (arch?)angel that may perhaps be one of the few (only?) to pay him any positive attention.
I think it's reasonable to assume that Heaven was not the same after Crowley fell. I wouldn't be surprised to find out Aziraphale had wondered about the angel, wondered if he was okay. I would imagine that Aziraphale keeps that picture of pure, angelic, unbridled joy somewhere inside of him.
So, really, is it any surprise that threaded throughout EVERY interaction, Aziraphale has this deep-down feeling that Crowley is good? Would it be any surprise that Aziraphale, an angel who goes along with Heaven as far as he can (which isn't always), feels that if HE is still an angel, then what was done to Crowley was a great injustice?
I think it would make sense that we are shown "before the beginning" not just because it is fun, but because THIS is the foundational context for everything Aziraphale thinks Crowley is, everything Crowley enjoys. I think he remembers this moment and wishes he could live there forever. With Crowley. The two of them with this happiness, forever.
But nothing lasts forever, as much as he wishes it did.
I'm not saying Aziraphale was right with what he did to Crowley at the end of s2. There is a lot I think he did wrong. I think he held onto this picture so tightly, he didn't realize that Crowley had long since let it go, and painted a new one with Aziraphale with all the shades of grey he picked up as he sauntered (or plummeted) vaguely downward (into a pool of boiling sulfur).
I don't think he was right, but I do think he is understandable. I think there was a lot of selfishness, but also some misguided selflessness too. I watched that first scene with angelic Crowley and my heart actually broke a little, because I thought, "What a shame this joy was taken away from him."
I think Aziraphale is trying to right the injustice he feels has been done. But I also think Aziraphale doesn't realize that Crowley can never go back. The concept of falling never crossed Crowley's mind when he suggested that he ask a few questions, and he will NEVER get that kind of innocence back. And Aziraphale doesn't understand, because Heaven has clearly always just been that way for him (he is already aware of the danger of asking questions).
Crowley does not want to go back because he can never go back. He can never be the same angel he was when he thought he could build a universal machine that would crank out stars for eons and eons. He can never be the same angel he was when he thought he could make some suggestions and ask some questions and co-create with THE Creator.
Crowley understands that, and Aziraphale doesn't. But I can understand why Aziraphale would want to try. And I think it's all because of this:
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myauntspen · 1 month
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I’m thinking that the conversation on the wall as the humans made their way away from Eden was a major formative moment for Crowley.
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When Crowley says “You’re an angel, I don’t think you CAN do the wrong thing,” he is absolutely yanking Aziraphale’s chain. The book explicitly says it’s sarcasm and in the show, David Tennant’s delivery makes that clear with his smirk and sneery tone.
But when Aziraphale innocently takes the comment at face value, Crowley lets him think it was sincere. It’s his first act of kindness toward Aziraphale. My reading is that Crowley is happily surprised that an angel would allow himself to be comforted by his words and it takes away his desire to tease. He got his first little taste of doing good AND HE LIKED IT!
That interaction is perhaps the first time Crowley realized that he’s not necessarily cut out for sowing misery.
Also, consider his shock at Aziraphale’s admission.
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Crowley was told to come to Eden and make trouble so he did. He doesn’t seem to have thought about it at all, just got an order and executed it. What if learning that Aziraphale has given his sword away is the thing that makes Crowley realize that he, too, can make his own unexpected decisions.
It was Crowley that gave free will to the humans, but maybe it was Aziraphale that made Crowley realize that he could also have free will. Even though Aziraphale hasn’t embraced his free will, he has perhaps just given Crowley the impetus he needed to do so.
And later, Crowley returned the favor when he explained about going along as much as you can. That was painful for Aziraphale but helped him to be more himself. It was a moment when he realized, like Crowley on the wall, that if doing good means breaking the rules sometimes, then sometimes that’s what must be done. In his guilt and fear, he didn’t put that together in Eden, but Crowley showed him at Uz.
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Anyway, I’m rambling, but these two have made each other better, and happier, since the world existed and that’s just lovely.
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fuckyeahisawthat · 9 months
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Up until the almost-end-of-the-world, the way Aziraphale and Crowley maintained their relationship was through a collection of well-established and repeated patterns (dances, you might say). These little rituals were what they used to communicate affection, intimacy and trust when they couldn’t say the things they wanted to say out loud. I like spending time with you. You make me happy, and I like making you happy. We’re in this together. I’ll always be there for you, even when your own side is not.
In season 1, as the stress of the impending apocalypse puts more and more pressure on their relationship, we see their patterns start to break down, and it’s very distressing for them. They’ve been communicating like this for so long that they don’t know what to do when one of them doesn’t follow the dance steps.
