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#bloodborne arianna
scarycuboid · 7 months
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IDK IF SOMEONE ALREADY DID THIS BUT HERES MY TAKE ON IT!!! Do u agree? Do u disagree? Do u wanna hug me or do u wanna punch me? Lmk!!!! :D
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spagottti · 10 months
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Bloodborne posting
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You can read more about my homicidal hunter here :>
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chaosroid · 6 months
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Bloodborne bitches be drinking the blood of another woman to heal herself like that isn't the most yuri thing. Oh, you're performing a visceral attack on that lady? Why, so you can finger her?? Slut.
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fantomette22 · 8 months
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Bloodborne girls appreciation post!!!!
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Bonus :
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& Good hunter girl and there's so many other too!
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triflingshadows · 8 months
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Pen doodles……may revisit these eventually idk
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undefeatablesin · 1 year
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ALTAR 🩸: PAGE 7
Previous Page • Next Page
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harena--tigris · 10 months
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some bloodborne sketches ive made
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katealpha · 3 months
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Art from @underlingtarv
https://x.com/underligtarv?s=21&t=Y5k0MmFAcnmbYxSfSGgVFA
"When the red moon hangs low, the line between man and beast is blurred. And when the Great Ones descend, a womb will be blessed with child.”
Arianna had felt rather funny since she found her way to Oedon Chapel. Her stomach felt like she’s eaten too much ham. That turned into a rather nasty ache overtime, so much that she complained to the Hunter who helped her to come to this place. After they had gone again to continue their quest, she felt the need to stand up, and then it happened. From her thin frame, her belly churned and began to bloat and stretch outward from under her dress. The woman of pleasure looked down in horror as she saw her belly expand bigger than any pregnant woman she had scene. That’s when she knew something was really wrong, as she then felt something moving, wiggling, and squirming inside. She begged for the attendant to help her, but he could only watch in shock as Arriana stood there, grasping at her swollen stomach. Just then, she felt a sharp pain and pressure deep within, and a concoction of blood and fluids splashed onto the floor from under her dress. Her instincts told that wherever had invaded her belly now wanted to come out. Arianna whimpered and panted as she waddled hurriedly out of the chapel the way and into that strange study in the room next door. She needed to get out if there…
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You can all tell I’ve been playing this game a lot lately. For a while I didn’t even remember that this happened to poor Arianna. I personally feel like this happened while the player is in Mergo’s Loft fighting with Micolash, and I feel like is boss theme fits this scenario tbh. The frantic horror swirling inside Arianna’s head as her belly swirls with cosmic life as she flees from the chapel, just wanting to get away from what was happening to her. Either way, I hope you like this one.
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heraldofcrow · 11 months
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I went a little overboard with this loll
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nishihii · 10 months
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bloodborne women on that aggie/magma swag featuring wren writing women
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miieandering · 11 months
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Ah yes... celestial children. I upgraded from one in 2020 to two in 2023! Double the trouble, double the fun... full thread with explanations for the case can be found here.
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hydrogenperoxdie · 6 months
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I work at headphones and i have to sing the songs everyday or they kill me
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hymntosappho · 9 months
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autism-purgatory · 7 months
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BloodBorne NPC’s are fascinating
Arianna is an NPC that makes you question the Healing church and supports you. Her questline also further enforces BloodBorne’s themes of womanhood and violence against women.
Then there’s Laurence, who adds to the overall cosmic mystery and is an example of Yharnams endless strive for forbidden knowledge by any means necessary
And then there’s Alfred. Who hates vampires.
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butchladymaria · 9 months
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Immortality, Motherhood, and Pain: A Closer Look at Annalise and the Doll
Finally revisiting this from ages ago, because the parallels between these two are just SO fascinating. Content warnings for discussions of misogyny, genocide, abuse, and pregnancy/childbirth.
This analysis will cover the parallels between Miss Doll and Queen Annalise through the lenses of the misery of immortality, the trauma of marginalization, and the liberation they find in motherhood. Both the Doll and Annalise are undying, both coded as mother figures, both marked by death, and both very, very alone.
