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#decay can be beautiful
aestheticemi01 · 7 months
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Abandoned house. 🏚️
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koukaaa-descent · 2 months
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see my brain likes to grab one concept and never ever let it go for the rest of time. so what im SAYING is that bracken & masked = life and rot. Do you get me. I am not normal about this. Something living something dead. There is a ghost here and it haunts the body. There is a ghost here and it is held gently. There is a dead and dying thing here, in your arms, as it has been a thousand times before. You will die. It will not. You hold your ghost, eternally dying and eternally dead, wondering how much longer its life will last—how much longer your own will last. You are here, with a corpse in your arms, smiling up at you, and you are life. You are life. It is dead. Is it not beautiful? There is wonder in dying, listening to rotting lungs and stuttering breaths, watching as flesh and rot decays and swallows itself, listening with each crackling bone, each torn tendon, holding this dying thing as if this life is its last. But it is not. It is not. Still, it smiles up at you .
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maretriarch · 1 month
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feeling really petite and fragile and damaged after slicing my finger open multiple times on a low fat zero sugar yogurt cup
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dont-offend-the-bees · 4 months
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Quirky representations of dementia should go die actually
#pardon me my friends i know I'm in a Good Mood today and will probably continue to be once I've taken some time to be mad/sad#but god the other night our ex-neighbour was obvs trying to comfort me#by talking bout a lady with dementia she knew who was onviously sick but in her mind she went out and did things and danced#and i was at the dinner table with my own sick lady#and therefore could not say honey. good for her i guess.#but my mum is almost aggressively trapped in her here and now#she doesn't know how to exist without us#her safe person is the husband her marriage was failing with#if we go out for five minute she panics and scratches at the door#she is sad and confused 95% of the time#content and confused the other 5%#and i can barely even visualise her as my mum anymore#because the mum who raised me would've killed herself if she knew this was coming#(like she used to tell me that. frequently tell her small child she'd rather kill herself than be unable to look after herself)#(which had a very normal impact on me I'm sure)#anyway. I'm a huge hypocrite and will still go and listen to marbles by the amazing devil and think it's the loveliest most romantic thing#and maybe some people do get lucky and find some joy in their minds when they have nothing else#but i have to just watch her brain fester and decay every day and there's just nothing quirky or beautiful about it#and all i can think is about how there's those mums who don't like raising small kids but enjoy parenthood when the kids are grown#and how that was supposed to be her#for a little while it was her#for a brief window of a couple of years she and i were each others best friend#and now she's this sad scared anxious thing shaped like my mum#who doesn't trust me as much as the man she was maybe a year or two out from leaving#and she's trapped in her brain and swiftly rotting#and it's just not cute and it's not funny#anyway#it is what it is#mr. bees speaks
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theswampghost · 2 months
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reading hell followed with us and AUGHHH i’m obsessed with benji’s… monstrosity. it’s sooooo good. the part where nick gets tackled & pinned by a Grace and there’s a split second where benji thinks he looks BEAUTIFUL??? !?!?!!!!!!!!!!!!!!!!!!!!!!
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cryptidspaz · 3 months
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behold my full late 90s / early 2000s media set up Bitches. Fuck the shitty quality streaming of shows & movies you can never own & fuck compressed audio through shitty bluetooth speakers.
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sagehaubitze · 1 year
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There were still so many trees that were charred from the fires, it was a little surprising to see. When we rode the tram up to Ober (which unfortunately the tram was the only good part of that), you could see just huge swaths of forest that were still blackened. There is new growth, of course, but the scars remain.
Fires are necessary for growth sometimes. That doesn't mean they are without pain and loss. But they clear that space for healthy growth again afterwards.
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youmustfixyourheartt · 10 months
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May I ask what the decay thoughts are
ohhh brother ohhh they wanna hear about rot and decay ohh
so iwas thinking about catholic school. as you do. and i was so hung up on why everyone wanted to be pure and why purity let you be saved and why we even wanted to be saved in the first place. so i sat there and i was thinking about it and i was like "well we're all born with original sin because of what happened in the garden of eden" and it hit me. we want to be clean and pure because we hate decay. we're afraid of rot and decay because it means death. and it ties back to the dark ages of europe and how catholicism was a comfort to many in that time. humans are naturally afraid of death and i sat there staring at my wall for about 20 minutes just thinking about that. sin is death to the spiritual body, and it leads into suffering and how we find justification for pain in our spiritual decay and how pennance is a huge part of purification, and how fire burns but we use it as a symbol of purity and purification and its positive even though it hurts. rot is also a symbol of rebirth and new life and you know what ELSE is a symbol of rebirth and purity. BAPTISM which is done with water and you use water to clean dirt and filth. i just thought the direct contrast between metaphors for new life was interesting
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rhiannons-bird · 1 year
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Callum Nova is like the twisted mirror image of Matthew Fairchild.
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kaleidoscopr · 2 years
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The mystery flesh pit is maddeningly horrifying to YOU. She gets me though.
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autism-connoisseur · 4 months
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SPINARAKI WIN AT THE NEW CHAPTER?????? YOU PROMISE???????????
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mariamlovesyou · 5 months
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tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:
plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."
contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."
on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."
rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."
"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."
"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."
rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."
"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."
"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."
plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."
before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.
on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."
"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."
a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.
she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.
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yeasty-boy · 1 year
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There's a strange feeling I get before sleep
This restless energy that must be released
A feeling that asks for abandoned buildings and silent streets
A feeling which makes me wish to traverse these places
A place where both man and nature is unwelcomed
A place where my bare feet can dance
Against concrete and asphalt
Dusty floors and grass
I crave to become a haunting
A ghost forever tied
To a place that no longer can host
a thing which breathes
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cordeliawhohung · 2 months
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Of Sea Foam and Iron [1]
general masterlist | series masterlist | taglist
Hephaestus!ghost x Aphrodite!reader x Ares!soap
your beauty was meant to be a blessing, not a curse. the only way your father can keep you safe is by marrying you off to an ugly, scarred blacksmith. at first, it seems like your new husband wants nothing to do with you. you eventually learn that's not the case at all.
wc: 4.8k
warnings: historical au with lots of inaccuracies, blood/gore/violence, minor self-harm ideation (no sh happens), arranged marriage, reader is a virgin, reader is very shallow, nudity, fear of sex, ancient standards of women (the characters aren't actually gods, but rather god-coded. they're mortal, but still fit the symbolism of said gods)
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When you were a child, people often told you that your beauty was a gift from the gods, and for the longest time you believed them.
