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madokasoratsugu · 3 years

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therefore you and me post-production notes (or: murphy’s law as a project that has been two years in the making)

ive had this idea for ‘therefore you and me’ and Fritz ever since i first played CindPhenon. nothing ever fell into place until i played Evermore though, so here we are!

drafting this project was pretty easy tbh (see: hubris). the parallel imagery and everything about the lyrics was right up my alley aha.

fun thing with the lyrics: TadanoCo uses ‘要る (iru)’ in the line ‘Which do you want (iru)? Or do you want neither (iranai; aka negative form of ‘iru’)?’

‘ 要る ‘ as a verb can mean ‘to be wanted’ or ‘to be needed’.

hence, the line can also be read: ‘Which do you need? Or do you need neither?” or any other variation of the verb’s usage.

it’s halfway through drawing the lineart that murphy’s law began. 1) i drew ~15 panels on the wrong dimensions, and had to redraw them all (lol), re-grey tone (LOL), and re-ink (LOLOL). it was not a fun three days.

then i lost momentum because of lunar new year (happy late lunar new year btw! happy year of the ox :”) )

anyway: the moment i regained momentum for the project again, i hit a roadblock in the form of overconfident, sloppy drafting (see: hubris is my downfall).

because of the lack of clear drafting for certain panels (and changes to previous panels), i had to redraft two different sections of the PV while keeping in mind that there was the bridge still to be drafted. fun !

i decided to simplify the bridge. can you believe it was supposed to be another animation. i can’t. so i scrapped it.

(slight tangent. Evermore’s release honestly cleared up a lot of uncertainty regarding the direction of the PV and whether or not to include Fritz’s mother (who I still fondly call Beatrice). im really happy the PV never came to fruition before Evermore’s release, as im not sure i would have done half as good a job without Evermore’s content.)

back to the hubris of proceeding with a messy draft - there was a lot of push and pull internally for me as to how much i should keep to the original PV and how much i should just put my spin on things. i ended up doing a bit of half-and-half, i think.

but really, it only delayed things as i ended up redrafting and having multiple drafts of certain panels haha//

the last two choruses were honestly my favourite parts to draw. the shift from Varg’s clothes and colours to Fritz, Fritz’s acceptance of Varg and the soft way Varg looks at Fritz (and no one else). there’s something cathartic about acceptance and acknowledgement. i think that’s what i aimed to really capture.

also: in between drawing all the panels, murphy’s law 2) my Evermore itchio game file ? got deleted off my computer ?

it’s a very old, barely functional brick so im lowkey unsurprised but at the same time it was a crazy experience and setback when i needed to reference certain scenes. oh, and Steam decided to not download Evermore too. i still haven’t fixed that one. haha. ha.

i have screenshot posters to thank for uploads of certain CGs, although im still pretty sure its best not to post a ton of those publicly at one shot?

also, i had to scrap the recreation of the famous ‘did you love Varg’ scene because of this aha. looking back now, i think it worked out.

(another tangent: using referencing as an excuse, i actually took the opportunity to replay Fritz’s route for the third time. i ended up checking nothing at all and falling in love with the masquerade scene again.)

up till the very end, im still not sure if everyone got that the line “You are love itself.” was meant to be said by Lucette to Fritz. i colour-coded Lucette with her own unique blue for the PV, which was the same hue as the line. i hope that it got across, aha.

with that said, video production was a whole entanglement in and of itself. i think murphy’s law really took up a hammer and swung hard at this stage.

timing was actual hell. im usually not this bad at it, but this project in particular was tricky bc TadanoCo uses a lot of background beats that aren’t overt, which his PV also matches - i think? or maybe im just not good at recognising beats from lack of video/music production haha//

hence there were certain scenes i was stuck at and kept revising because i wasnt clear where the beat was meant to be, what transitions i should use, and when the transitions should be.

subtitling was actually really fun! until i rendered my first version and realised all the subtitles were completely off and blurry.

turns out my project properties were different from my video properties, hence the off-alignment. huh. didnt know those were Actual Things(tm).

also, quick tip to all vid-making amateurs like me out there: you may have to double the dimensions of the font’s media properties if you dont want them to come out fuzzy. another thing i didnt know lol.

anyway all this lead to: me needing to spend another evening to redo subtitles. haha. it was not a fun two back-to-back 3am nights + extra evening afterward.

in between all this was countless rendering tests to guess-and-check what’s causing numerous errors in the video btw.

and with those rendering tests came: glaring mistakes in the panel art that i only now spotted and had to fix, and refix, and refix again. then reimport into sony vegas, put it into the video, render and double check if it’s alright. rinse and repeat countless times ! haha ! PV making is fun !

i think i nearly redid a certain scene with the exact same panels once. like i said: not a fun two 3am nights.

that said: i dont know how all this technical issues (and more) popped up and were resolved over two 3am nights and one evening. im not about to question it either.