Miss doll and Annalise are the only characters in the whole game who are undying. You can kill them, but not meaningfully - not in any way that matters - and they seem to know it. Neither will try to stop you, nor will they fight back, should you choose to attack them. They will come back, and your violent betrayal will have seemingly meant nothing to them. They both are very aware they will outlast whatever violence you may inflict upon them. It's evidenced in their dialogue:
If you attack, Annalise says:
“Enough. If only Our life was so easily forfeit… Grieve not, for Us.” “How sad this is. If only Our life was so easily forfeit…”
If you attack Miss Doll, she used to say:
“I must have displeased you. Go on, shut me down… Even so, this vessel will remain in your service… So have no fear."
I think this point of comparison highlights just how deeply they've both been desensitized to violence and abuse. They do not beg for mercy, they do not put up a struggle - they only remark on it with distant chagrin. They both seem keenly aware that their flesh need not be in one piece to fulfill its purpose.
But where Miss Doll was made to embody the Victorian patriarchal ideal of womanhood, Annalise wields womanhood as her last weapon against the dehumanization of the church’s genocide through her queendom. Upon being resurrected the next time you return to the dream, Miss Doll will act as though nothing had happened at all. However, if you bring her flesh to the Altar of Despair, Annalise will call you an arrant fool, and remind you that “Vileblood or no, forget not; We are thy Queen”. Miss Doll kneels to serve the hunter, while the hunter must kneel to serve Annalise. Miss Doll has been conditioned to passively accept dehumanization and submission, yet Annalise demands respect through your submission even in her dehumanized state. Miss Doll is subjugated by the trappings of womanhood, while Annalise is lifted from subjugation by her womanhood, in some ways.
I find this fascinating, however, because while Miss Doll appears in every way as a pure, demure Victorian woman was meant to, they are also dehumanized through the denial of gender. To Gerhman, their creator, they are nothing more than another tool of the workshop. An object. Even the Doll themself uses neutral "I" pronouns to refer to themself in the original translation. I think it is pertinent to note that the only canonical reference to Miss Doll as a "woman" comes from Eileen. In the original Japanese text, she refers to the Doll with a term of endearment reserved for young girls. Miss Doll's appearance is the historical ideal of the subjugated woman - yet when Eileen confers upon her the status of "woman", she does so in an endearing and humanizing way. Therefore, for both Miss Doll and Queen Annalise, the status of womanhood is a rebuttal of their own dehumanizing subjugation: Annalise as "queen", and Miss Doll as "daughter".
Both characters are arguably seeking/find liberation through motherhood. Miss Doll gets "Childhood's Beginning": their creator and animator have both been put down, the hunt is finally over and they are no longer bound to serve its participants, nor must they watch their beheadings. They cradle the newly ascended hunter. It is a highly atypical “motherhood”. It exists in the performance of the role rather than the biology of childbirth. In the same way, the Doll possesses a highly atypical “womanhood” which exists in performance alone, rather than in biology or even identity — but nonetheless, it is real, and it is hers. I, perhaps too optimistically, choose read it as humanizing for them; because unlike their “womanhood”, Miss Doll is allowed to choose this for themself rather than having it imposed upon them.
In the same vein, Annalise seeks to birth a child of blood for a similar but perhaps more somber reason. She wants a child because she wants an heir — which is to say, because it is the only way she may once again have kin. Because it is the only way she may fulfill her duty as Queen. She witnessed everyone she ever knew or loved — surely her own family included — slaughtered before her eyes. Annalise seems to seek motherhood in order to be a homemaker - in the most literal sense possible. She wants to rebuild the community, the home, which was so brutally torn away from her. She wishes to restore honor to Cainhurst. For Annalise, having a child is an open act of rebellion against the genocidal eugenics-frenzied bloodthirst of the Church. I can't help but wonder if part of the reason Alfred is so hellbet on destroying her, why the Executioners imprisoned her the way they did, was to strip her of bodily autonomy so she couldn’t “reproduce”. Her desire for a child is her way of seeking liberation for her and her people.
In this sense, taking up the role of a mother, of "women's work", is what confers the agency upon both Annalise and Miss Doll which had been otherwise stripped from them. Annalise's by the genocidal eugenics of the Church, and Miss Doll by the pact of servitude she was seemingly born into.
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undefeatablesin · 9 months
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ALTAR 🩸: PAGE 10
Previous Page
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