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#gonna have to abandon my sense of ''am i being annoying'' and dump this entire ohtmb plot upon the man who's chosen to share a home with me
i need to like..... hash out all my writing ideas out loud. it's been such a help with the revengers stuff talking to the bf but like, i can't talk to him about all my story ideas. i mean i could. he would listen. i just won't because i get self conscious
what i need is like, i need one of you guys to materialize in my living room so i can make us a pot of coffee, sit on the couch together, and i can verbally explain everything i have planned for [insert story] until either you give me a solution to make the plot work or i happen upon the solution in the middle of a sentence. that's what i need
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rafecameron · 4 years
Text
Hospital For Souls
Summary: Rafe decides that instead of the usual halloween parties the kooks would attend this year the perfect way to celebrate the spooky evening would be to explore the abandoned building he found the week before. This is for @bricksatanakinswindow​ spooky writing challenge!
Pairing: Kooks x Reader (a lil Topper x Reader)
Word Count: 4.5K
A/N: Okay so I’ve never written anything scary before so this probably sucks ass and isn’t even scary. But that being said I have tagged people who have asked to be tagged in my work but if you don’t want to read anything horror related please don’t feel the need to, I won't be offended! Also the first half is proof read and the rest isn’t bc lazy.
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*GIF is mine*
“Rafe where are we going?” You ask with an exasperated sigh, every time you asked your best friend for any kind of hint to where you were going he’d simply tell you you’re almost there.
“Yeah man we’ve been walking for ages.” Topper complains from beside you.
“Look, we’re almost there okay?” Rafe turns to shoot you all a glare, “Just stop asking!”
You let out a groan but shut up as you follow after him, sharing an annoyed look with the two boys beside you. Rafe had driven you all out to the cut as soon as it started to get dark, parked up in the middle of nowhere, and insisted you all follow him into the trees. If you didn’t know him any better you’d think he was going to murder the three of you and bury you out here. But the backpack slung over his shoulder wasn’t big enough to hold a shovel so you were sure you would be okay.
Deep inside the tree’s you finally come to a stop outside a building. From the front it looks no bigger than your house, but you can see that it goes a lot further back. The windows are boarded up, graffiti littering the exterior of the building.
“What the hell is this place?” Kelce asks as Rafe heads up the crumbling stone steps.
Rafe simply shrugs, “No idea.”
“Great explanation.” You roll your eyes waiting at the bottom of the steps with Topper, “How did you find it?”
“Yeah, what the hell were you doing out here?” Topper questions.
“I found it after getting into an argument with my dad. Drove out here, got out the car to smoke and just found it.” He says, like walking through the woods in the cut alone to smoke was a totally normal thing to do.
He pulls out what look like bolt cutters from his bag and starts attacking the chains on the doors, you raise a trimmed brow and turn to give Topper a ‘what the hell??’ look.
“Uh, Rafe? What are you doing?” You ask.
“Trying to get inside.” He says through gritted teeth as he squeezes the chain between the blades.
Kelce stands with his arms crossed, back leaning against the wall watching his friend fight with the metal, “Why would we want to go inside?” He asks.
“To look around?” Rafe poses it as a question, letting out a whoop when the chain finally breaks in two, “Unless you’re scared?” He turns to you with a challenging grin.
“Scared? No.” You shake your head, “Doesn’t mean I want to go in there. We’ll probably fall through the floor or something.”
“Yeah I’m with y/n on this one, doesn’t exactly look like it’s had a safety check in a good couple of years.” Topper tilts his head to look up at his friends on the steps.
“Fine, stay here then, if you’re scared.” Rafe taunts before disappearing inside, Kelce hot on his heels with a laugh.
“Seriously?” You groan. You share a look with the boy beside you before letting out a sigh and starting up the steps.
The inside was pitch black, you could barely see a hand in front of your face let alone where you were walking.
“Guys?” Topper calls out, you feel his hand brush against your arm as he tries to feel his way around.
You’re suddenly blinded by a bright light, causing you to stumble back into something hard, “What the hell?” You shout covering your eyes as Rafe laughs from behind the light.
“Figured we’d need these.” He says chucking the torch at you, you fumbled to catch it, rubbing your lower back which had hit the cabinet behind you.
“You’re an asshole.” You grumble.
You shine the light down at the floor in front of you, it’s covered in years worth of dust, clouds of it floating up into the air as your friends distrubed it. You point the torch around the room, looking at the array of abandoned furniture, none of it giving off any indication as to what this building used to be.
“I’m so glad this is where we’re spending our Saturday night.” Topper comments, tapping his torch against his palm to get it working.
“Where’s your sense of adventure?” Rafe asks, his voice far away as he heads deeper into the building.
“Since when were you the adventurous type?” You call after him.
The rooms smelt musty and old, the building itself seemed older than any other on the island you had seen. The doors were thick and wooden, the cement of the walls starting to crack and crumble due to years of neglect. You couldn’t help but turn your nose up at the entire evening. You would have much rather spent the night at a party getting stupidly drunk, like you were sure every other teen on the island was.
“Where did they even go?” You mutter mostly to yourself, Rafe and Kelce had disappeared down the dark hallway and you could no longer see the light from their flashlights.
“Do you want to wait outside?” Topper asks, sounding half bored and half scared.
You considered it, already sick of breathing in the polluted air but ultimately you shook your head, “It’s dark, one of them could fall and hurt themselves.”
Topper nods and follows you through the cluttered hallway. You shine your light into each room, illuminating its contents but not seeing your friends anywhere.
“I think this was a school or something.” Topper comments, his light landing on chairs and desks spread around one of the rooms, a blackboard propped against the wall still had squiggles of chalk on it.
“Maybe.” You murmur.
You weren’t sure if this really was a school or if people had used this place as a dumping ground for old furniture before finally abandoning it. Either way, you didn’t care. You just wanted to find your friends and get out of there. You were admittedly starting to get a little creeped out. You’d never been in a place so deathly quiet before. It was almost as if even your breathing and footsteps had been muted. In a place where you expected to hear echoes you were met with nothing but silence. It was eerie.
“Guys?” You call out, “C’mon we’re gonna get lost in here!”
You shoot a worried glance to Topper at the lack of reply from your friends, already concerned something had happened to one of them.
“They’re trying to fuck with us.” Topper grumbles and although you agree it’s likely, you had known Rafe your whole life after all, you were still worried about one of them falling and breaking their neck in the dark.
It wasn’t until you had been searching for at least another five minutes that you hear Rafe’s voice calling you from a distance.
“Get over here!” He calls, a light appearing down the bottom of the hallway.
You huff out and hurry towards the light, Topper close on your heels. As you get closer the light disappears inside a room and as you round the doorway you find Rafe and Kelce standing in front of a table, lights pointed down at the surface.
“What?” You snap, annoyed that no in fact one of them had not been dying, they had just been ignoring your calls.
“Check this out.” Kelce waves his light across the table for emphasis and you peek over his shoulder.
“What the fuck is that?” You frown.
“A spirit board.” Rafe answers, “Are you stupid?”
You punch him on the shoulder, “Hard to see under all the grime.” You huff, “Really, it’s fascinating, can we go now?”
“You don’t wanna try it out?” Rafe asks and even Kelce snaps his head up at that.
“No, I definitely don’t want to try it out. Can we just go? It’s freezing in here.” You cross your arms over your chest, rubbing your hands against your cold arms.
“Don’t be wimps, c’mon.” Rafe picks up the board, blowing the dust off before placing it back down.
“Rafe, we’re not playing that stupid thing.” Topper tells him.
“Don’t be a pussy Top.” Rafe picks up the plachette from the floor and places it in the middle of the board.
“I’d rather be a pussy than possessed.” Topper holds his hands up with a nervous laugh, “I’m not touching that thing.”
“You really believe that crap?” Kelce asks, switching his torch to his left hand as he reached out for the wooden item.
