Tumgik
#daniil dankovsky kin
fictionkin-hell · 1 year
Text
Tumblr media
☆Pathologic Moodboard for Anon!☆
No themes, but I included the bachelor for them.
8 notes · View notes
kincalling · 1 year
Note
I'm Daniil Dankovsky from Pathologic. My canon combines elements from the classic version and Pathologic 2. I'd be delighted to talk to anyone from the same source, but especially Burakh, the Stamatins, or Rubin. I'd prefer to speak to people who are 18+ as I'm in my early 20s. Like the call and I'll reach out to you.
🧋
2 notes · View notes
ultra-baklan-the-ovosh · 10 months
Photo
Tumblr media Tumblr media Tumblr media
beware cringe
2K notes · View notes
indigo-constellation · 2 months
Text
the Pathologic essay I wrote last year about why I think the Haruspex route Utopian ending is the overall best ending, I still stand by what I said however this somewhat structured essay holds less than half about how much I care about this ending.
In the game Pathologic there are three different routes, each corresponding to each healer. The story also has several endings, one for each of the bound (characters which as the name implies, are bound to their individual healer) as well as a bad ending if the player fails to find any sort of viable solution for the plague. This ability to choose the ending belonging to another healer is an incredibly telling one on the part of the characters, especially when it comes to the Haruspex, and his ability to choose the Utopian, and the Bachelor’s ending. This ending also works quite well when considering the wider narratives of the Haruspex’s route, including the future of the town, his role and sacrifice, and the metanarrative of the story.
In all three routes there lays quite a large weight on the future of the town, as of course it is the battle of the ending, of which vision of the town would become reality. The Haruspex’s bound is known as the Termites, a collection of children who learned from Isidor Burakh, Artemy Burakh’s father. Their ending is the one in which the Polyhedron is destroyed and the town stands, ready to be developed by a future generation. However, it is discovered in one of the other routes of the story, the Bachelor’s route (we will get to him later) that the source of the infection lies underneath the town, in the pockets of blood which have collected beneath. This means that the plague can never be fully defeated unless the town itself is destroyed, as the Polyhedron has already pierced the ground, meaning that there is no returning the plague to its dormant state, trapped underneath the earth. On the other hand, the other side of the river is entirely uninhibited, clean of the plague. This complete lack of prior development also means an ability to create a new town.
The new town built after the Utopian ending is one made, as the name implies, by the Utopians, however, the asymmetrical narrative changes depending on which healer is the one being currently played by the player, so following that logic, the endings would be influenced as well. This would hypothetically mean that the vision Capella has for the future of the town, one in which the Haruspex is a leader of the kin, and the town would be led by the children, could still find its place within the new town. There are also direct connections between the Utopians and Termites as well, such as Casper Kain, also known as Khan, of the termites, being a termite while also being part of the Kain family, which means that despite the rocky relationship amongst the family, he is still a heir to that power. Capella as well, is the sister of Vlad the younger, who at that point is the eldest Olgymsky remaining, and the projected leader of the town’s industry in the new town, she has also planned her engagement to Khan, meaning that she would then have a connection to Kain family as well. Apart from these direct connections, the entirety of the bound is important, each member, independent of faction, still able to impact the future of the town, and in order to achieve the Utopian ending in the Haruspex route both the Termites and Utopians must be fully healed. However these are the more hypothetical results of the ending, in the game itself the cutscene remains the same for whichever healer chooses the ending, which can imply the uniformness of the ending. However even though the Utopian ending described in differing routes can still serve the Haruspex well, the utopia described in the Bachelor route is explicitly stated to need the Earth, “…it's all about what's down below. It requires dirt. A ruby firmament needs something to sit atop-otherwise it'd topple.” This coincides well with the future Capella predicts, with the Haruspex taking his place as the foreman of the Abattoir, showing that there is, in fact, a place for the “earthly and the humane” in the new town. The connections described within the route, the needs of the utopia, and especially the influence of the Haruspex himself, would allow the Utopian ending to be a fitting future in the Haruspex route.
Another very present aspect of the Haurpsex’s route is that of his sacrifice, the idea that he must destroy, kill, something or someone in order for his ending to occur. This concept is mentioned a few times, however it is only fully explained by Katerina Saburova, “You will make a sacrifice. There will be rivers of blood, and that will be your doing.” While I can go into a whole other essay about the ideas of the sacrifice (and I do), we will for this essay’s sake, take the sacrifice as it’s surface level in pathologic classic, and how it’s implications mean that choosing the Utopian ending would have better long-term effects and also complete the Haruspex’s journey.