Certainly, it was only by Aphrodite’s grace that you were able to hold yourself with such elegance and outshine even the most precious of gems and metals. Even as a young girl your father adorned you with flashy jewelry as if to prove to anyone who laid eyes on you that you were the only creature in the world that could make gold appear dull. You enjoyed every moment your father spent parading you around because that’s what love was supposed to be; the unconditional admiration of all those that were so far beneath you. 
It wasn’t until you became of courting age that you learned better. Gifts of fine silk and flashy jewelry were commonly sent to your father by countless suitors, and while they were beautiful, he sent every single one of them back. Simple gifts of cloth and metal were not good enough for your fathers beautiful daughter. If a man were to wed you, he would have to offer up something that your father could not provide for you himself. 
Countless suitors visited your abode where they would drink wine with your father and eat the freshest fruit while they attempted to gain his favor. Sometimes, you were permitted to sit in on their discussion, though you were not allowed to speak and no one was allowed to speak to you. You sat silent and unwavering like a transformed tree nymph, capable of only observing the events that unraveled around you as you stared at the man who sat in front of your father. 
His name was unremarkable, something you didn’t think you could remember even if it had been carved into your skin. He was not handsome nor ugly, but you could tell by the vibrant color of his chiton that he was of nobility. A philosopher's son, or even a politician. Personally, you guessed a politician due to his sharp tongue and even sharper gaze. Every instance in which his eyes landed on you, you felt as if you needed to check your skin for cuts. 
All the silver in the world couldn’t gild his tongue enough to grant him the ability to convince your father to let him take your hand in marriage. There was no amount of cattle or coin that your father seemed content in trading you for, and you watched in silent horror as the man stood from the table with his finger pointed in accusation. A finger turned into a blade all too fast, and it wouldn’t take long for blood to stain the stone floor of your home. 
In either anger, frustration, or arrogance, your suitor had dared to pull a blade on the man that raised you. His blade was well made, built for killing men, but even in his old age your father picked up the very same knife he used to cut up fruit to carve into the man's stomach. The odor of his offals was putrid and you covered your mouth as you watched the man attempt to keep his organs within the confines of his skin. He failed miserably, and his body joined his insides as he collapsed on the floor as a bloody and gasping mess. 
It was then that you learned love was not at all something gentle and sweet. Love was the spilling of blood in a brash act of violence and the decaying scent of rotting intestines. Love was what started the war of the Trojans where countless men lost their lives in gruesome battles. Helen of Troy brought the end of an empire simply by existing. You had brought the death of a man for that same crime. 
As your father turned to face you with red and sticky hands, he finally realized what a suitor could provide to you that he could not; protection. Because despite his reflexes, and the body that laid on the floor in front of him to cool, his age would soon catch up to him. There would be a day where you would be alive and he would not, and should that day come before you were to find a husband, he was certain no one would live to tell the tale. Your beauty was not a gift from the gods, but a curse that could damn a nation to ruin, and it was his responsibility to ensure you were protected no matter the cost. 
After that day, your father would not accept any more suitors into his home. No matter how much they groveled at the door, or begged to see even the faintest glimpse of you, they were all cast away back into the streets in which they came. For months, your father combed the city himself in search of a man who came even anywhere close to being worthy of your hand. During that time, you only ever set foot outside if you were in the enclosed courtyard of your fathers estate, otherwise you spent most of your time hidden away on the second floor where no visitors, man or woman, was allowed to see you. 
Trapped in your own home, your mind began to wander to places even darker and more morbid than the Underworld itself. If you didn’t walk with such grace and have an air of beauty about you, then you would have never found yourself in that predicament in the first place. Some frustrated and upset part of you was tempted to disfigure yourself. Maim your face with a knife and become something no one could bear to behold. Maybe then at least you’d be able to pick your own husband. But if your beauty truly was a gift from the gods, and not at all a curse like it felt, you wouldn’t dare to cast their grace aside, lest you face the consequences. 
Eventually, your father found a suitable man for you to marry. You had begun to think that he would never be able to find anyone that would meet his standards, and yet one day he returned home with the triumphant news. Your soon-to-be-husband’s name was Simon Riley, and you were to be wedded to him before Apollo drew his chariot across the sky the next day. 
You knew nothing about this man besides the very few things your father would tell you over your last meal together. Simon Riley was an artisan, a blacksmith to be more specific. He often spent his days slaving over a fire as he bent iron and bronze to his will. In your mind you could already see his hands darkened from burns and skin wet with sweat from the heat. A man who could shape something as cold and unforgiving as metal certainly was a man to be reckoned with, yet plenty of artisans before him had asked to wed you. 
What made him so different?
That question plagued your mind in the early hours of the morning as you washed yourself in the cooling water of your bath. Usually a nuptial bath would be given under much brighter circumstances, both literally and emotionally. As a young girl you always imagined that the sun would stream through the window and light up the water in the same way ocean waves sparkled at sunset. Instead, you bathed by candlelight as you purified yourself for your marriage, because marrying off a soiled daughter was unforgivable, no matter how beautiful you were. 
Once you were clean and smothered in as many fragrant oils as your skin could hold, you donned your peplos and veil for the ceremony. Beautiful garments, the white fabric hung off your body and cascaded down your legs like foam, and the veil was as red as a blazing fire to ward off any ill spirits. If this was any normal wedding, people from leagues around would come to see you in your attire, to get a chance to attempt to bask in your beauty, yet it was no normal wedding. The only people who would see you dressed like that would be your father and your new husband. 
“It’s safer this way,” your father attempted to soothe you. The night air was cool against your anxious skin as the two of you snuck through abandoned streets. It had felt like an eternity since you were able to travel along the worn stone, and it was only because you were to be transferred off to the care of another man. “There will be time for proper celebration later. No one will dare lay a hand on you under the care of your husband.” 
