#by the beatles i mean paul but you already know that

[m1ssunderstanding]

Let it Be Close-watch

Paul, sweety, it's beautiful, but it's killing the vibe.

Ringo looks like a very old, very tired lab rat whose been put through the maze a few too many times

Somehow the air-brown mostly eaten apple is very appropriate.

She looks far too sweet here to ever let John down. Yoko has very kind eyes.

I love how it makes it seem like Paul and John are calling Maxwell “the corny one” but really we know from Get Back that they're talking about a particular arrangement they were trying out for Don't Let me Down.

I swear he's saying “John” there, not “Joan” and also he said “came down upon His head” so… Oh! And Max died in the end in this version? “Sure that Max was dead” Okay. So Paul kills John and then himself. Murder suicide story. Yeah, Paul, you're doing great mentally, we can all tell.

I love how George getting electrocuted was important enough to make the cut for both films. Poor baby. “If this boy dies you're gonna cop it” from the guy who was just singing about a serial killer.

They're so silly

Yoko does not agree with me

Paul: stealing your man, sweetheart. John: oh no I'm being stolen teehee!

They're so silly

Oh wait, were those bitchy looks at George??? Because there he is. Idk could easily be him or Yoko.

this poor autistic baby trying to use words (not his language) to explain music (his language)

“Good MoOornin! Wooah!” I think I just … You know how Mike said people were booing Paul in the theater watching this? Yeah it's because they were pissed he didn't step out of the screen and onto their necks.

Oh Michael put himself in his own movie too? Huh, cool.

They are always in my heart

The way Paul says “get on the mic” to John??? I would've thrown something, that was so fucking bossy! Just his tone and his face and his angry pointing fingers. So mean. And John just goes “okaaay”. Oof.

Ringo covering his eyes like a little kid watching a scary movie during the orange sweater fight. Same, babe.

Sounds like the original lyric John's going for is something long “All I want is you. Nothing else is gonna do.” But that obviously didn't fit with the tune. I wonder if there was a particular conversation with Paul being controlling that made the “everything has got to be the way you want it to” line click in.

Oh my gosh! So George is showing I Me Mine to Ringo and Paul and he says the “I don't give a fuck it can go in musical” line before he even plays it. Not after John's making fun of him like he does in Get Back. Nagra reels experts: which one is correct??

George: it's a heavy waltz. Ringo:*claps hands angrily and punches the air to a ¾ beat. I love him, he's like the core of “Beatle humor” to me.

Woah there! Okay this is the John/Yoko pda Peter Jackson cut, I see. I wonder if there's a lot more footage of them swapping spit that might make the “oh John was just so in love” theory more reasonable.

It's extremely impressive that George just wrote this whole thing last night. You know? John and Paul have brought in all fragments from what I can tell. He's the only one to come in with a basically finished product.

LMAO and we're just going to Apple now. No reason. Nothing happened. Nothing to see. Moving on.

Ringo is so so cute pretending to hide from the cameras. Really he should've been the cute one.

Is it just me or does Paul drop the sillies and get sad when he sings “always be mine” at John? It's his regular voice, too, for a minute, if I'm not mistaken.

Silly cuties. But John's grin and little sexy tongue action happens the second time Paul sings always be mine, so…

What friendly artistic collaboration looks like when it's not psychosexual

Paul: have you played the dubs? George: yeah. Terrible. Paul: Great! Ringo: terrible. John: laughs Paul: (sarcastic) oh, so dreadful. …. John: where's my guitar? Paul: (still sarcastic) well we're just the greatest band ever. Idk I just like this dialogue. It's very them, you know?

This is adorable.

But I also love how they're already communicating with eyebrows, you know? They just bonded so fast and I find that beautiful.

And then Heather ups their game from taking turns going “chchchchch” into the mic to meowing into the mic. She looks at Paul like “okay your turn” and he sets her down lol he's thinking ‘if I meow into the mic right now after John already had a sex dream last night about me, he might actually cream his pants and we can't have that on camera’

Lol Billy just magically appeared!

Paul you're literally so annoying. You started the goofing off and now you're like “alright lads, that's enough.” Mkay.

He is unbelievably sexy and talented though so you know he does have those little things going for him. Someone write me a Paul/Billy fic please!!

Kinda crazy how they all four just slide straight from “Kansas City” to “Miss Ann” to “Lawdy Miss Claudy”. Makes me think of something they might've done in Hamburg.

I'm sorry but Paul finishes “please don't excite me baby. I'm down in misery.” And John's immediate answer is, “well you can get it if you want it, and if you want it you can get it!” And Paul ends up singing “I want it I want it I want it I want it”. Nice. Very subtle, boys. And that's before John gets kinky.

I love how Heather just forces a hug from George and then immediately runs away. What a cutie.

But really. How did anyone watching this get the idea that John hated Paul? Just confirmation bias I guess?

All the cut off conversations kill me but especially the one where John's working though Paul's anxieties. They're just in the middle of it and then cut. “two of us Sunday driving…”

Someone should do a study of whistling in their songs. I feel like it's another one of their tip offs that “hey this one is about us” Anyway I love John's whistling here. He's so good at it. I can just imagine him as some farm boy picking apples, you know?

Imagine booing this poor stay puppy though, like. What? I mean, what if Johann Weiner was wrong and John wasn't crying at the sight of him and Paul playing triumphant together on the rooftop, but at Paul playing his little heart out about their doomed love. Idk it's probably both. Let's be real, John was bawling through the whole thing.

What is George laughing at? Picture quality is garbage because evil corporations don't let you take screenshots of their content, but he looks like that one kid in your elementary school class that just dumped Cheetos all over his crushes desk and thinks he's a criminal mastermind.

Also I do appreciate all the attention given in the chosen shots to the musicianship. I bet they liked that at least if they had the heart to like anything about the movie at the time.

I'm sorry but I love how in sync Mo and Paul are. With this ducking and later the shimmying. I know it's wrong to ship Ringo’s wife with one of the Beatles she didn't sleep with, but… idk I really want her to have bedded all four at one point, you know? She deserves it, being an og.

Okay but yeah I'd be having a public meltdown if I fumbled that too holy fucking shit

Ringo feeling himself as he should

George just looks like he smells nice. Unlike the others. You know?

John has such a beautiful smile. If somebody looked at me like that I'd put him up on a giant screen behind me on my world tour after he'd been dead for forty years too.

That pleeeaaaheeeaaase though. Looking at Paul. How did he survive I'll never know.

The cut from screaming Paul to grouchy nap lady is extremely painful.

John was so cool in this concert. Like the epitome of cool.

Kevin, my love, thank you for your service

I love Yoko leaning so far and craning her neck. She's like a mom at a school talent show. Like “I only came to see my baby.” Type vibe. Which is exactly what she's doing, unlike Mo, and honestly I find both of them extremely valid

You know in movies where the romantic leads are never looking at each other at the same time?

I think I watched George and John switching back on their amps like fifty times because I just love it so much. And from this angle, you can see John's saying something to Paul about it. He looks serious and he's shaking his head. I wonder what he's saying.

Mal Evans I love you forever for this. Look at his hand on the rail, just blocking them off completely, so protective.

Them turning to each other at the end always gets me. It's automatic, like second nature, and it's the last time ever. They deserved better.

Oh Darling duet in the credits are you fucking kidding me??? Was that in the original? “Believe me, when I tell you.” “Oh I do.” That's the second time that they gave away in this footage that they know they're talking to each other in their music.

Alright, that's it, I guess. And then MLH is haunted by this experience for forty years until he makes Two of Us to purge the demons.

#paul mccartney #the beatles #john lennon #mclennon #ringo starr #george harrison #let it be

[good-to-drive]

whyyyyy do the beatles have so many solo stans this site is so weird

#by the beatles i mean paul but you already know that #I do think it's okay to be a solo stan as long as you aren't a dick #but paul's fandom is so toxic and I really don't understand why #realistically you'd expect george's fans to be the toxic ones #not in a shitty way he just had a lot of negative things to say about the beatles so you'd think his fans would adopt that #like I'm not saying he was wrong to feel that way but it could definitely create a rift between george girls and the rest of the fandom #but it just kinda hasn't #instead paul stans are the ones with a chip on their shoulder #maybe it's because the others were sort of sick of paul by the time it ended #and his solo stans feel obligated to justify that by saying everyone else was unreasonable and heartless and ungrateful and etc etc etc #idk I think there's a desire to push this narrative that paul probably briefly held when he was young and immature #that he's the eternal victim and any time people don't like him or he doesn't get what he wants something deeply wrong has happened #and someone needs to right that wrong #but he grew out of that mindset decades ago #clinging to it at this point is just kinda sad #I should delete this these tags are getting out of control

[javelinbk]

Anthology George, you will always be famous

#I know he was already famous but you know what I mean #george I love you #anthology george my beloved #paul mccartney #george harrison #the beatles #the beatles anthology

[princessconsuelapark]

Interviewer: And what do you think about efforts that have been made through technology, through artificial intelligence, to recreate the early Beatles, making your voice sound younger, bringing those voice back, well, from the grave, really?

Paul: Hmm. Well, it’s a very interesting thing, you know. It’s- It’s something we’re all sort of... tackling at the moment, you know, and trying to deal with, what’s it mean, you know. Um. Yeah, people- I don’t hear that much, cause I’m not on the- on the... internet that much. But people will say to me, oh yeah, there’s a- there’s a track where, you know. John’s singing one of my songs. And it isn’t. It’s just AI, you know. So all of that is- is kinda scary. Um. But exciting? Cause it’s- it’s the future. And we were able to use that kind of thing when we did, when Peter Jackson did the film, Get Back, where it was us making the Let It Be album. And he was able to... extricate John’s voice from a ropey little bit of cassette, where it had John’s voice, and a piano. Um, he could separate them, with AI. They could do- they tell the machine, that’s the voice, this is a guitar, lose the guitar. And he did that. So he has great uses. So when we came to make what will be the last Beatles record, it was a demo that John... had, um, that we worked on, and we just just finished it up, it’ll be released this year. We were able to take John’s voice, and get it pure, through this AI, so then we could mix the record, as you would normally do, you know. So it gives you, it gives you some sort of leeway. So there’s a good side to it, and then a scary side. And we’ll just have to see where that leads.

- Paul McCartney interviewed about Eyes of the Storm for BBC Radio 4 with Martha Kearney │released 13 June 2023

Thought I’d transcribe the (supposedly? I mean what else can it be?) Now and Then related question. Tried my best to stay true to Paul’s speech patterns, meaning there is a lot of ‘you know’s in there. Question starts at 29:30, the interview should still be available for another month on the BBC website. The rest of the interview itself has nothing groundbreaking, although Paul has some nice stories, and there’s a lovely bit where he reminisces a little about his and John’s Paris trip.

#the beatles #paul mccartney #eyes of the storm #mclennon #now and then #my post #he's talked about now and then for years now #how he's always wanted to finish it...... #if it is genuinely a proper beatles version (which... that's what he makes it sound like right?) #very curious how that went down with olivia and ringo #george famously thought it was shit or i guess was just frustrated having to work with someone who wasn't there and couldn't contribute #they must have had A LOT OF IT done already then because doing this without both john and george and still calling it a beatles record #like even paul wouldn't do that if it didn't feature george quite a bit on it right? #very very interesting #would also be curious to know whether he was supposed to say this or not #was this gonna be a big release cash grab situation or is it just still his little passion project that he's been going on about for 30 yrs #i mean it can be both i guess #we shall find out thoughhhhhhh #fucking now and then !!!! you are insane for this paul #LOVED the bit where he's like well it's not really john singing though is it #he says it so definitively #some good takes on ai? scary is a good word for it yes thank you paul

[bloodynereid]

hey i was wondering if you could write a warren rojas x reader fic where the reader is an absolute rockstar and what their relationship would be like since they’re two musicians dating one another while living with the six

i love ur writing

tyyy 💕💕💕

Rhythm of Our Love

pairing: warren rojas/rhodes x fem! reader

a/n: hi! tysm for ur request and hopefully I fulfilled it the best I could. also u didn't specify if you wanted fem or gender neutral reader so i kind of just went with fem if that's okay. also this fic kind of ran away from me so I guess you just get to spend 5.3k words falling more in love with warren (I personally like longer fics). oh and there's a lot of billy bashing in this, which wasn't really intentional but yk it happens. oh and btw i hadn't watched the new episodes yet when i wrote this so this is really just mixed with some book events so book spoilers (!!) - reader is kind of like female pete if that makes sense

tw: drug mentions (mescaline, weed, pills), addiction mentions, billy bashing (don't know if that qualifies as a warning lmao), swearing, cigarette smoking, mentions of cheating (billy and camila - not warren + reader)

description: the rise to fame of a band and the love story between the drummer and bassist that accompanies it.

Y/N (bassist for Daisy Jones & The Six): Is this on? Yeah okay right. So where do you want me to start? The beginning. Geez okay let’s start at the beginning then.