“Believe it or not, I’m not risking it.” Topper shrugs.
“I’m with Top, I’m not touching that thing. Besides, it’s filthy.” You wrinkle your nose as your friends place their fingers on it.
“Ask it something.” Rafe instructs Kelce.
“What the fuck am I supposed to ask?” Kelce frowns up at him.
“I don’t know man. Whatever they ask in those horror movies.” Rafe shrugs, looking down at the plachette expectantly as he waits for Kelce to speak.
“Uh, alright.” Kelce rolls his shoulders and clears his throat, “Uh, is there anybody here?”
All four sets of eyes sit on the plachette, waiting to see if it does anything. A few moments pass and Rafe nudges Kelce with his elbow.
“Ask something else.” He says.
“Like what? I’m guessing the answer to that one was ‘no’” Kelce rolls his eyes.
“I guess there’s no one here then, lets go.” You grab Toppers elbow as you make to turn around.
“Hold up,” Rafe twists his head to look over his shoulder, “Let’s just try again. Ask again.”
“Why can’t you ask? I don’t want no ghosts following me home.” Rafe shoots Kelce a glare and the boy lets out a sigh, “Alright, fine. Is there anybody here?” He asks again.
You glance around the room while the boys play with their board, the table, board and two metal chairs are the only pieces of furniture in the room. The set up seems strange, like someone used this room for the sole purpose of communicating with the board.
“It just fucking moved!” Rafe calls out causing you to snap your eyes back to the board.
“It’s still in the same place.” You comment.
“No it definitely just moved!” Rafe argues, eyes glued to the wooden shape.
“Rafe, can we just-” You cut yourself off as you watch the object slide across the board slowly, the movements jittery as it makes it’s way to stop on the ‘YES’ at the top of the board. “Okay, which one of you moved that?”
“I didn’t do it.” Kelce holds his hands up, “I swear.” He looks over at Rafe with a raised brow.
“Well I didn’t do it, put your hand back on it.” Rafe tells him, his eyes flashing with excitement as he looks back to the table.
The plachette starts moving again, slowly and uncertainly it makes its way across the board. It moves to the left and down, coming to a stop over the letter ‘O’ for a few seconds before moving again. To the right this time it stops on the letter ‘U’ before shuffling the tiniest but to the left to stop on ‘T’.
“Out?” Topper asks, worry knitting his brows together.
You just let out a laugh and roll your eyes, “Very funny, ha ha, you got us. Let’s go.” You clap your hands together in mock applause.
“We didn’t fucking move it!” Rafe protests, “We didn’t even ask it anything!”
“Well I don’t believe you! I know you’re trying to fuck with us Rafe, it isn’t going to work!” You place your hands on your hips, glaring at the boy looking over his shoulder at you.
He quickly drops his fingers from the board, holding them next to his shoulders, “I didn’t fucking move it.” He says adamantly.
Kelce copies his movements, removing his hands as he stared down at the bored, “You had to have moved it, because I didn’t.”
“Of course he moved it.” You sigh.
But a squeal is quick to leave your lips as the plachette flies off of the board unaided and hits the wall to the left, both boys in front of the board suddenly jump backwards.
“Fuck this!” Topper spins on his heel and hurries out of the room, you not far behind him.
“What the fuck, what the fuck, what the fuck.” You mutter to yourself as you run after Topper, the sound of footsteps behind you telling you your two other friends weren’t far behind.
“Did you fucking see that?” Rafe calls, excitement evident in his tone.
“Yes we fucking saw it why do you think we’re running?” Topper calls back out of breath.
Your flashlights danced across the ground as you all sprinted through the hallways, you weren’t entirely sure Topper was leading you the right way but right now you didn’t care. As long as you were far away from that room you were okay.
You only came to a halt when you were all out of breath, your hands rest against your knees as you suck deep gulps of air into your lungs.
“What the fuck was that?” You pant out.
Part of you wanted to accuse Rafe of trying to scare you all but you knew he’d never be able to pull off something like that, he wouldn’t have the patience to set it up. You could feel your body shaking with adrenaline after your unexpected run, your heart was beating out of your chest.
Topper was leaning against the wall, head tilted back to meet the cold wall as he watched his two friends by the window.
“Did we run the right way?” Kelce asks as he peers through the window, “I can’t see anything out there.”
“I wasn’t really concentrating where I was going, I just wanted to get away from whatever that thing was.” Topper points a shaky finger in the direction they had just come from.
As he did a bang emitted from down the hallway, you couldn’t see what it was but it sounded like something had fallen over.
“Well either that thing is following us or there’s two of the fuckers,” Kelce shakes his head, “I gotta get out of here. Black people always die first in horror movies and I ain’t about to be murdered by some dead motherfucker.”
Kelce starts to head off down the hallway, and although you hadn’t been taking much notice of your surroundings you were sure you didn’t recognise this hallway.
“Kelce I think that’s the wrong way.” You call out to him but his figure keeps getting smaller.
“You wanna go back that way then be my guest!” He calls without turning around.
“He kind of has a point.” Topper shrugs and motions for you to go in front of him.
“I can’t believe you’re all freaking out,” Rafe shakes his head as he follows behind Topper, “It’s fucking exciting!”
“It is not exciting!” You snap out.
“Are you scared y/n?” He teases.
“Yes I am fucking scared! There’s like, a fucking poltergeist or something in here throwing shit around!” You shiver at the thought, “I’ve seen way too many horror movies to know how this stuff ends.”
You try your best to keep up with the boy in front of you but he’s practically running at this point and you weren’t sure you had enough energy left after your other sprint.
“Kelce slow down!” You call out to him, “We need to figure out where we’re going.”
“Well it’s gotta be this way, it’s not back that way is it?” He calls back, continuing at his fast pace.
“I’ll go get him.” Rafe says with a roll of his eyes.
He pushes past you and Topper and hurried into the darkness to pull his friend back. You stop walking, turning to Topper with an anxious look.
“I don’t think this is the right way. We could have easily gotten turned around when we were running.” You sigh and run your fingers through your hair.
“Hey, it’s fine,” Topper says though you can tell by the look on his face he’s feeling a million things and fine isn’t one of them, “we’ll find the way out.”
He places his hands on your hips, mostly to comfort himself with some physical touch rather than to calm you down. He rubs circles into your hips and you nod your head quickly.
“Yeah, I know. Why did someone think it was a good idea to board up the windows.” You groan out.
Topper lets out a chuckle, “To stop idiots like us from getting in?” He suggests.
You laugh softly before resting your forehead against his chest. His heart was beating rapidly and you were sure yours was no different. You stood like that for a couple of minutes before you finally pulled yourself away from his grip.
“Where are they?” You ask chewing on your lower lip, “Don’t tell me they’ve run off again.”
“C’mon, let’s go find them.” Topper holds his hand out to you and you gladly take it.
He leads the way down the hallway, searching desperately for any sign of light from the other twos torches.
“I can’t believe them.” You mutter to yourself.
You jump into Toppers side as you hear a bang from one of the rooms beside you. You don’t dare check inside to see if it’s your friends and instead hurry your feet along the floor to the end of the hallway.
“I don’t like this.” You whisper out to your friend.
“Me neither.” Topper replies, “But I’ll look after you.” He reassures you with a squeeze of the hand.
You offer him a small smile, allowing him to pull you down the left corridor. You couldn’t believe Rafe and Kelce had disappeared again.
“If we find the way out we’re leaving without them.” You glare ahead of you.
Topper laughs lightly, “You wouldn't do that,” he replies before whipping his head round, “did you hear that? Rafe?”
You squeeze onto his hand as you hear shuffling behind you like someone was walking without picking their feet up properly. You wait a few seconds but get no reply.
“I don’t think that’s Rafe.” You tug on his hand as you start to walk backwards.