An odd tingling sensation plagued your skin the closer you got to Simon Riley’s home, and the moment you laid eyes on the structure, you knew it was his. It felt like it was prophesied in a dream. Approaching the steps to the door felt strangely like coming home, yet it was wrong. This abode would not be a home, but a prison in which to keep you safe. 
As if he sensed your presence, the man who you assumed to be Simon Riley stepped through the door and into the dim street. Darkness shrouded his figure, making it difficult to discern specific features through your veil, but his height was easily noticeable. He towered well above both you and your father as if he were a titan, and he was just as broad as an ox. Power and confidence exuded from him, and the only weakness he showed was a limp as he walked down the steps to the street. 
“Quickly,” your father prompted as the man approached, “lift the veil and she is yours. Yours to cherish. To protect.” 
Simon stopped in front of you and stood still for so long you feared he second guessed the whole arrangement. As much as you didn’t really want to get married, not like that in the darkness of a street in front of a stranger's home, you knew it was necessary. You would not be the reason more blood was spilled over pathetic jealousy. A part of you just wished that everything was as glamorous as was once promised to you. 
Eventually you watched as his fingers pinched the sheer fabric of your veil and he peeled back your disguise with so much care it was as if he was afraid to harm you. There in the dim glow of the impending dawn, you saw your husband for the first time. He stood as tall as a warhorse and just as scarred as one. His nose was large and crooked and adorned with puffy, raised tissue that threatened the thin skin of his eye and tender rose of his lips. Dull eyes scanned the features of your face as he let the veil fall along your back. Despite your beauty, he almost seemed uninterested in you, and you weren’t sure if you should have been grateful for that. 
“It is done,” your father concluded. He held out the leather pack that he had gathered a handful of your items in. Clothes, a few necklaces and bracelets, and a hairbrush was all you had to your name. Should you need anything else, your new husband would provide for you. “Hurry, inside. She is yours, now. Keep her safe.”
Without hesitation, Simon took your pack from your fathers hands before he rested his hand on your low back. Even through the fabric of your dress you could feel the coarseness of his palm as he urged you up the stone steps towards the entrance. You glanced over your shoulder and took in the view of your fathers features. For all you knew, it was the last time you would ever get to see him. 
“You have my word,” Simon promised. Those were the first words you had heard him speak, and they were an oath. 
Pale candlelight consumed you as Simon closed the door behind the two of you, locking you in your new home. It was only then that the true panic began to rattle its cry within your ribcage. You had been given away to a man you had never met before in the name of protecting you, and yet you had still been wedded all the same. There were certain expectations given to a new wife, one that you knew a man would be stupid to not take advantage of with a woman of your blessing. The very idea made your hands clammy, and you found yourself running your palms along your peplos in an attempt to rid yourself of the moisture. 
“Come,” Simon urged as he crossed through the entryway. 
Obeying him, you followed close behind him with careful and light feet as he led you through your new home. There was a vague scent of sweet fruit and warm bread that trailed behind you as he climbed the stairs up to the second floor. Though you tried to ignore it, your eyes couldn’t look away from the obvious limp in his step. His short chiton revealed several gnarly scars on his left leg even more fierce than the ones on his face. It was as if someone attempted to hack his knee off with a dull blade and pitifully failed. Was this man, this battered and ugly man, truly supposed to be your protector? 
Simon brought you to a room that was obviously his bed chambers, and had you not felt slight terror about the events that might unfold in that room, you would have been utterly stunned. Never before had you seen a bed so large. Sure, the man himself nearly scraped the ceiling with the top of his head, and so it only made sense that his bed matched his size, but it was near ridiculous. Its width spanned nearly from wall to wall, wide enough to fit three grown men comfortably, and the length had a good foot on Simon, if not more. There was hardly enough room for anything else in the area because the object took up the entire space of the chamber. 
“Rest. You look exhausted,” he said as he sat your pack on the end of the bed.
Confused, you looked up at him with narrow eyes as he gestured to the bed. You had the strange feeling that he would not be sated until you were at least seated on the bed, so you followed his outstretched hand and sat on the edge of the bed next to your pack. It was strangely comfortable, and dipped in low enough to swallow you whole. You wondered how much wool was used to create such a plush mattress. 
Instead of joining you in bed, your husband took a step toward the doorway before he turned to face you once more. Early dawn light bled through the closed wooden shutters on the window, which illuminated his face but didn’t make his features any less dull. 
“Help yourself to anything. What’s mine is yours. Plenty of food in the kitchen when you get hungry. If you can’t find something you need, ask,” he explained simply.
He spoke to you as if you were some lowly slave, and not his wife. His wife who had caused the death of a man just by beauty alone, a woman who had men lining up for miles for the chance of laying eyes on you, and he spoke to you like that? 
“Where will you be?” you questioned. 
“Working,” he answered gruffly. “My forge is in the courtyard. Don’t walk out there barefoot.” 
He didn’t give you the chance to ask any other questions before he limped out the doorway where his footsteps fell heavy against the wooden floor like thunder. There you sat, at the edge of the bed, still in your wedding clothes, abandoned by your husband. Still, an odd relief washed over you at the realization that you were alone. He had not stripped you bare before him and fucked you into that ungodly large bed like you had expected him to. Grateful that you had not yet had your virginity taken from you, you did as Simon had instructed. It had been over a day since you had last properly slept as you spent the entire night getting ready for your rather depressing wedding ceremony, and that weight bore down on you relentlessly. 
Removing your peplos, you donned a much lighter chiton before you stood at the side of the bed. Wool and animal skin blankets laid across the bed in layers and you peeled them back to crawl underneath. As you sunk down into the mattress, you were enveloped by a scent of musk and fragrant oils that was oddly intoxicating. The weight of the blankets on top of you held you in place, willing your eyes to close. Simon Riley was a strange man, but at least his bed was nice. 
There were many things you learned about your husband that day, none of which he told you himself. He was a very quiet man who truly spent most of his time working at the forge. On the first day you had been wed, you snuck a glance out of one of the windows to watch him work over sweltering coals and steaming air. Though his legs seemed lame, his arms had no such problem. Thick muscles flexed and went taut as he brought his hammer down upon white hot metal to bend it into shape. Sweat lined his brow, which he would wipe at with his forearm every now and then, and though his face was a right mess, you realized the rest of him wasn’t too bad to look at. He knew how to make a variety of things, from tongs to signs to swords, and he was paid handsomely for his work, judging by the large pile of coins and bartering items you would find on the table at the end of the work day. 
