#he's so in love with stede already. he wants him so bad. stede has no idea. he really coulda hit day 1

[girlbossblackbeard]

THOUGHTS AND LAYERS

i spent literally an hour analyzing this trailer at 0.5 speed. this post is long af and these thoughts are in no particular order and are poorly organized:

-there's a big storm (which I think was already confirmed), and ed gets swept overboard by a bucket on a rope:

he then crawls up out of the water onto the beach

then goes into the forest, creates a hut, has a journey of healing and self-discovery, meets hornigold (or his ghost??)

and kills him thus killing the part of himself that he hated the most (his violence) as a parallel to stede finally getting rid of nigel's ghost by accepting and believing in himself

-in the stede/ed split screen, the stede shot is from the first ep of s2 right after stede finds the marooned crew at the end of ep 10 in s1 (you can tell bc his hair and clothes are still clean, there's no gay bandana around his neck, and that's his lil dinghy buttons is rowing)

-they go to shore and wind up at the merchants shop where "susan" overhears they're tracking down blackbeard

and she invites stede's crew onto her ship, cue the outfit change in the BTS photos:

-the way stede makes that little swishy turn in the red coat -

makes me think this may be first time he's been in fine clothes since his "death" and i hope we get a moment of him reflecting on how he gave up everything for ed only to have him hate him :( but then obviously realizing that ed is worth it and he'd do it all again in a heartbeat if it meant getting a chance at spending the rest of his life with him

-izzy and stede team up, and izzy is clearly training either himself or stede on the revenge (?)

soooooo many questions: what caused him to leave ed and join stede's crew? is he fighting with ed and is training to take him out or is he just done having his love be unrequited so he leaves and just so happens to stumble into stede? is izzy thinking that if he can't cut out the longing he has for ed he has to kill him instead so the pain will go away? what, pray tell, the fuck is going on in here on this day

-wee john in the mermaid costume (and olu in a bunny or donkey costume?):

a fuckery? or just a weird acid trip? OR IS IT THE TALENT SHOW THEY NEVER GOT TO HAVE??

-ed really does force everyone on his crew to wear war paint

-all the tally marks scratched into the walls - is that the number of days since stede bonnet broke ed's heart?

-ed in the forest in PEARL NECKLACE HELLOW????????

-the tear in ed's eye as he moves the cake toppers closer together which he also painted to make the lady look more like him he literlaly is in love wiht stede so bad wht the FUCJ

-ed's crew is murdering SO MANY PEOPLE at the wedding wtf (pic not included bc scary)

-delusional moment but i hope anne bonny on stede's lap is looking at calico jack off screen

-stede and ed are running towards each other on the black sand beach (thank you @sluterastede for pointing this out to me wtf!!!!!!)

which evolves my theory that ed in the forest goes through his healing journey and realizes he wants to openly love stede again but then the navy attack and stede just so happens to have found ed at the same time and they're fighting to get to each other and taking out everyone in their way (what if that was okracoke lmao)

-the swede and spanish jackie hooking up in the trailer

makes me think the bts shot of ed and jackie is them looking at stede and the swede, and ed being SO in love with stede obvi but jackie is watching the swede do some weirdly hot shit so she's gotta have him (what if they got married and he became her umpteenth husband in a drunken vegas-like shotgun wedding where she wakes up the next day to realize what has happened lmao)

-also this pic is DEF from the reunited/make up era bc ed's half-up hair, no makeup, soft eyes, and buttons' clothing. i am weeping

-stede in pain - is it an injury or a tattoo? or torture as @sluterastede posits?? he looks down at his lower body before screaming so maybe he knows what's about to happen to him??

-ed in the forest wearing the pearl necklace (see above), ed saying "fuck you stede bonnet" wearing the pearl necklace (see below)

does he pick it up at the wedding??? (theory credit to @sluterastede!!!! can u tell we watched the trailer together 400 times) i can't tell if he's wearing it in the one wide shot of him in that scene:

but regardless of when he acquires it, does he take it bc he remembers stede said he wears fine things well???? and he starts to believe he may deserve them??

-side note about a LACK of something: ed isn't wearing the cravat at all in the trailer near as i can tell, and he's not wearing the pearl necklace when throwing knives at the wall (at least from what I can see, which is not much) which leads me to believe that scene is in the earlier part of the season

-lastly, the most important song lyrics from the trailer (the beautiful ones by prince):

and that's my dissertation on the ofmd season 2 teaser trailer thank you

#ofmd #our flag means death #blackbonnet #gentlebeard #edward teach #stede bonnet #ofmd s2 #ofmd season 2 #ofmd s2 spoilers #ofmd spoilers #ofmd s2 predictions #ofmd s2 trailer

[dragonlands]

There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈

#ofmd s2 #ofmd season 2 #ofmd #ofmd spoilers #izzy hands #our flag means death #ofmd meta #ofmd izzy #blackbonnet #gentlebeard

[piratecaptainscaptainpirates]

When they don't have each other to talk to, I think the biggest thing Ed and Stede really miss is having someone to open up to. They are both so desperate for someone who gets them.

Look at Ed, in s2e4! He's absolutely pouring his heart to a bunny. Like, he is so desperate for connection that there are tears in his eyes as he's venting to a rabbit.

And Stede's no better, really. He gives Anne his full life story just because she seemed vaguely interested in what he had to say. He told the pirates on Zheng Yi Sao's ship all about Ed because they were willing to listen.

Both of them, for so long, have felt like they have no one to really talk to. But the very first conversation they had, in s1e4, Ed was openly admitting that he was thinking about "packing it all in," something he probably never would've even considered saying to anyone else.

Once they fully realize that they're completely safe to voice their deepest fears and scariest internal thoughts to each other? It's all over. They've already gotten a lot better at communicating this season, at reassuring each other and being patient with each other. The bones are good.

And honestly? I do feel a little bad for anyone who has to be in their proximity, because they're going to be one of those couples with no boundaries. Like, they don't close the bathroom door. They say "I missed you!" when the other was one room over. They wake each other up at 3 am just because one of them had a scary thought and they know the other would want them to wake him up. They're going to be so disgustingly in love and I wouldn't have it any other way for them.

