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#fs 2023-2024
wtficedance · 8 months
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On Rhythm Dance Rules
As we wrap up the month of August (crazy how fast it went by), we have gotten a sneak preview of what new rhythm dances look like at summer sectional events as well as Lake Placid. And as I type this JGP Bangkok kicks off and we will get a wider picture of the wide variety of interpretation and composition we will see at the junior level. While there is a lot of focus on the 80s as a theme--much more of an "original dance" sort of construct--the technical changes are in many ways more interesting.
Notable changes to the "well-balanced" composition requirements for the rhythm dance this year. Both juniors and seniors may have any part of the body touch the ice during their midline or diagonal StSq provided it does not last more than five seconds, and the entry or exit edge of a difficult turn which temporarily changes overall direction of travel shall not count as a retrogression. For example, a skater could hold the exit edge of their bracket long enough 75% of a semi-circle is completed and the exit velocity points in a completely different direction.
On the junior level:
One of the two pattern sequences will be skated using the steps of the opposite gender.
On the senior level:
The ChRS (choreographic rhythm sequence) from last season which was essentially a ChSt (choreographic character step) has been re-defined to be essentially a choreographic pattern, where the team is required to skate the Silver Samba pattern. Last season, there was an unrestricted number of stops in the ChRS as long as they did not last longer than five seconds, this year none are permitted. Only one skater is required to do the steps at all times, i.e. steps 9-47 must all be skated but partners can switch between the man's and woman's steps and only one partner is required to maintain continuity. The silver samba ChRS must be skated at a MINIMUM of 100bpm, separations can not be wider than two arm lengths and/or last longer than two measures of music.
Additionally, the two-step per partner PSt must consist of a back entry Rocker, Counter, Bracket and Forward Outside Mohawk, removing the 2Tw as an option for level and solely for choreographic transition. The PSt and Style B StSq can be skated at any tempo, so either can be at the same tempo as the ChRS or neither.
Rocker Foxtrot (remixed)
As usual, juniors this year will skate two pattern sequences: steps #1-14 of the Rocker Foxtrot. But in one of the most interesting changes the ISU has made in the last two quads, 1RF will be skated as normal but in 2RF, skaters will be expected to skate the steps of the opposite gender. Rules around holds throughout the pattern have changed as well. In 1RF, the "typical" pattern, couples must maintain "Prescribed Holds during Key Points [and] Variation of Holds outside of Key Points." In 2RF, where opposite steps are skated, the skaters must also maintain the switched tracking and positioning and must maintain "Recognizable Holds during Key Points except Hand in Hand [and] Variation of Holds outside of Key Points."
The key points are seen below. For both patterns, the woman is evaluated on KP 1 and 3, the man on KP 2 and 4. This is why KP 1 & 2 are switched between the two sequences. For steps 11-13, they are identical but the skaters must MAINTAIN tracking, i.e. the man's steps for 11-13 place him to the left of the woman, so for 2RF when the skater's have swapped steps, the woman must be on the left side. Required holds for the key points are any closed hold variation for KPs 1 & 2 (steps 5-7) and any open hold variation for KPs 3 & 4 (steps 11-13).
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All quotes in above paragraph from communication #2560.
Silver Samba
The last time the silver samba was a "compulsory pattern" in the short dance was 2014-15 on the junior level. The key points, found in ISU Communication #1857 are below:
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It should be noted, that even when structured according to key points, the silver samba is primarily composed of various "simple" steps like swing rolls, three turns, chasses, slip steps, etc. It is not like the Tango Romantica where there is a lot of emphasis on difficult turns. What makes the silver samba a challenging pattern is the variation in timing, going from a steps which last half a beat to full to two beats and back to half beats rapidly. The timing scheme for the Silver Samba is below.
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While the ISU has not placed any timing restrictions on specific steps, like there would be in a compulsory pattern KP, maintaining an overall sense of rhythm and tempo is important as steps 9-47 should be skated still on the 4 beat musical measure structure. While there is not a specific "duration" requirement listed, my understanding based on the programs we have seen so far is that the overall pattern should not significantly differ in duration from the number of measures in the original silver samba.
What kinds of results will we see resulting from these changes?