The Haruspex’s story follows a more classical hero’s journey rather than the Bachelor’s tragedy, with the abattoir symbolising the other world, and Oyun assigning the quite literal trials the Haruspex must go through. Once the Haruspex defeats the Foreman and becomes the new Foreman of the abattoir, however, he is still not respected by the butchers, who require a sacrifice from him. This duality of both the mistress’ prophecy and the requirement of the butchers also shines a light on the Haruspex in Pathologic Classic, someone who knows that he is of two worlds, however also a person who takes pride in both of them, and brings them together.
In the Termite ending the sacrifice is not fulfilled, the Haruspex is not allowed access to the blood, the plague looms as a remaining threat, and the Polyhedron still falls, for nothing.
Unlike in Pathologic 2, where the Polyhedron is quite literally piercing through the heart of the Earth, slowly killing her, in classic it is nowhere near that fatal, still harmful, but not fatal..  This important distinction is also important to make with the fact that while the blood would still seep out from the open wound if the tower were to fall, it would be limited, and would dry out at some point, while on the other hand, completing the sacrifice would allow the Haruspex access to the blood in the Earth, as the butchers would allow him to find the hidden reserves.
The sacrifice herself, Aglaya Lilich is someone already doomed by the powers that be, a doll loved by their mother and so hated by them, she dies in every ending but the Termites’. There is, of course, a point to be made about the theme of a woman having to die for a man’s journey is not a good one, and choosing this ending would feed into a harmful cliche, however, her death is something she herself understands, and although she urges the Haruspex not to make it, she acknowledges that she is meant to be the sacrifice, that choosing this choice will be enough, “If you lead him to victory, you may consider your sacrifice made. You return to the exultant butchers, triumphant.” Her death is not regarded as a simple shock factor to the end of the story, it is the pivotal choice the Haruspex must make. This is also shown in the Changeling route, where saving Aglaya is seen as an act of deceit, as even Clara’s ending, which saves the town, requires Aglaya to die, as Aglaya is a ‘queen’ an important piece on the board at the end of the game, her life only allows for the Termite ending, only allows for the Haruspex to lose his standing within the kin, and only allows for the sacrifice of the Polyhedron.
The Polyhedron is viewed as the sacrifice in the case that the Haruspex seeks to save Aglaya, however would it even work as one? The sacrifice needed is one of equal value to the Udurgh, the body that contains the world, and if the Utopian route is the one followed, the Udurgh is Simon Kain, and so the sacrifice must be someone who is more than human, and yet human. The Polyhedron, on the other hand, contains no human element, yet, it is the container for a human soul, a chimaera of living and nonliving, however in the Termite ending it is empty, and therefore cannot serve as sacrifice. Both Katerina and Capella’s opinions support the Bachelor’s argument in favour of the Polyhedron standing as well, Katerina outright claiming that “ I know for sure that you are to destroy a woman…” However, seeing that Katerina’s prophecies are often wrong, this statement must be taken with a pinch of salt. On the other hand, Capella clarifies that while Simon is merely a man in the current time, however, “Had Simon been reborn though, had he transferred his spirit to a new vessel-a body huge, perfect, and able to let others in... then he could have been called that.” Well, that rebirth, that new vessel she describes just so happens to match up incredibly well to the Polyhedron, this means that for the Udurgh to exist, for the Haruspex to fulfil his purpose, he must let the Polyhedron stand, must let Simon become the Udurgh. These ideas of sacrifice, of fate, and most importantly, of duty and purpose, greatly define the Haruspex’s story, and the Utopian ending is the only ending which gives it the needed satisfaction by its end.
All of the prior points about the town and the sacrifice have been made with the greatest levels of constraint I was able to amount, this paragraph, admittedly, will be much more personal, as the reasoning it presents was the initial reason for my appreciation of this ending. Simply saying, this paragraph will discuss this ending and the Haruspex’s connections, specifically the connection to the Bachelor. This entire essay could have been written only about this, specific subject, however, there was much more to be said about this ending, and the exercise in restraint was appreciated,  despite the, challenges (No Zero I cannot give into the g urges early, fruit.) This paragraph will discuss the relationship between the Bachelor and the Haruspex (of course) as well as the metanarrative of Pathologic classic, especially when it comes to the ends and in considering the Bachelor route in comparison to the Haruspex one.