He never sat down for proper meals, but while he worked he ate enough to feed two grown men, which only made sense given his size. Lamb seemed to be his favorite, and there was plenty of it. Dried and seasoned jerky, a leg he would roast on a spit to then shred and add to bread, or even some he would fry in a pan. Your help with anything was unnecessary. He never asked you to cook, or clean, or assist in selling his products; Simon was completely self sufficient. 
The thing that caught you most off guard about him was the fact that he slept naked. Your first night together, while you were already in bed, he shamelessly stripped his dusty chiton off and tossed it on the floor, baring himself completely to you. It was your first time ever seeing a man naked, and even in the darkness you could make out the silvery scars that tore through his skin. He was completely covered in them, and you couldn’t help but wonder which of the gods had cursed him with such a body; something that could have been strong, beautiful, and powerful, only to be covered with errors. 
When he climbed into bed next to you, your eyes couldn’t help but glance further down to where his cock hung heavy between his legs. He wasn’t even hard, yet the size of it matched that of the rest of him, and you could feel your heart jump in your throat. Yet that night he still did not take you. Instead, the two of you slept on opposite sides of the bed facing away from one another with nothing but empty space between your bodies. He would not fuck you, and that confused you. Something must have been wrong with his body, littered with scars and abnormalities. Or maybe he was the only man in the entire world who was immune to your gift from Aphrodite. 
If you remained a virgin for much longer, perhaps you could escape and become an acolyte. 
The next month went by like this. He would speak a few words to you, spend his entire day working, and then sleep naked next to you in a bed large enough for a bear. He was not cruel, at least, in fact he was quite the opposite. There was always enough food for you that he would set aside on a special plate, and he bought you a new chiton when you had accidentally torn your old one, but no matter what, he did not seem interested in you. It was as if you were something for him to take care of, rather than something for him to love. 
But that was what your father had wanted for you, wasn’t it? 
Like a caged dove, you spent most of your days peering out of the second story windows to gaze at the city. Busy streets bustled with traders and artisans alike, and you would watch them mingle as they weaved between buildings like ants. On windy days you could smell the salt of the ocean, and you would long for the days when you were a young girl, collecting shells along the shoreline as sea foam gathered around your ankles. Things seemed more colorful back then. As a married woman, everything in your world seemed to only be the shade of stone. 
One day after a heavy rain, some excitement had been brought back into your life. It started with the sound of triumphant horns followed quickly by cheering. Deep, bass drums echoed throughout the streets, drawing you to your window once more where you saw countless men in a march spanning further than you could see. Their red chitons and leather armor branded them as soldiers, and you watched in awe as they paraded through the streets after what was obviously another successful campaign. 
But there was one soldier above all others who towered over them upon a warhorse adorned with armor and a mighty spear. Even from a distance you knew that this man was John MacTavish. He was a soldier bred and born for war as if the only thing he knew how to do was kill. People often said he was bestowed his gifts of war by the God of War himself, Ares, and it was a tough speculation to deny. Countless lives had been taken by his hands alone, and no matter the odds of the battle, he always came home victorious and smiling. You had seen his face only once before in the last victory parade he marched in, but you could never quite get his grin out of your mind. 
“I’m heading into the city,” Simon said behind you. 
Despite his sheer size and thunderous footsteps, your husband had managed to sneak up behind you, startling you half to death. You spun so that your back was to the window to face that goliath of a man with a racing heart. 
“Will you be alright on your own?” he asked. 
Still trying to calm your racing heart, you nodded. 
“Good,” he concluded as he began to walk away. “There is a sword in the kitchen. If anyone attempts to harm you while I’m gone, use it.” 
He didn’t give you any time to explain that you had no idea how to wield a sword, let alone kill a man, before he vanished down the stairs. Moments later you heard the doors to the courtyard open and close, and Simon’s body melted into all the other figures in the streets below you. It wasn’t his first time leaving you alone, after all, he had to get materials for his work somehow, but it was his first time instructing you to use a sword to protect yourself. You figured the countless soldiers that flooded the city had him on edge.
But if that was the case, why would he leave in the first place? 
As you waited for him to return, you couldn’t help but meander down to the kitchen in search of this sword he instructed you to seek out. It didn’t take you long to find it, as he had left it right in the middle of the table next to your lunch. Beautiful iron extended strongly a good foot or so in what was the most well crafted shortsword you had ever seen. Dark wood formed the grip, and there was a flared base made of gleaming brass for the pommel. This looked different than his other works. There was more flair to it, like it was more of a gift than something he would sell for coin. 
With tender fingers, you reached for the grip and took it in hand. Its weight was heavy, more so than you had anticipated. Holding it was awkward as it felt like it wanted to fall forward no matter how high up you held it, and you huffed as you attempted an amateur swing. Unsteady, your strike would have hardly broken the skin of any intruder. When you set the blade back on the table, the memories of your dead suitor bubbled up in your mind. The sheen of his blade as he drew it on your father, the blood and offal that spilled on the floor shortly after, and the reeking stench of death that followed. You weren’t sure if you could ever do such a thing. 
Simon was gone for only half an hour before you heard the sound of the courtyard doors swing open with a creak. You gazed down at your half empty plate where you had snacked on fresh fruits and cheeses while you waited for his return. Sticky juices coated your fingers which you quickly cleaned with your mouth before you stood from your seat and left to greet your husband. 
He wasn’t alone. Another man accompanied him clad in light armor and a sword strapped to his hip; a soldier, likely one of the men who had just returned home. This man’s chin bore a hefty scar, and still despite it he was one of the most handsome men you had ever laid eyes on. Battle hardened muscles bulged out of his uniform, and your gaze couldn’t help but fall to his powerful thighs as he took a few steps into the courtyard. It wasn’t until you saw him smile that you realized who this man was; this was John MacTavish. The hailed hero of your city, its greatest defender, a man who could cut down hundreds and come back smiling through the blood.
