“Now I just want you to watch.”
El saw what Henry did to everyone in the lab. She didn’t die, but she had to watch it happen.
Max saw Billy die in front of her. She wasn’t the one in danger, but El was. And she watched her abusive stepbrother die in front of her.
Dustin saw Eddie die. He didn’t go back towards the bats. The bats didn’t hurt him. But he watched Eddie die in his arms.
Hopper didn’t die because of his exposure to the chemicals he was mixing. He watched his daughter die in a hospital bed.
Lucas wasn’t being targeted by Vecna. He wasn’t the one floating in the air, his bones weren’t snapping. But Max’s were. And he watched it happen.
Nancy wasn’t the one who died in the Upside Down, alone in Steve Harrington’s pool. That was her best friend, and Nancy had to watch it all go down. Had to see everyone unfold.
Mike didn’t get possessed. Or kidnapped. Or burst into particles. Mike didn’t die. Or almost die. He watched Will screaming like he was being burned alive. He watched his best friend nearly die and he watched as every adult around him was unable to help him. He watched Will bike away from his house before he disappeared. He heard his mom talking to Joyce the next day. He heard Will on the radio. He saw Will’s body in the water. He heard Bob die. He saw El die. He saw Will dead. He watched a man get shot trying to protect him, Will and Jonathan. He watched him die while putting pressure on the wound.
Mike was shot at.
He was told that he was wrong for trusting El. That Will wasn’t alive.
He had to run for his life because his friend’s body was taken by a being from another dimension that sent creatures to kill him and everyone around him.
He was knocked out by Max’s possessed brother.
He was shot at again in the desert, trying to rescue El who was taken by the government.
He’s been bullied his entire life.
And he did almost die.
Mike jumped off a cliff.
Dustin and El had to watch.
84 notes
·
View notes
every day i wake up and remember steve quite literally asked bucky to kill him. like he actually told bucky to finish it because he was with him until the end. he acknowledged it was the end. he stopped fighting back for the first time in his life. he finally threw the shield down after years of doubting his purpose as captain america because he didn’t want to have to hurt bucky. he begged bucky to not make him have to fight him at all because he couldn’t let people die but as soon as he’d saved everyone else he gave up on himself and was planning on going down on the helicarrier with bucky. he freed bucky from being trapped under the wreckage even though he knew bucky was still going to try and kill him. he decided he’d rather let himself die at bucky’s hands than live in a world where bucky didn’t remember him. like. what the hell.
835 notes
·
View notes
So, going to link a couple of things before I start with this.
Firstly, the new MV for the Vortex/Overthink/Tides medley which is going to form the basis of my observations.
Secondly, this post, which makes a strong argument that Link Click is deliberately drawing from other time travel media. In this case, the 2002 version of The Time Machine. Also, a fun fact not mentioned in the linked post, but that I recently discovered is that the name of the girlfriend the time traveller is constantly trying to save is *Emma*.
Now that I've linked these two, I just want to say that this rest of this post is me having fun and I would love for these to be deliberate references, but let's be real, a lot of time travel media understandably shares a lot of visual language. Hourglasses, butterflies, and clocks are all fairly recurrent themes.
Click the read more for a mix of potential references to other time travel media and screenshots of specific details of the new MV I found interesting:
Left: Link Click (note the photo reel design). Right: Doctor Who (specifically one of the intros for the Twelfth Doctor)
And to add to the photography aesthetic present throughout, the photo reel clock resolves itself into a camera lens:
Next, we have a main character centred within a clock. In both cases, the character casts multiple shadows that resemble clock hands.
Left: Link Click. Right: Steins;Gate
The shot where Qiao Ling is stood still amongst a moving crowd is neat for two reasons. First, the people she's surrounded by seem to be those related to the cases CXS/LG have taken on. You can see Emma just behind in the above screenshot. And the other thing is that the first time this sequence plays the moving characters are too blurry to easily make out. When the sequence reverses however, and the lyrics speak of "pausing" the scene actually freezes with all the characters clear for a tiny bit. (I didn't screenshot purely because it was a pain to get the exact moment but you can check this if you want)
Upper left: Link Click. Upper right: Higurashi Gou/Sotsu. Bottom: Steins;Gate 0.
Next up: fragments! This one is honestly a real stretch, but hey, there are at least two other time travel adjacent shows that use them as visuals in their openings. I would really like the use to be similar to in Higurashi (the example screenshot is from the anime sequel Gou/Sotsu but the sea of fragments is present in the og too). In Higurashi, each time "loop" is actually an alternate timeline (wherein events would differ slightly even without intervention) and so each fragment represents another timeline. For Steins;Gate, it's more a visual that exists purely in the opening sequence to play into the whole shattered clocks aesthetic.
Left: Link Click. Right: Steins;Gate.
This one is inspired by me watching the opening only to go "Okabe Rintaro????" when Qian Jin showed up. But also. We can clearly see some of Qian Jin's scars in this shot. There appears to be one on the back of his neck and two over his left shoulder. These have to be relevant and obviously his eye colour has me side-eyeing but I don't think we have all the pieces for this character yet. (Him being a former cop with a connection to both of our focus cop characters though makes me think)
And a final one with generic anime trope no 58382929:
Left: Link Click. Right: Steins;Gate
I know, I know. This is typical anime/donghua. But! It's deliberately a shot in Steins;Gate that returns again and again throughout the series. It's also very associated with the character of Mayuri so take that as you will.
Bonus whatever this is:
Multiple Cheng Xiaoshis in different states of doing badly. I wonder if the centremost one is the one Lu Guang appeared to be thinking of in episode 1? Possibly another "fragments" situation or if not then it may be various things Cheng Xiaoshi will go through in this season
Anyway, the Steins;Gate opening visually has a lot of similarities and of course a lot of it is natural overlap because they're both time travel series. And they both draw inspiration from The Time Machine (especially Steins;Gate's sequel, Steins;Gate 0). But I find it pretty neat how all these series from different times and places do have these recurring themes.
32 notes
·
View notes
my stance on k/k is that the Haruhi Suzumiya novels are a charming, enjoyable genre blend of romance, sci-fi, and magical realism. Koizumi is a sparkling mixer to the heady main story as our main explicator and expositionist. He's a well-spoken narrator who verbalizes the more complex concepts at play in the stories, making them a summer cocktail rather than a stiff shot. Kyon is the trope-defining sardonic narrator who gives shape to the story and is the one to ultimately sell the Haruhi Suzumiya series to us as the reader. Between the two of them, Koizumi and Kyon tell us the story of Haruhi and they are instrumental in what we-the-audience make of events. Their dynamic between the true believer and the sceptic, the fake smile and the fake frown, the obfuscator and the denier, is great just on its own when taken at face value. I'm quite content to just read them as two characters who don't like each other very much and whose relationship is limited to mild antagonism over a girl they both love. I would do just that, if Tanigawa Nagaru wanted it. However in the year of our lord 2020, after closing the Kyon/Yuki subplot, after jossing any Kyon/Mikuru speculation, after committing fully to the Kyon/Haruhi romance in the story, he writes Koizumi having psychic foreknowledge of Kyon's measurements and expects us to make nothing of it. Huh.
2 notes
·
View notes