#françoiz breut

[fidjiefidjie]

Bonne matinée 💙 🆕️ 💗

Françoiz Breut et Jawhar 🎶 La fissure

(Flux flou de la Foule)

#new music #françoiz breut #jawhar #music video #la fissure #video clip #flux flou de la foule #clip music video #youtube #bonnematinée #fidjie fidjie

[raoullemercier]

2015 Grenoble rue Chenoise, Françoiz Breut, aux Rendez-vous du 10

#Concert #Françoiz Breut #Portrait #Rendez-vous du 10 #Rue Chenoise

[jacobwren]

Françoiz Breut - Crever l'Asphalte

#françoiz breut

[thomas-querqy]

Françoiz Breut - Dérives urbaines dans la ville cannibale (album Flux flou de la foule 2021)

avec Marc Mélià et Roméo Poirier

#françoiz breut #musique #marc mélià #roméo poirier #chanson française

[chansonsinternationales]

La ballade de Françoiz Breut

[jeromeminiere]

c' est le temps des crédits et remerciements parce qu' un disque ne se fabrique jamais tout seul: merci à mes précieux partenaires et conseillers sur ce projet : José Major ; Philippe Brault ; Francoiz Breut ; Ngabo ; Fé ; Guido Del Fabbro ; Albin de la Simone ; Joseph Marchand ; Denis Wolff, Jean-Philippe Béraud ; Sonia Cesaratto ; Simon Bourdou et Ludivine Lavenant chez Ray-On ; Matthieu Malon ; Rémy Poncet merci à : Marie, Félixe, Marius, Clément, Mike, Fafy, Dom, Pierrette, Gilles et toute la famille, et les amis qui habitent proche ou loin, je vous envoie des tonnes d’amour, vous êtes ma boussole ! voix Jérôme Minière, sauf « Nuit américaine » en duo avec Ngabo ; « Ta maison » en duo avec Françoiz Breut ; « Paruline » en duo avec Fé batterie José Major, sur « Le son du temps qui nous dépasse », « Cairo », « Enfants du paysage », « Simple comme bonjour » et « Le singe musicien » guitare électrique Joseph Marchand, sur « Le son du temps qui nous dépasse », « Enfants du paysage » et « Simple comme bonjour » violon Guido del Fabbro, sur « Le son du temps qui nous dépasse » et « Détour » basse Philippe Brault, sur « Cairo » et « L’index des microconflits » synthés, piano una corda et ciboulette (percussion) Albin de la Simone, sur « Le singe musicien », « L’index des microconflits », « Enfants du paysage », « Simple comme bonjour » chœurs Fé, sur « Détour » et « Cairo » arrangements Jérôme Minière arrangement des violons Guido del Fabbro et Jérôme Minière, sur « Le son du temps qui nous dépasse » et « Détour » autres intruments et programmation: Jérôme Minière réalisation: Jérôme Minière et Philippe Brault mixage Pierre Girard ; sauf « Oiseaux Montréal » et « L’index des microconflits », Philippe Brault ; « Deux choses à la fois », « Sentiment vibrato » et « Séries transparentes », Jérôme Minière mastering Marc Thériault à LeLab Mastering (Montréal) photographies Félixe Minière et Marie-Pierre Normand artwork Rémy Poncet @Brest Brest Brest (Paris) relations de presse: Sonia Cesaratto (Canada) et Jean-Philippe Béraud (France) et enfin merci au CALQ sans qui ce projet n' aurait pas vu le jour https://www.instagram.com/p/ChsLjdgLfnO/?igshid=NGJjMDIxMWI=

[lucieloin]

Une autre Francoiz. Avec un Z qui veut dire Zorro. Les mauvaises langues diront zéro et pointeront que sans l'accoquinement avec sieur dominique la fille aurait disparue des radars. La fille est toujours là, dans les marges et de disque en disque tisse une toile toute personnelle. Peu d'insectes s'y font prendre et les victimes sont trop admiratives de leur bourreau pour aller s'en plaindre ou souhaiter le partager. Un secret très bien gardé.

#Spotify

[sheetmusiclibrarypdf]

Yann Tiersen (1970), French composer

Yann Tiersen (France, 1970), composer.

Yann Tiersen - La valse d'Amélie

https://youtu.be/uj9BihmugmI Yann Pierre Tiersen ( Brest , France , June 23 , 1970 ), known as Yann Tiersen , is a musician and composer French , one of the leading exponents of minimalism . He has composed the soundtrack for the films Amélie , Good Bye, Lenin! and Tabarly . He is characterized by his multi-instrumentalist facet, and he mainly plays violin , piano and accordion , among others. During his childhood, he studied in different conservatories in Rennes, Nantes and Boulogne, among others. He studied the violin, the piano and later composition, although he was not limited to these instruments, as he also has a great technique on the accordion and the toy piano. Another instrument to highlight is the electric guitar, which he has made the main instrument of his concerts since the release of the album On Tour. He develops his youth influenced by rock, song (he had a rock band as a teenager), and classical music, in particular thanks to his studies at the conservatory. This mixture was an essential basis for a good understanding of his music, and he came to mix and even mix instrumental rock with more classical scores throughout his career.