When we first see them in season 2, they seem in some ways to be closer than ever. They touch each other more easily, Aziraphale in particular. Crowley is comfortable enough in the bookshop that he has a Spot for putting his sunglasses when he takes them off by the door. They’re more open about acknowledging how much time they spend together and how many things in their lives are shared.
And I think, also, we expect them to be happy. They won, didn’t they? So it takes a while for the cracks to start to show.
It wasn’t until this post pointed out that the whole season, we never see them sit down and share a meal together in the present day (no, Crowley doesn’t eat; yes, it still counts) that it started coming together for me. The closer you look, the more you realize the old patterns they’re used to relying on are broken.
Three times, we see them sit down to their usual table for two (at the coffee shop, the bar, and the French restaurant) and then almost immediately get up again. This post also points out that we don’t see present-day Aziraphale eat anything on screen, other than one of the little candies in the Bentley. This in the same season we learn that Crowley is the one who introduced him to food! It’s one of their oldest rituals!
Even one of their most visually recognizable patterns starts to go wonky this season. In season 1, when the blocking allows it, Crowley’s always on Aziraphale’s left. When they’re standing or walking side by side, and most of the time when they’re sitting side by side together (there are some exceptions due to camera angles)…Crowley’s always on Aziraphale’s left (screen right if they’re facing us, screen left if we’re behind them). It’s one of the clues about the body swap that is easy to see when you know what to look for—in Berkeley Square they are each initially sitting on the “wrong” side of the bench. It’s so reliable that Aziraphale hears a little miracle bling in the sushi restaurant in s1 ep1 and turns to his left—because that’s where Crowley would appear—only to be startled by Gabriel on his right.
Go look at the scene where we find out Gabriel and Beez are a couple. You know the one.
And of course, many people have noted that in the end credits, we’d expect their positions on screen to be switched. They’re on the wrong sides. And it’s such a long shot that I think it has to be intentional.
Some people have speculated that this means they swapped bodies again. I don’t really buy that. Rather I think it is supposed to indicate what becomes extremely clear on a second viewing, that things are Off and Wrong. They are not okay.
And the more you watch them you see that Aziraphale’s excitement during his little adventures is manic and brittle, and that he misses having a place and a purpose and a mission to do good. And Crowley is depressed, unhealthily codependent, even more hypervigilant and cagey and angry than he was before. They both have layers and layers of trauma, and no way to talk about it. They have the time and freedom now to talk about what they want to be to each other, now that they don’t have to hide and encode and maintain plausible deniability. But they have no way to talk about that either, because that’s never been an option before. They don’t know how, and they are both so, so afraid.
And in the fights they have in episode 1 and episode 6, you realize they haven’t resolved anything from season 1. They’re having the same fight they had at the bandstand. Crowley wants to run, keep the two of them safe and damn the rest, and Aziraphale wants to stay and help, believing he can make a difference even in an imperfect system, and neither of them really understands the other’s position. It’s the same damn fight. They haven’t been able to move past this impasse, and it’s the exact thing that breaks them in the end.
And it’s just. Fuck. It’s such a human thing to have happened to them. To make it through the fire (metaphorical and literal) and then have everything go to shit afterward because of unaddressed traumas and insecurities and things left unsaid until they fester.
I know this is not at all how I expected the season to go, and I think it took a little while for me to parse what was going with their relationship, because we are predisposed to want them to be happy and to want things to be easy for them now. But it makes so much sense that this is where they ended up at this point in the story.
I know they’ll make it back to each other. They both love each other too much to give up. They’ll fight their way back together, and I know they’ll figure it out in the end.
But goddamn.
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natasha-barton · 9 months
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Crowleys so cool crowleys so mysterious this and so hot that - Crowley is a hot fucking Mess.