Topper spins around pulling you into the nearest room and shutting the door behind you both. He leans his back against it in case anything tries to get through while you pace in front of him, fingers pulling at the roots of your hair.
“This can’t be real.” You mumble.
You pull out your phone to try and call your friends but you had no signal, big surprise. You push it into your pocket in frustration and let out a groan. The room Topper had pulled you into had no furniture at all, the only thing breaking up the dull walls was a door in the far corner. You slowly make your way over to it, a shaky hand reaching for the handle as you try to gather the courage to pull it open. You decide to do it like a plaster, you grab the handle and rip the door back, letting out the breath you had been holding when nothing jumped out at you.
“It’s another corridor Top,” you call looking over your shoulder.
Topper runs across the room, pushing you into the hallway and pulling the door shut behind you, “Okay, good. Now we’re really lost.”
“There’s got to be an exit around here somewhere. A fire exit or something.” You take hold of his hand again, urging him to take the lead and start walking.
The corridor seemed to go on forever. Thick doors lined the walls either side of you, each one pushed wide open but you didn’t dare turn your head and look into any of the rooms. You didn’t want to see anything that would give you worse nightmares than you knew you’d already be having.
As opposed to when you first entered the building nowhere was silent now. You were fully aware of every sound surrounding you. Every little creak of the floor, every bang from a random room and every footstep that sounded above you. You tried to convince yourself they were being made by your friends but you figured even they wouldn’t be stupid enough to go upstairs to find an exit.
“Topper, I’m getting really scared now,” You admit as the door behind you sways as though in a breeze coming from nowhere, “I just want to be at home. I don’t want to be here and I don’t want to walk back through the woods.”
Topper squeezes your hand, looking back at you over his shoulder, he tried his best to put on a brave face, “We will be home soon, y/n.” He reassures you.
You find yourself becoming more and more distressed as every corridor you turn down looks exactly like the previous one. None of them showed signs of harbouring exits and you were sure you would be in here forever. The bangs from behind you were getting louder and the footsteps from above never stopped, like whatever it was was following your exact path. Topper’s torch had once again stopped working and you gladly passed yours over to him, your free hand now also gripping onto Toppers as well.
In horror movies everyone always has such a will to survive. They run and they fight and you imagined that’s what it would be like in real life. But all you wanted to do was curl into a ball on the floor and not move again. You had no fight in you. No will to run up and down the hallways screaming and begging for help. You just wanted to sit and cry and hope that by the time morning came you could find your way out. But Topper wouldn’t let you and you wouldn’t expect him to wait around for you while you sat and had a breakdown.
“Hey, what’s that?” Topper comments, his light dancing across a door which looked suspiciously like the fire exit doors at your school. You allow him to drag you over to it at a jogging pace and you almost cried when he pushed it open and fresh air blew onto your face. You both tumbled out the door, the steps beneath you almost completely disintegrated. Out into the trees you want to fall to your knees and cry happy tears but you can’t.
“Which way do you think?” Topper asks shining his torch to the left and the right. You were at a random part of the building, the trees much closer to the exterior now and you had no clue which was to go.
“Well, if we follow the building we have to make it back to the entrance eventually, right?” You suggest biting your lower lip lightly.
Topper nods in agreement and heads off to the left. You ignore the sound of the boards banging against the windows, it was just the wind, the wind that was nonexistent.
The building seemed to go on forever and you thought you were lucky to have not been lost in there for much longer than you were.
“What if they’re not out yet?” You ask.
“We’ll wait for them.” Topper replies.
“And what if they’re not out by morning?” You question again.
“I don’t know, y/n,” Topper sighs, “Do you want to go in and find them?”
You quickly shake your head. You would rather sit outside all day and wait for them than go back inside and risk getting lost again. Luckily this one thing had gone right for you tonight and you had walked in the right direction, the entrance soon coming into sight. The second lucky thing was that Rafe and Kelce were sat on the wall along the stairs, legs swinging.
“I see you guys were looking for us.” Topper calls out causing the boys heads to snap up.
“I see you were too.” Rafe calls back.
As you get closer to the boys you let go of Toppers hand and hurry over to them, “You’re not possessed, right?” You ask, tiptoeing up to look them both in the eyes with a glare.
Once you were certain neither were possessed you turned to Rafe and pushed him in the chest causing him to topple backwards off the wall, “Asshole!” you snap out.
“What the hell y/n?” Rafe pops up over the wall with a glare, “Are you trying to break my neck?”
“Yes, actually. It’s the least you deserve after taking us in there!” You reply stepping forward to shove him again but Topper holds you back.
“Look let’s not fight, okay? Let's just get back to the car and get out of here before whatever is in there comes out here.” Topper decides for you all, you don’t protest when he takes your hand for the third time tonight. The touch comforting even outside of the building, you definitely needed it walking through the pitch black trees.
Every snap of a twig or rustle of leaves had you snapping your head round, certain something was following the four of you. Rafe constantly told you to calm down, while Kelce would rub your shoulder comfortingly. The only one seemingly unaffected by the nights events was Rafe but you couldn’t tell if he truly didn’t care or if he was putting on a brave face. Knowing Rafe it could be either of them.
You let out a groan of relief when Rafe’s truck comes back into view, running over to it with your hand still clutching onto Toppers. You crawled into the back seat, eagerly buckling yourself in and ready to get back into figure eight and away from this place forever. The pogues could have the creepy haunted building, you wanted nothing more to do with it.
The drive back was silent, Rafe humming along to the radio like nothing had happened, Kelce staring blankly out of the window and your and Topper clutching onto each other in the back. You decided to go back to Rafe’s, Rafe wanted to party and honestly the rest of you just didn’t want to be alone.
Inside Rafe’s living room you curled up onto the corner of the couch, gladly accepting the glass of whiskey the host offered you, gulping half of it down in one go and slowly feeling your body stop shaking. The more the four of you drank the more the conversation started flowing again, the alcohol helping the night feel a little less real.
You were sipping on your fourth whiskey when the sound of glass smashing behind you caused you to jump out of your skin. You spun round on the couch, noticing a picture laying face down on the floor surrounded in glass, one that had just been hanging on the wall perfectly fine.
You share a look with your friends, horror written across their features - Rafe included. Whatever you had found in that building had decided to follow you home.
@rudyypankow​ @joshy-obx​ @topperthornton​ @starlightstarkey​ @rafej-cambanks​
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staarshines · 4 years
Text
Attached: Chapter 2
Warnings: Spoilers for 6 Underground, mentions of hydrogen peroxide, mentions of a wound, mentions of death, dumping Six’s body, One being a hardass, champagne, cursing
Word Count: 1.9k
You know you’re not supposed to get close to the ghosts since their line of work is so dangerous, but you can’t help but fall in love with one of them. Being “Zero” means the ghosts are your top priority. But when you almost die putting them first, a certain blond wants you to rearrange those priorities.
[A/N]: I was literally overwhelmed by the amount of feedback on Part 1, I literally love you all!! This is basically me giving you guys closure from the last part. The next part is gonna have a shit ton more action and is hopefully going to end with fluff. Enjoy, lovelies!
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“You two are fucking impossible!” Your eyes fly open to One yelling at someone but you don’t dare move, taking in your surroundings. 
You were resting your head on someone’s lap and they were gently running a hand through your hair. Four. You’d know those hands anywhere. You’re on your left side in the backseat of what should be the car you, Four, and Three had arrived at the garage in. The rest of your body is on another lap, no, two more laps. One was in the passenger’s and judging from the height and stature of the driver, it was Three. Which meant Five and Two were in the back with you and Four. Six always refused to sit in the backseat. Oh god. Six. You nearly throw up at the thought of him being in the trunk, zipped up in a bag.