You grew up living next to the Dunne brothers and ended up taking up bass after listening to Queen and The Beatles. John Deacon and Paul McCartney made those songs what they were and you were proud to be able to play something similar to them. So it was only natural that you ended up joining the Dunne brothers after Graham accidentally heard you playing one summer night.

Y/N: God I can remember the first time I played with them so clearly. They had become a pretty established band in Hazelwood but Chuck had quit, wanting to go to dental school or some shit like that, so they were going to give the bass part to Eddie, until Graham found me.

Eddie: Y/N was a lifesaver. I would have to play bass if Graham hadn’t gotten her to join. Plus she was one of the best things that could have happened to the band.

It was a chilly night but you rocked up to your neighbor’s garage wearing a pair of flared jeans and a butterfly top. Your bass slung over your shoulder and a cigarette between your lips. 

Warren: Y/N was a total rockstar from the beginning. And the way she carried herself that night, man, she was the most attractive woman I had ever seen.

“So are we ready to get this show on the road? I’ve been working on the sheets that Graham gave me yesterday.” You said as you entered the small room where all the boys were already tuning up and Warren was playing a random rhythm on the drums.

“We’re opening for the Winters in two days. Make sure you aren’t still ‘working’ on those sheets.”

“Sir, yes, sir.” You gave him a little salute whilst rolling your eyes which learned a few laughs from the group and a frown from Billy.

“Whatever, let’s just get this going.”

Graham: Billy was an asshole when he first met Y/N. Similar to how he was with Daisy, but he knew we needed her. 

Eddie: Y/N handled Billy better than I think anyone ever has. She met his challenges with blunt sarcasm and humor. Anyone who could deal with his bullshit made an instant friend with me.

Warren: I don’t think she knew how hot I found her at that moment.

Y/N: I knew. I mean I had been harboring a little crush on Warren since middle school. I wanted to impress him and I would say I succeeded.

Warren: She had a crush on me in MIDDLE SCHOOL? If I had known that it would have made things a hell of a lot easier.

Y/N: Fast-forward two days, came the night that changed everything. I mean my first gig was the time we opened for the Winters. My fingers were cramping and I had a horrible backache from the amount of practice I had been doing. On a plus side I got to meet Camila. She was just… incredible. God knows that Billy doesn’t deserve that wonderful woman at all.

You were running on a total of 2 hours of sleep. The past two nights had been spent practicing the pieces over and over again by yourself. And then the days were filled with practice with the boys. The band needed this to be perfect and you understood the weight of that completely. You were a rockstar. You were meant for this. At least that’s what you kept telling yourself as you walked into the performing area, staring wide eyed at the space.

Y/N: All I was thinking was: “You better not fuck this up.” That was the night we also met Karen. Karen Karen, my soon to be best friend. She was the keyboardist for The Winters and let’s just say Graham fell in love at first sight.

Right before we were about to go on stage a sudden crushing feeling started to encompass your chest. You were actually going to do this. Oh fuck.

Warren: I could tell she was having a freakout. I mean if it was my first time playing with a new band AND I had only had 2 days to practice I would have been hyperventilating. So I went up to her.

“What’s your favorite fruit?” That silky voice brought you out of your spiral with the most absurd question that had ever been uttered.

“Uh what?”

“What’s your favorite fruit? Mine personally are strawberries.”

“Oh umm I don’t know, I kind of like Y/F/F (your favorite fruit).”

“Cool, you good?” That was when you realized what he had done. You sent Warren a blinding smile and leaned to give him a quick peck on the cheek.

“Yeah thanks I owe you one.”

Warren: Call me a sap or whatever but I can still feel that kiss. I treasured that for a long time. Anyways, she was incredible that night. 

Y/N: There was like this electrifying feeling of being on stage and playing to all those people. I wanted to feel like that forever. Maybe it was also pure exhaustion but I swear it felt like I was on a high.

Billy: She played really well, I mean for a person who had two days of practice.

Y/N: We met Rod Reyes after our set. The man was a douchebag but he planted that LA dream in all of us. I was probably too exhausted to have been making decisions of that kind but…

“If you all will have me, I say fuck it let’s go to LA!”

“Let’s go to LA!”

Y/N: None of us stayed for the Camila and Billy drama, so Warren dropped me off last. We smoked weed for a while. We talked about all that weird philosophical shit that you talk about when high. Then I crashed for a few hours.

It was raining buckets. You pulled up in your dad’s car outside of Warren’s house. You had those weirdly unattached parents who really didn’t give a damn about what you did. They already had their hopes pinned on your older brothers so when you asked if you could move to LA, your parents couldn’t have helped you pack up faster.

“Bye dad.”

“Bye sweetheart. Don’t forget your bass.” He gave you an uncomfortable hug before passing your last suitcase filled with small remnants of your life.

“Hey Mr. L/N. I can take that.”

“Thanks Graham.” He quickly put up your few suitcases on the roof and you waved at your dad as he disappeared into the blankets of rain.

“Ready?”

“Definitely.” Warren helped you into the van and you got situated in a comfortable spot. You lit up one of your cigarettes and opened up the pages of your slightly damp book, waiting for a while until finally everything seemed ready to go. Well not everything.

“Got room for one more?” Camila got into the van and sent you a little smile before cosying up next to Billy.

Y/N: That road trip was one of those things that was both horrible and incredible at the same time. But when we got to LA man wow it was like we were transported and then we met Rod Reyes, again. He was such an asshole but at least we finally had some gigs lined up and a house, but calling it that might actually be a bit generous. 

Warren: Graham insisted we kept the haunted room for Karen. And obviously Billy and Camila got a room. Which meant Y/N was either stuck on the couch or rooming with one of us. And… Graham and Eddie already called the bunks.

“This is so fucking unfair! Why does your non-existent girlfriend get a room and I don’t?”

“She’s not my girlfriend!”

“Fuck you Graham. Where the fuck am I meant to sleep then huh?”

“Uh well Eddie and I are sharing the bunks.”

Y/N: It was like a really bad romance movie.

“You have got to be kidding me! Did any of you even think to count the rooms in this house?”

“Guys just shut the fuck up. Y/N you’re going to sleep in Warren’s room and that’s final. You’re all acting like children.”

Y/N: That was also one of the many times that Camila basically acted like our mother, in a good way.

“You know what, fine! I hope you’re happy Graham.” You said as you slammed the door to your new room and unpacked in a furious hurry. 

Warren: There was a king sized bed that took up basically the entirety of our room. Honestly it was one of the worst rooms in the house, but at least it wasn’t haunted! 

Y/N: Warren wanted to take the floor but if you saw that room you would know that the floor basically consisted of like a slab of wood. The closet and the bed took up the entire space and then there was this huge window. It didn’t even have curtains! Whoever designed that room was an idiot. But we didn’t have the money for anything else.

Warren: I tried to be a gentleman about it but like I would never have been able to sleep on the floor and I wasn’t sleeping outside.

Y/N: Not going to lie after that first night I was kind of grateful to Graham. Don’t tell him I said that though. Anyways we played so many gigs and were getting nowhere. And we were slowly running out of money. Oh and Karen did end up joining the band and she got the room.

You were all seated in some random diner with Camila counting out all the money you had gotten from gigs and your little part-time job working at a movie theater. On your side of the table sat Karen, Warren, you and then Eddie.

“Why are we still called the Dunne brothers, anyway?” That ended up sparking up a rather loud discussion of our side of the table against Billy. You rolled your eyes and leaned your head on Warren’s shoulder. You could see his stupid smile as he looked down at you so you just poked him in the ribs and he laughed.

“I for one am for changing the name.” You said as you took a drag of your cigarette, adding to the already thick cloud of smoke that surrounded the band.

“You see, Billy, basically the entire band is against you on this one.”

“No, no. The band name is what gives us credibility if we change it then all of our reputation goes out of the window.”

“Oh our Pittsburgh reputation really? Or maybe the reputation of not being able to get good gigs.” You barked back at the already angry man which made Eddie send you a grateful smile.

Then came the barrage of horrible name ideas, including one from Warren that made you look up at him from his shoulder in confusion and slight disgust.

“Look okay, the seven of us will never agree on the name.” That’s when it came to you.

“What about The Six?”

“Huh?” Everyone turned to you as you sat up and took a sip of Warren’s coffee.

“I mean no offense Camila but you aren’t technically part of the band so there’s six of us. We can be called The Six. The Five is used too much and The Seven sounds like way too many members so how about The Six?”

“You know what, I like it.”

“Me too.”

Y/N: So we had a shiny new band name, my relationship with Warren had gone from band mates to really good friends. And no I don’t mean that in an innuendo way but you get really close to someone you have to share a bed with every night. We had some good nights.

Warren: I always thought that Y/N would end up moving in with Karen after she joined but she didn’t. I think she knew that that room was haunted.

“So who do you think the most attractive person in the band is?” You and Warren were lying on the bed in a drug addled haze after taking some mushrooms he had gotten from one of his hippie friends.

“Huh?” You sluggishly turned to look at his face, finding that his eyes were already on you.

“Who do you think is the most attractive in the band?”

“Hmm I don’t know.”

“Really?”

“Yeah, I mean Graham and Billy aren’t my type. Eddie is hopelessly in love with Camila-”

“Wait what?”

“Dude are you blind?”

“No? I mean I know Graham likes Karen but she doesn’t like him.”

“That is like the most obvious observation I have ever heard.”

“Hey! So that just leaves… Camila, Karen and me. Wait, is Camila the person who you find most attractive? I’m not judging if she is.”

“I can’t lie she’s really pretty and Karen is absolutely stunning but no not the person I find most attractive.”

“Me?”

“Yes dumbass. Now it’s your turn to answer the question.”

“Oh that’s easy, you obviously.” You smiled bashfully at him as his mischievous smirk grew.

“You are too charming for your own good.”

“I could say the same thing about you.” That was when you both fell silent. Maybe it was the confidence the drugs gave you but you quickly gave him a kiss before backing away.

“You like me back?”

“Obviously you dumbass, I've liked you for ages. Why do you think I’ve been cuddling with you for the past few months? I don’t do that with every single person I know.”

“I don’t know.”

“Just shut up and kiss me again.”

Y/N: As I said, a really cheesy romance movie. But I found Warren and we fit like puzzle pieces.

Warren: We were high on shrooms when she kissed me. We didn’t do much else that night, other than kissing and then sleeping.

Y/N: I may have loved Warren but we weren’t sleeping together until I knew he was serious. I had seen him with the small amount of groupies that we had. I’m not a jealous woman but that right there boiled my very core.

Warren: I stopped hanging out with the groupies after that night. Y/N became the light of my life, I wasn’t going to ruin the only good thing going for me that wasn’t the band.

Y/N: Then Billy convinced Teddy Price to listen to one of our songs. I have no idea how he did it. The next few months after that song were the most anxiety I had ever experienced but they were also the happiest. I was doing what I loved and I was doing it with the person I loved. Then we got to record the album. 

Karen: Y/N and Warren went official a few weeks before we got the album deal. They were the most obnoxiously cute couple I had ever been around. And they complemented each other incredibly well.

Graham: Honestly I take it as full credit to my genius that those two first got together.

Camila: Oh Y/N and Warren… god they were one of those strangely healthy couples. They were living the life, they had each other, the band and the drugs. They were insanely happy together.

Y/N: We were going to go on tour! That was huge for us and for me. A few days before we went though, Camila told us she was pregnant. They got married that night.

Warren: The wedding? Oh I don’t remember it that much. Mescaline… well it’s a powerful drug.

Y/N: Did Warren tell you we were on mescaline the entire night? Yeah. God, I wish I had been more present in that moment but we truly were having the time of our lives. Camila being pregnant also put things into perspective for us. Protection wasn’t a big thing in the 70s but I had been taking birth control after I read a few books. I wasn’t taking any chances. 

Warren: Yeah we had a deep discussion about that. I think that was one of the many times where I realized how shit it was to be a woman of that time. I supported whatever she wanted to do fully.

Y/N: We went on tour. It was fine. Billy was an asshole but he went off the rails. I mean Warren and I were a bit out of control cause you know… fame. But Billy, he went hard on all the drugs and the groupies.

Warren: We were there to have a good time but I also recognized something in Billy that I never wanted to be. I stayed away from the hard drugs and sure we hung out with groupies but I would never betray Y/N like that.

Y/N: Then Camila arrived, heavily pregnant and she found Billy getting it on with some groupie. Fuck, I really tried to call her but you never want to hurt someone like that you know. Fast forward a few shows and well we found out Camila had given birth. Teddy put Billy in a rehab center. We cut the tour short and that fucked it up with the label. I think it also made me realize how incredibly lucky I was to have found Warren.

Warren: The next few months the band was idle. Y/N and I did a ton of mushrooms and we helped babysit Julia. It was actually really nice and domestic.

Y/N: I was bored out of my mind. I wasn’t suited for an idle lifestyle. When Billy decided to stop being an idiot and rejoined the band, things finally started to look up. And then we all met Daisy Jones.

“Why can’t we just have Karen or Y/N sing this stuff? If you want an edge we have that already.”

