I failed to be productive IC-wise today, but at the same time I think that it is for the best that I make an announcement concerning the short term activity of this blog. This Wednesday I have one last partial left to do and next week I'll start with the waves of finals. So in advance, I'll say that my activity will decrease significantly from 5 to 12 of February. It's true that until then I have a little bit more of spare time, but I also don't want to stress myself for being unable to write anything, as having proper rest is also important for the intense time that it's about to come.
6 notes
·
View notes
fav part of gideon the ninth is for the first pre-canaan house chunk of the book, she's all "ugh I'm so normal surrounded by all these weirdo goth freaks when I blow this popsicle stand everyone will see how cool and normal and charming I am" and then she gets to canaan house and realizes that while she might have been a normie jock in the ninth house she is not exempt from being a goth weirdo who hides important doors behind tapestries and sneaks around in the dark so she doesn't have to talk to people. like we talk about her being a jock forced to be goth but nature v nurture babey she's not shedding that bone freak skin anytime soon
3K notes
·
View notes
do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
162 notes
·
View notes
"…but someday, Lloyd, there might be people who are after you for all kinds of reasons. Whether it be for money, to assert dominance, to use you, to stop you, or to try and take something from you… [...]"
@weekend-whip @the-ninja-legacy-whip
A ninjago legacy whip fanart woooooooo
I really liked this part of koko's quote and wanted to draw something for the fic anyways!
I really wanted to emphasize on lloyds eyes here too not only because of the green color but also with the white pupil from the lore in the legacy au
Also I tried to draw the dagger that he hides underneath his coat!
Also our young naive lloyd here isn't aware of the hands that want to use his power and heritage yet
87 notes
·
View notes
I feel bad for Noa ngl, I wonder if he does have any magic or some supernatural abilities. Also is Noa the first male in his magical bloodline?
I do too and unfortunately Noa doesn’t have any magic abilities whatsoever and this contributes to his coming identity crisis. He is the first male to be born in this family which can be traced back to around the colonization of Selvadorada. Nora will eventually explain their culture to Adie pretty soon and on the why and how they preserve their matriarchal magic. (In order to continue their bloodline, a witch will find a suitable male of her choosing and cast a spell on him to ensure she conceives a female child- which clearly Adelina did NOT DO when she had Noa- The fact that Adie was even born with this magic was a miracle to Nora especially since this tradition should have severed the moment Noa was born. Adie’s special honestly and they’ll all learn eventually just how special she is)
16 notes
·
View notes
I’m beginning to think that I live in a dollhouse of a world. I think it’s an experiment. How long until the one they created finally collapses under the failure that is supposed to be the guidance of real humans. Where is the real world? How do I get out? Are they the ones who are observing me closely? Is everyone around me just a prop for the experiment? Are they all in on it? Why post this on here? What happens if they know I’ve become aware? Will that all become a part of the experiment too? Was that the plan from the beginning? Are the people I interact with on here a part of it? Something’s just wrong and I could feel it since I woke up and days prior
Is this a glimpse into the real world? Real non involved people
6 notes
·
View notes
*slams hands on desk*
Alright you fucking nerds I need y'all to do some math for me
theoretically how fast would the Polar Express have to move to get from Grand Rapids Michigan ( starting point for kid in blue robe) to the North Pole in less than 24 hours. I get that its a magic train and it stops time but work with me here Please.
Hope y'all had a wonderful Christmas or winter holiday for those that don't partake in Christmas and for those travelling stay safe.
7 notes
·
View notes
fang i couldn't find ur meta blog but i wanted to ask ur opinion/analysis of bakugou's "what part of her was frail" from season one against ochako if u have any <3
@fangs-animereview thought i havent posted anything on it in ages.. rip all my half-baked hxh meta posts about shounen trope subversions
i dont know if i have any particular analysis of that but i do think that scene highlights an interesting element of bkgs character which is that he is decidedly not very shallow
i think often his arrogance or projected arrogance makes his fandom image a guy who is shallowly obsessed with appearances. but i think for him to say what part of her was frail kind of speaks to the fact that the opposite is true. that bkg doesn't see people as their appearance but measures them by what they're capable of
16 notes
·
View notes
rewatching god of war 2018 and it's actually so wild how they make it feel like there's an actual person holding the camera. like there's movements in the camera that indicate taking steps or shifting your weight slightly
2 notes
·
View notes