Sarah Grilo - Win, it's great for your ego, circa 1965-66
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Sarah Grilo, No volverá, (oil on canvas), 1972 [Maisterravalbuena, Madrid. Galerie Lelong & Co., New York, NY. © The Estate of Sarah Grilo, Madrid]
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06.25.22 Alfredo Jaar ‘The Temptation To Exist’ at Galerie Lelong & Co
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Video still from Ana Mendieta, Alma, Silueta en Fuego, 1975. © The Estate of Ana Mendieta Collection, LLC Courtesy of Galerie Lelong & Co. Licensed by Artists Rights Society (ARS), New York
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ANTONI TÀPIES Nas i boca sobre xifres, 1992 Painting on pencil paper 120 x 80 cm © Antoni Tàpies. Courtesy Galerie Lelong & Co. https://www.pinterest.es/pin/321303754680134330/
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Ana Mendieta, Guanaroca and Lyaré, 1981. Solomon R. Guggenheim Museum, New York. © The Estate of Ana Mendieta Collection, LLC, courtesy Galerie Lelong & Co., New York / Licensed by Artists Rights Society (ARS), New York. Image: The Solomon R. Guggenheim Foundation / Art Resource, NY.
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Ana Mendieta, “Creek”, 1974
Photography Ana Mendieta, Courtesy Galerie Lelong & Co. © Estate of Ana Mendieta Collection, LLC | @abwwia
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Michel Ginies
Francis Bacon à la galerie Maeght-Lelong, 1987
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ANA MENDIETA & CARSON MCCULLERS
Padre, sobre tu imagen estamos atravesados
¿Por qué estamos divididos en nuestra doble naturaleza, cómo estamos planeados?
Padre, ¿en qué imagen nos encontramos?
Volviéndose impotente en el jardín del bien y del mal
Burlado por los reversibles del bien y del mal
Heredero del exilio. Lucifer, y hermano de Tu Hijo universal,
Quien dijo que está terminado cuando Tu síntesis acaba de comenzar.
Sufrimos la tristeza de la separación y la división
Con un corazón que resplandece con la visión de Cristo:
Que aunque seamos desviados, de doble planificación,
Padre, sobre Tu imagen, somos abarcados.
- Carson McCullers, de: El corazón hipotecado, ed. Margarita G. Smith. Boston Houghton Mifflin Company. Copyright ©: 1971, Carson McCullers
Sin título Ana Mendieta, Wooden Sculpture 1984-85, The Estate of Ana Mendieta Collection, L.L.C., c: Galerie Lelong, © Alison Jacques Gallery
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Clay Houses (Boulder), 2007
mica-schist, clay, hair, slate
exterior of each house, height 4m, width 4.9m, length 5.8m
© Andy Goldsworthy, Courtesy Galerie Lelong & Co.
Glenstone Museum, Potomac, Maryland
photo: David Castenson
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L’Ecrasante Beauté. Gravure (2018) © The Estate of Etel Adnan and Galerie Lelong & Co
Trois soleils d’Etel Adnan par Marielle Macé
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Nancy Spero, “Female Bomb” (1966), gouache and ink on paper, 34 x 27 in (86.4 x 68.6 cm) (© The Nancy Spero and Leon Golub Foundation for the Arts, licensed by VAGA New York, courtesy Galerie Lelong, New York)
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Sarah Grilo, Destinatario desconocido, (oil on canvas), 1971 [Maisterravalbuena, Madrid. Galerie Lelong & Co., New York, NY. © The Estate of Sarah Grilo, Madrid]
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Ana Mendieta, Untitled (Facial Hair Transplants), 1972, 35mm color slide. This work will be included in the Hammer Museum‘s upcoming show “The Political Body: Radical Women in Latin American Art 1960–1985.”
COURTESY GALERIE LELONG, NEW YORK. ©THE ESTATE OF ANA MENDIETA COLLECTION, L.L.C
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Exposition "Jaume Plensa. Miroirs (collages)" à la Galerie Lelong & Co pendant la visite-guidée “Parcours de Galeries d'Art : Paris 8ème” par Alexandre Bakker pour Des Mots & Des Arts, mars 2024.
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Ana Mendieta, La Venus Negra, 1981. © The Estate of Ana Mendieta Collection, LLC Courtesy of Galerie Lelong & Co. Licensed by Artists Rights Society (ARS), New York. @abwwia
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