“Oh no way, Billy. I don’t sing, I’ll help with backing but that’s it.” You said as you stamped out your cigarette on the tray.

“I’m with Y/N. Plus I agree with Teddy, it will give us a new sound.” Billy stormed out of the room at that leaving you and the rest of the band to chuckle at his dramatics.

Y/N: We were all enraptured with her when she first walked into the studio. She was wearing a button down shirt and no pants. That made one hell of an entrance. And of course, Billy wasn’t pleased.

“Hi nice to meet you Daisy. I’m Y/N.” You said as she walked into the recording studio while Warren’s arm was secured around your shoulders.

“You too. Thank you all for having me.”

“You’re welcome.” Graham answered.

“Okay, let’s get this show on the road.” You and the rest of the band left the room and went into the production booth.

Y/N: She was incredible. Even if she did try to change up Billy’s song. Personally I always liked her version. After that recording session it all kind of blew up. Billy wanted to keep the song as it was and obviously he did that until Daisy showed up to one of our shows at The Whisky. We then headed out to our world tour, The Numbers tour as it was dubbed featuring Daisy Jones.

Warren: We were making money, a ton of money at that. Sold out shows everywhere we went.

Y/N: I’m pretty sure that was the tour that Karen and Graham started hooking up. Warren didn’t believe me, he had his own theories. Like he thought Bones, our lighting guy… *cue you breaking out into laughter*, sorry sorry, but geez yeah Warren was honestly the most clueless guy I had ever met and I loved him for it. Then came the show for Rolling Stone, that was an incredible show but Eddie… that man had basically become my brother at that point. What Billy did was one of the worst things he could have ever done to him.

Eddie: I couldn’t take it anymore so I had to do something.

Y/N: I understood why he smashed that guitar. I would have done the same thing. But my bass was also something I had basically built all by myself. I wasn’t going to hurt my baby.

After all of the drama, you quickly made your way over to Eddie before Jonah Berg came down. A cup of water in hand and a cigarette dangling from your lips. 

“Ed?” You walked up next to your best friend and gave him a little shoulder nudge.

“Oh hey Y/N.” His voice sounded thick with underlying rage. One that you recognized all too well.

“I’m really fucking sorry.” And you wrapped your arms around his shoulders and pulled him into a hug.

Y/N: When you spend a long time around someone you kind of learn their tells. Warren and I were incredibly good at reading each other. And I was just incredibly similar to Eddie, so I knew how to help him… we both have really horrible tempers. Warren and the drugs had been helping but Eddie didn’t have a Warren.

Eddie: What Y/N did after that show… she knew I didn’t want to talk about it. She became my sister at that moment.

Y/N: I think Warren and I should have probably stopped Daisy. But we were sort of mooching off her stash. We promised each other to not go on the hard stuff but I think I was getting addicted.

Warren: Drugs were a normal thing in the 70s and we were having fun! But yeah I was feeling like I was starting to depend on pills.

Y/N: I was getting sloppy with my playing so I knew I needed to start weaning myself off it. We didn’t know much about addiction back then so it was hard to stop but we did the best we could. Well for one thing we didn’t go cold turkey.

Warren: When she told me, I understood her completely, I was feeling the effects of it too. We kind of talked through it a bunch and decided we should probably lay off the heavier psychedelics. Being rockstars meant you were down to have fun but if she wasn’t happy then I was going to try and remedy that.

Eddie: I think after the whole Glasgow thing I saw Y/N become more level headed. The same with Warren. I think they made some decision to get like moderately clean. They were still smoking pot and stuff but stopped with the pills and harder stuff.

Karen: I swear I thought they were either trying to get pregnant or Y/N already was. The fact that after that Rolling Stone interview they suddenly stopped taking anything stronger than weed is probably what made me suspicious.

Y/N: I ended up sitting next to Eddie for most of the flight back, leaving Warren to sleep. I think we were the only two band members that weren’t consulted about Daisy, but I honestly didn’t give a damn. It was nice to have another girl around and… I was probably feeling the withdrawal.

Warren: When we got back to LA, I bought a one-bedroom Gibson.

Y/N: Warren bought a boat and I bought a little house which has a boat dock, it was kind of like a perfect compromise. 

Warren: I kept my boat mostly at Y/N’s house but we occasionally went on little trips. Mostly we drank beers on it and spent nights at the house. Y/N took up sports for some reason but I wasn’t going to complain, she looked hot.

Y/N: Yeah, I took up surfing, boxing and got into soccer. I was still practicing bass daily but without the band getting together much that summer, Warren and I kind of just did whatever. We smoked a lot of weed too. We were moderately clean and we were happy but I think deep down we missed life on the road.

Warren: Neither of us were ones for settling down. That’s probably why Y/N got into sports and I bought that boat. Oh and Eddie was around a lot. At first I thought he was trying to get into Y/N’s pants or something but they have this weird bond that reminded me of how my sisters and I acted.

Eddie: I visited Y/N and Warren A LOT. I don’t think they minded me being there, I basically took up permanent residence in Y/N’s spare bedroom. Y/N and I actually wrote a lot of songs during those days and we both got into surfing. And the LA surf scene was something else but I was itching for the road and they were too. So when the call came in from Graham we were all ready to leave. 

Y/N: We got together in The Rainbow and that’s where everyone just started to talk about everything and what parts they wanted to play. I mean I was already writing my bass lines so I was fine in that department. Warren and I mostly stayed out of the conversation, just smoking and making little jokes.

Graham: I think this was one of the only times that Y/N was completely silent around Billy. I mean Warren and her had always been pretty independent but they seemed like they were in their own little world. Well that was at least until Eddie stepped in.

“Look I don’t want us to turn into some kind of pop group dynamic.”

“You know what I agree with Eddie.”

“Oh so you’re finally going to talk.”

“What the hell?! I didn’t have anything to contribute and was making it easier for you and now you’re getting mad at me for actually pitching in?”

Billy: Y/N and Eddie hated me. I don’t know what I ever did to them but they got on my nerves constantly.

Daisy: Y/N was a spitfire. Eddie and her kind of had this team dynamic that was based on ganging up on Billy. Not that he didn’t deserve it but there was always underlying tension.

Y/N: I never hated Billy. He just wasn’t someone I particularly liked. He thought the world revolved around him and he loved trying to be the boss. He never once listened to my ideas, even if I had been there from basically the beginning. Eddie and I were just getting fed up.

“Okay, everyone just calm down. Billy, Eddie does have a point.” Teddy Price was always the peacemaker in these things. You scoffed and leaned in closer to Warren who had taken to rubbing circles on your arm to calm you.

Y/N: We walked out of there with a new name: Daisy Jones & The Six. I guess you can call that the beginning of the end. While Daisy and Billy went off to compose, the rest of us worked on Aurora together. By the time we were going to play it for Billy I think it sounded pretty incredible but… he hated it. You could see the revulsion on his face but Teddy convinced him to keep it. Oh but Daisy loved it! I knew I liked her for a reason.

Warren: Daisy got on really well with Y/N and I during the entire time we made Aurora. We had that easy way of suggesting things for each other and giving feedback that we all followed.

Daisy: I wish I had a relationship like those two. They respected the other person in a way I had never seen before and they were so hopelessly in love with each other. I knew it was only a short time before they would get married. I was honestly jealous of what they had.

Y/N: I never went to one of Daisy’s infamous parties. Not because I didn’t want to but because I was happier. Which sounds really fucked up cause everyone else wasn’t doing that great around that time. I think the fact that I stopped taking drugs helped A LOT. Warren and I were enjoying life so you know we obviously took the next step. We got married.

Warren: We didn’t tell anyone we were getting married. And no one really knew until the band broke up.

Y/N: We got married in a little chapel on this hill near Long Beach. I refused to do a Vegas wedding even if we were eloping.

Warren: She was insanely beautiful that day. We both showed up in pretty casual wedding clothes.

Y/N: I was wearing a long sleeve all-white prairie dress that I had bought the day we decided to do it. It wasn’t my style at all.

Warren: We spent our honeymoon at our little house. And we didn’t answer the phone for like a solid four days. Good times.

Y/N: The band was freaking out by the time we came back to rehearsals on thursday. They thought we died or something.

Eddie: We thought they went on some kind of bender or disappeared into the horizon with Warren’s boat but no they arrived on thursday with these huge smiles and a new car.

Y/N: We extended the honeymoon after the band broke up. We went to Hawaii with Warren’s boat. I don’t think that was safe but we did it anyway.

Warren: Oh, the car. Did Eddie mention that? Yeah we put some of our money together and bought an Aston Martin. You know the James Bond car.

Y/N: We had some money left over from royalties and stuff so when we pooled it we had just enough to buy that car and start putting some more of it into retirement.

Warren: We still have that car. And we still live in that same house. And Y/N hasn’t made me sell the boat yet so we’re doing pretty good.

Interviewer: So how did the band react to you two getting married?

Y/N: Well, I told Eddie first. He obviously reacted as expected.

Eddie: I was happy for her but mad that she didn’t let me be at the wedding. Y/N made up for it though when she allowed me to officiate their vow renewal.

Graham: I found out a few weeks after the band broke up. I was obviously not doing well after all the Karen drama. But I went up to their house to see them and when I walked inside I saw the rings on their fingers and the rest is history. I got to be Warren’s best man at the vow renewal, I mean it was my entire genius that got them dating in the first place, it was the least they could do.

Karen: I knew when I met up with Y/N and Camila for drinks. She showed us the ring and honestly we were both very shocked.

Camila: I didn’t think she would go through with it but wow I couldn’t imagine a better match. When she asked us to be maids of honor for her wedding, I obviously accepted.

Daisy: I didn’t go to the vow renewal. Being around Billy was going to be a trigger and I knew that. But I still meet up with them a lot. Their kids love being around mine.

Billy: Yeah I was happy for them, sure. Camila told me after they went out for dinner I think.

Y/N and Warren Rojas live in that small house on the coast of LA with their three kids, Lily, Vivienne (Viv for short) and Javier. Y/N went on to be the bassist for many well-known artists like Kate Bush, Billy Idol and even worked with members of the Beatles. They are currently celebrating their 20 year anniversary, which was marked by a vow renewal a few months ago.

this is very much self indulgent - i will be writing a bunch of angst next so prepare yourselves.

taglist: @pinkdaiisies @yesshewrites1 @lisbeth122605

#daisy jones and the six #billy dunne #graham dunne #karen sirko #daisy jones #camila dunne #daisy x billy #warren rojas #warren rhodes #eddie roundtree #taylor jenkins reid #amazon prime #warren rojas imagine #warren rojas short story #daisy jones and the six imagine #djats fanfic #warren rojas x reader #warren rhodes x reader #djats #daisy jones and the six x reader

[johns-prince]

I Don't Know (Oh Johnny Johnny)

After listening to this "forgotten" song by John and Paul on repeat, with excruciating scrutiny of trying my darndest to make out the lyrics.

This song is approximately recorded around 1960, could have even been 1959, and I've read it was apparently recorded when the group was going by the Silver Beatles. Also, apparently recorded at Paul's house? I'm not sure.

Whether you think it's just them fooling about, simple improvising and nothing at all, I think if they were going to take the effort to record it, it had to mean something.

Even if some or half of it is "improv," it still sounds like a conversation between the two.

It's not unlike them to use music to communicate and express personal thoughts and feelings, wants. There's also nobody else there... it's just them.

Just a couple of the clearer lyrics from Paul at the start:

"Hey now Johnny Johnny, oh Johnny Johnny, oh Johnny Johnny, oh Johnny Johnny, Oh God, Johnny boy, how are we gonna tell them?"

"Oh Johnny boy you wore me out"

It also sounds in one line Paul is singing, "Well you got me!"

Then John starts up.

And I know some people claim the start for John here is him saying "Well little boy" but I have to say that doesn't match up with what I've heard.

Doesn't sound anything like boy, but it does sound like John is saying, "Oh little darling, packing my shoes.. " can't make the following bit before, "cuz I'm losin' you"

"I'm going to see my sister soon. She don't want to see me I don't know really what I'm gonna do what I'm gonna do."

Now you've got Paul again:

"Well Johnny, Johnny, Johnny, when I call you Johnny, well Johnny Johnny oh Johnny, when I'm calling you..."

"Well I don't know what I'm going to tell them..." okay, these lyrics are really difficult to decipher. Maybe it's just my brains attempt at conjuring coherent words from the incoherent sounds, but, what follows this sounds ALMOST sounds as if Paul is telling him what he'll tell the fellas, about thoughts regarding John (I've still got thoughts of you/I'll still have thoughts of you/or, I'll still vouch for you)

Then the closest thing to ever getting to hear what Paul McCartney sounds like when pleading:

"Please Johnny, please Johnny"

John's response is:

"Well I'll tell the fellas I'm traveling with you"

And funnily enough, it's John saying, "I don't know what I'm gonna to do when I tell my mother we're gonna leave town." Of course if this is recorded in 1958/1960, Julia is no longer around...

Paul reiterates this though, confirming it, "Yeah we're gonna leave town."