As opposed to last season's latin programs, expect to see much faster programs with significantly more ice coverage. With a 100bpm minimum and a pattern which consists of many half beat steps, this is the first time we are seeing a truly large tempo change in the rhythm dance. With the switch from style A to B step sequences over the past decade, skaters have increasingly and universally switched to slower more exaggerated step sequences, with a rocker for instance taking 2-4x the time that it might have taken previously. This is good for the demonstration of edge control for instance, but results in a lot of homogeneity across very different styles. With the silver samba, even if it is not difficult turns, skaters are being forced to show both a high tempo step section and then the more sedate and extended midline/diagonal style B and PSt.
In my opinion, the difference is night and day with program quality. Even just at the beginning of the season. The "freedom" offered by the ChRS still ended up with every single team having largely the same construction: stop, a cha cha New Yorker, stop for stationary footwork, maybe a samba roll, a twizzle or in place spin, and one or two mini-lifts. IMO, it was exceedingly boring and similar across the discipline, including across the different camps. By mandating a pattern, and encouraging teams to add in steps, new positions, different changes of hold, switching of traditional lead and follow steps, teams are not only forced to differentiate themselves with originality but they are also forced to demonstrate clear skating skills like edge control, power, posture, ice coverage, extension from center of gravity, and edge depth: the entire goal of a pattern comparison. In many ways, the ISU might have been inspired by Caroline Green/Michael Parsons's inverted Midnight Blues pattern with back-to-back holds as a method of differentiating themselves.
In juniors, I think this change is going to result in so much creativity and expansion of skillsets. While not all 2RF sections have had the woman leading, it certainly opens the door for both skaters to learn new aspects of partnering. By allowing variations in holds outside of the key points and requiring closed hold in the KP, it allows skaters to demonstrate creativity while also maintaining a baseline level of difficulty and similarity.
Where do we go forward from here?
Rhythm vs. Original
The ISU has reached a new intermediate between what was formerly the rhythm dance and the older original dance with this new format. What kinds of themes the ISU would use going forward and what combinations of patterns with said themes, in many ways need to be spelled out. Beyond the obvious decades (60s, 70s, 90s, etc.) what kinds of themes would the ISU consider? And how would patterns like the Paso Doble or Viennese Waltz be matched to these new themes?
If I could offer a few suggestions:
Swing: teams must incorporate a social dance rhythm (lindy hop, shag, charleston, jive etc.) with a pattern of quickstep
Nuevo Latin: new Latin rhythms, teams must select one to two Latin rhythms that have not been skated as compulsories (no samba, rhumba, or cha cha) with a pattern of Torville/Dean's Rhumba L'Amour (debut pattern)
Folk Dance: like 2010, teams must incorporate a folk dance element that represents their country or culture and skate the Yankee Polka
Percussive: teams must rely on a primarily percussion driven dance style like flamenco, paso doble, tap dance, Irish step dancing, South Indian bharatanatyam, etc., pattern of Paso Doble
What elements should the “short” include? How should they be scored?
Additionally, while I think the ChRS pattern format brings an element of overall evaluation of a pattern in size, ease of skating, unison, etc. that the key point system missed. There is room for both. An alternative format to the RD could be:
1 section of Pattern (KP system)
1 section of Choreographic Pattern (ChP which is equivalent to ChRS but maybe more clear), teams skate either the alternate section of the pattern or the same steps according to this year's rules which incentivize creativity and style. Maybe with the addition of Mandatory Contact
1 Style A Midline/Diagonal StSq which is composed of two parts: the 4 turn OfSt and the remaining 5 difficult steps and turns. Teams are required to skate one part in hold and one non-touch.
