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#coiffured
chaoticnutcase · 1 year
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disturbia-2024 · 3 months
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icwblvxneep · 1 year
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q60prdn97it · 1 year
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recka24 · 3 months
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gogmstuff · 2 months
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1908 (April issue) Les Modes Robe d'après-midi par Zimmerman - photo by Félix. From gallica.bnf.fr; fixed spots & flaws w Pshop 1469X2054.
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timeofbeauty · 12 days
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Burt Glinn, Elizabeth Taylor, 1959.
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ibuproffee · 2 months
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I'm sorry I wheezed.
Ol' man in his new GenZ look LMFAO.
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anghraine · 1 year
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It's always interesting (to me) to go back to Tolkien's descriptions of hairstyles among some of the women of LOTR.
Here is the description of Galadriel's gift to Gimli:
Then the Lady unbraided one of her long tresses, and cut off three golden hairs, and laid them in Gimli's hand.
Here is the canonical description of Arwen's hair:
The braids of her dark hair were touched by no frost ... Above her brow her head was covered with a cap of silver lace netted with small gems, glittering white; but her soft grey raiment had no ornament save a girdle of leaves wrought in silver.
Here is the explanation of Gilraen's name:
The meaning of Gilraen as a woman's name is not in doubt. It meant 'one adorned with a tressure set with small gems in its network,' such as the tressure of Arwen ... The women of the Eldar were accustomed to wear such tressures ... Names such as Gilraen, and others of similar meaning, would thus be likely to become first names given to maid-children of the kindred of the "Lords of the Dúnedain". The element raen was the Sindarin form of Q. raina 'netted, enlaced'.
Personally, I think it's interesting that it's Éowyn, a shieldmaiden from a distinctly different culture, who has the loose long hair that fandom often goes for. But I also think the canon aesthetic for Elvish women and those akin to them is really intriguing and could be quite beautiful, but contemporary fandom preferences have definitely obscured Tolkien's affection for braids and pretty hairnets.
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chaoticnutcase · 1 year
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disturbia-2024 · 3 months
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chic-a-gigot · 9 months
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La Mode illustrée, no. 30, 29 juillet 1900, Paris. Coiffure nouvelle et peignoir de coiffure. Jupon élégant en taffetas noir. Table de toilette. Ville de Paris / Bibliothèque Forney
Coiffure nouvelle et peignoir de coiffure.
Cette coiffure, pour jeune dame, convient à une chevelure ondulée de longueur moyenne.
On partage les cheveux d'une oreille à l'autre, on relève la partie de derrière, on la noue au moyen d'un ruban. On ondule les cheveux de devant en larges vagues, on les rattache aux cheveux de derrière, puis on dispose les extrèmités de tous les cheveux ainsi réunis en une touffe de boucles; on frise les cheveux en petites boucles sur les tempes, puis on fixe derrière, sous la touffe de boucles, un peigne en écaille blonde figurant un serpent (voir la gravure représentant la coiffure vue par derrière).
Le peignoir de coiffure en nansouk est fait avec de larges manches et un col rabattu bordés de volants brodés fixés sous un entre-deux ajouré; le col est garni de jours quadrillés.
Les devants sont disposés en petits plis; le dos est fait avec trois plis creux ayant chacun 3 centimètres de largeur et piqués l'un sur l'autre. Le contour inférieur est bordé d'un volant et l'on complète le peignoir en passant, sous le col rabattu, un ruban de couleur que l'on noue devant.
This hairstyle, for a young lady, is suitable for wavy hair of medium length.
We share the hair from one ear to the other, we raise the back part, we tie it with a ribbon. We wave the front hair in wide waves, we attach them to the back hair, then we arrange the ends of all the hair thus united in a tuft of curls; we curl the hair in small curls on the temples, then we fix behind, under the tuft of curls, a blond tortoiseshell comb representing a snake (see the engraving representing the hairstyle seen from behind).
The nansouk hairdressing robe is made with wide sleeves and a turn-down collar edged with embroidered flounces fixed under an openwork in-between; the collar is lined with squared days.
The fronts are arranged in small pleats; the back is made with three box pleats, each 3 centimeters wide and stitched one over the other. The lower contour is edged with a flounce and the bathrobe is completed by passing a colored ribbon under the turned-down collar that is tied in front.
Table de toilette.
Cette table de style moderne, construite en bois blanc, peut être établie sans trop de frais par un menuisier; on peint la table en blanc laqué avec de la couleur émail et les arabesques en bleu. On peut également la décorer en pyrogravure ou la peindre en couleurs laquées de tons divers.
La table est garnie d'un morceau de drap bleu clair, recouvert d'une plaque de cristal assez forte fixée par des vis de métal. Le devant et les deux côtés de la table sont garnis de rideaux en tulle brodé exécutés d'après les gravures No. 1. et No. 2, posés sur de la satinette ou bien sur de la soie légère bleu clair.
On coupe pour ces rideaux trois morceaux de tulle d'environ 75 centimètres de hauteur et 1 mètre de longueur et deux morceaux de la même hauteur mais ayant seulement 80 centimètres de longueur pour les rideaux du haut. On garnit le tulle avec la broderie, on borde le contour inférieur avec des festons en découpant l'étoffe qui dépasse, on exécute un ourlet le long des côtés; on pose les rideaux de tulle et les rideaux bleus sur la même coulisse. On fixe, au bord supérieur des anneaux de métal à travers lesquels on passe des cordelières en soie bleue, terminées par des glands; on fixe ces cordelières, en les croisant, sur les pieds de la table à l'aide de clous en bronze. On drape les rideaux en les retenant par des cordelières semblables.
La garniture de toilette se compose d'une glace avec cadre ciselé en vieil argent, de brosses, peignes, boîte à poudre, glace à main en ivoire et de flacons de cristal.
This modern style table, built in white wood, can be built by a carpenter without too much expense; the table is painted in white, lacquered with enamel color and the arabesques in blue. It can also be decorated with pyrography or painted in lacquered colors of various tones.
The table is lined with a piece of light blue cloth, covered with a rather strong crystal plate fixed by metal screws. The front and both sides of the table are lined with embroidered tulle curtains executed from engravings No. 1. and No. 2, placed on sateen or on light blue light silk.
We cut for these curtains three pieces of tulle about 75 centimeters high and 1 meter long and two pieces of the same height but only 80 centimeters long for the top curtains. We trim the tulle with embroidery, we border the lower contour with scallops by cutting out the protruding fabric, we run a hem along the sides; the tulle curtains and the blue curtains are placed on the same slide. Metal rings are attached to the upper edge through which blue silk cords are passed, ending in tassels; these cords are fixed, by crossing them, on the legs of the table with the help of bronze nails. The curtains are draped by holding them with similar cords.
The toilette set consists of a mirror with a chiseled frame in old silver, brushes, combs, powder box, hand mirror in ivory and crystal bottles.
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heifercatmoon · 8 months
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fidjiefidjie · 8 months
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Bonjour, bonne journée ☕️ 🌞
Salon Dessange place des Quatre-Vents 💆‍♀️Saint-Tropez
Photo de Robert Doisneau 1959
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recka24 · 2 months
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gogmstuff · 2 months
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1908 (April issue) Les Modes Toilettes de Paquin - photos by Boisonnas & Taponier. From gallica.bnf.fr; fixed spots & flaws w Pshop 1609X2250.
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