He did not realize he felt romantic attraction towards Aziraphale for 6000 years ‼️ Crowley thanks cars when he crosses the road, his favorite tv shows are Golden Girls and The Good Place, he makes silly faces at his Angel, he doesn’t want to hurt people, he talks to his car and his plants, he’s down so bad for Aziraphale that he runs his their bookshop for a day, lets him drive his their car and follows Aziraphale around as he Does Shit and Crowley simply watches, smitten. Crowleys idea of evil is glueing coins to the ground and making a Big Road look like a sigil - how fun! He went to a Gas Station only once because he wanted James Bond Bullet Hole Stickers for the Bentley. His name and phone number are in a Call Center Database. He jumps at every opportunity to save Aziraphale. The Bastille in France? No problem let me just stop time for a few moments, Angel. A Church during WW2 because Angel wanted to do some Good but fell into the evil hands of Nazis? Sure yes let me just do a chicken dance down the the aisle because my feet burn because this is literally consecrated ground - what did you say? You don’t like my new name, Angel?☹️
Crowley is so silly and goofy, he’s a mess and most of the time definitely not suave. That Kiss with Aziraphale was most probably his first kiss ever. He’s not the sexyman seducing people throughout history you think he is
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cheeekycharchar · 9 months
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AN ANGEL ON A MISSION
I just realized what Michael Sheen's face was doing during the end credits and OMFG he is beyond amazing! *o*
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I already did an indepth analysis on why Aziraphale acted the way he did after that heart wrenching kiss scene.. but it wasn't until @charlotteharlatan post about the Nightingale song on the car's radio could have been that got my brain into a tizzy.
"Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a tree full of monkeys on nitrous oxide. Two of these were wrong."
Many people paint Aziraphale as this gullible innocent character but don't forget.. he is highly intelligent. Completely traumatized by his past abusive relationship with Heaven but intelligent.
When Metatron told him of their Second Coming plan.. how quickly he put things together before stepping onto that elevator. He turns toward Crowley to give him one last look and heads up to Heaven.
And for the next minute.. we watch as Michael Sheen micro-contorts his expression through the stages of grief.
Shock from hearing Heaven's plans for the Second Coming. Anger for realizing what he was just tricked into doing. Despair for what he gave up when he thought he was making the right choice. And then reorganizing his thoughts and acceptance of his current situation. And that final smirk.. ;) oh.. OH! That is the face of an Angel on a mission against Heaven. And he's already made up his mind. Stop Heaven's plans (again). Get revenge on them for forcing him into this situation. And of course, to get his Crowley back.
GO S3 is gonna be INSANE :D
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lottachaos · 9 months
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GOOD OMENS SEASON TWO SPOILERS
Ok I’m gonna be deeply ranting and analyzing the kiss scene (mostly just the kiss itself) because OH MY GOSH THERES SO MUCH TOO IT
First of all here’s a gif of it:
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And also I don't have a gif of it but when Crowley releases Aziraphale, what struck me was that he didn’t make them burst apart he gently and almost sadly just stepped back. And then watched. Now. One of the biggest things I’ve been thinking about in this (because I’ve been obsessively watching it over and over) is how Crowley is kissing him. It’s a long kiss. It’s not sensual. It’s not eating each others faces. It’s intimate and very romantic. Crowley missed Aziraphales lips by a hair and is slightly kissing his chin. Crowley holds him there as they sway back and forth slightly. I can’t see if his eyes are open or not. But the thing that strikes me about this is how much all of Crowley’s body language and everything just scream about how much he doesn’t want to move. He finally kissed his angel and he wants to stay pressed up against him, finally locked in the embrace he didn’t realize he needed for so long. He just stays there. He doesn’t kiss deeper. He just stays pressed against him, not wanting to deal with how Aziraphale will look at him afterwards.
then he has to break apart. He does it gently, but suddenly. Like he had to force himself but doesn’t want to . He wanted to stay, but he knows he can’t. So he steps back with his heart breaking more than he thought possible.
now onto Aziraphale.
Aziraphale is shocked. His eyes go from open to closed to open to closed. He leans back so slightly you almost can’t see it. He doesn’t seem to know how to feel.
And then his hands go around Crowley. It almost seems like it’s an unconscious motion, given how he looks after they break apart. It looks like for a split second, he lets himself melt into Crowley, as his hand wraps around his back and slides across it. But then he hesitates again abd takes his hands away. He thinks he can’t melt into Crowley. But there was the one moment where he broke.
after they break apart, Aziraphale looks shocked, upset, desperate, and to me, even a little disgusted. Probably because he doesn’t know how to deal with it. He licks his lips and moves his mouth around abd seems uncomfortable. But then after Crowley leaves he presses a hand to his mouth. He holds it for a second and starts crying. He realized he liked how it felt. He realizes everything he’s been missing. He loved the feeling of Crowley’s lips on his. Most importantly, he loves crowley.
on the topic of people hating on Aziraphale and saying the metatron did something to him, I disagree. This seems completely in character fir Aziraphale. He’s not an arsehole, he’s in conflict. He thinks he’s not allowed to love Crowley. I get him.
ok Thanks for coming to my Ted talk hehe bye
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actual-changeling · 8 months
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welcome back to alex's unhinged meta corner, today's topic: the chest touch at the pub. that scene has me in a chokehold for some reason and i still cannot stop thinking about it.
the first thing i wanna talk about is crowley's reaction, since this is the shorter part. he did not expect aziraphale to reach out to him like this and freezes for a second while aziraphale happily chatters away.
they were both walking and the hand on his chest stops him, so he comes to a stop right next to him while he was slightly behind him before that. his gaze also snaps to aziraphale's face, who is very much not looking at him.