Lift
Twizzles
While the ISU has dropped the ball on coordinating new pattern dances from partial step sequences, perhaps a new, CONSISTENT system can be implemented, where in alternating years there is a PATTERNED short dance (see above) and on the off years there is a COMPULSORY short dance, where skaters are not assigned a pattern, but rather key points which they must incorporate into one or two Pattern Dance Type Step Sequence:
Replacing sections 1 and 2 above, 1PSt incorporates KP 1-4 and 2PSt has an alternative set of key points. Examples below:
KP 1 is a turn cluster: RBO Rocker, RFOIO, RFO Counter, RBO-LFI S-Step (Chocktaw)
KP 2 is a turn to skating position: LFO Rocker, LBOI to both partners in difficult skating positions (e.g. spread eagle, besti squat, spiral, hydroblade, lunge, side lunge, shoot the duck, etc.) on any edge
KP 3 is step based: 5 different chasses, progressives, or slip steps while doing 3 changes of hold to non-baseline holds (cannot do just tango or killian, has to be crossed or high killian, reverse foxtrot, a difficult hand-to-hand, or another creative variation)
KP 4 is synchronicity based, skaters must execute the corresponding turns: Partner A does LBI Counter to LFIO 3turn to LBI bracket while partner B does LFO counter to LBOI to LBI Bracket.
These turns would rotate every year and the tempo range would be decided based on the theme. Of course, these are only suggestions, but this technical apples-to-apples comparison might be helpful when using a decade theme like the 70s which covers such a diversity of sounds that establishing a pattern to suit the overall vibe of the decade might be difficult. I do think it would be helpful if the ISU established a general direction for how the original/short/rhythm dance is going to evolve with time.
But for overall changes? The Scale of Values needs a major makeover.
Scoring Shenanigans
Ice Dance scoring needs to be re-vamped. One of the most important parts of making figure skating scoring accessible to the public is the ability for the general viewer to discern "tiers" of scoring: e.g. what range do medalists vs. top 10 vs. top 20 teams score? With current seemingly unending score inflation, in the last decade ice dance has gone from scores 70-77 placing top 3 in the short program to scores 87-93. From 2011-2014, almost without exception the top two scores were 73-77, third rounded out in that low 70s range, and 60 points was essentially the cut off for top 10 scores. There was consistency from season-to-season that was understandable for both the general viewer and an avid ice dance fan. From 2016-17 to 2022-23, the top score in the rhythm dance went from 82 to 93. In fact, there was more consistency from 2017 Worlds to 2019 Euros top scores (82 to 83) with an entire revamp of the GOE system and rhythm dance composition than there was from the 2018-19 GP season through the 2022 Worlds (P/C led the field for both, scoring 84.13 at 2018 GPFrance and then 92.73 at 2022 Worlds). That doesn't even cover the changes over this past season. With the retirement of the undisputed top 3 teams from last quad, the RD record was still broken yet again at last Worlds! And this is despite constant downgrades in the technical robusticity of elements over the past decade and a half. This is even more obvious in the free dance, where top teams have gone from scoring 105 points to 140 points in just a decade.
We heard a lot of arguments last Worlds and WTT that the changes to the code merited a new world record in the RD after widespread disbelief that such a recent, and authoritative world record was broken. But despite the fact that I don't think a single person who regularly watches ice dance could argue that Chock/Bates this season ever out-executed (or even comparably-executed) Papadakis/Cizeron on Pattern Dance Type Step Sequences, a typical Style B step sequence, or twizzles. Much less teams like Hubbell/Donohue or Sinitsina/Katsalapov who never broke 90 points internationally. Yet, at World Team Trophy, C/B were awarded the same unweighted GOE +4.85 as P/C for their twizzles. C/B most definitely benefited from a weaker code, getting 9.07 free points for a ChRS (7.07 in GOE) which inched across the ice as opposed to a level 4 Midnight Blues pattern which earned just 1.72 points more (3.44 in GOE), but this rampant inflation can be accounted for in both recency bias in the retirement of top teams and in a warped scale of values.
Nowhere is this warped scale of values more apparent than for current Style D pattern dance type step sequences, where skaters who execute just two difficult turns/steps each earn, are rewarded more heavily than for any other element in the RD. Why on earth does an element where each skater only has TWO DIFFICULT STEPS AND TURNS merit 9.45 points base value, 15 points with +5 GOE? Style B step sequences where each skater has over twice the technical content have 8.96 base value, 14 points with +5 GOE. One foot sequences in the free dance with +5 GOE max out at 9.68. It is the ice dance equivalent of a double axel being valued more than a quadruple jump.
The ISU needs a return to baseline, wherever that threshold is decided to be, where scoring tiers can yet again be defined and the scale of values can be retroactively revamped according to difficulty and weighting of each element in a program. Because the current system? Feels a whole lot like this.