In 1995, he published his first album, under the Sine Terra Firme label (later renamed Ici d'Ailleurs), entitled La valse des monsters, which largely resumed his work for theater and cinema. Yann Tiersen's multi-instrumental faculty can be found in his produced album, 17 totally instrumental pieces with a multitude of nuances, sounds and instruments. A year later, he published Rue des cascades, a disc which included his first vocal song (which gave the album its title) with the collaboration of singer Claire Pichet, and which found only regional success. The following year, in 1998, Yann's music exploded, and this theme would become the main theme of the soundtrack of the film La vie revée des anges by Erick Zonca. Before releasing his new album, he made several collaborations with different musicians from his country, the most notable being the eponymous album with Bästard, in which Tiersen together with the French band Bästard move away from his traditional norms and enter the world nebula of music. postrock and experimentation. The collaboration with Claire Pichet is repeated in Le Phare (1998), her third album which also welcomes a new guest: Dominique A, this being one of the most complete albums and with the best reviews of the European independent scene. Later, during the summer of 1999, he presented his album Tout est calme, this time giving his music a more rock aspect, while he was accompanied by his friends from the group Le Moine Marius, led by Christian Quermalet. And that same year, comes another album entitled Black Session, recorded on December 9 during a concert surrounded by confirmed musicians from his country such as Neil Hannon, Noir Désir, Les Têtes Raides or Mathieu Boogaerts. In 2001 he published L'Absente, closer to the new French song, among the guests included: The Vienna Symphony Orchestra, Lisa Germano, Neil Hannon (from La Divine Comédie), Dominique A, Françoiz Breut, Les Têtes Raides, Sacha Toorop (from Zoop Hopop), Natacha Regnier, Christian Quermalet (from The Married Monk), Marc Sens, Christine Ott and a string quartet. The same year, she published the album which earned her the greatest number of media ovations: The soundtrack of the fabulous destiny of Amélie Poulain, (and for which she received the Victoire de la Musique for best original group), which although he has a few new songs, mostly made up of old compositions from his first three albums. With this soundtrack, she would gain worldwide public recognition. In 2002, with an orchestra and a series of guest artists (including Dominique A. and Christian Quermalet) she released C'etait ici, which compiled her best live songs on a double album. After a massive tour in 2003, Yann Tiersen returned to collaborations, this time with American rocker Shannon Wright, with whom he composed an album of the same title in just 20 days in which Shannon's indie rock mixes with the instrumentation. particular of Tiersen in a total of 10 subjects. After L'absente, 5 years will pass without publishing their own album until 2005 saw the light of day Les Retrouvailles (Los Reencuentros), composed and recorded on the island of Ouessant, place of refuge and inspiration for Tiersen . On this album, he collaborates again with Dominique A., as well as Miossec, Stuart Staples (from Tindersticks), Liz Fraser (from Cocteau Twins) and Jane Birkin. This disc is supplemented by a DVD officially released on July 12 under the title of The crossing, a film directed by Aurélie du Boys and in which we can see all the making of this latest album which he will present in concert throughout the year of 2005 and 2006 with a radical change in his live music, more arranged and close to the post-rock that he has always admired. This new sound is included in Yann Tiersen's next live album, entitled On Tour, which is officially released on November 13, 2006, always accompanied by a musical film directed by Aurelié du Boys who accompanies the Breton musician during the tour. A large part of the recordings, belonging to both the film and the album, come from his concerts in Spain and in particular in Madrid, the city where he played twice in one year during the presentation of the Homecoming. The composition of his themes includes the manipulation of various instruments, among which it is worth highlighting the accordion, cello, banjo, harpsichord and melodica among others. Films like The Dream Life of Angels (1998, Erick Zonca), Alice and Martin (1998, André Téchiné), Qui Plume la Lune? (1999, Christine Carrière), Amélie (2001, Jean-Pierre Jeunet), Goodbye, Lenin! (2003, Wolfgang Becker) and Tabarly (2008, Pierre Marcel) were written by Yann Tiersen, who previously worked in music in the theater world. Read the full article

#partition #sheetmusicdownload #sheetmusicscoredownloadpartiturapartitionspartitinoten楽譜망할음악ноты

[abelkia]