at this point: panel art - fixed ! subtitling all redone ! render works fine, everything checks out.

i make the mistake of uploading it directly to yt instead of leaving it unlisted first.

murphy’s law 3) when im watching the vid on yt, the yellow parts in the second verse were completely unable to be seen.

panic put it on unlisted. people are already watching it and leaving (very sweet) comments. panic delete it.

btw if you’re one of the first three commenters reading this: thank you for the quick response !! it means a lot and made me really flustered in a good way :”))

cue me re-colouring those scenes, redo-ing the section and oops, is that a panel in the masquerade scene where Fritz literally is missing his mask ???

i think i lost my mind entirely at this point. from then on i was fueled by spite to complete this cursed project.

at thereforeFINAL.mp4, (version five of the full PV, version maybe 10-11 of all the rendered videos, including tests) finally. finally it is done.

i upload it.

the end !

(except, not really. because here you are at post-production notes detailing the worst luck i’ve ever had with PV making.

i learnt a lot from this though, and honestly on hindsight i should have learnt all these from my first PV but nothing went wrong at this magnitude so i kinda just...shelved it aha//

but really, im relieved it turned out well, and that i took the time to redo scenes until i was satisfied. for a PV that’s been waiting in the background for two years now, i think this is the least it deserves.

if the comic about Fritz and Varg (which i referenced in one of the last choruses, i wonder if anyone caught that?) was meant to be a love letter to Fritz’s route, i think this PV ought to be a tribute to the character himself.

although - hm, this isn’t quite as good a tribute to Fritz as it is to his route, maybe? i don’t know, haha ! maybe it’s just myself wanting to make excuses to create more for him//

i was thinking of continuing on about the PV and it’s significance to Fritz and Varg, but hm. maybe not on this post. maybe some other one, some other time.

but at it’s core, at it’s simplest, most raw - i think i just wanted to explore what it means to Fritz to ‘want’ and to ‘need’ with this PV.

thank you for watching the PV, and thank you for reading this.

- blu.)

#linear notes #notes #bluh bluh text #long post

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finsterhund · 6 years

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Finsterhund’s 2017 Summary of Art (and by extension, the rest of my life)

I’d be lying if I said that 2017 wasn’t an incredibly difficult year for the easily excitable finsterhund but it was also a very productive year for my art. I’m not going to deny that. A lot of issues came about that pushed me really hard, and I did break, but I mended too. I grew stronger in some ways. My writing took a nosedive and I’m not sure how to repair that, but my art, well... this is the first time I’ve ever done one of these. That should speak for itself.

In some months it was difficult to pick which one. I decided against choosing ones that may have been partially rotoscoped (such as my reaction images and most memes) and also because I tend to draw too similar to reference images I use. So no redraws of blurry HoD concept art or stuff.

January: [x]

This was supposed to be the picture for holidays 2016 but I’m a lazy earth boy who must’ve been slacking off because I finished and posted it right on January first! I remember at the time I was really proud of this one, and spent a lot of time on it. It was drawn traditionally and then scanned and digitized in GIMP... yes gimp. Fishy loved it and that made me happy. Nowadays I can pick apart so many flaws, especially in Andy. The lines look so shaky! Maybe I’ll redraw it for January 1st 2018! Assuming I don’t slack off again.

February: [x]

It was hard picking one from this month because I didn’t really like my drawings from then. Here’s art in paint of Red Spot eating a burger. I used to draw him with food when I was hungry for a while. Mmmmmm borger.

March: [x]

This is the month things started to take a nosedive. There was lots of good things happening, but some bad stuff too. A few new problems arose, but at the time the biggest was I found out my birth mom was being evicted and I would have to help her clear the old house. THAT old house. I retreated heavily into my artistic comforts and drew a lot of pictures of Red Spot being comforting and supportive to Andy. Red was created for that purpose after all, and Andy being a character I so closely identify with ended up being the comfort I needed especially then. Despite its crudeness in ms paint I do love this picture and should redraw it in Sai at some point.

April: [x]

The trials I had to face were unreal this month. The Wannabe War(tm) is well underway, and the time to return to the old house rapidly approached. I drew like there was no tomorrow, and these paint pictures were the best. Smoother lines, and more detail. When the time came to face that house things got ugly. Mom hid that my dog Jack had been dead for over half a year and broke the news only when I became distraught when I arrived and he didn’t come when I called him. My fixation on the “monkey’s paw” that was ruining everything I ever wished for started around here, and I kept breaking down. Bad regressing back to before I left that place happened. But something else did too. I DIDN’T. STOP. DRAWING. I drew more and more. Choosing to bring my laptop allowed me to make more pictures. A lot of Red Spot and Andy comfort ones, some mean little immature vent comics, and memes. Lots of memes. I was able to do the job I went there to do and returned home exhausted but VICTORIOUS. My art? Well I think I actually improved a lot then. It was predominantly due to surviving in spite of everything and the sheer volume of cruddy little paint drawings. I didn’t want to pick a mean comic and already had one ms paint Andy and Red picture in this line up so here’s a surprisingly detailed xenomorph queen being licked by a prequel era character who is a massive spoiler. Not only were both characters very complicated to draw, but I’m genuinely shocked I was able to draw an xenomorph at all.