“One, you’ll wake her up—”
“What’s the first rule about being a ghost?” He asks Four, ignoring his concern towards you. “Don’t get attached. What did you idiots do? Get attached!” Fuck One, keep it down. Your leg is still stinging from all the peroxide and something is binding it, but it hasn’t been stitched.
“We’re not attached!” Four’s voice falters, and you’re pretty sure everyone hears it.
“I don’t know about her because she is very good at hiding her emotions,” Apparently not from a former CIA spy, you think, “but the entire team has seen the way you look at her. You’re. Attached.” What? What is he talking about?
“Am not,” Four tries, but One has already made up his mind.
“You held her hand like she was in labor or some shit.” He held my hand? Also, fuck you, One. I’ll stick a knife in your leg and see how well you fare.
“One, it was deep,” and “You’re really not capable of emotion, are you?”, is what you hear from Two and Four at the same time.
“She can handle it,” he dismisses, but is immediately interrupted by Two.
“I swear to god, if I hear you talk shit about Zero one more time, I will use you as a shooting target.” 
You laugh softly, slowly turning on your back and startling the Two, Four, and Five. “Don’t worry, Two. We all know he loves me,” you direct towards him, sarcasm practically dripping from your voice. One turns around, cocking an eyebrow, to which you just stick out your tongue in response. A slight chuckle escapes Four and you look back up at him, trying to figure out what was going on behind those emerald green eyes.
“Attached,” you hear One mutter, but before you can start arguing with him, Three starts talking.
“How are you feeling, chica?” He adjusts the rearview mirror to get a better view of you and you smile in return. 
“Better. How am I doing?” You ask nobody in particular, glancing at your leg. Duct tape? Huh. 
“You’re fine,” Five forces a smile, and you practically roll your eyes.
“Really, Five? Did you forget you’re bad at fooling people?”
“That easy to read, am I?”
You shrug. “I’ve been watching a lot of Criminal Minds lately. Not to mention I live with a former CIA spy. Fuck, I forgot! How are you?” You look at Two, and she smirks.
“Better than you.” You grin at her response but glare at Five, still expecting an adequate answer.
“You’re going to need a transfusion eventually—”
“and I have O Neg,” you finish for her. “Plus, we don’t have any blood, which I have been telling One for months—”
“I didn’t know the mission would go this badly,” he retorts, causing you to flinch. Before Two can pull out her gun, Five quickly regains control of the conversation.
“I checked our files and it turns out Four has O Neg too. I’m going to set him up for a transfusion when we get back on the jet.” 
Thank you, you mouth, to which he nods. One mutters something you can’t quite make out, but you don’t have the energy to continue arguing, so you just drop it. The rest of the ride is silent as you doze off once again to the bumps on the road, thinking about a certain blond-haired, green-eyed Brit.
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A pair of hands shake you awake and you moan in annoyance, wrapping your arms around Four’s torso. 
“Zero, wake up. We’re here.” The statement causes you to sit up in confusion, seeing a harbor instead of the usual desert. 
“A slight change from trailers and abandoned planes in a desert, don’t you think?” You ask Five, who’s motioning you out of the car. Her smile falters and before you can ask why, you remember. Six. You guys had to dump Six. Shit, how out of it were you? “Sorry,” you mutter to Four, realizing all the discomfort you must’ve caused him
“You’re fine, love,” he yawns, stretching his arms. Fuck, his sleepy voice was hot. Getting out of the car with Four and Five’s help, you rest against the closed passenger door on your good leg. Your senses pick up the strong scent of raw fish and yelling of angry fishermen as you shield your eyes from the sun that was about to set.
“Does she give good roadhead?” You hear One ask Four as he closes the door. You just roll your eyes as Three and Give give him annoyed looks but Two smirks. Four clenches his jaw, shooting One a look and motioning for your arm. You gratefully put your right arm around his shoulder, using him as a crutch. Eyes following One and Three as they walk over to the back of the truck, your lips purse. Four seems to notice and slowly starts walking towards the dock, causing you to as well. 
Once you two are far away enough from the team, you mutter, “It still hasn’t hit me.”
“I know, Zero. I know.”
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Fuck, how far out were you guys going? It had been at least thirty minutes. Probably closer to the airstrip now. 
One and Four were on the higher deck piloting, although you could hear snippets of him lecturing Four, as if he hadn’t heard enough in the car. Your eyes sweep the boat for Two and Three who you find near the front, chitchatting. There was something there. No, they weren’t fucking, but as sly as two thought she was, you had noticed the lingering touches and increased time they spent together. 
“Zero, you need to get some rest,” Five tells you gently, pulling up a wooden crate to sit next to you. 
“That’s what I’ve been doing,” you snap suddenly, immediately feeling bad when you see her flinch. “Sorry. I just hate being told what to do. It makes it worse when whoever’s telling me is right,” you motion from her to your leg. 
She smiles and leans forward, resting her forearms on her thighs. “I know. And that’s not such a bad thing either. It’s one of the main reasons you’re here.” You nod, casting a look back at Four. His hands were crossed across his chest and was deep in thought; him and One had stopped bickering. 
You turn back to Five, contemplating what you were about to ask her. “How does he look at me?”
She smirks, glancing from Four to you. “You two would be the cutest couple,” she exaggerates, putting both hands over her heart. You laugh and push her shoulder. “But in all seriousness, Zero, he looks at you like…” she trails off, looking around as if she was trying to find some inspiration. “He looks at you like you’re his ocean, and he’s begging to drown.”
Your heart skips a beat at her words and you steal another look at Four, wishing you were in his arms. “That was good,” you say in an attempt to regain your posture. Fuck, the things he could do to you without him even knowing. “Where’d you read that?” She scoffs and you can’t help but grin.
The boat starts to slow down and you take a look around. Offshore enough so you can still see the coastline, but far enough that he would sink and not be pushed to shore. 
Five gets up, offering a hand which you gladly take. Limping over to the side of the boat, you sit on the ledge and watch as the team pulls Six’s body bag out from some crates where he’d been hidden, hoisting him up onto the ledge. Two unzips the bag just enough to see his face and from your angle, some heavy rocks so he wouldn’t float up to the surface. Blinking rapidly so as to not let tears form, you gently lean over, brushing his hair to the side and press a soft kiss to his forehead.
“See ya later, M,” your voice breaks. M was the first letter of his name and the nickname you had given him when you got tired of calling him Six; One had nearly killed you.
You don’t know how long passes but eventually, Three zips up the bag and the team throws him into the water. One leaves, probably getting alcohol for a toast, and the entire team stands in silence. Four comes up and leans on the ledge next to you. You’re starting at the fast-approaching sunset, wondering how the hell the world just kept on spinning, how people just kept on going.
One returns with—you had guessed correctly earlier—champagne and six glasses. Six glasses. How ironic. He pours everyone a glass then sets the bottle on a wooden crate.
“Here’s a toast… To a kid I really liked.” Everyone puts their glasses up but nobody bothers to clink, presumably too focused on Six. One, Two, and Four down their glasses while Three just sets his down and Five swirls hers around. You haven’t even looked at what brand champagne it is, much less drank it, which is odd of you.
 “What was his name?” You hear Five ask. Nobody answers, not even you.
“Did he have any family?” Two crosses her arms.
“I think you’re looking at it,” you tell her, still not having touched your drink. “How long until we get back?” You ask suddenly, startling everyone. For some reason, you just had the overwhelming urge to get the hell out of here. 
“Forty-five minutes to the airstrip and it’s a five hour flight from there,” One responds, starting to walk towards the upper deck. The entire team disperses, leaving just you and Four.
“Drink it,” you hear him tell you softly, nodding to the glass when your eyes fall on him. “It’ll help with the pain.” You give him a half-hearted smile and take a sip as he returns to scanning the horizon.
The sunlight fell on him perfectly, highlighting his striking green eyes that you loved with all your heart. Tufts of now orange-golden hair were blocking his view, but he didn’t seem to take heed. 