#ofmd #our flag means death

[plantsjustwannahavefun]

I keep seeing so many people here getting angry that this season is "vilifying Ed", and it's depressingly fascinating to see how others can watch the same show and somehow see something completely different. Is it simply the lack of media literacy? Is it the inability to appreciate and enjoy complex, nuanced, morally grey characters without willfully blocking out anything even slightly unpalatable about them to the point where the character they think they love isn't really that character anymore?

Because, uh... Season 1 already "vilified" Ed plenty. Except "vilify" is the wrong word, of course. It wasn't in any way malicious or mean-spirited, quite the contrary, it was often played as comedic (until the end of episode 10 when it was anything but) - Ed was always meant to be a sympathetic character, he's a protagonist after all, and the show's portrayal of him is very compassionate. It merely refused to sugarcoat or shy away from his darker side. He's literally history's most famous pirate, you don't become one by being nice and treating everyone gently. He ambushed and strangled his own father to death when he was like 9 years old (100% deserved and justifiable ofc, but it still bears saying it out loud like this just to comprehend how unhinged this actually was). He loves torturing and maiming people for fun, and sometimes even animals (that scene with forcing a turtle to fight a crab). He didn't give a fuck about his crew members dying to satisfy his whim to meet Stede. He entirely failed in his role as a captain in ep 4. He effectively played a double agent with Izzy and Stede for a while before changing his mind. He attempted to murder Lucius. And while you could try to argue his punishment of Izzy was at least to some degree deserved, not only cutting Izzy's toe off but forcing him to eat went beyond punishment, it was sadistic torture.

So, yeah, please just read all that and take it in. And then remember once again that Ed is also a traumatised, lonely, depressed, sensitive, creative, curious, deeply passionate person yearning for true love and for something different in life... just like Stede. He loves music and can play the piano. He wrote a very vulnerable song and sand his heart out. He likes his tea with seven sugars. He enjoys fashion and dressing up. He has such a limitless sense of wonder for the world. He went on a trek with Stede just to make him happy, even though he hated nature and was in a shit mood that day. He wants to host a talent show. He wants to become free. He's clever and funny and fascinating. I love Ed.

Yes, it's possible to reconcile those two sides of him and accept both sides as the "real" Ed. You have to reconcile the two sides if you want to enjoy him as a character, because if you don't, you're going to either detest him to the core (which would make enjoying the show practically impossible since he's sort of a main character...), or you'll only be able to enjoy a diminished, crippled, cardboard cutout version of his character, which would be such a pity and a massive disservice to the creators of this show who worked hard to create interesting, multidimensional characters.

Not to mention you'd be missing one of the core messages of the show - the idea that people still deserve love and can be loved even if they're imperfect, or not necessarily good people. Because love is a human condition. It's not a sole dominion of "good" people. "Bad" people can fall in love too - even if, just like them, that love isn't exactly "nice" or "pure", and neither are the relationships that stem from it. They can be messy and exasperating. But "bad" people can also grow and change because of it. That's what OFMD is ultimately about - growth and change, learning to accept yourself but also become better. That can't happen if the character is already 100% perfect the way they are.Ed is far from that. So is Izzy. They can both become better, and they both still deserve compassion and understanding, because that's the environment people need to become better.

So, if you're mad that at the start of S2 the crew are sympathetic to Izzy's suffering and want to help him instead of kicking him when he's down, and what Ed did to him is being acknowledged as cruel and wrong... congratulations, you have completely missed what OFMD is all about.

#normally I hate fandom drama and hate getting involved but I've seen too many of those posts #so unfortunately it needs saying #and tbh there seem to be a few Izzy fans out there who are unreasonably hateful and unsympathetic towards Ed too #so they need to hear this as well #izzy hands #blackbeard #ofmd ed teach #ofmd #our flag means death #our flag means death s2 #ofmd s2 spoilers

[natjennie]

and another thing about ed's suicidality, especially in e3, is that it's not new!!! stede didn't ruin him and izzy didn't drive him to it. it's never any one person's fault. he's been dissatisfied with pirating the whole time, one of his very early lines is "haven't died yet, have I? we should try that" like. ed's mental health has been bad the whole time, and a new shiny happy fixation, stede, wasn't going to magically make him not depressed. it just hit particularly hard once stede was gone.

but also like.. the fact that it was hornigold. the fact that the dream-sequence manifestation of ed's depression was his captain, his introduction to the world of piracy. his mentor. his abuser. and after that whole monologue about never going back to land, just sailing and plundering forever. he was miserable, acquiring treasure just to throw it out, causing chaos for no reason. you have to understand that piracy, as it was, will never make ed happy. it's not what he wants, it's not what he needs, it's very specifically, explicitly, identified as the source of his overwhelming self-hatred. hornigold is the one that pushes him off the cliff. ed is the one who desperately tries to undo the ropes.

and that's another thing like!! yeah mermaid stede came to him as a lighthouse beacon but, ed was already steering himself towards the shore. just as no one person drove ed off the deep end, no one person saved him. he saved himself. and that's so fucking important to me. it wasn't love that saved him, but he had love to look forward to when he woke up. ed was the one untying the ropes, ed was the one forcing himself to stay alive, the whole time. and that's really fucking hard to do. "to love life, to love it even when you have no stomach for it" that's what ed is doing. he's not a damsel in distress being saved by true love's kiss. he is fighting, kicking and screaming, to find a life he can bear to live. stede is a bonus.

#dj really said give those depressed gay kids on tumblr everything they want #ofmd #ofmd s2 #ofmd spoilers

[carrymelikeimcute]

As long as people aren't tagging their bad Izzy takes, I'm going to keep ripping at them. There's 'reading the character differently' and then there's...inventing stuff that just never happened.

Prior to Ed's arrival on the Spanish ship, we only see him talking to Izzy - this obviously means that Izzy is keeping other crew members away from him so he can isolate and manipulate him, which is emotional abuse.