Simon hardly had the time to shut and lock the courtyard doors behind him before John’s hands gripped the fabric of his chiton. Words escaped you but your mouth opened in a silent plea. Were they about to fight? Was this soldier, Ares’s wild dog, about to slaughter your husband right in front of your very eyes? Your hands flew to the doorframe to steady yourself as you watched Simon stumble forward while John yanked him closer. You could already smell the gore, imagine the pink intestines and organs that would spew from your husband’s body and all you could do was stand there and watch in horror as John… kissed him?
This man, this near mythical being who had won countless battles in the name of your city, pressed his lips against your husband’s with such passion it left you stunned. And it was not at all unwelcomed, it seemed, as Simon’s hands rested on the man’s waist and returned the notion, curving his spine enough to meet the man's height more comfortably. As they embraced one another in front of you, the horror on your face quickly melted into confusion. 
“I missed you,” John muttered as his lips separated from Simon’s. 
“I’ve dreamt of this day ever since you left,” Simon countered, his voice more tender than it ever had been with you. 
But John would not be the highly acclaimed soldier that he was if he hadn’t felt the prying eyes staring at their intimate moment. Eyes as blue as the ocean turned to land on you, and your jaw slammed shut underneath his inquisitive gaze. He was not secretive in the way he looked over all your features, scanning first your face and then lower, over the curve of your hips and the hidden flesh of your thighs. While he nearly licked his lips at the sight of you, his obvious attraction did little to cover the confusion hidden in his eyes. 
“I didn’t realize we had a visitor,” John admitted humorously as he glanced at Simon. 
As you waited for your husband's response, you glanced at him in hope to receive an answer to the storm of questions that raged in your mind. But there was something different about his gaze. Rather than contentment, something else ignited in the darkness of his eyes that blazed just as bright as the forge he slaved over day and night. Whatever flat expression he normally gave you transformed into something so shining it almost looked like love. 
“She is no visitor,” he claimed with pride. “She is our wife.”
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kneelingshadowsalome · 4 months
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I know we're all focused on Satyr/Faun König but that bull comment... I'm quite partial to minotaur's and whats better than a darling who isn't from the area. Oh yes she's innocent of the crimes against König because she was not raised there.
Some foreign little creature just running blind in a maze trying to see where there might be a way out. It's been days after all and the screaming has gotten quieter and she wonders if she's the last one left alive. He takes his time eating his meals... this can be stretched out for such a long time as she hides herself in a dead end just a short rest... the darling is so tired unaware of the horrifyingly silent steps moving closer to her little haven. It's just her left now.
@kit-williams I've wanted to write for Minotaur!König for ages!
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Minotaur!König x Ariadne!Reader Word count: 5 k oneshot Tags/warnings: Sexual tension, threats of violence and rape, implied cannibalism, power imbalance, moral ambiguity. Predator/prey dynamic, Beauty and the Beast elements, Ancient Greek religion & lore. 18+ MDNI A/N: The Minotaur in this story is not an actual hybrid. Reader is Hecate’s initiate. Merry Christmas y'all! <3
The screams are the worst part.
They echo through the Labyrinth while you wait and wait and wait.
Even the very stones seem to cry and wail as you place your hope on Theseus who descended to this hell along with you and the human cattle. Seven young men and seven unwed women, meant to satisfy a beast...
And judging by the screams alone, it sounds like the monster is satisfied. It sounds like it's having a ball.
Fourteen lives have been lost, their blood swallowed by the earth as if Hades himself is drinking the crimson of Athenian youth in His feast. The flesh is the beast’s to devour: an underworld demon born of tainted lust.
Half bull, half man, you always thought the stories were only tales told by the fire to scare children. Turns out that the stories, for once, are true. There's something even worse in this maze, something cursed and foul... Hecate herself would shiver if She were here, in the womb of the earth, witnessing what you’re witnessing now.
You don’t actually see the Bull of Crete cut or hack or slash anyone, and you can only imagine what the monster does to the bloody, gutted corpses of the young. The only thing you see are the hollow, dark walls carved out of soil, sand, and clay, the intestine-like route dug deep into the earth. And you don't have to see the massacre: the screams tell you enough. The silence that follows betrays even more.
Your only light is flickering, waning: the candle will hardly last an hour. If the hero from Athens won’t arrive soon, you will have to leave this place. 
And oh, how you want to leave… You were a fool to follow him here. Blinded by love and hope, you thought Theseus of Athens would be your way out of Crete, but it’s clear that the only thing the young hero is capable of loving is fame. The only time his eyes turned to yours was when you said you might be able to help him with a small bundle of yarn.
Red as the setting sun or spilling blood, the thin woollen string is your only way out now. It’s ironic how a heap of twine is the only thing that can help you out of this hellhole, but the Fates always did possess a cruel sense of humour. Your silly daydreams might’ve cost your life, and even if you’re sworn to the dark goddess, you would rather die anywhere but here. In the darkness, all alone, with nothing but eyeless worms to keep company to your decaying bones.
The sudden draft from the outside world is warm but threatens to blow out your candle. It’s a sign from Apollo: if you don’t leave now, you’re dead. Theseus has to manage without you because you’re not dying in this underworld prison because of some man’s stupid lust for fame.
There's only deafening silence in the maze as you scurry up, taking support from the wall as your sight darkens for a moment. You rose too soon: you can’t even remember the last time you ate. And it appears that even the sun god has abandoned you because there's a faint echo of steps in the tunnel, and they don’t belong to a man. They’re too thick, unduly heavy, and it’s not a pair of sandals that are thumping against the soil.
So, Theseus is dead...
So much for the legend, the myth, the demigod.
Heart thumping in your chest and in the hollow of your throat, it threatens to drown the sound of approaching footsteps. They’re all dead, the people who descended here with you. The only thing you are right now is prey. You're being hunted; whether the Minotaur knows you're here or not, you know you're being hunted. You can feel it in your gut.
You cover the candle with one hand, hoping that the flickering light doesn’t reach around the bend. The falling thump of the footsteps stops, and you still your breath, hoping that the beast would turn around and search the other way.
You hear it sniffing behind the wall. It's trying to catch your scent in the air, the smell of dread and terror, sweat so thick it must reach his nostrils and make them flare with lust. Your heart is thundering in your chest, and the tunnel is so quiet that that you’re certain the creature will hear that, too. (Your heart always betrays you.)