God, you had fallen hard for him. Did he really want to drown?
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Masterlist
Permanent: @becausewhyknotme​​​, @criminal-cookies​​​, @theladyoffangorn​​​, @officialtonystarkprotectionsquad​​​, @justmebeingtheweirdmeiam​​​, @agentpeggybarnes​​​
6 Underground: @proffesionalclown​​​
“Attached”: @samxslaughter​​​, @bralessandflawless, @rintheemolion​​​, @brianandthemays​​​, @iloveyou3000and5​​​, @sloantravels​​​, @lady-sloan, @rainbow-eyed-queen​​​, @disaster-gay-in-a-nutshell​​​ 
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toasttz · 5 years
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How to make games: RPGs
Hey! You like RPGs, right? If you don't I have to wonder how the hell you found FAN, given our two most-active subboards being vidya and tabletop RPGs, but, whatever! Let's, for the sake of argument, assume you like RPGs. If you don't, fuck off, Greg! ... I don't know anyone named Greg, I just wanted to see if I could screw with people named Greg. Anyways, RPGs, like the houses in Harry Potter, come in four distinct flavors: traditionalist, gonzo/comedy, h-game, and "Inspired by EarthBound/The Mother Trilogy". And much akin to Harry Potter, only two of these houses actually fucking matter and the other two are just hangers-on of different genres and ages. If you're going to waste the player's time by making your H-game an RPG, you are going about it entirely wrong. Please stop dumping this unabashed garbage-fire of a subgenre on Steam, the market is beyond saturation point and requires arm floaties to compensate. And for those of you who played/know of EarthBound and want to make a "spiritual successor"... just stop. Please for the love of God, stop. There never really was a demand for this kind of thing and EarthBound was not a commercial success, so just stop if you have any humanity left in you. I don't think I can stomach anymore fucking quirkiness after the last installment - anymore stuffed down my gullet and I'm gonna shit out a My Hero Academia OC next time my bowels move. So, in truth, you have two flavors of RPG: the traditionalist and the comedian routes and both can be equally terrible. Traditionalist RPGs range from the swords-n-sorcery setting found in Ultima, Dragon Quest, and good Final Fantasy installments to the sci-fi, cyberpunk, steampunk, and emo shit found in bad Final Fantasy installments - it's a wide gauntlet. The only prereq is that you take your own storytelling relatively seriously, with some level of gravity involved in the overall major story beats. Since traditionalist RPGs are made by people with crippling insecurities about change, and the game will largely succeed or fail on the quality of its characters, I'll go ahead and make your cast for you. I'll avoid giving them names so you can customize them: I mean, some people like their fantasy heroes to be named something like "Bulk McUlraeoth Sword Arm of Jupiter" and some people like their fantasy protags to be named "Jim". Who am I to judge your self-insert fanfiction? Sword McHero Man - The guy with short brown or black hair and a generic face done by a B-list manga-ka and, depending on if you want to make him a chillaxed everyman or an edgy edgelord, you can add or subtract belts, zippers, pouches, and black clothing items according to need. He'll almost always use a generic one-handed sword and have fairly short hair. If your game strongly favors an element system, he'll be either fire or light-affinity, but not have any actual strong convictions beyond the fact that he hates 'bad guys' and probably gets his head dunked in toilets by at least 3 NPCs in the starting town. Anything else about him is ultimately superfluous and interchangeable with the next Sword McHero Man over. Childhood McBestfriend - Oftentimes a female foil to the above, but not required by law to be so. Sometimes this doubles as Sword McHero Man's Suave Cool McLancer. They will usually fill a supplementary combat role in the party, either the thief or the healbot as the story requires. If they are the love interest, they are required to be Worst Waifu(TM) by law and be replaced as soon as a competent party member fills out the roster. Typically wind or water elemented in nature, they'll either help calm the hero-man down if he is the hotblooded sort, or cheer him up if he's currently got his head dunked in a toilet. Suave Cool McLancer - Either a rival or thematic foil of the hero and maybe a rival for Childhood McBestfriend's affections, depending on story necessity. He will be a more specialized unit, either the rogue, the heavy-armor knight, or the attack mage. If male, this character will be Best Hasbando and be incredibly pretty or horrifically scarred and/or disfigured with no potential in-betweens. If female, uncommon but not unheard-of, she'll be the team's big sis figure and likely the most powerful, physically speaking. Potential for Best Waifu(TM) is high, but can also potentially double as Back McStabberton. Back McStabberton - The dark, angsty, clearly-untrustworthy one who the player will see their betrayal coming from a mile off, but will completely blindside the naive heroes. Usually they'll have stats inconsistent with the party (being either over or under-powered depending on context) and clash with their bright, anime-esque color scheme by wearing blacks or dark purples. Either a thief or attack mage of some flavor. Almost universally a male or a "devilish handsome rogue" if they get redeemed at some point. If female, they will always be DOUBLE AGENTS acting with the hero's own good in mind and will promptly be forgiven. Usually dies before the game is out. Grandpa McTeacherperson - Some plot-pivotal character who exists to either give the party a special tool, weapon, or ability they wouldn't have gotten otherwise, or elsewise transfer their own talents to the party in some fashion. Virtually irrelevant as characters since these exist exclusively as jaded props to die off to make the villains' actions more personal. Please stop using this archetype or at least TRY to subvert it into something interesting, you talentless lazy fucks. Sexy McFaceTurn - Invariably one of the bad guy's hot ladies will see a boyish charm in the hero, even if the hero is supposed to be projected upon and therefore would actually have the social skills of a duck - or worse, me. What? I did that joke already? Fuck you, this joke's still more inspired than the Tales games RPGs. Anyways, upon getting wet for the hero, she will abandon her post and all its luxuries and join the party, clad in tight, black leather and probably using either knives or whips and will be your prereq dark-affinity character. She will be the sex appeal your game sells on, so be sure to slap her on all your promo materials even though she doesn't join until the mid-late game. Male versions of this idea die. I can't explain it - it's some straight-up Mr. Poofers dark magic, they just die. Annoying McMascot - Your game needs something bizarre to round the party out with. A talking dog is common. A fantasy creature with bright neon colors is also acceptable. Just make sure that players hate it with every fiber of their being. If the design alone isn't enough, give it an annoying speech habit - like a verbal tic or a lisp - and have it talk a lot and repeat the obvious a lot. It is by law that this must be implemented. However, unlike any of the above, this, coupled with the hero, cannot be killed off. And that should more or less do ya, unless you're the type who wanted to pour dozens upon dozens of dudes into your game. In which case, congrats, you understand that doing the absolute base minimum to be called a "game" isn't the bar you should be shooting for and therefore are already on your way to being better than Squeenix. Next, you need to get to codin'! So go on Steam and buy the latest RPG Maker software when it goes on sale. You won't need to wait long, between the Summer and Winter sales. Once you have that, you already have built-in art, music, and character makers. Fuck it - creativity is hard, so let the software tend to that itself. Make some characters and name some locations, jot up a map with some landmarks and treasure, then make a bad guy. Bad guy making is easy, they all wear black or dark reds and purples and tend to always call themselves "The [Whatever] Empire". You don't even need to be arsed to make a motivation for their evil schemes. Have you seen how much Fire Emblem Fates raked in just on the goodwill left over from Awakening? I'm surprised JRPGs aren't made by fucking algorithm these days! Anyways, that just about does it for the traditional RPG. Comedy RPGs aren't quite as bound to the above and are, in fact, encouraged to break the mold. If you need some ideas to get the creative juices flowin', there's a game you can try out, you might have heard about it since I haven't stopped fellating the damn thing since I did the LP back in 2013: Hourai High. Your plot doesn't need to make sense and is better off if any causality is merely coincidental. Your characters shouldn't really be trying to 'save the world', per se, but should do so by side-effect of their selfishness and/or incompetence. Your team should have robots, aliens, fucking CheetahMen, I don't fucking know, but take everything I said above this paragraph and throw it into a shredder, make it confetti, and wail on established convention! Sweet fucking mother - BE CREATIVE. I'm gonna temporarily break facade here for just a second and say this: you know how you bitched about Final Fantasy 15? How it's a fucking boyband music video with a fucking car commercial crammed in it?! How you hated the hallway simulator of FF13? How no one bought Bravely Second? How Dragon Quest keeps getting away with remaking the same fucking game?! Here's your chance. Flaunt on the establishment. Fuck what is "popular". Make something new. Don't try to be Shigesato Itoi. Do your own thing. Break the conditioning. Get out there and make a fucking game. Make it so when people say "RPG Maker Title" on Steam, they aren't saying it like it's a four-letter word. Put some God-damn soul into it, people! And now, off the soap box. Bonus points if you add a dating sim. Just saying. Rune Factory 5 just got announced. Now, get to work. Congrats. You now know how to be the most fucking boring milquetoast thing on the planet and how to avoid that ass-cancer and do something that actually expresses your individuality and possible talent. This is the one time I'm allowing these rants to be somewhat uplifting. You're welcome.