OR there were no plot relevant reason to have a scene featuring other members of the QAR crew (only 2 of whom are named characters) so there is no scene.

OR! Ed (the captain) is in his quarters because he chooses to be, as he has lost interest in the day-to-day of the ship (canonically stated) and Izzy is reporting to him because that's literally his job.

Izzy lies to Stede about Ed to manufacture a 'truth' that he hopes will kill off Ed's interest in meeting him - which does the OPPOSITE and makes him more interested. So if Izzy is meant to have been 'manipulating' him for years, he's fucking terrible at it the first time we actually see him try, in canon.

In S1e10 Izzy is keeping the crew from seeing Ed - isolating him again so he can control him - until Ed makes him bring Lucius to him.

I might be bad at this but, surely the first step of isolating someone is, when they want to see someone, you say 'no'? But just to be clear, the first time we know of, that Ed asked to see someone, Izzy brought that person to him, and left Lucius alone with Ed, so he wasn't even watching or listening to their conversation?

Very controlling of him, all of that...following order and not being in the room that he did.

Like...

Izzy already did enough bad shit, making stuff up is just...why? To try and make him suck less than Ed 'off with your toes' Teach, because that's the only way you can feel good about still loving him? You can love characters who did bad things guys. You don't have to tear apart the fabric of time and logic to make them the good guy in every scenario.

#ofmd meta #izzy hands #the izcourse

[celluloidbroomcloset]

I think in some of the very deserved and justified sympathy for Ed we kinda lose the fact that there are several times in the first season where Ed hurts Stede significantly.

The stuff on the French ship highlights how Stede is unable to fit into certain spaces, no matter how hard he tries or how he’s been raised to it. Ed is quite charismatic, and he’s very good at commanding a room under any circumstances—Stede struggles with that. He already has experience of how things play out at parties like this (as he says later to Frenchie), and even though this should be a space where he’s in command, because he understands the culture and the rules, he’s still an outsider. A lot of his protests about going to the party are not just in protection of Ed, but of himself.

And Ed does actually participate in bullying him. He silences him when he tries to speak and mocks him for talking too much. We see pretty clearly that Ed knows how to cover his own discomfort, and he’s more easily led by the behavior of people around him, so none of it is deliberately trying to hurt Stede. But he does.

This all eventually backfires on Ed, who doesn’t realize for a bit how he is being mocked too, and Stede gets some of his own back on the aristocrats. But the catalyst is very much protection of Ed, not himself, and it’s never directly addressed the degree to which Ed was joining with the crowd and belittling Stede.

(Note: I think Ed gets this later, because he's so disappointed when Stede won't tell a story and increasingly includes Stede in things where it appears he's being sidelined—including encouraging Stede to have fun with his new fame.)

By the time Jack shows up, Ed has already become more self aware because he’s been safe to be. He doesn’t want to be a bully, and Lucius calls him out for being a bit of a dick to Stede. I won't get into the same points about Jack I've made before, but Ed is clearly more aware of Jack’s behavior being wrong. He's also torn between his desire to fit in and his awareness that he’s doing harm to Stede, someone who is his real friend and with whom he’s in love. He sees his own affinity with Jack and Jack’s behavior and tries to deny that it’s hurtful, then accepts that it’s hurtful but believes it’s something horrible in himself that he cannot change and so the only answer is to get out.

We could argue that Stede gets sidelined because he chooses to be—he doesn't want to do yardies or whippies or get pelted with coconuts, even as he could be included. But this is another kind of bullying, the insistence that someone participate in something they're clearly uncomfortable with because everyone else is doing it. Jack's behavior from the outset indicates that it would be very unsafe for Stede to participate if he wanted to, and Ed's dismissal of it when people are hurt further says that he's not going to protect Stede.

It’s an extension of what happens at the French ship, but more serious because Ed has come to see that this is not the man he wants to be but believes that he simply is. He’s ashamed, and his response to that shame is to think that he deserves it because he’s a bad person.

While the show doesn’t draw explicit connections between the two episodes, we do see Ed experiencing bullying and rejection in a space where he wants to be accepted, and Stede standing up for him in that space. And he sees Stede having the same experience, something that makes him ashamed of his own participation in it. Part of Ed's growth is in seeing that behavior as hurtful, understanding that he's participating in it, and having to decide whether that is the person he wants to be.

#ofmd #our flag means death #edward teach #stede bonnet #calico jack #ofmd meta #gif

[sixstepsaway]

I don't get why people want to pretend Ed wasn't abusive. Why do people insist on making everything into binaries? Yes, Ed has been a victim of abuse. Yes, he has been abusive. Both things can be true. I love him because I think he's in interesting and I understand where his pain is coming from (even if I think S2 was a missed opportunity in terms of character development). But anyway, thank you for writing about this because maybe some folks genuinely don't recognize abusive trends.

I think it has a lot to do with the fandom culture of only being allowed to like "wholesome" ships.

Look at it this way: when season 1 was airing, Ed and Stede were, in fact, very wholesome. Sure, they had some moments of lesser wholesomeness, but overall they were pretty wholesome and sweet and gentle. They were sweet and finding love in middle age and it was adorable. They had a general stamp of fandom approval that they were, in fact, Wholesome And Good To Ship™.

If you look at other fandoms, you'll see a lot of times there's the Good And Acceptable Ship and then there's the Bad Ship (or ships) and the Bad Ship is always slapped with the "oh that's actually incest!" label when they've, idk, grown up together, or "oh it's abusive!" because one of them one time made a bad joke or something, or "power dynamics!" because one is 27 and one is 25 or one is short and the other is tall or whatever, and yeah sometimes the Bad Ship is actually toxic or whatever (which is not a reason to not ship and enjoy it!), but they're put in neat little boxes: Good and Bad.

And for a lot of people, those boxes keep them safe. Last year, someone who was an Izzy Hands fan got doxxed because...? They liked Izzy Hands and shipped him with... I don't know actually. Ed? Stede? It doesn't matter, all I know is they got doxxed.