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rabidline · 3 months
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suddenly i believe in the future of organically good heteronormatively romantic ice dance programs
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jpnfigureskating · 15 days
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2023 NHK Trophy - November 25, 2023 Mai Mihara The Planets, Op. 32 by Gustav Holst: II. Venus, the Bringer of Peace, III. Mercury, the Winged Messenger, IV. Jupiter, the Bringer of Jollity; I Vow to Thee, My Country performed by Katherine Jenkins, choreographed by David Wilson
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wizard0rbs · 1 month
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this pairs event has been so good everyone who said pairs is dead is shaking in their boots right now
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raininyourblackeyes · 4 months
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Honestly love JSF's teams for this year. I'd only send Kazuki to 4cc instead of Yuma tbh. Have two completely different teams for worlds and 4cc. I don't think it would be a disadvantage to them at all.
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james-p-sullivan · 4 months
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im very grateful for my mutuals and followers alike and all the people ive met on here, i wish you all love and prosperity in 2024
and a kitten, you deserve it champ
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beanxiv · 4 months
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last picture taken of 2023 !?
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gogogogolev · 6 months
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Dailymotion copyright struck the FS video for some reason :( I think I'm going to run out of Google Drive storage if this keeps up.
Not his best skate but for the short notice he had he did what he could. At least he finished high enough to get World Standings points, and he has actually moved up in the World Standings to 31st. Not even sure how the ISU worked that fast but good news for us. More analysis to follow.
ETA: Just wanted to say thank you Mark Hanretty for the great commentary. He is not only empathetic but also so well informed. You can tell he's read up on the skaters, and he's rooting for them to do well. Hope to hear more of his commentary.
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dinosaur-stickers · 4 months
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canadian nationals made me want to fucking die thank god that nightmare is over
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xochaithoughts · 3 months
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pac: your future spouse’s spiritual gifts and abilities
all images from pinterest and google. dividers from @/roseschoices
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what spiritual gifts and abilities does your fs possess? take a deep breath, clear your mind if only for a moment, and ask yourself that question. your pile is the one that lights you up inside. please take what resonates, leave what doesn’t. and above all, be kind to yourself and each other.
🚪 p.s. i love feedback and i’m somewhat new to love readings. please pop in my inbox, leave tags or comments with your thoughts!
©️ 2023-2024. cancersstellium. all rights reserved
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O N E (cosmo & wanda)
pile one, your future spouse possesses a clear sense of spiritual and moral right and wrong. their first dealings in this were most likely from their family’s financial background, which was rooted in scarcity and fear of lack. your fs has since shed that belief through hard work and dedication to uncover the universal truth that abundance is free flowing. as universal law is something that resonates within them so deeply, they’re likely an avid reader of various belief systems like confucianism and taoism that insist on a way of life. your future spouse is not someone who interested in organized religion, law, or politics. instead they favour understanding the world as a whole and natural laws that govern it. their clear understanding of right and wrong and their own morals and beliefs will help you uncover what is hidden within you as well. however, your future spouse tends to forget to consider the emotional weight their words may carry, favoring honesty over kindness. in you, they may find that you can be both genuine and honest while being kind at the same time. what a match.
vibes: aquarian moon or aquarius dominant, fire venus, post-modernism, love of the arts and drama, 12h water sign, twin flame energy— you’ll both have to learn something to successfully be together
(five of coins; six of rods; six of blades; justice)
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T W O (mulan & shang)
pile two, your future spouse is a master manifester. they are blessed with a charismatic and divine presence that makes other flock to them. they’ve found that what they desire seems to come to them effortlessly, in a stroke of luck or series of “coincidences”. and more than once, they’ve found themselves the centre of attention. they have a strong sense of self, a clear vision of their desires, and express genuine gratitude . this is someone who would likely resonate with the teachings of abraham hicks. your fs spends a lot of time daydreaming and is not attached to material things, instead desiring a comfortable home life and/or dreaming of settling down with “the one”. however, they tend to lose focus as they try to share their gifts in efforts to please everyone. this is because they have that strong sense of family and a desire for harmony within their home life mentioned previously. you are more than aware to the fact that pleasing everyone is not possible and only leads to burn out in the end. perhaps your presence in their life can help them mitigate their desire to give so much of themselves as you teach them that pleasing everyone is not sustainable. how beautiful.