During the Bachelor run, there is not a single chance to access the abandoned workshop the Haruspex works in, even trying to teleport into the workshop will fail, This comes with the precedent that as the Bachelor, you will not meet the Haruspex until the fifth day, from which point on he is only truly present for days 5,8,9, and of course, day 12. This is of course, a great disservice and the Pathologic 2 route should really have more Haruspex in it, however on a less tangential point, it a great difference from the haruspex route, in which the Bachelor appears for almost every single day of the playthrough, The Bachelor is likely to be the character the player interacts with the most, and over the game the connection between the two characters grows over time, with the Bachelor switching to use Artemy Burakh’s first name. However this closeness between the two is present throughout the entirety of the route, from the very first line the Bachelor speaks to the Haruspex (We will get to that later) to even the descriptions of quests and locations which the Haruspex takes note of, even I was surprised at just how much there was between these two in my first playthrough. All that builds to the point in which these two characters, at the very least, care for one another, deeply enough that the Haruspex has multiple dialogue options which are explicitly supportive of the Utopian ending within his Cathedral discussion with the Bachelor, with all but two of the dialogue branches allowing him to ask the Bachelor for his advice, and only one serving as a direct rejection. And that is what choosing the Termites ending in the Haruspex route is, a rejection, all throughout the route the Bachelor will attempt to convince the Haruspex of the validity of his ending, and in the Haruspex route, the Utopian ending is incredibly tied to the Bachelor, to Daniil Dankovsy, with the implication that if tower, if the last remainder of his research will not survive, that neither will he. Much like Aglaya, his fate is tied to the aspect of the town he is bound to protect. The Bachelor, who, while still placed as more antagonistic, still has his choice, his option for the ending still weighed as equally as the Inquisitor’s, the story places them as equals, “Two diverging pairs of decisions. Both pre-determined…” Which also clarifies that the Utopian ending was never less free than the Termite one, as they are both pre-written, scripted.
This leads into another extremely important aspect of Pathologic Classic HD, the meta, not only can you be reminded twice per round that the story is not real, but multiple characters and scenarios note that this is still a game, still a story the player is playing a part of. A big part of the meta story is the fact that the town is in fact, a sandbox, and the characters are merely dolls. The Polyhedron is a water container which was stuck into the sand, and the water within it had caused a mold, causing the sand pest within the reality of the characters. Removing the tower would help nothing; the mold has already spread, the only option forward is to remove the sand, or play somewhere else, which is what the destruction of the town means, the Utopian ending is the only one which actually, truly addresses this.
Another very meta aspect of the story is the relationship between the Haruspex and Bachelor, which is seen in the very first line spoken from the Bachelor to the Haruspex. The order the game suggests the routes is to begin with Bachelor, continue to Haruspex, and end with Changeling, and viewing the story as one continuous thing in that order adds a lot of depth to the story, with, “ Yes... Far be it from me to call myself a person of mystical inclinations. However, when I look at you, I get the feeling that nature is playing jokes on us. It's as if both the left and the right hand have clutched the head to realise for the first time that they are two parts of a single whole.” The Bachelor quickly disarms the player, not only is this statement a clear representation of the fact that they are two parts of a single whole, they are all healers, all part of the role the player plays, but this line is just plain out not something to say to someone you just met. Dankovsky continues his, less than normal interactions towards the Haruspex throughout the route, to the point that two of them have the closest connection here than almost any other two characters in any route, to the point even the developers themselves reflect upon it in that same dialogue I mentioned before, “Two diverging pairs of decisions… And then, you see, there were also feelings involved... Love.” While this can be applied to Aglaya instead, in the context of the conversation, which is Clara asking the developers about the two other healers specifically, that simply would not make sense. There is a lot more textual and meta evidence about these two, but I am straying off course too much already and this paragraph is already very very long, so we will just move swiftly back to the actual point of the essay :) (BUT YES I COULD WRITE A WHOLE ENTIRE THING ABOUT HOW DANIIL IS WRITTEN AS A LOVE INTEREST IN THIS ROUTE)
Let us not forget, however, a reason as to why the Bachelor wishes to destroy the town, and that is that Daniil is incredibly petty and jealous of Aglaya, from the initial curiosity at their initial meeting, “...She was so impressed by your dignified demeanour … What did you tell her that touched her so much?” To the outright spiteful, “My dear Burakh, she is your sacrifice! I don't think it is at all necessary to slit her throat with your own knife … if the town is destroyed, the head of Aglaya Lilich will be separated from her shoulders in less than a day.” He also partially agrees with Artemy that he seeks to keep the Polyhedron out of spite. However one must take into consideration the Bachelor’s route, in which he is consistently used and betrayed, the biggest offender being the Inquisitor herself. The only person who does not do so is the Haruspex, so it makes sense he would do quite literally anything to keep that being the case.