The side of fandom that thinks you should only ship the Good Ship are toxic and downright dangerous. It's happened again and again in numerous fandoms and just keeps happening.

So when at the end of s1, Ed turned around and cut Izzy's toe off and fed it to him, I think a lot of people panicked because shit, now Ed was Bad too, and if he's Bad then you can't like him or relate to him or ship him with the Good guy of Stede, so what the fuck do you do?

Obvious answer: Blame Izzy. Izzy's already classed as Bad, so put all the responsibility on Izzy for Ed's darkness and then it's safe to ship Ed and Stede again and no one can call you an abuse apologist or whatever for liking them together.

(To be clear: Shipping says nothing about your real morality. This is very clear for many reasons, one of which is... spend thirty seconds watching fans of the Wholesome Ships dox people and abuse people online lol)

So they spent all this time saying Ed was just scared and lashing out, and now s2 has come along and Ed is... well, abusive, canonically.

And for most of us, that doesn't really matter. We can still enjoy Ed and Stede or Ed and Izzy, we can throw ourselves into fanworks and enjoy the show for the things we like, and we can critique the things we have issues with (my problem is not Ed being written as dark and twisty and having a villain arc, my problem is the show writing it badly, exploring it badly, and then handwaving it, because it's shitty writing) and still really enjoy the vibes we got from the show.

But for people who are scared because they spent all this time saying Izzy fans should kill themselves for liking an abuser, well... now they have a choice: either admit Ed is an abuser and admit that liking a character doesn't dictate your irl morality, nor does it say anything about you aside from what you enjoy in fiction, or excuse away his actions, insist he's just a lil meow meow and continue feeling safe in their little bubble.

In a lot of ways I can't blame people for wanting to duck and cover from it. I mean, look at the shit people get for liking characters who aren't perfect, or talking about the imperfections of characters, or just enjoying complex narratives!

But what genuinely concerns me isn't anything to do with the fiction really, it's when people look at Ed's behavior in 2x01 and 2x02 and go, "Nah he's fine," because oh, honey, no, you are making yourself so vulnerable to real life abuse. That is what worries me, which is why I answered that one ask saying Ed wasn't abusive, it felt important to point out why he is.

Anyway, that's what I think is happening here. I think people are just scared that if they admit their fave has multitudes and isn't a perfect character who never does any wrong, they'll get doxxed and abused and harassed online.

I get that.

#anonymous #ask

[attractive-nuisance-esq]

Ed’s journey this season is going to perfectly mirror addiction and recovery, and I am so fucking here for it. Watching these first three episodes of S2 was like watching a highly dramatized AU of my own descent into rock bottom (except everyone was dressed wayyyyyy cooler than I ever was), so I have a lot of thoughts, reactions, and insights that I want to share with other fans. I’m sure many of us who have struggled with our mental health connected with Ed in these episodes, but I think addiction is the most appropriate lens through which to view him because addicts (more often than people who struggle with other mental illnesses) so wholly destroy their own lives and utterly devastate those of their loved ones. I want to share - from the perspective of someone who has steered her own ship straight into a storm and woke up alone to face some very hard choices - what is going on with Ed at the start of this season and what I think is coming.

Let me start by saying that Ed isn’t literally addicted to any one thing, despite his heavy use of drugs and alcohol, but his goal is the same as that of all addicts: escape. He does not want to sit with the pain of Stede leaving him on an immediate, surface level; on a deeper, more habitual level, he doesn’t want to sit with the pain of his own self-loathing. Of course the two are related: the former brings the latter to a head. Stede abandoning him dredges up and brightly illuminates all of his insecurities, and now Ed has to run. Get out. Escape. Don’t think about it. So he is fighting, stealing, drinking, snorting, shooting, killing - whatever it takes to not think about it.

“Demon? I’m the fuckin’ devil.” People in recovery often talk about addiction as if it were a separate, sentient monster living within them. Ed taking on the mantle of demon - a creature known specifically for possession, for removing the host’s free will - is intentional. So is his insistence that he’s not just any demon but the demon. The worst there is. (More on that when we get to The Innkeeper.)

Izzy’s confrontation of Ed in the captain’s cabin and then on deck is a form of intervention. Izzy is trying to help Ed, but of course this goes terribly for him and for Ed because interventions (I cannot stress this enough) are maybe the worst thing you could do to an addict. All addicts know things are bad, but they cannot be pushed to change one single second before they’re ready. Ed knows things are bad. He’s well-aware of how he’s spending his time, how his crew feels about him, how disappointed Izzy is. Being confronted with all of those truths by Izzy was always only going to make him do two things: 1) dig further into his unhealthy coping mechanisms, never mind that they don’t have nearly the effect that they used to; and 2) lash out at the person who forced him to think about it. Izzy lost his leg the moment he stepped into Ed’s cabin.

The impossible bird. You guys remember the song Chandelier by Sia? The one about her addiction to alcohol? The whole thing may as well come right out of Ed’s mouth at the end of that first episode, because that experience is exactly what he’s trying to convey to Frenchie. Nevermind that Frenchie has the temerity to tell him the bird can’t exist, that it has to come down sometime, that flying forever isn’t sustainable. The bird can come down on its own terms, or crash… but Frenchie’s definitely not going to say that much. Still, “that sounds like something that can’t exist” hits Ed, and leads us to the next episode.

Now we’ve got Ed forlorn, heartbroken, almost catatonic while playing with his cake toppers. We don’t actually see him crying in the opening of the episode, which is the point. He’s done crying now. The impossible bird can’t exist, and Ed has already resigned himself to this. He’s decided to die. The only sure-fire permanent way to not think about it.

When next we see Ed, he seems to be doing better, but this is a huge red flag for anyone who knows to look. He’s giving away his responsibility to Frenchie; he’s cleaning the cabin for the closure. He knows the end is coming fast, and the relief that knowledge brings him leaves him weirdly at peace. It is he eeriest part of these episodes, IMO.