vibes: debilitated ketu, mixologist (mocktails & cocktails), old soul energy, avatar the last airbender specifically the air nomads, dreamer energy, yellow and pink energy
(nine of elixirs; ten of rods; ten of elixirs; judgment)
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T H R E E (suki & sokka)
pile three, i get the sense that some of you here are coming from pile two or were leaning towards choosing that one. the cards show that your future spouse’s spiritual gifts lie in their intuition and clairaudience. there’s a dreamlike quality to this pile which strongly hints that they often receive intuitive messages through prophetic dreams or dreams with obvious meaning. because your future spouse does not come from a spiritual background, these dreams and heard messages were often dismissed as a “child’s fantasy” or a vivid imagination. their gift is something most likely passed down from their paternal side, though your future spouse’s home life has not always been easy. despite a difficult childhood, your fs is in touch with their inner child and has since healed their own wounds. as indicated by the king and page of elixirs appearing together in this reading, your future spouse is someone connected to the depths of their inner power, and yet remains sensitive and loving. however, their vivid dreams come with a flip side. your fs is prone to nightmares when they are not in alignment with what they are truly meant for. that is to say, when they are stressed, their vivid dreams reflect that and become vivid nightmares. perhaps encouraging them to keep a private dream journal would help them better feel their way through both through their dreamworld and their waking one. you will find peace in one another.
vibes: prioritizes smelling good, tends to lean towards aquatic scents, “i had a feeling that..”, “this reminds me of a dream i had..”, deja vu, loves naps, mentor/teacher energy
(king of elixirs; the high priestess; page of elixirs; nine of blades rx -> six of elixirs)
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F O U R (flynn rider & rapunzel)
pile four, your future spouse isn’t someone who is inherently spiritual. at most, they have a vague, underlying belief in karma. they understand and resonate with phrases like “you reap what you sow” and “what goes around comes around”. but, it feels like they’re still “asleep” to spiritual world as a whole. while its unclear what spiritual gift your future spouse possesses, they are someone of genuine kindness and insane generosity. this is someone who always seems to be in good fortune and is likely reaping the rewards of good work done in a past life. the universe is a close friend of theirs in this lifetime. somehow, your fs is also someone who is not inclined to do something that is not asked of them. whether obliviousness or laziness, this conflicts with their generous nature. as a result, they’re going through a rude awakening right now as the universe is showing them a little tough love to get them back on track. it’s likely that you’ll meet them while they are still in the throes of feeling sorry for themselves. your future spouse is someone you get to educate about your esoteric interests (ex. astrology, tarot, etc) should that be something you’re willing to do. have faith and they’ll find theirs too. how fun!
vibes: liar, liar (1997), being oblivious to signs from universe, a very quiet mind
(six of coins; page of coins; eight of rods; the tower -> eight of elixirs)
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F I V E (esmerelda & phoebus)
pile five, your future spouse’s gifts is their intellect, both spiritual and mental, and their own energy. your fs’ inner world is rich and within them are balanced energies of the divine masculine and divine feminine. because of this, they have the tools and resources to solve their own problems and pave their own paths. your fs is patient enough to see a plan through and is guided by inspired action on what steps to take. this is someone who tends to follow their mind over their emotions. they rely on their own validation and are not easily swayed by others’ opinions. however, while shuffling and even interpreting the cards, a sort of ‘scatterbrained’ energy was heavily felt. often, your future spouse lacks focus and struggles with taking the first steps necessary. they have an ingrained aversion to risk, though they have become accustomed to brushing this off as procrastination. this is likely the result of doubt due to a past “failure” and is a lesson they are meant to overcome in this lifetime. perhaps you can impart wisdom from your own experiences on them. there is no such thing as failures, only learning opportunities. what is meant for us will not pass us by. you two make a valiant couple.