Paul continues with this dogged line, I can catch a couple of "we gotta leave, we just gotta leave, we gotta leave right now."

Then—

"Take the next bus out of town, then we won't let nobody down!"

It's a conversation about getting out, breaking out, starting over just the two of them... With some interesting mentions of family and friends finding out, about something, with them, between them? And disappointing everyone, causes family to turn them away.

The reason couldn't have just been that they were wanting to become famous musicians together, right? I don't think that alone could be it considering Mimi nor Jim, or Julia or John's sisters, ever turned them away or shunned them because of this dream they were already chasing by this time.

The song progresses to where it sounds as if John has reservations about leaving, he's not as confident about the plan as originally thought.

Paul keeps singing the "we gotta leave, get outta town." I caught a "don't hold me down."

John starts repeating "I don't know" which results in Paul repeatedly calling out, "Oh Johnny Johnny Johnny oh Johnny Johnny Johnny Johnny..." Again, it's almost like pleading, "How could you not know? We have to go, we have to leave town, you can't tell me “I don't know” now. Don't do this now."

Now, I will say this, the full lyrical interpretations of this song, while I commend others for trying too, hold too many issues for me to agree upon their validity. I don't catch any "I love yous" and the such, but I think what I have caught, and how John and Paul are singing to each other and with each other here, alone, as teenage boys chasing their dream, is enough to convince me still that this song is so intimately about them, their relationship, and what they dreamed of doing together.

Running off, getting out and creating music together. Running away together. The song technically foreshadowing this honeymoon-esque trip of John and Paul doing just that when John turned 21, and with 100 quid took Paul on a trip.

Two teenage boys not knowing what to do, lamenting over something, something getting out to their family that would cause them to be turned away and to cause disappointment. I don't necessarily attribute that to them chasing the dream of becoming famous musicians together, but it could be. It could be many different things. Could just be me overanalyzing...

The end of the song is a lot more scrambled, difficult to make out, but it sounds like both John and Paul are back to both agreeing to the fact they need to get out, leave town, together.

Also imagining the fact they probably looked something close to this while thumping around and singing this song in Paul's house, alone together, gives me feelings.

#mclennon #john lennon #paul mccartney

[menlove]

[image id: an ask from @harbingerofskulls that reads: "im gonna b real i only knew the jerking off i would love to hear you elaborate more if you want to go on the whole situation" /end id]

answering here so i can save as a draft without risking the ask disappearing bc tumblr's been doing that lately but

oh god </3 for everyone else- it's talking about this post. sooo i'm gonna go through each one bc i've been feeling insane for several weeks. i'll do my best to cite my sources lmao

i don't know (johnny johnny)

this is referring to this unreleased VERY early beatles track from 1960. the audio quality is absolute shit & as such unfortunately people love to put words to it that don't make much sense in either direction (i.e a lot of mclennon fans want to hear "you're in love with me" and a lot of people that hate mclennon will just make up the weirdest lyrics that make 0 sense so it's Not Gay). some of the lyrics that ARE clear make it obvious this song is about the two of them running away together- at one point i'm fairly certain paul says "how am i gonna tell my father that we're leaving town?" probably referring to them leaving to hamburg. which would be fine but some of the other lyrics areeeee..... very..... Hm. like multiple times paul refers to john as "my boy" and there's bits of them talking about not knowing what to tell their friends & wanting to just run off together alone. if i were the other members of the band having to record this i would have killed them with hammers <3 also the entire end is just paul going "oh johnny" like 1 million times. okay. sure. also since the lyrics ARE so garbled i mean i guess people could be right about it saying "how am i gonna tell my father you're in love with me" but i just don't hear it. still, a very gay song about running off together and getting away from everything and everyone, complete with moaning the other's name </3

2. paris

this one is a huge part of McLennon Fandom Lore lmao but for good reason. not citing sources on all this bc it's one of those that's just Fact & can be found in like any beatles biography or thebeatlesbible.com (my savior) but. for john's 21st birthday, he got 100 pounds from a rich relative. instead of taking his girlfriend or any of his other friends, he decided to use the money to take paul to spain. but they stopped in paris on the way and just decided to stay there. which i mean like. taking your best friend over your girlfriend to the city of love is a little weird but it's not THAT weird. it's everything else that makes people want to chew glass about it. including some of the other things on this list. like this audio of john just goofing around singing about paris and paul, with such hits as "my cheri, my pau pau my pau paul." which is :| okay best friend. and paul has this picture hung up in his house that he took of john sleeping in paris. okay. sure. why not. (although ig there's some doubt about if the photo is from paris? either way it's a picture paul took and has framed in his house which is incriminating enough my man). also NOT in the original post but may pang, a woman john had a brief affair with in the 70s, wrote a book called loving john. in it, there's this quote:

After a late lunch, Linda launched into a long paean to the joys of living in England. When she was finished, she turned to John and said, “Don’t you miss England?”

“Frankly,” John replied, “I miss Paris.”

okay! also in an interview once he said:

The thing was all the kissing and the holding that was going on in Paris. And it was so romantic, just to be there and see them, even though I was twenty-one and sort of not romantic. But I really loved it, the way the people would just stand under a tree kissing; and they weren’t mauling at each other, they were just kissing.

(interview with david scheff for playboy in september 1980)

3. if i fell

this one i already made an insane post on that started my spiral into posting about the beatles publicly </3 but, essentially, the song "if i fell" by john is..... well it's most likely about paul. he said it wasn't about his wife but that it was auto-biographical and he never really had any public affairs that weren't flings, certainly not a lover. but most damning is he wrote the complete lyrics for the first time on a valentine's day card addressed "to paul with love" with some hearts and arrows pointing to where the lyrics were written. absolutely insane. made me insane.

4. oh! darling

rawest paul song of all time if i do say so myself lmao. but it's just.... Highly Suspicious, that's what it is. a Lot of beatles fans/historians will admit this song is most likely about john but they won't admit that it's fucking romantic if it is. like.

like that is so blatantly romantic idk what to say other than that. also, in the official recording on abbey road, there's Several points where paul says "darling" that sound more like he's saying "johnny" which is what he called him. people brush it off by saying it's his accent, but there's a very clear difference between when he's saying "darling" and when he's saying "johnny". i mean the Lore behind this is that it was written right when things were splitting up between them (& the rest of the band) so it makes sense and it's why most people are willing to accept it's about john. it's just insane to me that they'll accept it's about john without considering the implications of that.

5. the real life demo

this one made me want to light myself on fire i won't lie to you. but here it is! john had a song called "real love" and this is a very early demo of it. but instead of the lyrics that came to actually be in the song (which are thought to be about yoko but let's not get into the fact that it was on a tape labeled "for paul" but whatever), it includes john fucking crying as he sings saying:

"was i just dreaming or was it only yesterday? i used to hold you in my arms. and now a baby and another on the way... la la la la farm..."

which can quite literally be about no one else but paul, as this demo was recorded when he'd just had two children with his wife linda and linda was pregnant with their third child. they'd moved to a farm in scotland. hearing this audio clip did genuinely make me want to lie down in the dirt for a week. also "i used to hold you in my arms" just... yeah. god. when people think it was unrequited idk what to say, really.

6. If Paul Were A Woman-

shoving these two together but. in april of 85, paul said in an interview about john and yoko's relationship:

"I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, 'Who’s this?' You can’t really do that. If I was a girl, maybe I could go out and…"

okay bestie <3 and what would make your relationship different if you were a woman? interesting! and yoko had something similar to say. in this audio, she says:

"I’m sure that if he had been a woman or something, he would have been a great threat – because there’s something definitely very strong between John and Paul."

just reminds me of being a kid and telling my best friends "if i were a boy i'd date you" lol. incredible. does anyone here know about bisexuality.

7. stuart!

not much to say here except that john had a best friend, stu sutcliffe, who died young & before that had been the bassist in the band. paul fucking hated him sooo much oh he SEETHED. a lot has been written on that relationship but it was.... very interesting to say the least. it could have just been about the band, or just jealousy over john's friendship, but take that with a lot of john biographers suspecting john had feelings/even a sexual relationship with stuart and it paints a very Interesting picture to say the least

8. john's bisexuality

here's a compilation of quotes about it, but john was more than likely bisexual. which has nothing to do w paul, really, but more to do against people that like to claim they were both Heterosexual Men. although an interesting quote in this compilation is him saying he's "had paul" lmfao

9. paul's post-beatles work

there's just.... there is so so so much here i don't even know where to begin. @ringompreg has a good compilation of paul songs here. a lot of them do take a bit of Lore but like..... it comes down to the fact that both him and john have/had admitted many times to using their lyrics during The Breakup Years to talk to/reference each other and sooooo many of these lyrics are insanely blatant. the two i mentioned were tug of war and let me roll it, both of which are acknowledged to be about john by most people WITH NO ONE BOTHERING TO ACKNOWLEDGE THE IMPLICATIONS OF THAT which..... tug of war has this:

we could stand on top of the mountain with our flag unfurled? dancing to a beat played on a different drum? this is what gaylors think gaylor conspiracy is but paul mccartney is really out here saying this shit.

and let me roll it is so fucking blatantly romantic but every reviewer is like haha! what a cool song that's "making fun" of john and clearly in his style! like are straight people stupid genuinely. anyway:

bonus to that but about JOHN'S solo work :)))))) he wrote a song called "watching the wheels" and when you consider he very much responded to MANY of paul's solo stuff it's :)

which as a response to let me roll it would just be... so devestating but it may be a stretch idk if i'm onto anything there it's just worth Mentioning

and there's a lot of others, a lot of them in that post up there. like far too many where paul mentions falling in love with a friend like Alright.

10. paul's first lsd trip with john/"i know" "i know"

this one is less blatantly romantic but it is just insane. here's an article. and a quote from george martin about it. the first time paul tripped on acid w john was bc john accidentally took some and he took him home & then took acid w him bc he didn't want john to be alone on the trip :( but, notably:

"And we looked into each other’s eyes, the eye contact thing we used to do, which is fairly mind-boggling. You dissolve into each other. But that’s what we did, round about that time, that’s what we did a lot," the singer recalled, "And it was amazing. You’re looking into each other’s eyes and you would want to look away, but you wouldn’t, and you could see yourself in the other person. It was a very freaky experience and I was totally blown away."

he also apparently saw john as the, and i quote, "emperor of eternity" during this trip??????? okay

SOMEWHERE i can't find it rn and i'm getting lazy but somewhere they (i think paul?) talk about the fact that they used to just stare into each other's eyes and then say "i know" "i know" which. considering john's song "i know (i know)" makes me crazy

11. in my life/i will

these are really just some devastating songs with lyrics that make you really raise your eyebrows. for in my life, written by john, it's just an incredibly romantic & sweet song that is again, not about his wife. given that the lennon estate is still out here posting pictures of paul to those lyrics i have to say it's a liiiiittle suspicious. and i will is...... it's one that paul insists is not about his girlfriend at the time, jane asher. and when you look at the lyrics vs how him and john met.... like. the song goes:

and the story of how they met was that paul saw john repeatedly before they ever met, when he didn't know who john was other than that he thought he looked cool & admired his sideburns (lmfao). and when they did finally meet, it was when john was singing at a garden fete (party) and paul was in the crowd just Mesmerized. so. well. you can see.... you can see how fitting that is. makes me crazy makes me want to chew glass actually

12. "we were each other's intimates" and other insane quotes

"we were each other's intimates" is a paul quote about john which is just insane but that's not even the tip of the iceberg. here's a ton of quote compilations.

13. "literally everything else"/honorable mentions

some honorable mentions go out to: john going on stage w elton john & playing i saw her standing there and introducing it as "a song by an estranged fiance of mine" okay! the "just like starting over" demos. okay! which isn't even to MENTION the fact that paul locked himself away in the studio listening to "just like starting over" on repeat for DAYS after john died like???? john saying repeatedly that he considered paul & yoko to be his two major partners in life including in an interview the literal day he died. a whole ass rpf movie where they kiss & talk like they're ex-lovers and dance in central park (two of us) made by the same dude that made the let it be movie like. he knew them personally? he worked with them closely? and the only thing paul had to say about it was just essentially that it was what he wished would've happened like???????? i can't find a super reliable source for this so take it w a grain of salt, but apparently paul referred to mclennon fanfiction as "beautiful stories" and doesn't mind them being written. paul also had a cat that had kittens & he named two of the kittens pyramus and thisbe after fictional lovers he and john played and he gave pyramus (the character paul played) to john :|

and literally so much else like all of this and it's not even all of it. it's not even close to all of it. i didn't even get to talk about the way in "get back" the documentary, paul started talking about john leaving the band for yoko and how john would choose her over them and then he got teary eyed, started choke laughing, and then started singing "build me up buttercup" before looking at the cameras and stopping. what the FUCK was that about! IT'S NOT EVEN GETTING INTO THE SONG "TWO OF US" THAT'S SO OBVIOUSLY ABOUT JOHN THAT IT HURTS. it's. it's not even scratching the surface. they were just genuinely insane about each other.