The fact is, Daniil Dankovsky suffers, in almost every single ending he is not at a good place, all of the endings from his own route for one, as that route is quite literally a tragedy, as well as the fact that Eva is dead in it, that also goes for Changeling route endings, as well as the fact that in that route he is in general incapable of a happy ending, which only leaves the Haruspex’s route for him to have any possibility of contentment (sorry g boy) Immediately we can also rule out the Termite ending in the Haruspex route, and in the Humbles ending he is the only one without a place, the Haruspex, as the Foreman, would still have a role to play, but Daniil would not, her victory is also the least rational one, and therefore, the hardest one for him to agree with. That leaves, of course, one ending, the Haruspex route Utopian ending, in which the Bachelor is not left in misery.
Other than that, this ending, just like all endings in which the player picks the ending of the bound other than their healers’ is a direct victory over fate, over the ‘set’ ending for the route. The executor, the stand-in for the developers in the ending of the game says as much, “The only enemy, the only evil in this story, you see, is called Inevitability…” This also lends itself to the idea that the belief that there is only one ‘right’ ending for each healer, that they should only be considered by their bound’s choice, is a wrong one. This refusal of fate, refusal of the ending implied to be the ‘correct’ choice of the Haruspex since the very beginning of the game, is the ultimate victory of the player, and of the characters with them.
In almost all discussion of the Pathologic endings, the only possibilities considered are the ones given, each healer choosing their own bound’s end, but Pathologic is far more dynamic than that. The story is asymmetrical, and so are its endings, which is why Bachelor’s route Utopian ending is quite possibly the most tragic, hopeless one, and the Haruspex route one is the complete opposite. There is no ‘good’ ending, of course, no, that would be too simple, however, there are some which are clearly better than others, and due to the future of the town, the impact this has on the Haruspex’s story, and arguably most importantly, the meta and interconnected aspects of this ending, it can be considered as a good ending. It is a belief that the Utopian ending in any context, is a bad one, however, in the words of the Haruspex himself, “Any choice is right as long as it’s willed.”
56 notes · View notes
kinfusion · 2 months
Text
Tumblr media
my pet
7 notes · View notes
raccoonacid · 1 year
Text
we're reading frankenstein in class and all i can think about is how if kinning was a thing in the 1920s daniil would definitely kin victor
31 notes · View notes
tommynb · 2 years
Text
adjdjshkjdsfgvkh why is this so true
Tumblr media Tumblr media
112 notes · View notes
indicolite-artist · 3 months
Text
Tumblr media
when in doubt: daniil aus
1 note · View note
fictivecanoncalls · 11 months
Note
Bachelor Daniil Dankovksy writing. I'm specifically a factive from Pathologic Classic HD, but I'll openly accept interactions from remake introjects. The body is 18, and I'm 25, so do with that what you will. I'm looking for anyone from the Town. That especially includes Artemy, Clara, Sticky, and Murky. I consider those four my family, but there are old friends and colleagues who I horribly miss, as well. If we've met, go on and interact, if my past snark hasn't put you off forever. I'll reach out. [We'd rather anyone with a body under 16 not interact.]
Calling all Pathologic Classic HD factives!
1 note · View note
inblackwoods · 19 days
Text
More on why this is so later, but when Daniil talks to people, he tends to mirror their speech patterns. This makes even very short conversations with some people- Big Vlad, for one- complex. The first thing Vlad says to Bachelor is:
“Ah, Bachelor Dankovsky, of course… Who else could be so dapper… I’ve heard quite a lot about you… Have you taken a look around? Be sure to check the state of the industry around here… We have our own ways.”
To which the Bachelor immediately picks up on a certain, thinly veiled bitchy energy. He responds: “How curious! And what is the current state of your industry?”