And your luck is cursed.
The beast shifts. 
You can’t see him yet, but you can hear it: the scraping sound underneath his feet as he aligns himself anew, choosing the path that leads straight down to you.
“Hecate save me,” you whisper into the air that seems to grow denser as he approaches, loud thumps of feet now accompanied by metal grating against clay. 
“Hear me, flame-bearing guide... Darkness, protect me…”
He’s dragging bronze against the wall, announcing that he’s carrying a weapon with him, the strength of a bull apparently not satisfying enough if he wants to break your bones with metal.
Don’t blow out the candle... 
If you blow it out, you’ll die.
It’s a clear message, a knowing voice in your head that says it. It’s not young, it’s not old: just knowing. Alert. Wise beyond ages. 
So you still your breath and wait.
Shadows fill the curve of the tunnel just before he emerges: thick like thunder, a darkness so deep that even the name of the twilight goddess escapes your tongue. 
And he’s big. Bigger than the bulls you used to dance with, bigger than kings, or heroes, bigger than even Theseus, the man you thought was a myth walking. His head is enormous, bigger than the rest of him, awkward and rough like it’s not quite part of him even though he’s supposed to be half ox. 
The gigantic, horned figure stops when it sees you. Vast shoulders tense; the fat, double-edged sword falls to his side when he settles to loom between you and your only way to escape this place. You’re oddly thankful that the horrible screeching stopped, but then you notice that his blade is drenched in blood: actually, his torso, thighs, even the buckskin loincloth – the only garment this monster has chosen to wear – is spattered with red dots. 
The bronze tip drips with crimson, and the earth drinks it all. Hades is never satisfied: this beast is never full. Everyone who was sent down here is dead: everyone else has met their doom except you. You wonder if your mother would cry if she heard her only daughter died because she fell in love with a fool.
“I killed your hero,” the walls of hell boom. 
His voice is thick like tar, dark and foul like it’s the God of Earth himself speaking.
The flame in your hand quivers from fear, and you slowly remove your palm, the tiny candle illuminating the beast with warm homely yellow, making the prominent muscles of his chest even bigger. 
He’s carved like the statues in Athens, only, this giant is far hairier than the painted marble heroes of the city. The hair on his chest is thick and wild; it shoots down his abdomen and disappears underneath the loincloth, spreads over his inner thighs, even covers his shins in dark mats. He looks like a wild man, a beast indeed: sweaty, filthy and thick. But you never knew a beast like him could talk…
“A coward, that one,” he snarls, the voice reverberating oddly like it’s a human man speaking from under a wooden mask or inside a clay jug.
And you believe every word he says.
Theseus was strong and able-bodied, but he had built his strength just to show it off. This man’s body speaks of pure, ripe survival.
A hulking shadow with shoulders that barely fit the tunnels of the Labyrinth, with palms nearly twice the size of yours, he’s the myth walking instead of the hero whose blood now adorns that dull bronze blade. The Minotaur who survived his father’s wrath, his mother’s absence, these bleak surroundings, and all the heroes sent down to get his head… His weapon isn’t even sharp anymore, and still, he managed to cut through the sacrificial humans like butter. And what a horrific death it must’ve been to be hacked to pieces by a dull blade.
Is it evil of you to hope that the death of your “hero” wasn’t a quick one…?
Theseus was a fool and a coward, rotten to the core, but you saw all of that too late. He never cared about the human sacrifices or the king’s wrath; he never cared about digging into Pasiphae’s sorrow. He only cared about getting his face depicted on a pot or having his deeds played out in amphitheatres, his name uttered in song, accompanied by harp and flute.
“I know.”  
Your voice gets sucked into the earth: it doesn’t echo from the walls like his. It’s thin, damp, and frail, just like everything else meant to walk under the sun instead of stand buried under the earth.
But the beast before you tilts its head a little. It’s curious. 
Why would you say that? 
Why don’t you cry from hearing the news...? Why don’t you howl out your hero’s name and beg the gods to heed your grief? Why don’t you run away from a monster?
The candlelight is puny and weak, but it’s bright enough to bring out the eyes of an animal. You draw breath in the dampness of the earth when you finally see it: the bull’s head is devoid of eyes, and yet, the beast still has them. Blue as the summer sky, stern as the death grip of winter just before spring.
There’s nothing but ripped shreds of skin where the eyes should be, and instead of looking at you from the sides, they’re greeting you from the front. The horns are sturdy, but otherwise, the colossal head is a bit skewed... Thick patches of fur sticking out as if it was years and years old, and then – you realize it’s not his head; it’s only an illusion. 
There’s a man under there. A full, grown man who’s made himself a terrible helmet out of a bull’s carcass. 
“You’re a man,” you say out loud, earning yourself another shift of the colossal head.
“...What?”
The muffled echo confirms it: he’s speaking from inside the bull, moving only slightly to get a better look at you. 
“You’re not a monster. You’re just a man.”
His eyes are wild but intelligent; they pierce you from inside the inanimate shield. The large chest heaves, his ribs flare like sails as he draws air through what must be the foul stench of a long-dead animal.
He takes a step, and you shrink, almost dropping your candle and the roll of red yarn.
“You think talking will save you, female?”
He speaks like a man, walks like a man, but his moves are an animal’s. Shoulders slightly hunched like he’s a bull about to attack, you recognize the way his muscles quiver from the times when you used to do bull leaping. You don’t dance with Rhea’s oxen anymore: your tasks at Hecate’s temple are more suitable and less wild for a maiden your age. Back when you were younger and more agile, you used to jump from the back of one bull to the next, clouds of dust swirling around you as you showed your prowess to the priests.
But you can’t charm this ox by dancing. This one can’t be tricked or fooled: he will pierce you with those horns or his brazen sword if you take even a step.
“I can get you out of here,” you wet your lips, noticing that the blue eyes shoot straight to your mouth when you do that. “I know the way out.”
“What makes you think I want out,” he says, so tight and tense that you fear he’s either about to leap at your throat or plunge his sword into your chest.
And you should be concerned about your own safety, not about his sensibilities – if he even has such things – but hearing this beast man’s reply is like drinking bile. 
Why would anyone want to stay here?