#mclennon #this is long but it had to be to expand on every reference i made in that post FJADJFASDF

[got-ticket-to-ride]

John Lennon talking about "the Beatles break up" in 1970

Breakdown:

Jann asks about the Beatles break up and John says he told Paul he is leaving (like they are the only two people in the band?)

Paul was still making a lot of plans for the band but John was already being stubborn about everything.

Paul probably thought he could/would do damage control while John has not made the announcement yet.

John saying he wasn't angry and then saying "not angry in that way" (what way then, John?) and then slipping to "we" were angry.

Paul calling John on the phone the same day (after crying his heart out for an hour) declaring : he can do the same "John and Yoko" thing

John answering like he was going to be ok with it.

Jann Wenner: You said you quit The Beatles first.

John: Yeah.

Jann Wenner: How?

John:

Well, I said to Paul, I'm leaving.

We're in Apple and I just on the way over to. I knew before I went to Toronto, I told Alan I was leaving. I told Eric Clapton and Klaus that I was leaving and I'd like to probably use them as a group, you know, and it hadn't decided how to do it, to have a permanent new group or or what. And then later on I thought, fuck, I'm not going to get stuck with another set of people in it, whoever they are. So, but I I announced it to myself and to the people around me on the way to Toronto the few days before. And on the plane, Alan came with me. I told Alan, you know, it's over. And then when I got back there was a few meetings and Alan had said, well, cool it cool it because there was a lot to do, you know, business wise it wouldn't have been suitable at the time, you know.

And then we were discussing something in the office with Paul, and Paul said something other, like like to do something or. And I kept saying no, no, no to everything, he said, you see. So it came to a point. I had to say something, of course. And well, what do you mean then? So I said, I mean the group's over, I'm leaving.

And but Alan was there. He'll remember exactly, and she will. This is my how I see it. Alan was saying don't tell.

He didn't want me to tell Paul even you know (pause). And but I couldn't help. So I thought I was out. I couldn't stop.

It came out and Paul and Alan said they were glad that I wasn't going to announce it, that I was going to make an event out of it. Right, but Paul and Alan both. I don't know whether Paul said don't tell anybody, but he was damn pleased that I wasn't, you know, he said, Oh well, that means nothing really happened if you're not going to say anything.

So that's what happened. Well, I mean, like, like anybody when you say divorce, you know, their face goes all sorts of colours. It's like he knew what really that this was the final thing, you know?

And then six months later, he comes out with whatever, you know, I told Ray Connolly. So there's a lot of people knew I'd left, but I was a fool not to do it, you know? Not to do what Paul did, which is use it to sell a record.

Jann Wenner: You were really angry at Paul.

John: No, I wasn't angry. But when he came out with his, I'm leaving. Well, I wasn't angry. I was just shit, you know, I mean, he's a good PR man, Paul. I mean, he's about the best in the world, probably. He really does a job.

I was just. I wasn't angry in that way. I was. We were all hurt that he didn't tell us.

That what he was going to do. But he, I think he claims that he didn't mean that to happen, but that's bullshit. He called me in the afternoon of that day and said I'm doing what you and Yoko were doing last year. And I said good, you know.

Mal Evans during an interview in 1975

MAL (Source): And then… John left. And I remember that well. That was really, truly a heartbreaking experience. We were in Apple, at 3 Savile Row, and John said – “It’s over.” You know? And I drove Paul home. And we got to Paul’s house, and

he spent the next hour in the house crying his eyes out.

And I just wandered around the garden like a lost soul, just crying. It was the end of the world. It was like the end of The Wizard of Oz – when she gets back to the black-and-white reality. All the colour had gone out of life.

#Mclennon Dynamic #John Lennon #Paul Mccartney #Mclennon #1970 #The Beatles #things I read to hurt myself #gttr-beatles

[gardenschedule]

Paul wrangling John

Brian Epstein made the Beatles PR conscious: he would say, ‘Don’t smoke on stage’ and things like that. I was very pleased that they stopped smoking on stage as I didn’t like it myself. He had no difficulty persuading Paul as he knew instinctively how a band should behave on stage, but John was a rebel and George could be difficult.

Bob Wooler, c/o Spencer Leigh, The Best of Fellas: The Story of Bob Wooler. (2002)

JOHN: The truth about the separation was she kicked me out . . . so I (laughter) was adrift at sea . . . and there was nobody to protect me from myself which is fine. I should be able to look after myself but I never had, and there was Epstein or Paul to cover up for me. I’m not putting Paul down and I’m not putting Brian down. They’d done a good job in containing my personality from not causing too much trouble.

Barbara Graustark, “The Real John Lennon.” Newsweek (September 1980)

JOHN (with mock horror): My “lost weekend”? It lasted for eighteen months. I was like an elephant in zoo, aware that it’s trapped but not able to get out. It’s an extension of the craziness that I’d been doing with the Beatles in Hamburg in Liverpool, but it had been covered up by the people surrounding us. So when I freaked out, there would be Paul or Epstein to say “What he really means is he’s just a normal boy from a normal family who likes to shear sheep.” And the machinery around us would take care of the business. By the time we got to America, we were old hands at it. But if you look back at the Beatles’ first national press coverage, it was because I sent a guy to the hospital for calling me a fag, saying I slept with Brian Epstein.

Barbara Graustark, “The Real John Lennon.” Newsweek (September 1980)

“But all the time Paul, and Brian Epstein we’re always trying to kill me from saying anything. But because I was in so much pain, I’d always get drunk or drugged, and I’d always say something that didn’t suit them. And so always, I would leave a piece of shit amongst the Beatles image. But all the time they tried to kill me and kill me and bring me down to be a Beatle, to be a nice boy, be a Beatle. But if you look from the career of the Beatles, the first national news the Beatles ever got in the English newspapers was when I nearly killed somebody at Paul’s party. So all the famous news the Beatles ever got besides being Go–angels, was when I did something terrible through being in so much pain. So they could never keep me down.”

Oct 1971 - John and Yoko interviewed during John’s 31st birthday celebration by reporter Takahiro Imura

"I constantly saw Lennon and McCartney together because Paul came along to see that I wasn't rude to John - who I can't say I got on with. Paul didn't want me to upset John."

Sir Joseph Lockwood - Northern Songs: The True Story of the Beatles Song Publishing Empire, Brian Southall, 2008

Sometimes, though, I certainly thought John was being a complete idiot. Even though I was younger, I would try to explain to him why he was being stupid and why something he’d done was so unlike him. I remember him saying things to me like, ‘You know, Paul, I worry about how people are gonna remember me when I die.’ Thoughts like that shocked me, and I’d reply, ‘Hold on; just hold it right there. People are going to think you were great, and you’ve already done enough work to demonstrate that.’ I often felt like I was his priest and would have to say, ‘My son, you’re great. Just don’t worry about that.’

Paul McCartney, in The Lyrics (2021).

It came as a welcome relief that John and Paul, along with Neil Aspinall, planned a quick trip to New York on May 11, where several press events had been scheduled to announce Apple Records in the States. Friends agreed that getting John away might do him a world of good; being alone, with just Paul to steady him, might have a calming influence. Paul was grappling with his own set of anxieties. “We wanted a grand launch,” Paul said, “but I had a strange feeling and was very nervous.” Drugs, he later admitted, may have been at the root of his problem

Bob Spitz, The Beatles: The Biography, 2005

“The setting is the Blue Angel and Paul McCartney is upstairs talking to some press people, while in the basement is John Lennon shooting his mouth off, well away with the drink or whatever. He said, “Hitler should have finished the job”, meaning that the gas ovens should have been more active than they were. His manager was Jewish and I prevailed upon him to be quiet because the press were upstairs, but he didn’t take any notice of me. I told Paul that John was shooting his mouth off and that the press must not get wind of it. ”

Bob Wooler, c/o Spencer Leigh, Best of the Beatles: The Sacking of Pete Best. (2015)

“The party was at Auntie Gin’s house in Huyton. By now, Paul could afford a marquee in the garden.This is inside the house, where my comedy group, Scaffold, are performing for the guests. John Gorman and Roger McGough are onstage, and I’m photographing reactions to the act. The jokes are going well with Paul, his girlfriend Jane Asher, and an old school chum, Ivan Vaughn, but John Lennon was so pissed he kept shouting, ‘That’s not funny’ (until Paul told him to ‘Shhh!,’ which he did)…” -

Mike McCartney

[After John pours a beer on Chris Montez' head and starts a brawl] Everyone settled down in their seats. Paul McCartney tried to make peace with Chris. Chris said, “Paul sat by me and said, ‘Come on, Chris, let’s be friends….’ “I said, ‘Paul, just get away from me, I don’t want nothing to do with you guys. You know, you pissed me off!” As for Lennon, Chris recalled, “John? I guess he was a wise guy. But I got the sense that, I shouldn’t say this, that he was jealous of who I was or what I did. I don’t know what his problem was, but I didn’t like it too much.”

THE TRUTH BEHIND THE BRAWL BETWEEN JOHN LENNON AND CHRIS MONTEZ IN 1963! EXCLUSIVE!

JOHN: I used to try to get George to rebel with me. I’d say to him, “Look, we don’t need these fuckin’ suits. Let’s chuck them out of the window.” My little rebellion was to have my tie loose with the top button of my shirt undone. Paul’d always come up to me and put it straight.

John

PAUL: There’s a story that I used to straighten John’s tie before we went on stage. That seems to have become a symbol of what my attitude was supposed to have been. I’ve never straightened anyone’s tie in my life, except perhaps affectionately.

The Times Profile of Paul McCartney – 1982

I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn’t go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John’ as he put it- be with him in his misery and fear.

George Martin, With a Little Help from My Friends: The Making of Sgt. Pepper

AW: Isn’t he? Well, you know, of all the people, he comes through a lot of stick. Or a lot of people think he comes through a lot of stick in my book. But that’s the way John behaved. He behaved really outrageously. And Paul used to pour the oil on the troubled waters, as it were. But of all the people, only John, out of all the Beatles, have said that my book is the only book that gives a true insight to what it was to be an early Beatle. I admire him for that.

All You Need Is Love – Peter Brown & Steven Gaines

“We were in a daydream till he came along. We had no idea what we were doing. Seeing our marching orders on paper made it all official. Brian was trying to clean our image up, but, at the same time, he didn’t want us suddenly looking square. He would tell us jeans were not particularly smart and could we possibly manage to wear proper trousers. He literally fuckin’ cleaned us up! There were great fights between him and me, over me not wanting to dress up, and he and Paul wanting me to dress up. In fact, he and Paul had some kind of collusion to keep me straight.

The Beatles Off the Record (Keith Badman)

#the beatles #paul mccartney #john lennon #mclennon #you can only assume john loves being taken care of by bossy types #mimi -> brian/paul -> yoko

[japage3moondog]

Can you do pda headcanons for the beatles? By pda I mean how do the boys show affection in public and how often. Thank you!

hi doilies! thanks for your ask. i'm actually surprised i haven't done this one already (:

john lennon

john is a bit of a mixed bag. one the one hand, he loves you and puts you before anything so if you want him to kiss you, he's going to kiss you. on the other hand, he doesn't like the idea of people watching you and him be intimate even at a publically acceptable way. on the surprise third hand, he has possessive tendancies and wants to show off how much he really owns you. but only when provoked.

despite how particular he is with public kissing, he will insist on holding your hand everywhere. he loves being able to feel you by his side. and any time possible he will rest his arm around your waist. or on top of your head if he can manage.

paul macca

paul is definitely a little more on the conservative side of pda. he will hold your hand or give you a quick, chaste kiss goodbye but mostly he prefers to keep his affections private.

don't get me wrong there are days where he wants to tell the world that you're together in the most explicit ways possible. he just doesn't want to be the type of guy who practically fucks his s/o in public. however, he is 100% the type of guy to pull you into a public bathroom for a quick make out sesh just to stop the urge to kiss you in front of everyone.

and when he inevitably messes up your hair and your outfit, he's brushing any loose stands back into place and straightening your shirt to make sure no one thinks you guys had sex, but mostly just so you don't catch a public indecency charge.

george harrison

george is, unsurprisingly, the most private. he's by no means hiding your relationship from the public but he just prefers to enjoy you in the comfort of his own home, or anywhere that has four walls away from lurking eyes. the most he would really do is hold your hand or your waist in a gentleman-ly manner.

there are certain occasions where he lets himself indulge in a hand in your back pocket or god forbid a kiss. for example, a birthday dinner, either his or yours. he puts down his shield from the public and kisses you. you're by no means starved of love indoors, but having him want to kiss you so much that he lets all his walls fall down makes it very special and you look forward to these occasions every year.

ringo starr

ringo really doesn't care. as long as you're comfortable with it he'll do it. he would literally have sex with you on a bus if you asked him the right way. he's the type of guy to really put himself out there and be a flirt but everyone knows he's taken when he's with you. even when he's not out with you, he will end up talking about you because he just loves you so much. you're his whole world.

you reel him in and keep him from the complete and total public exhibition of your relationship but it is nice being able to kiss your boyfriend when you like. even if some fans can be crazy, especially if we're talking beatles! era ringo, brian would hate you because of all the pr fires he'd have to put out.