Big Vlad and Daniil are unfortunately similar in some ways- adhering to social etiquette and politeness leads to a lot of subtle, backhanded compliments, carefully worded insults, and politicking. “Who else could be so dapper,” (you uppity little snob), is retaliated with a comment implying something might not be so grand about Vlad’s industry. But neither of them will say anything directly. “We have our own ways,” is also leading to the more interesting aspect of this conversation. Vlad speaks flippantly about the Bull Project, acting as if it were as natural and unchangeable as gravity, and furthermore is beyond an outsider’s comprehension, so it certainly couldn’t be criticized by someone like Daniil. Yet the entire time Vlad’s suggesting as much, he is avoiding direct statements on it.
He says: “Come now… It’s a complicated establishment with a thousand years of history. A special approach is required to control such a colossus. See where I’m getting at, emissary?”
And Bachelor responds: “But no! Such businesses always leave room for improvement.”
It’s the same airy, dismissive sort of manner of speaking that Vlad was using, but this time to challenge and dismiss the notion that the industry is beyond question, scrutiny, or improvement, even from an outsider. Bachelor is speaking in a way that lets Vlad know that he knows how Vlad is trying to manipulate him and he’s NOT having it. He’ll make it clear by recognizing and perfectly mirroring the evasive “polite” playing dumb that Vlad is doing. 
What’s interesting is that Bachelor cares to do all of this, to argue about something that doesn't really impact or benefit him. He isn't planning on staying in town, why care how the industry/power structure is designed? Why care to fight for the Kin (who do become major points of discussion in Daniil's conversations with both Vlads) even in the most indirect capacity? Daniil isn’t always kind to the Kin, though he can be decent depending on how you play him, and he does have an amount of fondness for and connection to Isidor. I think there are two other reasons. 
One, Daniil hates anyone who tries to control his reactions, thoughts, feelings, or words. Vlad wants to force Daniil into a certain perspective, keep him ignorant to exploit him instead of giving him any information. Vlad is trying to give him no other options but to agree with him. Bachelor doesn't take kindly to being controlled and it isn't easy to do (though it does happen a lot). Two, Bachelor is dedicated to absolute truth (despite his own deceptive tendencies) and the Olgimskys are some of the biggest liars. They treat the Bull Project like it's a natural fact of human existence and it is absolutely not. The subjugation of the Kin is cruel and violent and not at all the natural order of people or the world- pretending otherwise is blatantly false and gross, even to Daniil. Of course all of this would piss Bachelor "truth is my shepherd" Dankovsky off.  When Vlad says "The sanitary inspection last year testified that the Bull Project is in order. Nothing to cavil at. Everything’s fine," that should sound an alarm, and it does for Daniil.
If any of this is of interest, my transcription and analysis is here. This project is what inspired other posts like this one.
69 notes · View notes
screemnch · 6 months
Text
Yeah, the gay doctors are cool and all, but have you ever thought about
Aglaya Lilich?????
I swear to god she is the most character of all time. She is smart, she is capable, discerning and even sometimes kind and YET!
Everyone must hate her. She can’t do anything right - not for the lack of trying or being incapable - but because that is not her role. She isn’t the hero who saves the town from the plague and she isn’t the solution. The Powers That Be gave her an impossible task and promised to send her to death if she fails, there is probably already a coffin in the capital made just for her and she is still trying.
And I have to reiterate that everyone MUST hate her. Maria hates her because of Nina and because of the polyhedron, Block hates her because of the manufactured stigma, most npc’s speak about her with either fear or resentment. Even the healers all have a bone to pick with her (including Artemy, depending on how you play). And that’s not to say that she’s blameless or anything - she is still ruthless and unrelenting. She still orders many people to their death and tells a couple of characters to just go and drop dead, but I feel like that’s to be expected of a few other characters as well.
And yet.
She opens up the termitary (if I remember correctly) allowing the few survivors to get help and exposing the Olgimsky’s to judgement from the Kin. She saves Peter from Saburov’s murder plan without hesitation (if I remember correctly - before she even sees the tower’s blueprints). She wants to mend her relationship with the last of her family, even though they’ll never forgive her. And on the final day without fail - she leaves the decision in the player’s hands. If Dankovsky was right and she was trying to destroy the polyhedron simply as a final stab at the Kains, she’d be much more insistent about it, as we know she can be. But she acknowledges her biases and abstains from weighing in on the argument. She is convinced that her decision is correct (unlike Block, who is here to execute and order, not make decisions) yet she lets the player take the lead. I haven’t seen most of patho 2, and I know that she does a few things differently there, but I can assure you it will also make me have a lot of thoughts about her.
