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#blood free
jung-kyungho · 18 days
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JU JI-HOON as WOO CHAE-WOON Blood Free | 지배종 (2024)
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kimgoeun · 19 days
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BLOOD FREE (Ep.1)
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drrav3nb · 12 days
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HAN HYO-JOO as Yun Ja-yu JU JI-HOON as Woo Chae-woon BLOOD FREE 지배종 (dir. Park Chul-hwan)
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whumperer-86 · 5 days
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Blood free kdrama ep5
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jahe · 11 days
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May I come in?
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junkobato · 28 days
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Upcoming Kdrama April 2024 💚
5/4: Parasyte: the Grey with Jeon So Nee, Koo Kyo Hwan. 6 episodes; mystery, horror, sci-fi.
8/4: Lovely Runner with Byun Woo Suk, Kim Hye Yoon. 12 episodes; fantasy, rom-com.
10/4: Blood Free with Han Hyo Joo, Joo Ji Hoon, Lee Hee Joon. 10 episodes; thriller, sci-fi.
13/4: Missing Crown Prince with Soo Ho, Hong Yeji, Kim Min Gyu. 20 episodes; historical, rom-com.
19/4: Chief Detective 1958 with Lee Je Hoon, Lee Dong Hwi, Seo Eun Soo. 10 episodes; action, thriller, comedy.
26/4: Goodbye Earth with Ahn Eun Jin, Yoo Ah In, Jeon Sung Woo. 12 episodes; thriller, sci-fi.
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Lee Je Hoon is back!
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park-hyungsik · 7 days
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Blood Free ep. 4
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uservaulty · 6 days
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elderflowergin · 12 days
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blood free v secret forest, a quick and dirty comparison:-
As someone who fell for Kdrama through Stranger, i loved it because it appeared seamless, grounded and weaved several systems and levels of privilege very elegantly. Most of all it seemed morally urgent, even if it was at its core a detective mystery. (Which, to be fair, Blood Free is as well.)
Secret Forest’s first success was that it held nuance for everyone in the middle of the road; LSY afforded so much thoughtful shading to those men. I often think they will never look as beautiful as they do on SF, and that’s only partly because of whoever did the lighting etc, but they’re not Kdrama glossy perfect; they’re real people trying to reckon with themselves and the moral calculus they have agreed to, and their dignity comes from the reckoning. Lee Chang-joon, Kang Won-chul, Lee Yeon-jae, even Seo Dong-jae for that matter, all have that advantage. LSY managed this for Jung Sung-il in the scant few minutes of screen time he had.
The second success was Cho Seung-woo and Bae Doona. If Secret Forest was a universe they were its gravitational field; it was their fierce sense of honour and morality that drives both seasons. And their moral decency is hard-won; it is tested constantly, and it’s burnished at each opportunity, which is why they are respected. It is a dream that people like that can influence or impact those around them, but you don’t question that they do, by the end of each season, and that’s the victory of writing, casting and the charisma of both leads.
That’s why that funeral scene in season 1 is so important (to me); it shows the gravity shifting. The prosecutors rely on their forest of secrets to keep the centre together, but Hwang Si-mok demonstrates how untenable this has become, how the roots must be pulled out so the weeds die; so new healthy things can grow. The chaebols are at the periphery, and they continue to be there because, most audaciously of all, they don’t matter if enough people shift their moral calculus. I think this gravitational pull happens to Lee Chang-joon in season 1 thanks to Hwang Si-mok and it happens to Choi Bit in season 2 thanks to Han Yeo-jin. They are easily some of the most powerful parts of the show.
On the other hand, we have Blood Free. I’m not sure who the moral gravitational field of this show is meant to be. Maybe it’s Yun Ja-yu and/or Woo Chae-woon. Maybe it’s Lee Mu-saeng. Maybe it’s about the ethical dilemma of experimentation and whether that’s a worthwhile price to pay for the scientific advancements in cultured meat and seafood. Perhaps we need more time to really see the middle of the road characters, but four episodes in there’s not much to go on: there’s Lee Mu-saeng, there’s Queen Dowager as a VP, here’s Jeon Seok-ho. There are three chaebols, all of whom seem like one-note characters to me. (Why ask a talented sketch artist to produce cartoons like these? Unless they’re not, but nothing seems to suggest otherwise.)
The most interesting insight from episode 4 was about Yun Jayu - when offered 72 trillion won for her company, she actually considers it because it means she doesn’t have to face investors and can focus on research. She has influence and money but these are means to an end, for her. I wish we could see more of that, and not necessarily through exposition alone.
When she gives deft, cool answers to reporters, did that come naturally to her or did she work at it? Is she the face of the company because she hated it a little less than Lee Mu-saeng did? If so, why? What comparative advantage did they determine she had? When she wears Chanel tweed skirts and smiles her way through presentations, is that a natural extension of her work or is that a mask she wears? Give me process, guys! Give us the backstory, the way the markets work, the environment for cutting-edge bio research in Korea, the reaction of Big Meat, the interplay of new rich and old rich, some indication of her actual influence (which must be considerably more than what we see on the show, although what little we see, while uncomfortable, is frankly not that inconceivable in a world where you’re constantly connected.) I am so interested in her, and yet I feel I am made to watch the story of her reacting to chaebols and to the mystery of corporate sabotage rather than her being the fulcrum of her own universe. And at no point does the mystery seem morally urgent to me, and it’s because 1) why does it matter if all this is is a giant M&A negotiation 2) why should we care if it doesn’t feel real to us? So what if there’s sabotage? Why on earth isn’t this company guarded like fucking Fort Knox? Why is this company ostensibly so influential, so powerful and yet capable of unusually amateurish errors that are the centre of the show so far and not on the periphery of it? Where is the moral quandary that is meant to grab us by the throat?
Is it a question of the writing? Have her interests shifted and did she want to do a show without having to do too much character work? If anyone has earned a vibes-only moment it’s Lee Soo-yeon, and I respect that for her. I hope the direction isn’t stifling the writing, because that means there is an arresting, politically trenchant drama underneath this dry procedural, and that’s upsetting to consider. We still have a ways to go and I think there is potential, but I have to remind myself not to expect something like SF, that maybe you can’t bottle that formula. That it’s the gold standard for a reason. But honestly, Disney, in the words of TikTok star imo_unusual, you’ve made this show like God was dozing off when the angels were working, now RELEASE US (and LSY writernim)
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jedaos · 12 days
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han hyojoo went from being the mysterious woman who appeared from nowhere & caught the eye of a young rich ceo by saving his life to being the young rich ceo in the hospital bed replaying cctv footage of a mysterious man who saved her life. parallels
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afza147 · 13 days
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Ep4 Blood Free
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😍😍😍😍
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jung-kyungho · 12 days
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JU JI-HOON as WOO CHAE-WOON Blood Free | 지배종 (2024)
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kimgoeun · 4 days
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Blood Free (Ep.5)
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drrav3nb · 13 days
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Ja-yu's colleagues realises that her and her bodyguard have become inseparable and being annoyed about it
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whumperer-86 · 7 days
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Blood free kdrama ep4
Getting shot whump
Next episode will be the whumpiest
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jahe · 11 days
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But promise me one thing, that you won't work for another company even if you leave BF. Can you do that?
I am afraid I can't do that.
I can't allow that.
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