#the beatles x reader #john lennon x reader #paul mccartney x reader #ringo starr x reader #george harrison x reader

[undying-love]

Interesting interview with the guy who wrote the screenplay for Two Of Us

(I know many of you have already read this, but I still wanteed to share it.)

Q: Do you think it is possible that John and Paul ever spent some real time together (just the two of them) between 1971 and 1980 other than those two occasions?

Mark Stanfield: As far as I know, John and Paul were never actually alone together after the breakup of the Beatles. Paul, of course, often talks about how grateful he is that the two of them re-established some kind of friendship in the months before John died, but that was over the phone. So, unless Paul is keeping a secret, it appears the last time they saw one another was when in 1976 (probably around the time Wings played New York) when John told him to stop coming around without calling first.

Q: What did you do before writing the story? Did you spend a lot of time doing research? If so what books and sources? What TV shows or videos?

Mark Standield: The most valuable books were “Revolution in the Head” by Ian MacDonald; “25 Years in the Life” by Mark Lewisohn; and “Lennon” by Ray Coleman [...] As far as videos, a lot of them I had to obtain on the black market, things like “Let It Be”; the McCartney interview with Charlie Rose from 1991; the Lennon interview with Tom Snyder from 1975; “Wings Over the World”. And then there was the music, which provided the biggest revelations.

-------------------------------------------------------------------

I always wondered what 'revelations" he was talking about, because he does not elaborate (although we can assume. The songs they wrote for each other are pretty telling). It's frustrating how these interviewers never ask follow up questions. He doesn't say, "What do you mean? What revelations?". He never even brings up the kiss in the movie.

By the way, I'm pretty sure Michael Lindsay-Hogg told Mark quite a few things about John and Paul. After all, he saw them interacting quite a bit. I'm pretty sure he, and many others, knew about the "John's princess" nickname, lol. Everyone who saw them interacting must have sensed something. Hell, Yoko just weeks after being in the studio for the first time, said "If Paul was a woman he would have been a great threat, because there is something definitely very strong between John and Paul''. It must have been so obvious if Yoko noticed this in such a shott time.

Anyways, It's very telling that Mark does not say what these "biggest revelations" were. Im pretty sure that most of the people who were close to the Beatles know that there was something going on, but they are too afraid to speak up. That's why a lot of them have said many vague but still suggestive things.

#mclennon #hmmmm #interesting

[m1ssunderstanding]

Get Back Rewatch 55 Years On: Day 21: The Concert

Every time they're not on camera I simultaneously feel so relieved for them and so upset that I don't get to watch. Messed up of me, but hey. Remember that slightly disturbing quote where Paul said he actually does believe he's kind of public property and he's fine with that?

He looks so determined. Like the fairy tale prince staring down the dragon or Enjolras about to hijack a funeral (Literally my baby was conceived after I watched this in IMAX so if that tells you anything about my feelings . . . I'm going to be annoying I'm sorry I can't help it)

Her legs look so good in those tights! I love that Mo came not because her boyfriend needs his mommy but because she wants to see them perform! Kissing her on the mouth right now.

Danger boy Paul!

Fun fact, I was this John for Halloween in 2021 to a college party. My hair was already like that, and I had dirty white keds and black jeans, so I just did fake sideburns, fake glasses, and a fake fur coat. I tried to get my best friend to be Paul. She wanted to be a hooker, and I was like “It’s the same thing!”

See, look at him and his whorish ways!

John’s little lip-bit smile. He’s so happy with himself nailing that solo. Cutie. 

Cocky boys. As they should be. I love when they’re proud of their work together. Get Back is 95% just Looks between John and Paul, isn’t it?

John and Paul instantly jump into their little “humble working class entertainers” act. You know what just occurred to me? You know how they talked about the “rattle your jewelry” comment backstage and Paul dared John to say it? I wonder if they talked about the “audition” comment too.

It really is a beautiful thing they’re doing. It’s lovely, watching everyon leave their desk jobs and their shopping and whatever else to sit in their fire escapes and congregate in the street and huddle together on rooftops. It really is just like the happy end in a sixties zeitgeist movie. 

All the girls nervous to be too enthusiastic after years of being made fun of themselves and watching others like them being mocked on TV. Let girls like things, damnit!

Mo jamming! I’m in love.

John mouthing Paul’s lyrics.

“Paul McCartney singing that. What a voice.” Literally me if time travel existed. 

“And if SOMEBODY loved me like she does,” Well, it is good manners to look at the person you’re talking to, I guess. But you do have an audience, John. And a mic and a camera. 

“Absolutely disrupt all the business in this area.” Yes! Get those blue meanies, boys!

“No lay rishi gahd blay bloojaygoo” should replace all the stupid quotes the Lennon estate puts on everything they sell. Then I’d actually want their shit. Paul trying to magic the words from his head into John’s there. Successfully, though.

That “Pleeeeeheeeeease” is one of the prettiest beatles vocal moments. I love it with all my heart. And clearly, so does Paul. Doing that thing he does, inappropriately thrusting into his bass. 

Oh my gosh it’s the song Paul and John do together on tour right now!

That “Yyyyyeeeeeah, yeaaaaaah!” (I mean the whole song, the whole concert, but especially that) does things to me. 

John’s extremely blurry, because he turned his head quick enough to give him whiplash there, sorry everyone. But look! They’re having the time of their lives! They just love performing together so much!

Everyone goes to check on their accumulating audience. (except Paul. Wonder what that’s about.)Ringo’s little pleasantly surprised smile is so so sweet!

It must be so fun for them to be performing One after 909 again after all these years. Bitter sweet with everything that’s changed since then. 

LMAO Kevin thank you for your service!

He’s a silly cutie.

The mic in the street asking that girl if she’d like them to come back every lunchtime. Imagine if they did? How cute would that be? Like back to their cavern lunchtime shows. Maybe that could’ve saved them.

Them playing God Save the Queen reminds me of that story where Brian was like, “This bigger manager wants to buy your contract from me, and I just wanted to be straight with you. They could probably get better deals for you.” and they were like, “If you sell us to him we’re only playing God Save the Queen from that moment on.” It’s probably a fake story, but that’s what it made me think of. 

I always think that quote of Paul’s is so strange, where he was like “I never got the chance to watch John while we were playing.” Like. What are you talking about, baby?

Literally “Uh. Yeah. Uh. Yeah.” Fucking his bass. Staring at John. Okay? And I’m not supposed to take that and run with it? I’m not supposed to assume from that that you want to fuck your songwriting partner?

I think he genuinely wants to get arrested. I really do. I think he wants them all to get arrested so they can finally be alone in a room together. A lovely cell for four. Just shimmying at them. And Billy looking at him like, Bro. What the fuck is wrong with you?

Paul’s “woo” and shimmy :: John’s “woo” and weird little kick move. And Paul looks so fond, of course. 

God bless Mal for stalling those little fucks as long as humanly possible. And Debbie! “Don’t actually go on the roof because it’s overweight.” Gaslight, gatekeep, girlboss!

Absolutely LOVE John and George turning their amps back on. That’s right. You guys are what’s keeping the country going at this point, so if you want to play on your roof they better let you play on your roof and say thank you.

All the times when they just simultaneously turn to each other. Like, yes, this is our que to stare hungrily into each other’s eyes. 

My stomach just dropped at those words across the screen. “This was the Beatles’ last public performance.” We know, Peter Jackson. You don’t have to remind us. Jeez. 

John and Paul’s two very different but equally important leadership roles in the band at work here at the end of the concert. John delivers his iconic line, makes everyone laugh, and seals the band’s last performance with a very tight bow. Meanwhile, Paul’s climbing the gate to bypass the crowd and schmooze the police out of arresting Mal. 

THIS is sooo cute. Heads buried together and John’s very sweet, “‘s’matter? Hmm?” 

George is so cute here in the control room afterward. No wonder they don’t listen to his not wanting to do things, honestly, if he acts like this after. “What’s the law say why you can’t do that? Well how disturbing the peace? Yeah, I’m for taking over London. And every rock group in the world all on different buildings, playing the same tune.” Adorable.

Poor John. It breaks my heart that he doesn’t think his little lyric flub is funny. He’s disappointed in himself. I wish he could see that that’s one of the things everyone loves about him. George was grinning ear to ear about it. For fuck’s sake, that’s one of the reasons Paul fell in love with you in the first place. If only John could see himself the way we see him, you know? 

This little moment cracks me up. John always has to be mommy’s naughty little boy, and Yoko does a very sweet job of playing her part here. 

Linda and Paul are so touchy and clingy and it’s very romantic and I love that Ringo joins in and makes fun of them.   

The whole after-show glow for everyone was just so palpable and fantastic. I wish they could've gone on performing together. Clearly it made all of them very happy.

#and that's that #Apparently we've got a bonus day though that I forgot existed #so that's nice #Or not for anyone that was excited to not see these on your dash lol #tumblr live #paul mccartney #the beatles #john lennon #mclennon #ringo starr #george harrison #get back

[justburningdaylight]

The Art and the Aesthete

Eddie Munson x Fem Henderson!Reader, Best Friend Steve x Fem Henderson!Reader

Summary: The first time reader meets Eddie is also the first time she truly appreciates art.

Warnings: fluff, slight paul mccartney idolization, a LOT of art comparisons, ted bundy reference, no real ending at all (sorry guys), like one f-bomb i think, no spoilers!

Word count: 1.4k

a/n: i finished stranger things and naturally i wanted to write a lil something for eddie so here we are. p.s. requests are open come talk to me! 

You were sitting on the floor of your bedroom with your back pressed contently against your bed, silently willing your best friend to stop talking. Steve had come over to complain after what you could only hyperbolically guess was his hundredth date this month.

“And it’s like okay, it’s cool if we have similar opinions! But there’s no way you actually agree with every single thing I say! I mean seriously (y/n), I said the Beatles were better than the Rolling Stones just to see what she’d say and she agreed!”

“That’s because the Beatles are better, inordinately better actually-”

“Woah, hey, I just wanted to make sure you were listening! Please don’t give me the Paul McCartney is a god speech again.”

“I was listening, I just wasn’t sure how to reply. You don’t want to go out with her again because she agreed with you? You really dodged a bullet Harrington. I mean imagine if you had gotten serious with this girl? ‘Hey honey do you want to go out to dinner tonight?’ ‘Yes Steve, that sounds nice.’ I mean seriously? What a psycho!” You quip, making sure to use a vocal impression of him that you know Steve hates.

“You’re not funny, Henderson, anybody ever tell you that?” He exclaims, flopping backwards onto the plush fabric of your duvet.

“I do! Tell her all the time actually.” Dustin suddenly appears in your room without knocking you can’t help but notice.

Steve lets out a diminutive chuckle, unsubtly attempting to cover it with a cough.

“You know what I tell you all the time? To knock, like on my door, before you just walk in. Does that sound familiar?”

“Hmmm. No, no not really.”

“Oh? Do you want me to tell you again in a way that you won’t forget?” You threaten, trying less than gracefully to pull yourself off the floor while conjuring up the most menacing look you can and aiming it toward your little brother.

“Ooh I’m real scared. I shouldn’t have to knock anyway cause you were supposed to drop me and Mike off at Hellfire Club like five minutes ago.”

“So because I forgot, the basic concept of privacy is thrown out the window?”

“Yep! Let’s go, chop-chop! I’ve got a campaign to win.” Dustin throws haphazardly over his shoulder as he walks out of your room, knowing you already agreed to drive him and wouldn’t want to chance getting another lecture from your mother about the importance of being there for each other.

“Hey how much do you know about this Eddie guy? Dustin hasn’t shut up about him for weeks,” Steve says as you start your walk to the driveway.

“Well I’ve never actually met him, I just drop the boys off for their club sometimes.”

“You’ve never met him? And you just leave them there? That sounds right to you? What if he’s some Ted Bundy type?”

The look you give him is the middle ground between amusement and confusion. Though you’re sure a small part of him could be worried for your brother’s safety, it seems far more likely that he’s jealous Dustin has another older friend to hang out with.

“Please! If you were a killer, would you let Dustin live this long?” You’re joking, but you’re completely convinced that your little brother is far too annoying for someone with murderous tendencies to keep around long-term.

“Ha! And I said you weren’t funny,” Dustin’s voice sounds again, dripping with sarcasm, “Seriously (y/n)! If I’m late to this thing you’re gonna have to explain it to Eddie.” He’s bordering on whining now and you resist the urge to roll your eyes and take twice as long just to spite him.

“Alright!�� You shout and turn back to Steve “See you later. Oh hey! Watch out for agreeable girls on your way home! You can never be too careful.”

“Alright, okay, point taken. Maybe I’m being a little too picky.”

“I’m glad you picked up on that.” You say getting into your car.

“See you later Hendersons!” 

“Bye Steve!” Dustin’s impatient form calls out waving goodbye from the passenger seat.