Then he goes to find his first mate, the person who knows him better than anyone else in the world, the man he just fucking shot and ordered killed. Ed needs his low opinion of himself validated, and of course he thinks he’ll get it from Izzy after everything he’s done to him. He wants the one person who has stuck with him through everything to confirm that he’s now irretrievably broken and no longer worthy of his love. Ed wants someone to tell him that he’s right: he should die.

He doesn’t get that from Izzy. Interestingly, Izzy doesn’t tell him he should die. He says “Clean up your own mess.” Izzy has learned the lesson now that Ed isn’t ready to get better and that he can’t make him be ready. (This post isn’t about Izzy, but hoo boy - I have big feels about that man.)

Ed has been indulging in various forms of self-destruction in order to not feel his feelings, and steering the ship into the storm is his worst indulgence yet. This is the worst of his crimes - not beheading or arson or a red wedding. It’s when he tries to bring down everyone who has ever loved him into his misery, into believing what he believes. The audience generally (and Ed’s audience of Stede specifically) can forgive him for hurting strangers and for the non-specific mayhem whose victims we’ve never met; but it is much less certain that anyone will forgive him for hurting the only family he’s ever known.

The storm itself is the perfect metaphor for Ed’s attempt on his and, incidentally, everyone else’s lives. One of the most common metaphors used by friends and family members of addicts is that of a hurricane: that their addicted loved-ones tend to destroy everything they touch, anyone who was foolish or brave enough to stick around. And, like hurricanes, addicts aren’t malicious. Ed’s primary goal here is to get himself killed, not to kill everyone else. He wants the ship to go down so his death is certain. His firing a cannonball into the mast and asking Jim and Archie to fight to the death isn’t malice: it’s utter and complete nihilism. Nothing matters anymore. Nothing and no one. The end is near, and he’s so fucking drunk and high off these distractions that he couldn’t think about it if he tried. He’s manic with relief. (See also: “Finally.”)

And now for the finale: Purgatory. Buckle up, because this is where the addiction analogy gets real *chef’s kiss.* Purgatory is the equivalent of the morning after the worst, most rock bottom binge night of your life. You wake up with no one for company but the ghosts of your former selves. Now what?

Well, first - who is Hornigold to Ed? Why is he the guy Ed sees? It’s because Hornigold is another addict, if you will, but one who is (in this Purgatory hallucination) farther along in his recovery. He can impart some wisdom from that place, but he can also stand in as someone Ed can loathe because they’re not as different as Ed once thought, even if Hornigold can say he’s grown.

Hornigold tries to give him soup. He tells Ed, “Gotta get these nutrients into you,” and then literally shoves soup down his throat. That’s what it’s like in rock bottom. You don’t want to take care of yourself, but some lizard brain survival instinct takes over and makes you drink water, eat a piece of fruit, take yourself to the hospital. These things don’t really happen voluntarily that morning after, but you can still count on that instinct to kick in with some damage control.

Ed telling Hornigold how he “got here.” Hornigold says “Mutiny. It’s always mutiny.” Ed insists his mutiny was special, worse somehow. This whole scene is exactly what happens in your first recovery support group meeting. You go in thinking no one has ever been as fucked and fucked up as you are, which makes you feel isolated and alone. But then you get there and everyone else in the circle has done the same shit, been through the same shit. Ed’s not actually the devil; he’s just another demon, like many demons before him.

Ed worries he’s insane when he reflects on everything he’s done. Hornigold’s reply that “Feeling bad isn’t going to rebuild an abdominal wall” is a concept that people usually learn a little bit later in recovery, so I expect we’ll see more on this theme from Ed. Guilt is a useless emotion that only serves to conversely make the addict feel better but doesn’t help the harmed party: the addict feels like their suffering is cleansing, but it’s not - feeling guilt is just more self-indulgence, more self-destruction. Hornigold - a fellow addict in this moment - is trying to get this lesson to him early. It’ll return.

“You’ve got to move on or blow your brains out.” We’re getting back to Purgatory as the metaphor for the morning-after rock bottom, because this is the exact calculation that every person in recovery has done. They all had to answer that one big question. Your whole life is a mess, and you made the mess. Do you want to clean it up? Or quit? (Or make some soup? Yeah. That big question can’t be answered without basic needs having been met. So let’s eat. Let’s start there. It’s easier.)

Now we have Ed’s fantasy about opening an inn: This is also a common part of the morning-after rock bottom. You start thinking about the wrong turns you took, the mistakes you made, the way your life was supposed to go and all the reasons you’re not where you wanted to be. (And all the people you can blame for the fact that your life didn’t go as planned.) And when that honest part of yourself starts telling you that actually it’s all your fault… well, a) you don’t wanna hear it, and b) you can’t silence (kill) that monster, no matter how hard you try. You’ve got to face it. Face all those truths you’ve been running from for years. Now you have to think about it.

So now the big question, the inevitable math. Hornigold suggests looking at the pros and the cons. That’s the easiest way to break the calculation into manageable variables. This is probably my favorite moment of the episode, because when you’re sitting there, morning after the worst night of your life, everything is fucked - these are the exact variables that go into your equation. Do I really want to live? You ask yourself that, and because your life is in fucking shambles, you come up with the stupidest goddamn reasons to keep going. You wanna see the next seasons of Good Omens and Loki. You wanna eat your mom’s spaghetti again. Sometimes it’s nice when someone hugs you. It’s never the big things that save your life; it’s a bunch of the littlest things. The smallest comforts. The big things… they’re too unattainable. They’re too much to hope for, and they’re more than you could possibly deserve. What are the pros of living for Ed? Warmth, good food, orgasms. This is a stunningly accurate representation of the things that will keep you alive once you’ve hit rock bottom.