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they were having a conversation, but the touch essentially shuts crowley up and zira leaves him to get their drinks.
now, my question is why aziraphale does it. sure, it could just be an absent gesture since they're in a crowded place, just that he has never really done so before. i think it was very much planned, like asking crowley to dance and grabbing his hand later on.
a second before he actually reaches out, he also looks back to check whether crowley is where he thinks he is. that is the only time he does that, he was busy looking for a free table and miracles them one when he cannot find one - the look back is deliberate. especially since crowley is practically glued to his side, he has no need for confirmation, he can feel him brushing against him while walking.
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the hand motion he does gets me, too. he is busy fidgeting with his hands like normal and has them clasped in front of him. aziraphale lifts them once he gets to "that is precisely the point", yet also already moves it slightly towards crowley, realizes he miscalculated where exactly he/his chest is, looks to check, then looks away again before actually touching him. am i reading too much into it? maybe.
i think it is his version of a little temptation. not only does it make crowley's brain short-circuit for a second, he also gets them their drinks and is now (or so aziraphale hopes) a bit calmer and will take the news aziraphale is about to give him better. the conversation at the cafe did not go entirely as planned, after all.
additionally, something i am not sure if other people have noticed or not is that aziraphale does not just touch crowley, it is a caress. he moves his hand down his chest.
the movement in order:
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bar girl unfortunately moves in front of them, but you can clearly see the way his hand takes. to give you a direct comparison of the starting and end point:
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a good point of reference is crowley's bolo tie but also the angle of aziraphale's arm while it is still visible.
the best part, in my opinion, is that aziraphale puts his hand right on top of crowley's heart. i think the symbolic importance of that is pretty clear and does not require any more explanation, although it makes me want to throw myself into a river. but that's by the by.
to summarize, aziraphale caresses crowley's heart chest to get him to calm down and not go insane over the news he is about to give him. he is also simply a bastard and knows exactly what he is doing to crowley.
as always, this is me going nuts with analysis, but i'm also curious to hear other people's thoughts on this.
don't tell my therapist about my unhinged meta posts or she will probably be very concerned for my mental wellbeing
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writingdinosaur · 6 months
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Aziraphale was wrong this. He’ll come crawling back that. I want him to do the apology dance blah blah blah.
You know what I want? I want him to succeed.
I want him to give Heaven hell.
I want him to be a problem of the Metatron’s own making.
I keep seeing a take floating around that the Metatron was obviously lying when calling Aziraphale a natural leader and a good choice for Supreme Archangel and just trying to butter Aziraphale up so he’ll be more open to the idea of rejoining Heaven, but I think there is an important distinction to be made in this regard.
Aziraphale IS those things. He IS a natural leader. He was the first being to ever wield a weapon on earth. He is a high ranking member of Heaven’s army and was in charge of a platoon in the first war EVER. HE WAS FULLY EXPECTED TO DO SO AGAIN IN ARMAGEDDON. We can see this leadership both in Season 1 when he insists to Crowley that they don’t run away and in Season 2 when facing the demons. And if Heaven actually was everything it was meant to be, everything it still proclaims that it is, Aziraphale WOULD be the obvious choice for Supreme Archangel, because when faced between making the right choice or making the obedient one, or even between making the right choice or the comfortable choice, he has always picked the right one.
Give up the sword and lie to God or let the humans suffer? Welp, there goes the sword.
Lie on my word as an Angel or allow three human children to be killed? Guess who’s lying again!
Go back to my abusers in order to make things better for everyone or run away with the love of my life who just confessed his feelings for me? Up I go.
Here’s the kicker. The Metatron ALSO thinks he was lying to Aziraphale. In the Metatron’s eyes, Aziraphale is none of those things. The Metatron and the Archangels are nothing but condescending pricks to the Angel they see as a bumbling, incompetent, slightly insane fool who chose Earth over Heaven.
I don’t want Aziraphale to come crawling back. I don’t want him to realize it’s a lost cause. I don’t want him to give up.
What I want is to see the Metatron’s face as he watches Aziraphale succeed.
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