Trevor Horn is the most lovable dork ever like it's literally impossible not to love this man
Including photos of Yes' Drama lineup for prog tax, as I try to keep this blog prog-centric, but let it be known I am also a fan of Trevor and Geoff in The Buggles as well.
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Everyone at my uni getting Buggled so hard, they don't even know it.
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Geoff Downes
i had to eat a couple of candies..
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✨(Possibly) unpopular opinions with Mig✨
I've done a few of these so I thought I'd give it a fancy title this time.
Drama is the best Yes album since Close to the Edge
There, I said it! And honestly, I think I believe it.
Don't get me wrong, I absolutely LOVE tales, Relayer and GFTO and I absolutely- well... like Tormato. They've all got a plethora of incredible, life affirming Yes goosebump moments. I just feel like Drama has the upper hand and I'm going to attempt to explain why now.
I see a whole lot of people shitting on Drama and I can't for the life of me figure out why. It ticks all the Yes boxes (heavy, unusual, singable, Chris Squire) while also adapting to a new musical climate. Machine Messiah is joyous and chilling, Does It Really Happen kicks arse, Into the Lens is about being inside a camera (what's better than that??) and the album doesn't even stop there! I also think that it's not as pretentious as some previous albums. As much as I can't express how much I love Gates of Delerium (and the epics from that era), nobody can deny that putting War and Peace to music in the form of a side-long fusion epic is a bit silly.
I feel that none of those '73-'79 yes albums were quite as consistent as Drama (GFTO and Relayer come close I think) and the main issue with that was the band losing a lot of the heaviness and life. I feel they lost a lot of the youthful energy they had on the albums before and on Close to the Edge and that energy returned on Drama. It feels much more exciting and excited than some of the stuff on previous albums. They sound really happy and up for playing with each other (to me at least). I like that it's a bit less of a 'sweet' sounding record compared to some stuff on Tormato and GFTO. Don't get me wrong, I really like Turn of the Century but I feel it's a bit too surgery for me. To me, even the slower songs on earlier Yes albums (Sweetness, Clear Days, Your Move, etc) had the atmosphere of a rock band. They felt young, alive, flourishing and rebellious. It's a kind of indescribable magic that I feel lacks on some later material.
In all fairness (a short opposition)
The album does sound very much 1980 with the synths and the mix. BUT I found buying the (original mix) record completely transformed the way I heard that album. Suddenly, all the body I felt was missing on CD appeared, it felt closer to CTTE than it did 90125 and it all began to make sense for me.
It's also quite a cluttered arrangement at times. I happen to quite enjoy that though and knowing yes fans, I'm sure it's not busier than anything else you've heard!
All that being said, I often listen those '73-'79 albums and am just blown away by the beauty and originality of the music and the ecstasy they make me feel. Let's all just love Yes!
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