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modernlcve · 5 years
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little info dump of lizzie’s la muses
ADELAIDE LINDHOLM  :   they still need a last name but . whatever. i was gonna make her like really boring n a lil mean but. i changed me mind. she’s still uninterested in fame but im pulling her out of management she did it for like 3 years and then realized it brought her nothing but stress and pain so she quit and is doing temp work for the time being she’s trying to figure some stuff of her own out but deflects it onto still trying to boss around her siblings all the time. this sounded more interesting in my head. know it all, bossy, putting on a front of being in control of her miserable life
plots for her include  :  former clients she completely abandoned when she snapped, im working on more but sometimes... being a big sister is a full time job am i right girls
ALISON COLLINS  :  a woman at a crossroads . wants to follow her big artistic ambition of [redacted] but it just hasnt worked out for her yet so she’s teaching elementary art classes at a Hippie School to pay the bills til something comes her way , but its hard to be the edgy artist type when u got the school breathing down ur back and checking 2 make sure ur on the straight and narrow.
plots for her include  :  another big sister im ltrying to think of plots for but . sometimes things arent easy you know. she could have art circle friends who make fun of her for Selling Out and making pipe cleaner crafts for a living now
BRUNO VARGAS  :   i’m copy pasting the fc meme. he bought a “capitalism is unsustainable” sticker off of amazon. prime example of that “little confused but he’s got the spirit” meme. he threw himself into the social activism scene after he dropped out of college and ran away to the city to really make something of himself. he really wants to do good things for good reasons his heart is in the right place he’s just a dumbass. grew up in a traditional catholic military family but hasn’t had contact w them for a minute. lives in the fold because he thinks its cool 2 force people 2 hang out with him. works for an indie underground news publication.
plots for him include  :  yeah  maybe i am still stuck on the boyfriend/girlfriend plot. im not married to it being bf n gf if it just works 2 be 2 gfs or 2 bfs anyways. plot would be that one partner bruno has had longer and has openly been with for a minute now. second partner would be more recent and bc of that less of the whole official We’re Together :) kind of thing. both partners would know he’s seeing other people, but he hasnt gone out of his way to specifically out either of them, p2 just knows about p1 bc they were openly w bruno whereas they arent yet. if that makes literally any sense
COLE EDWARDS  :  bit of a weirdo. she does something behind the scenes i was thinking like set design because thats something that weirdly really interests me. anyways shes a doormat but in a different way than molly could be read that way she really just likes to be involved in things and help people. ~quirky~ but one day , she will snap. u can tell when u see her at craft night and she gets so much hot glue on her hand but doesnt even react. its like she cant feel it... feel better cole...
plots for her   :  cole could work for laguna beach or as the mystery novak stepsib im not married to her being on the show or not yet. i figured she could be fun there because she would be a light addition to all these Reality Tv Bastards u know. her bg and plots will fit whichever subplot i use her for so . tba
HOLLIS MESSINA   :   kill him NOW .   hollis is a bad man. not to godmod michele but in my head their parents are also like weird arsty types not necessarily famous but always very into the arts all thru their childhood. they grew up eating a lot of kale and maybe thats why hollis is the way he is. he’s vapid and very insecure because he wants so bad to be cool and funny and talented and suffers from major impostor syndrome which contributes to his online shopping addiction. take a nap hollis...
plots for him  :  we know im always looking for a plot where my musician writes a song about how crusty their ex is and their ex doesn’t appreciate it, or in general just maybe someone who got past the Phony Fakeass Cool Hollis act but then he decided to be very mean to them because soemtimes it hurts to let people in
JAMES ZAMORA   :  instagram model and youtuber. new media thot. she makes beauty, fashion, lifestyle, and travel related content. her entire brand is being A Sexy Little Trollop for people to envy. came from humble beginnings believe it or not, but she will never tell anyone that. as far as they need to be concerned shes been toddling around in heels since day one. lives in the fold because it makes for quirky content but once a month she threatens to get the hell out of here.. no one knows why she stays..
plots for her  :  frankly between the Novak Boyz and the mean girl squad im happy w her plots for now but shes always around to *cheryl blossom voice* create a little chaos if needed...
MOLLY SEKULIC   :   for the first week he lived at the fold noah thought she was a ghost :0  jadede film school student who thought she would get to do real documentary work at a place like b*zzfeed news but got put on projects shes not as passionate about 2 put it kindly. constantly planning her escape from the fold and worth it and all of that but 2 depressed to actually put any of it into play so she just sticks around and hopes one day she’s tapped for something with Substance
plots for her  :  she just doesnt get out much. shes got her Horrible sons (alec and [redacted]) and the girlies she hangs out with at the fold so shes not a completely friendless loser. with muses also working in film i think it could be fun to have a plot where they went to school together/worked on a project earlyo n together but now shes doing this and is embarrassed to talk to them abt it not that its even that real of a plot..
NOAH FITZGERALD  :  i wrote an intro for him in fold and im just gonna link it here. tldr hes very shy,, be gentle,, he wants to be liked and validated which is a common theme for me becuase yeah maybe in my core i dont believe anyone pursuing art does it for any reason but validation i sure know i do 
plots for him  :   he’s got a little going on but other fun stuff could be musicians he jams with that could catch onto his and bradys Scam, maybe some other dorks to commiserate with ive obvisosuly not got as many ideas as i let on huh,
WYATT SONG   :   gay writer bitch. came from money so he’s just casually pursuing writing full time minus the time he spends on the show (bit less than everyone else just because watching him sit in his home office and do nothing for hours just isnt interesting) but i kinda like the idea of him being a Villain within the show like idk what dynamics we were wanting to set up but i feel ike since he’s more reclusive than the others and when he is around hes Annoying he could be someone the show kinda frames as Not Likable which mostly doesnt bother him but . stings a little
plots   :  someone whos really nice 2 him off cam but plays to that villain thing on cam, which could work for a few muses on different levels like a friend whos just flighty to someone he’s ~ secretly dating ~ bc it would mess up the current plot of the show if they were fucking just yet
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Gotham 4x05: A Liveblog
Phew... long, long day, super delayed liveblog, but here it is, in all its glory. And frankly, after last time, I am not hoping for much : |
TL;DR - So there was a footrub and- HEY LET’S TALK ABOUT SOLOMON GRUNDY!
You know I’m disappointed in Gotham when I have not been chomping at the bit to see the next episode. If they get ANYTHING right today, I'll be pleased
Buuuutch :c my baby, my angel :cccc
...there’s literally location called “Slaughter Swamp” there’s literally... *throws book on floor* *walks out*
And yeah, I'm sure dumping a mostly dead body in... this swamp is Very Safe and will not lead to Anything Weird Ever. After all, it’s not like the waters in this town have literally resurrected people...