And then the cons: “I don’t think anyone is waiting for me.” This is why addiction is the better metaphor. There is no human experience more isolating than addiction. You are alone in more ways than you’ve ever been before. You have pushed away or pissed off everyone who ever cared about you. And even the ones who will maybe still be there for you - they can’t help you clean up the mess you’ve made. You have to do the work alone, even if they’re still willing to stand next to you. And this con… it’s the scariest one. Your list of little pros looks so pathetic next to the horror of being utterly fucking alone. Who is going to brave that for some stupid shit like Tom Hiddleston sexily flipping his hair back in that Loki way he does? Why should Ed carry on just because blankets are cozy and marmalade is pleasant?

This is where we get to the moment on the mountain, and what Stede represents. Hornigold tells Ed “You’re unlovable, and you’re afraid to do anything about it.” Ed could do two things about being unlovable: He could try to fix it, or he could end it all. Hornigold represents the worst part of Ed: his weaknesses and cowardice. And if Hornigold is in the driver’s seat, he’s going to end it all. He throws the rock off the cliff, and Ed gets dragged down into the water to drown. (Let’s also talk later about how often addiction is compared to drowning, and how nothing else in the show actually threatened Ed’s life - not Izzy with a gun, not all the rhino horn, not Jim’s cannonball - like drowning in his own mind.)

But then there’s Stede. Stede is how the pros win over that one big, horrifying con. Stede is hope. Stede is just a glimmer of hope. Hope is the most important thing you need in the morning-after rock bottom. As much as I enjoy the idea that it was love that saved Ed, I don’t think that’s a wholly faithful interpretation. Because Stede’s love for Ed doesn’t solve anything, doesn’t fix anything - it certainly doesn’t fix Ed. It cannot fix Ed. Hornigold just told Ed that he’s the one who has to “do something about it,” because Ed is the only one who can save himself. But even if Stede’s love for him in itself isn’t what saves Ed, Ed’s trust in Stede combined with that love gives him hope. Stede loves Ed, truly loves him, came back to him even though he knows Ed’s nature, knows his list of crimes, knows what he’s done to Stede’s friends and family. And maybe Ed can find in himself what he trusts Stede truly sees. It’s a “maybe,” not a certainty. But it’s hope. Someone loves him. Maybe he can love himself, too.

This Woman’s Work: I read this song as referring more appropriately to Ed’s relationship with himself, in no small part because Ed literally made himself the woman in the cake topper couple. All the things that should have been done, should have been said - they’re things Ed needs to do and say to himself. He’s got a little life and a lot of strength left. The journey has just begun.

I want to pop back quickly to a few other moments in The Innkeeper that resonated, starting with Stede and Izzy’s discussion about what happened to Ed: “He went mad. He was a wild dog.” Izzy describes Ed’s breakdown as if he was no longer the same person he once was; this is exactly what addiction does to a person. Ed hasn’t been himself; he’s been held hostage by his need for escape, and he’s become something else. Possessed, if you will.

Izzy: “You and me did this to him, and we can’t let the crew suffer any more for our mistakes.” I’m not writing an essay on Izzy (yet), but this is a very interesting perspective that says a lot about Izzy. Stede and Izzy both owe apologies to Ed, but they are not responsible for his actions. I predict we’re going to see this theme explored in later episodes as a part of Ed’s healing process and recovery. And also hopefully in Izzy’s growth.

Frenchie’s line that “We’ve been living second-to-second for a while now” is a callback to the impossible bird idea. Which, again, is just Chandelier x Sia. “I’m holding on for dear life, won’t look down, won’t open my eyes, keep my glass full until morning light ‘cause I’m just holding on for tonight.”

So what’s next? For me, it was learning to sit alone in a quiet room with my thoughts. It was apologizing to the ones I hurt, because even if I didn’t mean to hurt them - even if I was suffering also and worse - they still got hurt, and in the end it didn’t matter why. It was developing the habit of liking myself, and acting on whatever self-love and affection I could conjure up. And yes… it was new seasons of Good Omens and Loki, my mom’s spaghetti, and hugs.

So I think Ed has a lot of accountability, reflection, and breaking of old habits in his future… but also warmth, good food, and orgasms. And good for him. That’s the beauty of recovery: we get to come back.

#our flag means death #ofmd #ofmd s2 #ed teach #edward teach #blackbeard #ofmd kraken #gentlebeard #stede bonnet #izzy hands #ed teach meta #ofmd meta #ofmd analysis #taika waititi #david jenkins #recovery #ofmd predictions #ofmd season 2 #ed x stede #blackbonnet

[everyscreentoobeseen]

Hold on, why do yall think Stede's choice to kill Ned was a WHIM?????

First of all, this isnt the first time Stede got someone killed. Chuancy was an accident, but he did use the stun move. All of ep 2 s1 was about Stede learning how to deal with it. He still feels bad but as he told the natives. He dosen't feel bad that Chauncey is dead. His crew was under threat. So he stopped Badminton from hurting them. His bad feelings came from somewhere else.

Nighel Badminton got himself killed but it did make Stede run back home and face his problems. When he does go back home he tells the other rich guys.

"I've seen death. Been the cause of it. It changes you."

He already knows what it's like be a killer!

But everytime it wasn't his choice. The Badmintons were accidents. He never got to actually choose to be a killer.

That's why when Ned Low invaded his "safe space ship", captured his crew (family) and tortured not only them but also The Love of his Life, Making it into a fucked up PERFORMANCE! All his life bullies found fun in torturing him. Why would this guy be any different.

Hell yeah he was ready to kill him.

Of course, this time he gets to choose. This is not him using a stun move. He is now the conducter of Ned's death and he'll be damned if it's not done His Way.

He's not gonna stab him. It's not gonna be messy. It's not gonna be fast like a gunshot or a stab through the head.

He is going to make Ned SUFFER. Force him to walk the plank. Throw his precious violin in his face and let him drown. It's clean. It's poetic. It's outsourcing the big job to nature. Just like killing spiders.

But Ned continues to demean him. "You know once you kill me your a real pirate. Your not an amateur anymore." Even after everything Stede has been through. Not matter how much he's grown, the world still thinks he's playing at pirating.

The Badmintons dont count.

EVEN ED THINKS SO!