You don’t know if he eats human flesh; you don’t know if he had to in order to survive. Everyone knows why his father threw him down here, but no one knows he’s not half the things the people above say he is. And if half of it isn’t true, what other lies have been told about the Minotaur? 
Even most prisoners see the sun, yet this man has been deprived of that, too. He’s been robbed of mother’s love, of father’s mercy, of friends and foes, of mentors and guides. He’s been robbed of life, of stars, of fires and summer skies, of women’s giggles, of fistfights with fellow men. Of songs and plays, of festivals and games, of bull dances, and maidens that leap…
“Have you ever been up there…? On the surface?”
You turn your voice into soft water on pebbles, a soothing pour of persuasion and goodwill. His pecs contract, strong abs under thin hair and body fat bunch like you’re about to hit him there. You take a step, and now it’s his turn to shun away. It’s only half an inch, but he actually moves away from you. 
“I can take you there,” you offer gently. “Have you ever seen the sun…?”
It’s like talking to a starved predator, trying to entice them to follow you with a fresh steak in hand, hoping that the fanged mouth won’t take more than was promised if it decides to accept the offering.
And the beast accepts. 
“As a boy,” he grunts, a tad more softly. 
Those eyes are fixed on you, reminding you of horses when they’re slightly afraid. The glint of white and blue behind the carcass is fiercely alive, quite unlike the hollow, disinterested stare of the Athenian hero who was only interested in himself.
But this beast is interested. Oh, the Bull Man of Crete is wildly, fiercely curious about you. 
“You’ll take me to the sun,” he repeats, an affirmation rather than a question.
“Yes. To the surface. I promise.”
He moves. Like an animal who learned long ago to drive others into the corner so that he wouldn’t get forced there himself, he’s primal, sensual in the way that oracles in a trance are sensual.
Approaching you in silence that’s almost eerie, the hairs at the nape of your neck stand on end by the time he’s only an arm’s length away. Why announce his coming earlier if he can move so quietly?
“You’ll lead me to my father.” 
His gaze bores into you, and not even the warm draft from the tunnels can prevent you from shivering. He’s distrustful, and it’s no wonder. It must be odd that some girl with a candle and a bundle of yarn is suddenly waiting for him around the bend, and doesn’t even flee. He’s a behemoth, but he’s not stupid. A stupid man would not have been able to survive, let alone thrive in this place.
And why should he trust you? Who is he supposed to trust in this maze when every person he has seen has either run away from him or tried to kill him? His father will slaughter him if he ever escapes the Labyrinth, so what else is a priestess in his kingdom but a squealing mouse, trying to feed him lies and then guide him to the surface and into a forest of spears? 
“No,” you shake your head slowly. “No, I promise I know the way. There will be no soldiers–”
You shut your mouth just before a huge palm closes around your throat. 
Gods, but he moves fast when he wants to… 
The candle and the yarn drop the instant his hand seizes your neck, strong fingers nearly meeting at the back as he squeezes your windpipe ever so slowly.
And he’s so close now. The carcass reeks of death, but the man underneath stinks of plain human sweat. His musk is a peculiar mix of blood, earth and soil, something both stale and invigorating, the thin sheen of sweat and dirt covering his muscles making him look like a common builder. It’s strange that the bull’s head hasn’t yet decayed in this place, that the man doesn’t reek of bodies and bones that must be scattered around like debris further down the tunnels. 
Another thing that’s strange is that he doesn’t seem to want to simply silence you.
He also wants to touch you.
A wide thumb strokes the underside of your jaw as he studies you. It slides down the column of your throat, the blue eyes gleaming with fascination when you swallow against him.
He drinks in the sight of you: the lips that part with fear, the frail collarbones that breathe against the side of his palm. The promising crevice between your breasts, the enticing softness of your teats. 
You can hear his breath grow heavy under ox skin and bone, the rugged, vicious helmet he has chosen to wear. What lies under, you can only imagine, wherein he has little left to the imagination when taking in the curve of your breasts, your nipples rising to peaks under the thin white linen only temple virgins use. 
Seeing your reaction to his touch makes him growl -- he actually growls like an animal, a deep, low rumble of approval rising up his throat when he sees how different your body is from his. How supple and cushy it is, soft and plump like a peach, covered only barely as if to tease a best like him. You wonder if he ever took pleasure in the maidens sent here by the king… If he ever thrust the sword between his legs into their weak bodies before giving them the mercy of his actual blade. Would he even know what to do with a woman, having lived here for so long?
“Please,” you whisper, bringing his eyes back to yours, the ice in them now liquid sapphire of pure want. 
Gods… You need to bring his attention back to your offer of help before he sees it more compelling to just stay here and play with his new, plump little mouse. Virgin or not, you wouldn’t survive a mating with this man. 
“I swear on Hecate’s torch that it’s not a trap. You have my word: I’m a priestess soon to be.”
He’s entranced. Hypnotized by your lips. You lick them to confirm your fears true: the man grunts with pleasure, out of instinct, absentmindedly like an animal who reacts to the sight of a fat, meaty bone. 
Oh, he might not know what to do with a woman… But he would try his best to find out. 
“Priestess…?” He rasps.
“It’s a holy woman,” you explain. “I serve the Goddess of the Crossroads.”
He snorts, either because he’s not impressed or because he’s downright amused by your vocation. The eyes, warmer, more demanding now, are far from the eyes of a bewildered beast.
“Little female of the crossroads... You will take me to the king. And then, I will kill him.”
He puts weight into his words, tries to make you understand. 
He wants you to guide him to his father. 
To the King who claims his son is half bull, to the husband who claims his wife was adulterous with an ox. To the King who demands tribute as virgins so that he can send them down to hell. The dark goddess screams justice, but you're at a horrible stalemate.
The gods will curse you for this… They will smite you with a bolt of lightning or drown you next time you cross the great sea if they see you’ve helped this half-beast escape. If you guide him to Minos, you’re a participant in kingslaying, and the gods never forget things like that.
“He’s your father and the king of Crete,” you whisper in fear. “The gods will strike you down–”
“Gods?” He spits. “I piss on the gods. I fuck their corpses and leave them to rot.”
You almost choke on the blasphemy levelled at you. The shadows creep closer, the stare behind the black fur is dark and amused, burning with the crooked wrath of a thousand years. 