HARVEYYYYYYYYYYYYYYY. HARVEYYYYY *sobs* Oh god and you look so good and your boyfriend has been AN ALL TIME LOW recently and... HARVEYYYYYYYYYYYYYYYYYY *cries into 50 pillows*
This season was supposed to be about you two getting married. And instead what do I get? The divorce. I fucking hate how this show writes Jim. HATE.
Is lil Bruce contemplating murder??? Daaaamn boy. Is this show finally actually going to become ABOUT Batman??? Am I actually going to start giving a fuck about Bruce? Jesus, how the turn tables.
Side note: David was younger here, they shot this episode earlier, not later
MMMM, all them good funeral feels for Bruce, MMMMMM. This is fine. I’m sure he’s... fine.
Jim what the fuck, fuck off. None of your shit now.
Oh my GOD Jim, you’re going to lecture ALFRED about PARENTING??? JIM. JIM. REMEMBER WHAT YOUR USELESS ASS WAS DOING FOR LITERALLY ALL OF LAST SEASON? IT WASN’T FUCKING HELPING BRUCE. FUCK YOU.
Why this show is choosing to make me hate Jim is beyond me. Holy fuck.
Bruce, I know you’re not Batman yet but... Batman is No Killing for a reason buddy. *pets* You gotta learn that lesson.
Babs hair this season continues to be... I don’t even know what her style is this season
HOLY FUCK WHY IS RA’S IN A HANNIBAL CAGE. HOLY FUCK OH MY GOD. OH MY GOD.
How Hannibal is this show going to get??? HOly SHIT.
Don’t tell me they gave Babs the fucking “soft paper, no clips, no staples, do not accept anything he hands you” rules (that BY THE BY we used on Frank too and that will NEVER stop being hysterical, although most of you are probably not in that fandom) too??/ HOLY FUCK WHAT THE SHIT
RA’S IS NOT A SERIAL KILLER, HOW THE FUCK DO YOU JUSTIFY THIS... WHAT THE FUCK OH MY GOD
I want to be paid a dollar every time Gotham borrows from Hannibal because... WOW. wow.
Jesus Fucking Christ What Even Just Happened
Oh thank GOD we’re back in Slaughter Swamp, I’m so sorry for what I said about you earlier, NEVER MIND, you are MUCH better than that, VERY welcoming, bless you Slaughter Swamp
...is that Oswald’s murder trailer? Welp, for the purposes of amusing myself, I’m just going to say that it is. Just come full circle on it. That trailer stays in the family.
Apparently none of you have seen Frankenstein or you would know not to wave fire at the recently returned from the dead : ||||
That... I guess that’s as good a way to get a name as any
*groaning about Sofia’s existence*
Is it an f or a ph? does anyone know? Meh
Mmmm... Oswald’s twitchy, he makes bad decisions when he’s twitchy. Of course, why Oswald should be twitchy now is a mystery. I can only hope the decision to abandon Ed isn’t sitting well with him. BUT that might make Too Much Sense because Fuck This Show
Hi Ed. I see your pill addiction is... still a thing. I’m not sure how i feel about the fact that you turn to drugs when you can’t handle shit.
...okay, I kinda love that Ed is now bad at everything in a new and entirely understandable way, as opposed to when he was bad at everything but we were SUPPOSED to think he was oh so smart (personally I think there are WAY better writing angles in that in regards to hubris and you know... actual fucking development but, WHATEVER writers, you do you). I have no idea where this will eventually lead, probably nowhere, because this show sucks and is determined not to make any progress of any kind but rather run us round and round in the same circles for all eternity, but this gets props for being entertaining if nothing else
“Butch, I have never had an issue with you” ...Ed. Edddddd. I’m. I’m just going to sit here silently.
Butch, I love you to death, you are everything, please drag Ed, both figuratively and literally, back to your cave and fix him. I love you so so much, please take care of him and then the two of you can be bros for life
Niiiiice, Alfred in his casual Night on the Town clothes, mmhmmmmmm
JIM SHUT YOUR FUCKING USELESS WHORE MOUTH YOU SELF-ABSORBED PRICK, YOU ARE NOTHING BUT DEAD WEIGHT TO EVERYONE HERE, DON’T YOU DARE PRESUME TO TELL ALFRED HOW TO PARENT YOU UNWANTED CODPIECE
NANANANANANANANA BATHOOK!
...you’re kidding me, I’m supposed to believe Bruce has memorized the changing of the guard at Blackgate? *siiiiiigh*
...yes, I also keep my ceremonial murder weapons stuffed down my shirt. It’s almost like you need a utility belt or something
I hope to god Sean flubbed that line and everyone just went with it
“Under crackers” is now the only way I am going to refer to my under garments and/or genitals
...OKAY SO GRUNDYGMA IS THE NEW NYGMOBBLEPOT WE ALL KNOW THAT RIGHT?
Holy shit, I thought y’all were just being crack but THIS IS SUDDENLY THE BEST THING ABOUT THIS SHOW I AM IN LOVE THIS IS PERFECT PLEASE GOD MAY THEY NOT RUIN IT IMMEDIATELY
Holy shit, ONE good scene, ONE good fucking scene in A MILLION years, oh... sweet jesus THANK YOU, I’ve waited SO LONG for literally ANYTHING to be good again and HERE IT IS
Uhhh... is Sofia gonna murder Oswald over lunch? Because if so: No.
Oh boy, back to overplot
...okay, I have no idea what to make of Ra’s al Ghul, if he’s lying or not, not a clue
Ed... Ed you REALLY need friends right now, would you please just TRY to human being for a second. Jesus. You’re stupid and you’re still SO BAD at EVERYTHING.
Awww, see, there you go! There you go sweetie, you can be friends!You can do it, good job not letting your only friend burn to death, that’s a good step forward!
Uhhhhhh oh, Oswald’s having mom feels. Oh boy.
Alfred, confirmed 300% more useful than Jim ever was
Poor Oswald... damn, without an Ed as a clutch for balance, Oswald’s spinning his wheels. This is 100% what I expected when the season started, but I”m a little upset at the pacing. This should have been obvious and building from day 1 and AGAIN, LAST episode should have had a VERY different emotional tenor. His limp is also atrocious right now, he’s very stressed and jumpy and there are obvious reasons why, but they haven’t PLAYED any of them, which is annoying.
...
...
. . .
The List Of Things I Could Say Right Now. I’m Just.
.
.
.
do you know who fucking else has seen Oswald’s fe-EDDDDDDDDDDDDDDDDDDDDDDDDDDDDDD
ALL OF THE ANGRY GIFS IN THE WORLD CANNOT EXPRESS MY RAGE
So uh... are you a mummified corpse in all reflective surfaces and you’ve just been avoiding mirrors, or does this trick only work in puddles?
...really milking that death there Alexander. Which is fair, this is a comic book show after all.
GREAT acting on David’s part tho, mad props
Yes, yes, cute jaw drop, very hammy, good job
Jim, I’m pretty sure this is the first time you two have spoken in like... 2 seasons. Just saying. you don’t know each other that well... or at all really.
Also, I‘m not positive killing someone who was immortal and who wanted to die is really murder either. Especially considering he was The Worst. Like... you shouldn’t feel bad, at all, that he’s dead, you’ve actively saved lives by killing him. Even if this is murder, I”m just saying... probably the best murder you could have done. Good job Bruce? Meh, I really don’t have any investment in this storyline, I'll be real.
Ed, why must you lie to your own and only friend? Why Ed? *siiiigh* Baby steps of friendship I guess, baby steps
...annnnnnnnnnnd there it is.
Knew it was too good to be true, couldn’t have ANYTHING nice this season could we. No, no of course not. Ooof course not.
May the all-consuming void swallow me up whole so I don’t have to deal with This.