"Once you've killed in cold blood. You cant come back."

Well Chuancy's death was cold blooded wasn't it? Stede snuck him from behind. The boat fire that he caused isn't enough either. When Ed burns a boat, it's murder. But when Stede does it it's "quirky". Stede ALREADY considered himself a killer but NO ONE ELSE DOES. (not even the fandom apparently.)

Yes, he wanted to prove himself. But I don't think that was the thought process until Ned brought it up.

Stede did not hesitate on Ned's death until the others made him question himself. He was completely set on making sure Ned wasn't a threat to his ship. He was so sure of making him walk the plank. It was PLANNED from the moment he put the plank down and the other boat left. What's one more death? But then everyone was treating him like a innocent child?? Like he's doing something unlike him?

He HAD TO PROVE to everyone in that moment that he could kill Ned because no one RECOGNIZED that he was ALREADY a killer.

Him killing Ned became a point to make once he realized there was even a point to be made.

The only reason that he felt even a little bad about it was because Ed asked him not to. He felt like he let Ed down. That maybe Edward like Stede Bonnet, Landed Gentry Pretending to Be A Pirate more than Stede Bonnet, Real Pirate. Because he realized how much he's changed. No more Gentleman, now he's just a Pirate.

That's why he Sped Things Up with Ed. He wanted Ed to prove that he could handle not so innocent Stede FUCKING Bonnet. That he wouldn't leave Stede after seeing this new side of him. He gets consent and then goes on to have the man of his dreams after saving him. How romantic male lead of him.

Of course the NEXT FUCKING DAY HE GETS TOLD IT WAS A MISTAKE!!!! THAT HE'S NOT READY FOR "WHATEVER THIS IS".

How on earth was Stede not supposed to take this as "I dont like the you that isn't soft, isn't insecure, isnt in need of protection." That Ed is leaving to become a fisherman because he cant stand Stede being the messy one for once in his life.

Maybe it was trauma. Maybe it was a show of toxic masculinity. But dont pretend like Stede did it on a WHIM.

#ofmd #blackbeard #blackbonnet #gentlebeard #edward teach #ofmd s2 #our flag means death #stede bonnet #stede fucking bonnet #ned low #chauncey badminton #nigel badminton #the takes I've been seeing are.... SO BAD #pls tell me you don't think stede wasn't actively choosing to kill a man that attacked him first #i need to read/write fanfics about this #ofmd meta #man on fire #calypso's birthday

[three--rings]

Okay so I know we're in this big anti-sex cultural moment.

And I know my own personal standards on this issue are way out there. I am a sex first relationship later person. It's just how I roll. So I'm biased.

But I have to say, everyone talks like it's definitely for sure that it was a bad idea for Ed and Stede to have sex when they did.

And honestly, like, I'm not even arguing with that. It was a very understandable time for them to have sex. There should have been some more talking either before or AFTER about how they were both feeling. But it wasn't ideal perhaps.

Still I want to be clear: I don't think them having sex is the fucking problem here.

Ed is overwhelmed and unsure of where he fits right now. He's been through a lot of trauma recently (and caused a lot of course.) So it's understandable why he'd feel unprepared to add sex with Stede on top of it all.

However, they both do very much want to have sex with each other. And when two people are in love and really attracted to each other and really want to have sex, even if they have other reasons why they are holding back from it...well, eventually they're going to have sex. Sooner or later, but probably sooner.

Time in this show is very difficult to gauge, especially this season. So some time has passed between the moonlight scene and the beginning of ep 6. Ed had his leathers back, he's not wearing the bell, things have changed and progressed. It's not the next day. Probably.

We don't get to know how much time it's been or what has been said in between. Ed seems basically in the same place mentally. If not a worse one. Progress is not being made.

It's easy to criticize Stede for initiating a rather aggressive pounce on Ed in the wake of his trauma. But he's clearly not thinking. That's his issue, separate from the question of whether Ed is ready, so I'm not going to get into it. But he does pause, and he looks to Ed for permission, which Ed gives before enthusiastically and passionately joining in.

They both just went through a scary time. They both are seeking comfort in each other. It means sooner comes rather than later in the inevitable 'they're GOING to fuck' race. I know that sentence is a trashfire but let's move on.

Ed is happy in the morning. He's a little nervous, with the breakfast, but he feels good about dumping his leathers. He's come to a decision. Even after he starts to get nervous after Stede talks about their career, he's mostly fine when they go eat. Relaxed, happy about what happened.

And then all the fame stuff starts and he's fine at first. He talks to Jackie and is fine about it until Jackie is like yeah but you have a problem with your man. He talks to Izzy.

Now he's REALLY done a 180. He doesn't see his desired life and Stede's desired life matching up. Stede apparently doesn't understand Ed and where he's at if he thinks they're going to be pirates together now.

This is the problem. This is what upsets Ed. he spirals for hours. He's running scenarios and coming to negative conclusions. He's not valuable or loveable if he's not Blackbeard. Stede doesn't want him if he doesn't fit into that life. He needs to move on. He is panicked and freaking out.

Then he talks to Stede, after already making the decision to leave and go fishing. Like, let's be clear, he doesn't decide that during their fight. He's decided and signed on. He's just saying goodbye.

It's only then that he brings up the sex. He does throw blame at Stede for it a bit, which I think is mostly fair. But he also isn't accounting for Stede's state of mind at the time. They were both off tilt. But he digs into that, and to me, I think he's using the sex as an excuse.

He didn't have a problem with the sex itself. He was happy in the morning and after. Smiling, smug, cute, loved up, having heart to hearts about mermaids and letters.

It was all the life/identity stuff that crashed in that shifted him. But he doesn't know how to talk about that. He doesn't know how to explain it or be vulnerable about his worst fears and self-worth issues.

So he goes on offense and says hey, actually, this is your fault. He picks the issue he has words for, the only one they've actually talked at all about.

Stede is NOT wrong when he identifies Ed as panicking and wanting to run. Stede is recognizing the behavior from himself.