“Perhaps I’ll fuck you too.”
It’s unnerving that you don’t find the threat wholly unappealing.
If anything, your eyes drift down to the hairs of his chest, to the two big muscles that resemble the work of the best sculptors in Athens. 
“Are you a virgin, female of the crossroads?”
His eyes search for your response: they want to see your fear and disgust. You swallow again, arduously against his hand, both caressing and testing you. 
The beast leans forward, as if weighing if he could somehow insult the gods by pillaging you. The rough hair of his chest meets the white cloth, it brushes against your nipples as he bends down to have a good sniff of you.
“You smell like a virgin,” he growls.
The hand leaves your throat, only to travel down your sternum. He grabs your breast nonchalantly, a little too roughly, the hot palm closing around the teat and squeezing it like it’s a toy. When you don’t react, he squeezes it again, this time hard enough to coax a whimper out of you.
“Sound like a virgin…”
Without warning, the hand dives straight between your legs next, palm forcing its way through your thighs and curving to cup your sex, moulding around it with barbaric thirst.
“Feel like a virgin, too.”
It’s thick, hot, and heavy, how he simply tries you through your dress. Fingers testing your folds, he’s clearly enjoying the subtle wetness he finds down there. You can hear another hitched grunt pushing up his throat, rugged and whiny this time, a broken groan that dissipates because of how dry his throat is. 
No man has ever dared to lay his hands on you... Many have wanted, but none have tried. Even drunkards and fools respect women who belong to the dark goddess.
But he doesn’t care about the wrath of Hecate. He doesn’t give a shit about the gods. He simply takes what he wants, what falls into his lap. The fifteenth offering, but he doesn’t seem to be interested in devouring your flesh. 
How easily he could simply yank that loincloth aside and drag your dress up. Force his cock into your tight, wet heat without uttering a word. You doubt that he would even take the trouble of laying you down on the ground for taking... Beasts rut when they want to: this man could fuck you against this wall if his loins demanded so, guttural groans being the last thing you hear before the candle goes out. 
You don’t know if you have to spread your legs for him before this is over, but you reckon you will do even that if it means you’ll see the sun again. You’ll endure every thick thrust, and gods be cursed, you wouldn’t even be solely disgusted if this half-animal chose to breed you... As shameful as it is, you would somewhat enjoy having him rut you like an animal in heat.
And you’ve gone mad, surely. 
You want to touch him too, just to test another theory. 
Deciding that it's a good idea to stick your hand into the maw of hell, your fingers lift. They meet his bicep, and the lewd panting stops.
He’s not even breathing… He’s just drowsy and drunk, looking at you with a mixture of soft sleepiness and awe in his stare. Like a dog who has never been petted, even his eyes drift half closed when he forgets to threaten you, now focusing solely on your hand. 
And you start to caress him, slowly, so slowly… Tracing the muscle all the way up where it meets the shoulder, you stroke even the thick cord that leads to his neck. The rest of him disappears under the bull, but the man behind it already shivers under your touch. He even bends his head a little in hopes that you would go under the mask and touch him there, and the gesture reminds you of an animal exposing its vulnerable areas, baring its very throat in submission. 
Braving a quick peek down, you notice that the buckskin cloth is stretched high and wide. His whole body is tense and immobile: you could cup him through the soft animal skin and he would probably shoot his seed from a single stroke of your palm. 
If this is not a virgin, you don’t know what is...
In a way, it would perhaps be wise to shove your hand down and disarm this man. That way, you would be safe for a few more minutes. Instead, you lay your palm over his chest, right over where his heart should be. 
“So do you, Bull of Crete...”
His gaze flickers.
The darkness hesitates, widens, nearly swallows the azure pools whole. But he doesn’t look irate or wild... Only shocked.
It’s an impasse. A thicket. His hand on you, your hand on him.
He surrenders first: the underworld budges before the utterly pure. You bless him with grace the instant he withdraws his hand from between your legs – slowly, reluctantly, like leaving a place that belongs to him. Or to which he belongs…
“I promise I’ll help you, Minos Tauros. But I need you to give me something in return.”
You remove your hand too. Softly, slowly, like a horse master who trains and tames wild things. All words seem to have escaped his tongue: he only grunts, unsure of what a beast like him could give you in return for your help.
“You must promise to be kind to me.”
“Kind...?”
“I need you to behave,” you explain. “No bad things on the way up... No fucking.”
Everything else, he seems to accept, but during the last sentence the Minotaur blinks at you, utterly confused.
“But... You smell like you want to fuck.” 
Your jaw drops open a tiny bit. Then you remember that a priestess of Hecate doesn’t gawk.
“I don’t–How would you know that…?”
The beast only shrugs. Then he leans forward and takes another sniff as if to prove it’s true that you want his cock inside you.
“You smell good,” he grunts. “Different... Female, not afraid.”
“That doesn’t mean I want to…”
He even raises his hand to inspect the slight wetness there. Fascinated by the thin film on his fingers, he rubs his thumb in it, probably thinking about bringing it under his mask to get a good sniff of your juices too.
You grab his wrist without thinking, mortified to your core by the prospect of him getting high on your slick. 
“Look. We need to leave before the candle burns out.”
The obsessive stare threatens to swallow you once more, so you let go of his wrist and steel your resolve. Scooting down to grab your things, you try to ignore the violent erection still pointing straight at you.
Hecate keep you from offering yourself to this man out of your own free will...
And you don’t have a torch, only a candle and a skein of blood-red yarn, but you know the way out, so there’s hope. There’s always hope.
“I need you to promise me,” you turn at the mouth of the tunnel, seeing that he’s still standing there, in the place where he almost took you like his first whore. As if waking up from a thrall, he straightens to his full height, picks up his sword and looks like a half-human, half-bull once more.
“I promise,” comes a booming voice from under the animal skull. “No fucking… I’ll behave.” 
You nod. There's a sense of trust in the air. A promise of hope... It's mutual, invigorating -- life-giving, like the sun and blood in your hands.
You don't know if the son of Minos has ever smiled in here, but from the quick glint in his eyes, you suspect that he's smiling right now, the man under that animal mask. Somehow, it reminds you of the stars in the sky.
“Lead the way, maiden.”
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