She is also perfectly aware of her situation. She is hated by the Powers That Be - both the government and the little kids. No one wants her here, no one trusts her, she is basically sent to die. But still she resolves to try to right the wrongs and help people as much as she can (which is particularly fun because a lot of people like to view Daniil’s story as that predicament). And while I don’t particularly like to talk about romance when analyzing stuff, it’s important to point out that (as far as I know) in both patho classic and patho 2 her themes are quite strongly connected with the concept of love. I’m not familiar enough with that part of the story, but the fact that someone can be in such a dire, desperate situation and still find in themselves the capacity for trust, vulnerability and affection is… Not something I can describe well in my vocabulary.
Honestly can’t wait to look at her dialogue, too bad she’s not part of any faction in particular and probably will be one of the last characters I look at. I should draw her, maybe. Go insane, maybe.
166 notes · View notes
fictionkin-hell · 1 year
Text
Tumblr media
☆Daniil Playlist for Daniil Anon!☆
With indie and modern rock! (I tried)
♪001 Little Pistol - Mother Mother
♪002 Dr.Sunshine Is Dead - Will Wood
♪003 Wine Red - The Hush Sound
♪004 Saint Bernard - Lincoln
♪005 Secret - The Pierces
♪006 Dirty Night Clowns - Chris Garneau
♪007 Runs in the Family - Amanda Palmer
♪008 Blah Blah Blah - The Oozes
♪009 Body Terror Song - AJJ
♪010 64 Little White Things - Cake Bake Betty
♪011 The Beer - Kimya Dawson (All the TWs for this song btw)
♪012 Blue Lips - Regina Spektor
4 notes · View notes
kincalling · 2 years
Note
hey! i'm daniil dankovsky from pathologic and i'm looking for anybody from there. particularly clara and artemy, 18+ please, thank you.
🎧
1 note · View note
correctproseka · 3 months
Text
I randomly got a pokemon hyperfix so welcome to my: prsk characters and their favorite pokemon (or the one most like them in my opinion based solely on designs bc i like them), most of these are the ones i see them having as a first pokemon (i mean, the evolved ones probably got the first version but yknow)
In other words
Kin typing prsk characters as pokemon (chaos edition)
I started with niigo since Mizuki and Sylveon is what started all of this idea.
Tumblr media
[image ID: a picture with the empty sekai background, all of niigo transparents are on it with their anniversary outfit, first is Mizuki, with a Sylveon image on their feet. Next is Mafuyu, with a shiny Bunnelby also on her feet. Next is Ena, with a Torchic on her head. And Kanade with a Meloetta on her feet]
Ok i know i said "the ones i see them having as a first pokemon" and Meloetta is a mythical but if you playing as a 10yo can catch one so can Kanade fuck it.
Tumblr media
[Image ID: a picture with the street Sekai background, all of the vivid bad squad transparents in their anniversary outfits. First is Akito with a Torracat on his feet. Next is Kohane with a Morpeko. Then is An with a Rockpuff shiny. And lastly Toya with a Riolu.]
You guys have no idea how happy I was when seeing dog pokemon for An i found out that the one that felt like shed use the most was blue in the shiny.
Also, fun fact, im putting these in the order that im thinking of them in.
Tumblr media
[Image ID: a picture with the classroom Sekai background, with the Leo/need girls also in their anniversary outfits. It starts with Saki with a shiny Yamper, Honami with an Appletun on the top of her drum, Shiho with a Luxray and Ichika with a Pikachu]
I just feel like Ichika would appreciate the classics such as Pikachu, and also poor Yamper i did not find a 2D model of your shiny
Tumblr media
[Image ID: image with the stage sekai background and the more more jump girls, again with their anni outfits, Haruka has an Empoleon behind her, Minori is holding a Lillipup, Airi has a Snubull and Shizuku an alolan Ninetales]
THESE WERE THE HARDEST TO FIT DUE TO EMPOLEON AND NINETALES BEING A BIT BIGGER, also bc they're jumping and i have less size notion with them in the fuckinf air.
Also, first one I didn't feel the need for a shiny, the designs fit easily without a change of colors.