vibes: aaron burr, wait for it (hamilton the musical), nick miller, north node in sagittarius, north node in aries, “there is freedom waiting for you, on the breezes of the sky, and you ask "what if i fall?" oh but my darling, what if you fly?” (erin hanson)
(two of rods; strength rx; the fool rx -> three of blades; king of blades)
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S I X (wade & ember)
pile six, most of you reading this are empaths and healers. your future spouse was gifted with a spiritual awakening early on in their life. they have a vast understanding of the forces at work in the universe and because of this, their relationship to life and the divine is truly beautiful. they are very attentive to their own inner world. they understand themselves and are at peace with all parts of them, even the parts they can’t understand. this is someone who is very accountable for their own thoughts, beliefs, feelings and actions. and they want to connect with a partner who wants to explore themselves and the world in this way. while this is a gift, it comes with a flip side. your future spouse is prone to overthinking and sometimes gets so caught up in their own desire to understand the universe that they become victims to a sort of “analysis paralysis”. they work try to understand the how and why behind a situation that they often end up missing out on genuine opportunities that are meant to carry them forward. perhaps you can teach them to slow down and trust that what is meant will always find them. you two are the definition lovingkindness.
vibes: red roses, glasses, “last night i realised something”, synchronicities, the friend you always come to advice for, fomo, spider-man comics, leo placements, mtv hoodie, air rising
(the wheel of fortune; queen of coins; the magician rx; queen of elixirs rx)
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uyuforu · 5 months
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Jungkook Astrology Masterlist
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why only jungkook? = jungkook is the only member from bts that confirmed his birth time so only jungkook's astrology readings would be accurate. Until other members confirm theirs, I'll do Jungkook astrology first.
₊ ⊹ ALLEGEDLY FOR ENTERTAINMENT PURPOSES ONLY₊ ⊹
₊˚⊹ ᰔ Basics
Sun • Moon • Mercury • Venus • Mars • Jupiter • Saturn • Uranus • Neptune • Pluto • North Node • South Node • Ascendant
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₊˚⊹ ᰔ Asteroids
Juno • Groom • Briede • Union • Karma • Boda • Lovelock • Destinn • Child • Ceres • Pallas • Lilith • Chiron • Fortune • Vertex • Vesta • Sappho • Psyche • Fama • Harmonia (…)
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₊˚⊹ ᰔ Houses
1H • 2H • 3H • 4H • 5H • 6H • 7H • 8H • 9H • 10H • 11H • 12H
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₊˚⊹ ᰔ Persona Charts
ಇ. Moon Personal Chart
ಇ. Venus Persona Chart
ಇ. Juno Persona Chart
ಇ. Groom Persona Chart
ಇ. Briede Persona Chart
ಇ. Boda Persona Chart
ಇ. DSC Persona Chart
ಇ. Fama Person Chart
ಇ. Union Persona Chart
(...)
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₊˚⊹ ᰔ Solar Return Charts
ಇ. 2023-2024
ಇ. 2024-2025
ಇ. 2025-2026
ಇ. 2026-2027
(...)
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₊˚⊹ ᰔ Synastry
ಇ. Jungkook & Mingyu (Seventeen) Synastry
(...)
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₊˚⊹ ᰔ Composite
ಇ. Jungkook & Mingyu (Seventeen) Composite
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₊˚⊹ ᰔ Astrology Readings
ಇ. Is Jungkook a womanizer?
ಇ. Jungkook's Love Languages
ಇ. JK's FS appearance indicators
ಇ. JK's FS and jealousy/ rumors/ gossips & the public
ಇ. JK's Ideal type (based on DSC Persona Chart)
ಇ. JK's Fama in Natal Chart + Briede Persona Chart
ಇ. When will Jungkook marry?
ಇ. When will Jungkook have children?
ಇ. Does Jungkook's FS has tattoos?