May: [x]

After the painful embarrassment of April I tried really hard to relax. I was still really scared and anxious about the Wannabe incident, but it had more or less turned into a post-arms race stalemate where he wasn’t really doing anything and I just had my weapons of mass destruction pointed at him with my grubby little orange paw over the launch button which is where things have been ever since. My art took a relaxation break, but it was still steadily getting better. Late May I wanted to come up with a reason to actually celebrate my birthday (June 3rd) so I did a silly little “June is International Heart of Darkness month” post featuring Red and Andy sharing a slice of chocolate cake. I went on to say that June 3rd was “International draw heart of darkness fan art” day (real smooth you egocentric mutt) but I thought it’d be a good way to actually celebrate the day but make it about the video game that gave me a reason to live another year instead of about me aging, as I openly hate that I grow older.

June: [x]

A few of my friends drew HoD stuff this month, but a lot of my friends were busy due to jobs, school, life, etc. We used to be a lot more active in 2015 and even in 2016 so this did hit me pretty hard. As a result, I become very frustrated and out of spite decide it’s finally time to test my “new toy.” I don’t remember when Kale actually gave me his old tablet, but in June I finally install its drivers, get a copy of paint tool sai, and draw a lot with it. At first I hate these pictures and go back to paint whenever possible. There’s something wrong with my copy of sai and windows 10 doesn’t like the drivers. But I push myself, and I start to make more pictures of Andy, Whisky, Red Spot, etc. Not a lot of my early Sai pictures ever got posted or even made it past the inking stage, but one night I just couldn’t sleep so I drew Andy cradled in the crook of Red’s wing and got it to the flat colors stage.

July: [x]

I try to calm down. it’s a good month I think. Not much happens. It’s the month I finally give myself a new fursona. I decided that Red Spot isn’t “me” and I can’t use Andy in furry communities so I come up with a solution. It... it’s just Andy as a doberman. It’s a little orange doberman that wears a red bandanna and Andy’s hat... Doberman Andy. But he’s cute, and I can draw him, and so I do draw him. And he helps me get better at drawing in Sai.

August: [x]

The month of the solar eclipse! Me and my friend were going to go down to the US to see it together and... nope... that plan fell through. It makes me a brat, but that’s okay because I can just draw six hundred thousand drawings of Andy. That’ll help me feel better. I ended up having a sabbatical from my blog after some people on tumblr began to bother me and I put up a drawing of Andy’s shoe so nobody could go in. This is an MS Paint picture! Sadly, I’ve stopped really drawing in the program. I like how I did Andy’s face even if his hat and hair weren’t the best.

September: [x]

I return from my sabbatical and begin to spam my tumblr with Andy drawings I’m making in paint tool sai. The quality and style of Andy in these pictures varies drastically as I try a whole manner of new things. At one point I make a post that has five color pictures of Andy in it. It’s slowly becoming difficult to pick which picture I wanted to put here. Not because I didn’t like any, but because I liked too many. SMOL Andy was probably my favourite of the bunch. I made him more chibi and cute than I normally do. It was on accident but I thought he was too cute to go back and make him more on-model.

October: [x]

I was supposed to do an Andy version of Inktober but I guess the extreme amount of Andy pictures was a September thing because I burned out relatively quickly. I had some drama involving a prototype disc and also ended up having to pay way too much extra money every month until further notice but it’s a relatively calm month all things considering. The way I drew Andy in this art isn’t particularly stellar, but I love what I did with Red’s mouth and nose. I wanted to show that the way I draw Red improved too.

November: [x]

My chronic pain gets worse for no good reason, I get a very disturbing creeper threatening me online, and I’m generally depressed, but I’m drawing. That’s good. I start a new revolutionary technique when I rely almost entirely on the cinematics as reference and don’t reference other cartoon styles whenever I can when it comes to drawing Andy. I enjoy the result. Drawing him in a cute penguin-themed suit made my day. It was so hard to decide which one to pick this month. I loved so many of them.

December: [x]

Like November, but somewhat better I think. I’m still drawing Andy a lot, with Red coming along for the ride too. This one I tried to draw Andy in a more Disney-like style. I love how I did his face and freckles. The drawing of Whisky from the same post is great too. I look at a lot of my newer drawings and feel genuinely pleased with the result. I think I actually am improving, and whilst I think it is due a lot to getting sai and a tablet, it can also be because I’m becoming more skilled and getting more practice as well. Lets hope the new year brings us smooth sailing, lots of fun, and happy times our way. HoD will be 20 in 2018 and I’m ready to bring the subject of my love and joy a great two decade celebration.

#summary of art #2017 summary of art #my art #long post

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