“Finally!” Mike and Dustin chorus in unison as your car pulls into the parking lot. You silently praise yourself for mustering up the strength not to fling an insult or two at the boys after what was one of the more infuriating car rides in your recent memory.

“Well, well, well, look who finally decided to show up! Glad you boys found the time to fit me into your busy schedule.” An unfamiliar voice weaves its way through the crisp evening air.

“We’re sorry!” “So sorry! My sister doesn’t seem to know the meaning of the words I don’t want to be late so y’know here we are, late.” Mike and Dustin sound as they promptly scramble to get unbuckled and out of the car.

“What was that Dusty?” You question sarcastically, “Thank you for driving me even though I’ve been a proverbial thorn in your side for the entire night? Oh you are just so welcome!”

Unappreciative little-

Your internal strife is short-lived as you hear a chuckle sounding from the unfamiliar boy, who you’re now certain must be Eddie. You finally look over at him and your eyes widen emphatically at the sight you behold.

You’d heard tales of Eddie Munson. Word of mouth told you that he’s a Hawkins aberration, an unwelcome presence in a town with an already less than stellar reputation. Hearing what you have, you weren’t entirely sure what to expect. What you hadn’t expected, however, was for him to look so entirely beautiful.

His face was comparable to a work of art, an ancient roman statue permitted to be standing in a museum somewhere, as though his cheekbones could have been carved out by Michelangelo himself, dimples and all. His eyes were the purest shade of brown, tantamount to a jar of honey, warm and saccharine. Sinuous dark brown hair lay lustrously on his head, winding its way toward his broad shoulders. Perhaps he was a recently stolen work from a modern museum.

You were staring, taking in his statuesque form nearly unabashedly until you realized how impolitely it could be perceived.

You found yourself lifting your gaze back to his eyes, only to find them already looking into your own. 

“Forget about it.” He’s talking to the boys but his caramel eyes haven’t moved from yours.

Dustin furrowed his eyebrows at the interaction but muttered a quick ‘bye’ to you as he and Mike hastily dashed inside.

“So. You’re the sister huh? (y/n) right?” He asks, the beginnings of a smile leisurely forming on his delicate lips; a true masterpiece in the making. 

There’s a flicker of something in his eyes and, though you can’t discern what it is precisely, you don’t mind it for a second. Surely there was an art gallery somewhere itching to put him on display. 

“Yeah, mmhmm, yep, that’s me.” Okay. That’s definitely something you just said. Cool. “You must be Eddie.” He nods, that same ghost of a smile still perfectly haunting his graceful lips. You’re pulling it together, a coherent sentence and everything! “I feel like I should thank you or something,” He furrows his eyebrows together in a winsome display of confusion, and you hurry to continue before you make yourself appear nervous again.

“Y’know for looking out for Dustin. All of the boys, really. They’re good kids but high school can be hell and they’re insistent that it would be if it weren’t for you. So thank you, really.” You smile widely, visibly pleased that you haven’t made a complete fool of yourself in front of the perfectly composed work of art before you.

He’s smiling now. An expertly crafted smile. A smile that makes it feel as though the sun itself is rising higher into the sky. How does he do that?

“They’re good kids you know? And high school is a fuckin’ nightmare, I would have wanted somebody to do the same for me.” He’s downplaying his kindness, but you can see straight through the display.

The two of you stay like that for a while, gentle small talk flowing between you like a river through a secluded valley. His caramel eyes locked on yours and both of your faces adorned by unwavering smiles.

Reluctantly he releases a soft sigh and straightens his form out “I should probably get in there, give ‘em a little hell.”

“Yeah, go on. Have fun! Preferably kick Dustin’s ass.” 

“Always do.” He smirks at you, bowing his head in a near imperceptible nod before turning his back and walking off.

And without a moments notice, you were an aesthete.

#stranger things

[tillthereweretangents]

Paul and Icke (part 6 of N)

In 1966 the Beatles returned to Hamburg, this time as international mega-stars. Icke and several of their other Hamburg friends greeted them at the train station, and were later invited in to meet them backstage.

Paul spotted Icke at the train station and called out to him before the band were rushed through. Later, at the venue, Paul made sure that Icke was invited back to spend time with the band.

George brought up Till There Was You at this meeting, and Icke explained that there had been some confusion, but we don't know if Paul ever found out. (more info at the end of the translation)

Thanks as always to the wonderful @didwemeetsomewherebefore and her mum for the translation of Icke's autobiography (original German is at the end).

The tour was booked from the 24th - 26th June; three days in three cities. Through the press photographer, Peter Bruchmann, I found out the Beatles would be arriving at 5 30 am on a special train at the Ahrensburg station, so I got up at 4 in the morning not to miss this moment. As the train approached, I stood very close to the edge of the platform. A mass of journalists, fans and other commuters also stood on the platform. It was terribly noisy and nobody could understand a word anyone was saying. Luckily, I found a favourable place on the platform - facing the wagon in which the Beatles were basically stood right outside my nose. I saw the guys standing at the window and Paul saw me too. He moved his lips as though he wanted to say something to me, and pointed to the front where they were going to disembark. Unfortunately this was about 10 meters deep with people who were all trying to see the band. I tried with all my might to push through but I was still stuck in the middle. It was just impossible to get through. The Beatles had already disembarked. They were corralled straight away by the bodyguards who had freed a walkway through the crowd. However, Paul managed to turn around, he called to me, ‘We’ll see you later!’, and then they ran at speed through the walkway, out to where the cars were standing, surrounded by journalists and fans who were waiting for them. They were taken with a police escort to the Castle Tremsbuttel, where they were staying the night.

The fact that Paul could even see him even with so many people is remarkable, and even though they hadn't seen each other in 3 years, and had no idea he would even be there, is a testament to how much Icke meant to Paul. Spoilers for the next part, but he never did forget Icke.

There is also footage of the train station arrival here, and interviews from earlier in the week with Icke, Bettina, and others in Hamburg here. A lot of stories we've already shared in this series are included, and some that we haven't as well.

The whole thing happened so quickly that on the way home, I thought it had been a dream. On the way back in the car, I asked myself, what did Paul mean when he called out to me? How should I approach him, how was it going to work that we would see each other when the instructions had been so vague. The two concerts were scheduled for 3pm - 4.45pm and then 7pm - 8 45 pm. In between both concerts there were press conferences being held, to which unfortunately I wasn’t invited. I managed to get a ticket for the second concert, but I still hung around for three hours with the other fans in the hall. Suddenly on the loudspeaker I heard my name. ‘Icke Braun is asked to come to the desk’. I thought to myself, what do I need to come to the desk for? but I went anyway. A man was standing there who I had met before - he was from the newspaper, Der Bild. He told me that Paul McCartney wanted to speak to me, then turned around and went into the conference room and I followed him. Already outside I could hear John Lennon’s voice and as the door opened, I saw him joking with the journalists. As everyone was only speaking English, I didn’t understand much of it. The Beatles were sitting on a podium together with a man I didn’t know. Later I discovered that that was Neil Aspinall who was the personal assistant to the Beatles.

George saw me and waved me to his side. I went a bit nearer to the stage but kept my distance. Why should I stand around on the stage looking stupid when I had nothing to say? So I stayed where I was and waited until the end of the conference until I said hello to the guys. A few journalists then left the room but most stayed. When the Beatles came down from the stage, George asked me ‘how are you and what are you doing with yourself’? I said, ‘yes I’m good, I’m now married!’, John heard that and called, “Where’s your wife, let’s see your wife!” and Neil said to me; the Beatles wishes must be obeyed! So I called Evelyn and told her the Beatles wanted to meet her. She was able to come straight away because we had talked about something like this happening.

We wonder if John wanted to see her to see how much she looked like Paul, which, if you look at the picture above, there is a bit of a resemblance (she's between Icke and Ringo, the woman on the other side of Paul is Kathia Berger).

We withdrew into a little room, and suddenly I saw that there was Kathia and Bettina from the the Star Club. I must have overlooked them amongst all the chaos. When Evelyn appeared, she was the first to be introduced to the Beatles. Everything revolved around her and as they were all speaking in English, I stood by looking stupid, and I also took the chance to go to the toilet. in order to do that, I had to go through the hustle of journalists who were waiting to grab one of the Beatles. When I came back from the toilet, they were begging me to take them back into the conference room. One said, if you take me with you, I will give you 1000 Marks.    When I got back to the Beatles, I asked if I could bring a few people in to meet them, but John and the others were emphatic; no way, we want this to be just us. Bettina took a few photos out of her bag, which showed the Beatles in the Top Ten and the Star Club. The boys were delighted and told her that they would like to have the photos. I told them that the photographer who took them was standing outside the door. ‘Fetch him in, fetch him!’ said John excitedly. The photographer was called Peter Bruchmann, and was absolutely delighted to be the only journalist to be allowed into the conference room. It was he who had given me the tip that the band would be alighting off the train at Ahrensburg . I knew him from the time when the Beatles played at the Top Ten. At that point he hadn’t heard anything about them, and I had to persuade him to come and see them and take a few photos. These became the most famous photos he had ever taken.

Even three years later, we see how important Hamburg was to them.

And here are some photos from that day! You've probably seen some of them, but now you know who everyone is!

Paul told me before the band went onstage that we would see him afterwards, however they disappeared from the stage straight away; while the public was still clapping and calling for more, they were already in their cars. That was the only way to take them from their fans in safety. This was the only contact that my wife Evelyn had with the Beatles.

There are stories that Paul and John wandered around St Pauli after the show. Based on this we wonder if they realized they hadn't given Icke any actual information and were hoping that maybe somehow he'd be nostalgic too and they'd run into him.

This paragraph is from the introductory part of Icke's chapter about the Beatles, which is why it's more retrospective:

Years later, when the boys were already famous, and I was allowed backstage, we were sitting in the Ernst Merck hall and George Harrison mentioned ‘Till There Was You. I told him that it was actually Kathia’s music taste and not mine. So he understood, but there is still footage from The Star Club where one can hear ‘And now we will play ‘till there was you’ for Icke’

It sounds like George always assumed Icke had a crush on Paul or was gay or that they were together or something based on thinking "Till There Was You" was Icke's favorite song. Icke sounds quick to correct him, and quick to mention it in the book, as this is near the beginning of the Beatles chapter. As you've seen throughout these parts, Icke does a lot of questioning his sexuality and trying to make it clear something doesn't mean what it sounds like. This book is only from 2018. It's very sad to us that he's still doing that even now in his 80s.

Let us know what your thoughts are!

Icke and Paul saw each other one more time (as far as we know, though Icke is still alive so that could potentially change) but we have one more part before we get there, so stay tuned!

Original German of the translation is below!

Original German

Vom 24. bis zum 26. Juni, also an drei Tagen, waren für die Tournee in drei Städten jeweils zwei Konzerte vorgesehen. Hamburg war nach München und Essen die dritte Station. Von dem Pressefotografen Peter Brüch-mann wusste ich, dass die Beatles morgens um 5:30 Uhr mit einem Sonderzug am Bahnhof Ahrensburg ankommen sollten. Also war ich schon vor 4 Uhr aufge-standen, um diesen Moment nicht zu verpassen. Als der Zug einrollte, stand ich ziemlich nah an der Bahnsteigkante. Jede Menge Journalisten, Fans und zufällige Fahrgäste standen auf dem Bahnsteig. Es herrschte ein fürchterliches Gedränge und ein Lärm, bei dem man sein eigenes Wort nicht verstand. Zum Glück hatte ich einen günstigen Platz erwischt. Der Waggon, in dem die Beatles waren, hielt praktisch genau vor meiner Nase. Ich sah die Jungs am Fenster stehen, und Paul sah mich auch. Er bewegte seine Lippen, als ob er mir etwas sagen wollte und zeigte nach vorne, wo sie aussteigen würden. Bis dahin waren es ungefähr noch zehn Meter voller Menschen, die alle zu den Beatles drängten. Ich versuchte mit aller Kraft, mich zu ihnen durchzukämpfen, legte mich mit den Leuten an, die ich dabei anrempelte, und blieb trotzdem in der Menge stecken. Es war einfach kein Durchkommen. Die Beatles waren schon ausgestiegen. Sie wurden sofort in die Gasse geschoben, die die Bodygards für sie freigemacht hatten. Trotzdem schaffte Paul es noch, sich umzudrehen. Er rief mir zu, wir sehen uns nachher, dann liefen sie im Eiltempo weiter durch die Bahnhofshalle nach draußen, wo ihre Autos in einer riesigen Ansammlung von Journalisten und Zuschauern auf sie warteten. Unter Polizeischutz wurden sie zum Schloss Tremsbüttel gefahren, in dem sie übernachteten.