ಇ. Using Asteroid Union to predict Jungkook and his FS meeting
ಇ. Jungkook's In-Laws
ಇ. Jungkook's Fashion Style Evolution
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back to index ; ask ; requests ; rules
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rabidline · 5 months
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one of the prettiest 15 second slow-mos i have ever seen
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jpnfigureskating · 19 days
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2023 NHK Trophy: Gala - November 26, 2023 Satoko Miyahara Paternera by Gino D’Auri, choreographed by Stéphane Lambiel
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wizard0rbs · 1 month
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isu just called me and said the rest of the event is cancelled this is the final podium
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xvxnux · 1 year
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` ♡ ~ your life in 2k23 + future spouse bonus ~ `
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` pic one ,
definitely your life in 2023 will be full of wishes fulfilled. your manifestations being heard and you'll find many reasons and signs to keep believing and working with your manifestation to get everything you want. you'll discover a new mediumship skill and your mediumship was inherited from past lives (when that time comes you may have dreams about your past life and understand some things from your current life). new friends, new trips and great moments with the family, each manifestacion of yours will be a wish fulfilled and each wish fulfilled will be a reason and joy to continue living in a dignified way. i see you with money and knowing how to manage it (if you are not organized with finances, i advise you to find out more about personal finance). i don't see you being focused on your love life, and if you are, you won't be. that doesn't mean you won't have any relationship!
♡ bonus: anything about your fs
i see you might meet your fs in 2023, it’s a possibility. you may also discover that this person lives outside your city or country (probably another country or may be from your city but lives in another country), you have different routines. i see that you and this person are different from each other, yng yang… oil and wine. you have a very strong personality and can be impulsive, your person can be older or more mature than you. you’ll get along very well, your person will fall in love first. you can be reactive about your fs in the beginning, you have a free spirit than your fs and that will be one thing your fs will admire about you! your fs will be very protective of you, at times when you feel protected by that person i see that you can get emotional…. (daddy issues?). will be a patient person with you! you give me the vibe that you’re a bit rebellious and don’t accept opposing opinions very well, for you right is right and your sense of justice is huge and because of that you can go against anyone and go over anything that believe. but this with your impulsiveness can make you get hurt with people since you don’t know how to choose your fights, and you will have moments like that with your fs and your person will help you to think more before you act and know how to analyze the causes you assume.
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` pic two ,
in 2k23 i see you assuming a new posture of yourself and also releasing the true essence that is inside you but that for some reason you imprison. this new year you can decide to cut bad people out of your life and also refuse to forgive someone who acted badly with you. maybe it’s common that you donate so much to help others and that may have hurt you, but you won’t allow it anymore and you won’t put the needs of others above yours. you will be happier with your self-esteem, you will feel lighter and willing to live and experience new things. it will also take advantage of opportunities more and will go after every other opportunity it can. you will do things your way and you will have more freedom and everything that you miss and hurts will no longer be part of your thoughts and feelings in 2023.
♡ bonus: anything about your fs
in 2k23 you’ll still be looking to know more about your fs, i see that if you feel curious to know about your fs you’ll stay curious. but it’s not all bad, you tend to dream about your person in 2023 and you can be bombarded with signs and dreams about it. 2024 will be an important year about your fs for you, in 2023 you’ll receive information through signs about your person and it may be like this until 2024, which is where i see things happening because in 2024 you’ll have important and decisive information in your hands and will looking for answers and that’s where you can find that person. for now try to balance and rationalize more about this, receive the information > follow your intuition > trust.
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Kiss & Cry vol.50 Shoma Uno x Stéphane Lambiel Special Cross Interview An "I love you" to figure skating
Shoma Uno is facing the 2023-2024 season with the goal of "pursuing expression". What does "expression" really mean to him, and what does he have in mind beyond that? We spoke to Uno and his coach Stéphane Lambiel.
[T/N: italics denote narration, regular text direct quotes. Please do not repost the translation elsewhere.]
What the two of them think about 'expression'. Shoma Uno won consecutive World Championships. In the 2023-2024 season, which is themed around the pursuit of expressiveness, he performs the short program from the movie 'Everything Everywhere All at Once'" choreographed by his coach Stéphane Lambiel, and the free program "Timelapse" choreographed by Kenji Miyamoto. How does Uno feel about his improvement in expressive ability now that he is more than halfway through the season? And as a coach, how does Lambiel see him? We talked to them on the day after the NHK Trophy FS.
To Coach Lambiel, what made you decide to use this song in the short program?
Stéphane: The program is a combination of three pieces from the movie soundtrack. The song I used at the beginning was originally in my big playlist, but what made me decide to use it for the program was when I was on a plane and watched the movie. I enjoyed the music from the film, enjoyed the movement, thought 'this is interesting,' and felt inspired. I originally had an idea that 'it would be interesting if Shoma moved like this', by mixing music with a bit of spirit to match the smoothness of his skating. When I started choreographing, he moved just as I had envisioned. That's how the program was created.