Tumblr media
[image ID: an image with the wonderland sekai background, wonderlandxshowtime is wearing the anniversary outfits, Emu has a tinkaton, Nene has a Golett, Rui has a Rotom flying around his head, and Tsukasa has a galarian Rapidash]
And to finish it off, i needed help with Rui and Tsukasa from professionals (wxs fans that are also old ass pokemon fans, my hyperfixation literally started 3 days ago), also, in my head, Nene has a shiny Golett, which has green lines instead of yellow, but i didnt see any model to use so oof.
And thats all, that was very fun to do!! I accidentally made my friends start yelling teams for them on discor
-- Tagging some friends under read more
@kentucky-fried-goth-attire
@marroon-i-think
@azuresystem
@autistic-daniil-dankovsky
116 notes · View notes
thanathiccalabs · 3 months
Text
Tumblr media
Pathologic: Bachelor Party! (WIP)
Daniil Dankovsky: normal (ha) Bachelor
Artemy Burakh: too ashamed of coming back home to his father because his lab was persecuted (it's because the Powers That Be didn't like him trying to research Kin medicine)
Clara: youngest bachelor of medicine ever (+ soap opera drama)
i remember i've never posted any drawing of them where they're humans. lol
47 notes · View notes
trash-can-sam · 4 months
Text
There is something so delicious abt the intertwining of failure and success when it comes to the narratives of pathologic.
Daniil enters the town a success, a celebrity doctor, well know and well liked, desperate to save his lab and secure funding but ultimately it isn’t the end of his life if the Hail Mary doesn’t turn out- he still might find a way to save it. Even though the details are uncertain, Daniil Dankovsky enters the town mostly a success. Artemy enters the town hated, suspected of patricide, denied his inheritance, in p2 he didn’t get the degree his father wished of him (it was more about the actual learning than the degree but still) because he was drafted into the war. His old friends dislike him and all hate eachother, by all metrics, Artemy Burakh enters the town a complete failure.
However, even when Daniil gets the Utopian ending, his entire time in the Town is a never ending cycle of little victories that ultimately end in failures. He barely does jack shit, even his medicine sucks ass and doesn’t work. He’s technically the only person here with a medical degree even if both Rubin and Artemy are qualified, yet he functions as a bureaucrat most the time. Even if he gets the utopian ending, he still has failed to save his lab and his old life, it’s all still in ashes.
In Daniils quests, even the ones you do well, half the time it still feels like you’re losing. Daniils story is the story of a man who lost everything he held dear in the span of 2 weeks, the entire time getting punched in the balls.
However, Artemy, even though he enters the town as a failure, retakes his place. He manages to disprove his guilt, he finds his fathers murderer, takes his revenge, he takes his rightful place in the kin (debatable how much he wanted to but like, he didn’t want literally anything so yk), he reunites his friends, his medicine is so good, even when you’re playing as Daniil it’s THE most useful medicine you can create by far. HE ADOPTS CHILDREN FOR FUCKS SAKE.
If Daniil wins, he’s destroyed the town and the people will forever hate him for taking it away. If Artemy wins, he’s the town hero, the one who successfully filled his fathers shoes and saved the town from a deadly outbreak.
Does Daniil deserve such a title for his ending? Absolutely not lmao, he’s an outsider afterall. This was never his world to come in on, merely all he had left. But it’s simply showing how Daniil is doomed to be a failure, and Artemy has the chance of being a hero.
AND the way this feeds into burakovsky is great I feel, the town hero and the disgraced doctor. The one who had it all and lost it all vs the one who lost it all and gained so much more than he ever could’ve expected. Not to say Artemy has only won, but he comes out of the outbreak with far more of a purpose and direction in life, he has a job to do. Daniil has nothing at all, the closest thing being his old friends who spend all their nights drinking away their lives mourning the dream of Utopia. Artemy has set up the future of the town, the children who will ultimately succeed him. Daniil has lost the closest thing he had to a child as well as his own hope.
The story of Daniil is getting beat into the ground where the story of Artemy is climbing your way out of the pits of hell. And idk. I think. I just think it’s fun. (AND both of these things do LITERALLY happen- with Daniil getting the shit beat out of him in the abattoir and whenever you talk to Clara before Artemy jumps in the pit. Or in p2 whenever it’s arguably even more clear that he jumps in a glowing red pit and makes his way out of the bowels of the earth yk)
38 notes · View notes