Das Ganze war so blitzschnell gegangen, dass es mir auf dem Weg nach Hause wie ein Traum vorkam. Auf der Heimfahrt im Auto fragte ich mich, wie Paul das meinte, was er mir zuletzt zugerufen hatte. Wie wollte er es denn anstel-len, dass wir uns nachher noch sahen? Die beiden Konzerte waren von 15:00 bis16:45 Uhr und von 19:00 bis 20:45 Uhr angesetzt. Zwischen den beiden Konzerten gab es die erwähnte Pressekonferenz, zu der ich leider keinen Zutritt hatte. Ich hatte für 20 Mark eine Karte für das zweite Konzert ergattert, trieb mich aber schon drei Stunden vorher mit vielen anderen Fans vor der Ernst-Merck-Halle rum. Da hörte ich plötzlich über Lautsprecher meinen Namen: Icke Braun wird gebeten, zur Kasse zu kommen. Ich dachte, nanu, was soll ich denn an der Kasse, ging aber hin. Da stand ein Mann, den ich von der Begegnung an meiner Wohnungstür kannte, also der Mann von der Bild-Zeitung. Er sagte, Paul McCartney will Sie sprechen, drehte sich um und ging zum Konfe-renzraum. Ich hinterher. Schon von draußen hörte ich John Lennons Stimme, und als die Tür aufging, sah ich, wie er sich heftig mit einem Journalisten zoffte. Da alle nur Englisch sprachen, verstand ich natürlich nicht viel davon. Die Beatles saßen auf einem Podium zusammen mit einem Mann, den ich nicht kannte. Später erfuhr ich, dass er Neil Aspinall hieß und der pers��nliche Assistent der Beatles war. George sah mich und winkte mich zu sich ran. Ich ging ein bisschen näher zum Podium und blieb in einiger Entfernung stehen. Warum sollte ich auf der Bühne blöd rumstehen, wenn ich gar nichts zu sagen hatte. Also blieb ich, wo ich war, und wartete das Ende der Konferenz ab, bevor ich die Jungs begrüßte. Einige Journalisten verließen den Raum, aber die meisten blieben da. Als die Beatles von der Bühne runterkamen, fragte George: „Wie geht es dir, was machst du so? Ich sagte, ja gut, ich bin ja jetzt verheiratet." John hatte das mitgehört und rief „Und wo ist deine Frau? Zeig sie uns mal." Aspinall sagte zu mir: „Der Wunsch der Beatles muss dir Befehl sein." Also rief ich Evelyn an und sagte ihr, die Beatles wollten sie kennenlernen. Sie konnte sich sofort auf den Weg machen, weil wir vorher schon darüber gesprochen hatten, dass sowas passieren könnte. Wir zogen uns in ein kleineres Zimmer zu-rück, das hinter dem Konferenzraum lag, und plötzlich waren auch Kathia und Bet-tina, die Barfrau aus dem Star-Club dabei. Die beiden musste ich bei dem ganzen Trubel übersehen haben. Als Evelyn eintraf, war ich erstmal bei den Beatles abge-meldet. Alles drehte sich um sie, und da sie sich, na klar, auf Englisch unterhielten, stand ich nur blöd daneben und nutzte die Gelegenheit, um auf die Toilette zu gehen. Dazu musste ich mich durch die Journalisten drängeln, die darauf lauerten, einen der Beatles zu erwischen. Als ich von der Toilette zurückkam, bettelten sie, ich sollte sie mit reinnehmen. Einer sagte, wenn du mich mitnimmst, kriegst du 1000 Mark von mir. Zurück bei den Beatles, fragte ich, ob wir nicht ein paar Leute ruhig reinnehmen sollten, aber John und die anderen meinten sofort, auf keinen Fall, wir wollen unter uns bleiben.

The Beatles mit uns im Backstage der Ernst-Merck-Halle. Zwischen George und Paul steht Kathia, zwischen Paul und Ringo sind Evelyn und ich, und neben John sitzt Betty, die damalige Barfrau des Star Clubs. Bettina holte aus ihrer Tasche ein paar Fotos, die die Beatles im Top Ten und im Star Club zeigten. Sie waren begeistert und sagten, die hätten sie auch gerne. O.k., sagte ich, der Fotograf, der die aufgenommen hat, steht vor der Tür. - Hol ihn rein, hol ihn rein, sagte John. Der Fotograf hieß Peter Brüchmann und freute sich wie ein Schneekönig, dass er als einziger Journalist ins Hinterzimmer durfte. Er war es übrigens gewesen, der mir den Tip gegeben hatte, dass die Band am Bahnhof Ahrensburg aussteigen würde. Ich kannte ihn noch aus der Zeit, als die Beatles im Top Ten spielten. Von denen hatte er damals noch nie gehört, und ich hatte ihn mit Mühe überredet, sie sich mal anzusehen und ein paar Fotos zu ma-chen. Es wurden die berühmtesten Fotos, die er jemals gemacht hat.

Vor der Vorstellung hatte Paul noch zu uns gesagt, wir sehen uns hinterher. Aber als sie von der Bühne verschwunden waren und das Publikum noch klatschte, saßen sie schon wieder in ihren Autos. Das war ja auch die einzige Möglichkeit, wie sie sich vor den Fans in Sicherheit bringen konnte. Für Evelyn war dies der einzige Kontakt zu den Beatles geblieben.

Viel später, als die Jungs schon berühmt waren und ich mal in den Backstage durfte, wir saßen da in der Ernst-Merck-Halle, hat mich George Harrison auf Till there was you angesprochen. Da habe ich ihm das dann erzählt, dass der Musikwunsch eigentlich auf Katja zurückging. Das hat er auch verstanden. Aber es gibt Auf-nahmen, die irgendwann im Starclub mitgeschnitten wurden, auf denen man hören kann: „Und nun spielen wir für Icke Till there was you."

#icke braun #paul and icke #hamburg #hamburg 66 #bettina derlien #kathia berger #@didwemeetsomewherebefore #peter bruchmann #john lennon #paul mccartney #george harrison #ringo starr #the beatles

[mythserene]

Call him “Epstein” – How far is Mark Lewisohn willing to go to force a false narrative?

 “I don’t care what you think of Klein, call Klein something else. Call him ‘Epstein’ for now, and just consider the fact that three of us chose ‘Epstein.’”

John Lennon to Jann Wenner, Rolling Stone, May 14, 1970 

I keep asking “Why do you want me to believe John —(or George or Paul or or or)—said this?” And I keep asking because that is the question that keeps coming out of my mind, my mouth, and my keyboard.

It's the obvious question. (Spoiler: audio below of Lewisohn answering it for this quote.)

When you’re going to so much trouble to quote shop and quote twist, you have a purpose that you are torturing all these words to back up. You are trying to prove a point and there’s no real quote to support your position, so instead of changing your position, you act like Beatles’ words are appetizers in a buffet.

THREE OF US CHOSE EPSTEIN.

This premeditated and purposeful OBSCENITY has been sitting there for ten years. Two ladies with a podcast found it.

However, John remembered Paul’s attitude to Brian being very different. John was always emphatic that Paul didn’t want Brian as the Beatles’ manager and presented obstacles to destabilize him, to make his job difficult … like turning up late for meetings. “Three of us chose Epstein. Paul used to sulk and God knows what … [Paul] wasn’t that keen [on Brian]—he’s more conservative, the way he approaches things. He even says that: it’s nothing he denies.”(72)

I will never—NEVER— get over this one. There may be more shocking things to come, but it was this revelation that made me look at every one of Mark Lewisohn’s “author interviews” differently.

This is when I realized that there is nothing I would put past him.

Listening to that part of Episode 7 is so funny to me now. Daphne and Phoebe kept trying to stick to the outline and ask “Does this quote back up Lewisohn’s thesis?” but it was very difficult because they were in such total disbelief at Mark Lewisohn’s deception. (My label, although it’s a pretty inarguable one.) It is genuinely almost unbelievably dishonest. AKOM had a whole show filled with whoppers to get through, and they kept trying, but it took them awhile to move on because air-quotes-Epstein was like a magnet that kept pulling them back. So yesterday, to get out of editing some of my own mess, I put together a few of the times that the shock sucked them back in.

“I find that kind of shocking, really.” Tiny compilation of Phoebe and Daphne in disbelief over Mark Lewisohn’s purposeful misrepresentation of a quote of John Lennon talking about Allen Klein to attempt to show that John thought Paul was trying to thwart Brian Epstein. (Episode 7)

And most of us strongly suspect where Mark Lewisohn is going with this. He wants to rehabilitate Allen Klein because John can literally never be wrong—or perhaps an even stronger motive—he wants Paul to be very, very wrong. But whatever his motives, we can see what he’s doing. And we don’t have to just suspect, because he has already told us that he is going to use some of his most unforgivable lies to shape that narrative.

And there’s only one reason to do that: because there are no real quotes to back up the narrative he wants to push.

It tells us, in no uncertain terms, that the narrative he wants to push is quite literally unsupportable.

To make it work, Lewisohn has to lie about what John Lennon actually said.

*This post was first going to be about both the “quotes” that Mark Lewisohn references here, but in the end I couldn’t not give “call him ‘Epstein'” its own post. Which means I have actually shortened a post. (Please clap.)

Every ‘quote’ in the “spanner in the works” section is bullshit. Every. Single. One. I’m not going to the thesaurus for a fancier word. They are bullshit. Complete and utter, doctored, twisted, bullshit. The man is lying. And what really chaps my ass is that he is flat out telling us that he is going to use those same lies to push his bullshit narrative of the breakup. Like damn, that takes a lot of nerve.

Here is Mark Lewisohn telling us, straight out, that it’s these same bullshit quotes that he plans on using again to fool us. And he should be a laughingstock when he does. Not in some quarters. In all.

He must think we are such dupes. Although he’s gotten away with it so far, so up until now he hasn’t been wrong.

(There’s a bit more to this part of the Q & A and it’s all bad, but for this post I decided to leave it at Mark Lewisohn telling us that he is going to use the exact same sources he used for the “spanner” section to push this lie in the upcoming books.)

Fool me twice…

Would John and George have seen the parallel between Epstein and Klein in 1969?  LEWISOHN: ❝Yes. I’m sure the answer to that is yes, because John mentioned it in interviews, probably in Wenner’s, maybe the one with McCabe and Sconfeld— Schonfeld. Yes.❞ (📍Nothing is Real)

Transcript:

Q. In Hornsey Road you were talking about the three-to-one Allen Klein split, and I was saying to you that it seemed to me that it paralleled what is mentioned in Tune In about, uh, the appointment of Brian Epstein. That- that Paul was sort of holding back or was not keen to move forward with Brian Epstein. And I suppose my question was, is there a direct parallel there? And would, in 1969, John and George in particular have been conscious of that parallel?

LEWISOHN: Yes. I’m sure the answer to that is yes, because John mentioned it in interviews, probably in Wenner’s, maybe the one with McCabe and Sconfeld– Schonfeld. Yes. John recognized that.

Nothing is Real Podcast • October 16, 2019, Episode 15 • Mark Lewisohn, Part II

---

And just remember that this is only one half of a hellacious Frankenquote.

(But I kept it short. 🎊 )

----

Even though I have given you zero reason to go there, it's also on my blog.

#the beatles #mark lewisohn #akom #fine tuning #tune in #beatles #historiography #brian epstein #allen klein #john lennon #paul mccartney #air-quotes-epstein #footnote 72 #spanner in the works #lewisohn #call him “epstein” #Spotify

[pauls1967moustache]

the fans were clamouring ( @dumbcloud asked me) for the slutty paul faves so here u go:

( @aquarianshift​ made this for me and i’ve been dying to use it!!)

starting with the classic. no commentary needed. you understand.

if i had a nickel for every time paul was best man at a wedding and there was a photo where it looked like he was about to go for it with the bride in front of everybody, i’d have two nickels, etc.

my brain short circuits every time i look at this. it bewitches and beguiles me. i don’t understand, but i feel the emotions.

there is a very important subcategory of slutty paul photos that i like to call, “John Lennon, I understand you.”

he had an energy on this day. the arrogant confidence.. he came in here high as balls on london’s finest cocaine and told everybody what to do probably. i would let him [redacted] me.

i believe i originally tagged this “i just know he gives good head”, and i stand by that!

i mean...

TITS!

ARMS!

“what’s slutty about this?” you might be wondering. well, you see: curl.

he knows what he’s doing.

this is another subcategory of slutty paul photos, which i like to call, “[dennis reynolds voice] it’s about the implication”. he may look like a sweet doe-eyed silent film starlet, but you and i both know he is a sex pest! he uses this look on mothers, he uses this look on daughters. he is on trial for sex pest crimes. he is meant to be going to horny jail where he belongs, but he is making this face and they are going to let him go. you keep trying to tell people he is a menace to society, but like cassandra, your warnings fall on deaf ears. he will be free to fuck again.

i have already said all i needed to say about this.

there should be kink at beatles photoshoots! (the sluttiest part of these is that it was his idea both times).

another “John Lennon, I understand you.” let he who would not risk it all for paul in india cast the first stone!

this is my favourite subcategory of slutty paul pics. i call these, “gay little outfits that paul needs to be fucked in.”

his waist... maybe i’m slut-shaming, but why are you as a man wearing a jacket that accentuates the part of your body where a possessive arm would go? omega behaviour.

linda mccartney, the woman that you are..

he’s not even slutty in this, i just want him soooooo badly 😩

#thank you for your time #paul