La playlist de l'émission de ce jeudi matin sur Radio Campus Bruxelles entre 6h30 et 9h : Alice Coltrane "Andromeda's Suffering" (Lord of Lords/IMPULSE/1972) Barney Wilen "Tindi Abalessa" (Moshi/Saravah-Souffle continu records/1972-2017) Van Dyke Parks & The Esso Trinidad Steel Band "Aquarium" (7"/Bananastan Records/1972-2011) Tom Waits "Table Top Joe" (Alice/Anti Records/2002) RIchard Dawson "Museum" (The Ruby Cord/Weird World/2022) Greg Weeks "The One True Song" (Awake Like Sleep/Alice In Wonder/2002) Luster "Out of Time" (Luster/Morctapes/2022) John Cunningham "While They Talk of Life" (Fell/Microcultures/2016) Françoiz Breut "Contourne-moi" (Une Saison Volée/Caramel Beurre Salé/2005) Saint Etienne "Don't Back Down" (Sound of Water/Sub Pop Records/2000) LEM "La bombe sonore" (Vanitas/Slouch Hat/2022) Mirwais "V.I. (The Last Words She Said Before Leaving)" (Production/Naïve/2000) Beck "Round the Bend" (Sea Change/Geffen Records/2002) The Cure "From the Edge of the Deep Green Sea" (Wish/Fiction/1992-2022) Michel Cloup "Lacher prise" (Backflip au-dessus du chaos/Ici d'ailleurs/2022) The Pastels "Wake Up" (Wake Up EP/Surf City Recordings/1985) Palace "Gezundheit" (7"/Hausmusik/1995) The Living End "Brigitta" (Ghost Riders/EFFICIENT SPACE/2022) Blossom Dearie "Comment allez-vous ?" (Blossom Dearie/Public Domain Recordings/1957-2022) Claude Nougaro & Jean-Claude Vannier "Grain de folie" (Soeur Âme/Philips/1971) Pierre Tchana & T.P. Orchestre Polyrythmo de Cotonou "Il n'est jamais trop tard" (Africa Boogaloo: The Latinization Of West Africa/Honest Jon's Records/1976-2009) L'International Challal d'Hamed Gazonga "Les jaloux saboteurs" (Golden Afrique/Network Medien/1983-2017) https://www.instagram.com/p/CmMJ2zZN4GC/?igshid=NGJjMDIxMWI=

[fidjiefidjie]

Bonne matinée 💙 🆕️ 🩷

Françoiz Breut & Jawhar 🎶 La fissure

(Flux flou de la Foule)

#new music #françois breut #jawhar #music video #la fissure #clip video #flux flou de la foule #clip music video #youtube #bonnematinée #fidjie fidjie

[parkerbombshell]

[jacobwren]

Françoiz Breut - Ode aux vers

#françoiz breut

[vincentrif]

Grand déménagement

Croquis du concert lors de la présentation du livre Grand déménagement. Un livre écrit par Mathieu Pierloot et accompagné par un CD de Françoiz Breut, Claire Vailler et Mocke. Et les belles illustration de Françoiz Breut.

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#cd #charleroi #claire #grand déménagement #label #littérature #mocke

[chansonsinternationales]

Françoiz Breut : "Les mots tombent du ciel"

[juliancallejo]

François Breut y Cecilia Zango.

Centro Cultural Conde Duque.

Veranos de la Villa, 27 de agosto de 2021.

(Empieza en concierto, escucho la primera capa). Cecilia Zango tiene cierta épica y probablemente más ironía de la que quiero ver en este momento. Digamos que tiene algo de la actitud gamberra de Bebe (después del concierto estuve investigando y resulta que Cecilia es también extremeña) y algo de la lírica y la tersura vocal ingenua de Silvia Pérez Cruz. (Aquí se despliega la segunda capa). Quizás no está en todos los sitios donde quiere, no es una gran guitarrista -nivel Paco de Lucía- pero es evidente que sabe tocar, no es una cantaora pero quiere estar ahí, y sin duda no es Rosalía. Esto último, por cierto, juega a su favor. (Aquí, aparece la verdadera Cecilia Zango). Si has escuchado a María José Llergó, si adoras a La Mala (que se ha llevado un par de referencias bastante obvias), y buscas una cantante que quiera conectar el cante con los Beats, podría gustarte.

(Sacar una bandera arco iris en los Veranos de la Villa se ha convertido en un acontecimiento. Tened cuidado ahí afuera).

François Breut viene con un aura fascinante. Como poseída por el fantasma de Gaingsbourg, incluso más alucinada. A la vez, lisérgica y serena. Y confieso que me está despertando las ganas de bailar. De andar descalzo como ella y notar el suelo húmedo y afilado.

Es posible que un teclista bien elegido y su actitud sean el origen de todo este bullicio. Y un cambio de registro en su carrera, que andaba más cerca de un rock melancólico alternativo que de esta suerte de misa pop con setas, que su voz imperfecta e inconfundible (recordad a Christina Rosenvingue) refuerza y consolida. Si supiera más, podría atreverme a decir que está en el mejor momento de su carrera; al menos está logrando que mi entusiasmo se traduzca en hipérboles.

El concierto termina como empieza. Los músicos permanecen, ella se desvanece, una melodía se repite como un eco y después, nada.

(Y un bis).

#musica #music #madrid #live music #conciertos #julian callejo #cecilia zango #françoiz breut #Youtube

[misslubaluft]

Françoiz Breut - Loon-Plage [Official Video]

#françoiz breut #musique #france