Shoma: Stéphane's choreography is difficult every year, but I have the impression that this season's choreography is easy for my body to get used to. Even without practicing it that much, my body got used to it from the beginning.
Stéphane: He projects the world I imagined into reality.
Shoma: The free is more difficult than the short. The music is unique and difficult. Up until now, in the second half of the program there was a part where the music got more exciting, but since this is not the case here, I have to practice much more to make up for it.
In the interview after the short, you said that you admired Coach Lambiel as an expressive performer. What specific aspects would you like to incorporate?
Shoma: I don't have the skills to incorporate Stéphane's performance, so it would be impossible for me to do so. As a coach, Stéphane gives me advice, saying, 'You should do this more,' and 'I want you to move with this kind of image.' I want to take in his words and do my best to embody them within what I can do.
Stéphane: There is no doubt that Shoma is a skater who naturally excels at expression. I think of 'expression' in this way; it may be something you are born with, or it may be something you cultivate. Either way, it's some kind of 'language'. Whether it's through words, music, or movement, I believe that it's about having a desire to convey something to the other person, conveying one's inner feelings, it's a communication between the person giving the message and the person receiving it. Shoma has that, and more importantly, he has the strength to move forward with determination in whatever he decides to do.
Speaking about expression, coach Lambiel touched upon the NHK Trophy.
Stéphane: There's one thing that remained in my heart from this NHK Trophy. The moment Shoma finished his performance, he first looked at me. I felt he conveyed a feeling of wanting to ask, 'How was my performance?' At that moment, from the bottom of my heart, I felt honored to have a student like this. I also felt that he treats figure skating with honesty, purity, and love. Inside me, there is no doubt that he's a hero.
[T/N: in-text narration of the NHK performances] Coach Lambiel's eyes were filled with tears as he reminisced about the NHK Trophy, as if deep, uncontrollable emotions were coming forth. At the NHK Trophy, Uno showed stunning performances that drew the audience in both the short and free skates. He captivated the audience with the emotion in his expression, creating a world of stillness or tranquillity. A standing ovation was inevitable. This showed the improvement of his expressive power, which he had been striving for this season. In the free skate, however, since all four of his quadruple jumps were marked with a "Q",  indicating a 90 degree underrotation, he finished in second place overall. The judgment of underrotation, which was clearly unusual compared to the way jumps were judged in previous competitions, put a damper on that good performance. Coach Lambiel must have felt that Uno's performance was excellent, as shown by the long hug he gave him after the free skate, and he could not hold back his emotions at the judging.
This is what Uno said about it.
Shoma: It had been a short time since Cup of China, but I was able to show the results of my practice, and I thought Stéphane must have been happy, so I was myself very happy when I finished my performance. Now, seeing how depressed Stéphane got [at the score] makes me feel glad he is my coach. However, no matter how good a performance is, if it doesn't get a good score, it will be seen as a bad performance. That saddens me too, and it also hurts to see Stéphane being sad. I don't like to put on a facade when I'm talking in public, but I think that saying exactly what you think isn't always a good thing, and it can also make you enemies. But I've been living my life this way, and the people around me, first of all those here like Stéphane, Demi-san, and my manager, understand my efforts and what I really value, and I'm really happy that there are people who can be happy with me. Figure skating competitions are scored by people, so I don't think there's anyone at fault. Right now I just feel so lucky to have been blessed with the people around me.
The All Japan Championship 2023 will begin on December 20th.
Shoma: "I believe that my performance at the NHK Trophy was wonderful, so I want to continue to do this kind of performance in the future. Otherwise, wouldn't this performance be wasted? People only pay attention to my statements and my scores, and don't realize that it was a good performance. I think it would be a waste for it to end like that, so I hope to perform as well as I did this time at the Japanese Nationals."
Stéphane: He is a person who can realize what he sets his mind to. He will decide for himself which direction he wants to take in life, and I don't doubt that he can succeed. That's an unshakeable conviction for me."
That was a praise grounded in unconditional love.
[T/N: yes they really ended the article like that]
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