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mattgambler · 6 years
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Dark Souls versus Nioh
TLDR: I played Dark Souls 1-3 about 18 months ago and yesterday I abandoned my first ever Nioh playthrough halfway through. I compare my experiences and declare them both winner and loser at the end of the day.
Today after waking up I was greeted on Discord by a public message of one of my mods which had me typing frantically in a matter of seconds: so Nioh went the same path as every other soulslike game ? Final call on it matt? ( wich mechanics where new wich ones where even more frustrating and wich ones where a welcome change from the other soulslike games?) I wanna clarify that I played a couple of “soulslike” games over the past 2 years and rarely left one of them unbeaten, so his first line had me somewhat confused about what exactly he meant, given that I had abandoned my Nioh playthrough halfway through only the day before. The games I had played (and I am aware of the fact that some rather important ones are missing) were the three Dark Souls games, Salt and Sanctuary, Dead Cells, Titan Souls and now Nioh. I usually want to beat these sort of games even if I don’t enjoy them, and be it only so I an criticize them without sounding like a whiner who simply didn’t git gud enough. Useless gamer pride, I know. But while I sat there, talking about how I had beaten all the other games before this one, I knew what he was probably talking about - which was me not liking the game. I also didn’t like DarkSouls 1-3 that much, and back when I streamed them it was usually me versus my chat as I tried to win the unwinnable argument of convincing fans of a game why it was clearly and “objectively” bad. Or at least not as good as everyone wanted me to believe. But let’s look at Ashtaks actual question. At first glance, Nioh does a couple of things which had me praising it as soon as I encountered them. Inventory indicators for what you had picked up since you last looked into your inventory. A clear path to follow. Storytelling that looked like actual storytelling for a change. I was sure I would like this one! But the longer I played, the more I noticed the glaring flaws that were worked deep into the games core, and which became even more apparent given how those flaws were mostly absent from the soulsgames I had worked my way through back then. The linear progression was nice in comparison to the at times random and unintuitive nature of Dark Souls, where I only managed to find the painted world of Ariamis after my chat had given me step by step instructions on how to find and enter it. But at the same time the missions soon started to feel same-ish, another temple, another batch of yokai that had corrupted something vengeful spirits something save that village something hope you dont mind taking a look at my yard while you are there Anjin Sama please make sure I didnt leave the window open. The storytelling had me intrigued for about as long as it took me to realize that the narrative was meaningless and bland and that it didnt make much sense up to the point I had reached in my playthrough. There’s a villain and he wants to gather that ressource Amrita that the game had introduced you moments before, now he stole your guardian spirit which you apparently had all along and that seems to be the only spirit in the world that can detect that Amrita stuff even though you are collecting it left and right as quickly as you can because the next levelup will require another 78 000 units of it because, hell, gotta keep you grinding, am I rita? The inventory indicators were good at least. Sorely needed in the trash collecting simulator that both Nioh and the games in the Souls Franchise are, too! But while it made sifting through trash a lot easier and more practical, it didn’t really change the fact that I was collecting trash 99% of the time. At least in Dark Souls you didnt feel like losing out if you left that stuff lying on the ground because you couldn’t exchange it for souls as easily, if at all. (I don’t exactly remember.) But while I’m listing pros here just to pluck them apart right afterwards, I wanna say that weirdly enough I felt like I enjoyed Nioh more, on a surface level. Sure, the story was weirdly uninteresting, but at least it was there, right? The game was reusing the same enemies for mission after mission, but at least it didn’t give me bullshit like the Anor Londo archers or the Tomb of the Giants, or that fucking disgusting curse mechanic in the canalisation of dontaskmewhatthatareawascalled. At least I had my sense of where to go and my inventory indicators for newly picked up equipment, right? And finally some proper tutorials! Yes and no.
While Nioh comes with a metric shitton of improvements that Dark Souls would have desperately needed back then, while it looks great and plays smooth and overall does everything I wanted Dark Souls to do back then, it lacks the inspiration and credibility to actually make it all work for me. On day 6 I encountered a bossfight that was somewhat similar in tone to the Sif encounter in DarkSouls. You know, sad music, the boss was kind of a good guy, this time it was a cat spirit instead of a giant wolf, but yeah, you get it. All it accomplished was making me realize that I never cared much for that feline companion of mine in the first place. Sif, in comparison, had never been my companion. He(?) had never tried to be loyal or helpful to me. Weird how I still ended up caring so much more for him than for my own weird cat buddy that I had never really gotten to know all too well, but... at least he was around? I guess? Must have been the missing limping animation. Another thing that always struck me as unpleasant about the Souls games was that there were no proper tutorials. Here, you are in a cell, now go die. Again, Nioh delivers where Dark Souls fell short, several nicely spaced out tutorials to show you the ropes, how to switch stances, how to use skills, how to take a dump behind a tree. But while Dark Souls would have had me confused about many things if not for my chat, Nioh locks tutorials behind mission progress and usually ended up teaching me things only after I had figured them out on my own. And weirdly enough, those tutorials managed to both make me feel as if they were holding my hand too much as well as(!) if they weren’t clear enough on things. How do you even pull that off? Sure I’m learning in detail what I already know, but I still need to do the tutorials for the rewards and it has me standing there unsure about why it is not continuing because I already did what it wanted me to... I think.
And then there is all the stuff that is missing, at least up to the point that I reached in the game. While Nioh does a somewhat good job of fixing DarkSouls’ flaws (Seriously, that inventory indicator, how could you not have that, Dark Souls. I mean what the actual fuck.) it took things that were good and working and just left them out. Basic stuff, like leaving messages for other players, complex and intriguing things like covenants, boss weapons. Incredibly vital stuff like secrets! Dark Souls is full of them and while I was sometimes annoyed by a bonfire being too well hidden, or another entire area being hidden behind a random wall segment in an even more random wall, Nioh feels like it is incredibly afraid to hide anything, or give you a glimpse of a later boss in the distance, or leave any sort of mystery as the story progresses. The bad guy? Yeah, he stole that spirit to collect amrita. That spirit? Yeah, it has been with William since he was a child. That mission? Yeah, seemingly the kids were turned into yokai, or the shogun (or whatever he was) blew up his castle but he also broke his teaset and that teasets name was “flat spider” in japanese and because he broke it the boss of this level is a giant spider. Oh, that character you didn’t really care for? Here is an entire page of exposition for you if you wanna learn his role in all of this. Considering all of this and more (incredibly uninspired and therefore often confusing leveldesign, to name one of several things I’m not gonna go into too much detail here)  I would already come to the conclusion that Dark Souls is a way more interesting and mysterious game than Nioh. Wild, reckless, interesting. Stupid at times, and fuck the tomb of the giants, what an embarrassing fuckup of modern game design, but still, a wondrous and intriguing journey overall. Personally I liked Dark Souls 2 best. But still I would have considered calling Nioh the more solid game, in a casual,  gamey way. It plays well, you progress through it, you probably have somewhat of a good time anyway. I’ve always considered Dark Souls, especially the first and probably most iconic one, as more of a weird art piece than an actual good game. But Nioh was too hard for me. Yes, harder than Dark Souls, and not in a good way as far as I’m concerned. The sheer number of times I was literally oneshot with full hp because I didnt dodge this attack or that combo in time is just too damn high. Many deaths in Dark Souls came from intricate traps or simply stupidly falling to my death (because fuck swimming or holding on to ledges, right?) but while Nioh does that sometimes as well, the sheer damage that enemies deal with each attack and your characters morbid fetish for being stunlocked made what could have been at least casual fun into a frustrating mess over time. And I used a spear, the only weapon that scales with the hp stat anyway.  I might just be bad, or not patient enough to die through yet another 20 bossfights until I figure out how to dodge enough attacks to barely succeed. But then again, I might just have had more fun dying in Dark Souls than I had dying in Nioh.
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