Just like it's not about Ed wanting to fish, it's not about them going too fast. It's about them not communicating about their deepest needs and desires and fears.

They can have sex or not have sex, if they're not communicating it won't work. They could continue fucking like rabbits and have long talks in between sessions and get really really far. Or do what they've been doing which is NOT having sex and also not communicating which can go on forever and they won't get closer to happy.

I feel like fandom has latched on to this one thing as The Problem, because it's all Ed SAID was a problem. But we have lots of evidence otherwise.

I mean, even the conversation...Ed says it's too fast, Stede is like...okay well we can do whatever. He doesn't get defensive even though he's hurt. But that's not good enough, because that's not actually the problem. But at that point Ed really starts running away.

And they start getting more heated, both being sloppy at expressing themselves. (Stede is unfortunately pretty freaking drunk.)

I think they are both very avoidant personalities when it comes to this kind of thing, this kind of deeply personal conflict. Their anxieties keep them from being honest. And so the sex combined with Stede's killing of a man, and newfound fame, that all became a crisis that forced them to confront these issues. I think ultimately probably for the best, instead of not addressing them.

#ofmd #ofmd s2 #ofmd s2 spoilers #ofmd meta #my meta #I still have barely slept since the episodes dropped #I don't even know if this makes any sense #will I put it in drafts? nah #here have brain vomit

[izzysillyhandsy]

How I learned to stop being angry and love the Death Scene (for now)

This may be a controversial take, but I've come to the conclusion that Izzy's death scene maybe wasn't badly written after all.

There is one big aspect of this scene that I really love: it was 100% in character for Izzy AND Ed (and everyone else too) at that point in their story.

BUT it only works if we are not expected to believe that 1. this was in any way a happy ending for any of them and 2. that this arc is finished.

If Izzy stays dead permanently, his death and the way it happened, what was said and notably what wasn't, was tragic for everyone involved - especially Ed - and we should feel bad about it. This isn't an uplifting scene of closure for either Izzy or Ed, and it is totally understandable that most Izzy fans were crushed by it (and Ed fans, even those who don't like Izzy, should be too!).

If there is no possibility that anyone, in any way, can talk to Izzy ever again and (in Ed's case) clean up the mess between them - then this is not a comedy any more. It's a tragedy. And it should be treated as such by the show and the creators (and this might be where disappointment lies waiting).

The death scene by itself though was fitting, if we look at where Ed and Izzy are on their character arcs at the end of S2. It played out exactly as I'd have expected.

Izzy - All about Eddie

The main problem I (and many others) had with Izzy's death scene is that it is all about Ed.

Izzy is apologizing for everything that happened, including Ed cutting his fuckin' leg off. He is reassuring Ed that he wants to go, it's ok, no need to be sad. He encourages Ed to be soft, emotional, himself. He tells him that his biggest fear, being unloveable to anyone except Izzy, isn't real - he has a family now.

And, now that I've had time to think about it, I realized: YES this is exactly what Izzy would do.

All of S2 was about Izzy breaking the chain, but until the end it was still all about Ed for him (because it's not as easy as cutting off a rotten leg, unfortunately). Izzy would make his last moments about Ed, trying to do as much good as possible in the short time he had left. Or, trying to undo as much of what he thought he'd done wrong.

And I really don't want to take away from Izzy's accomplishments and character growth in S2. He'd come so far already! After years and years of singleminded devotion and love he'd finally realized that their form of entanglement was destructive.

Izzy broke up with Ed in Ep2 - and it almost killed him both of them. He started to look for meaning outside of his relationship with Ed, rediscovering aspects of himself that had long been buried and forgotten. He began, tentatively, to form bonds to members of the crew and put himself out there, away from Ed's side, away from being Ed's voice and Ed's hands, ruled by Ed's emotions.

But there wasn't enough time: still, everything he did was, in one way or another, at least partly about Ed.

Whittling - a Blackbeard metaphor Training Stede - "What did he say about me specifically" La vie en rose - a love song about "the one" and promises for life Hiya boys - oh my god he's trying so hard here but this is killing him, isn't it Bonding with Stede at Jackie's - "He's a complicated man" The Ricky monologue - so much passion behind every word, not getting what you want, letting go of ego for something larger - the whole speech was (at least partly) about Ed

(I believe the first Ricky monologue about belonging is more about Ed than the crew and I know this is not a popular take. Still, for me it makes sense because this is how Izzy felt for decades. I don't think he has shaken that mindset yet - give up your ego, your own dreams and personality for something larger - Ed&Izzy or Blackbeard. When he says "he crew" it feels like a bit of an afterthought - there is a pause.)

So, at the end of S2, Izzy is not over Ed at all - he's deeply hurt, feels incredibly guilty (unreasonably so!) and is repressing a lot of what happened.

He's still so entangled with Ed - if this is his last chance to make things right, he will.

And as much as I would have loved seeing Izzy dying surrounded by his loving family, he wasn't there yet. Not as long as Ed was around. And I think the crew understood. They understood Izzy more then he understood himself at one point ("You're in a toxic relationship with Blackbeard"). They understood what he was going through, and they gave him space to say goodbye to the man he had loved for his whole life.

Izzy died how he lived - all wrapped up in Eddie. And at this point in his life, I wouldn't have expected anything else.

Ed - All about us, you and Me

I love the symbolism of these 2 frames - while Izzy's bloody hand is entangled in Ed's hair until death (and beyond), Ed's bloody hand is putting a distance between Izzy and everyone else but himself.

I wonder how Ed would have taken it if it had been the other way round - if Izzy had found himself a Stede at the start of S1.

I think not well is an understatement.

Even though Ed seems constantly annoyed by Izzy in S1 (and violently destructive towards him in S2), at no point did I get the impression that he actually wanted Izzy to leave, for Izzy to love him less intently or be less devoted.

But, it wasn't very much about Izzy as a person, or Izzy's happiness, or their shared happiness anymore. I think Ed saw himself and Izzy as "together forever, us two against the world", but without putting any work in or pausing to think how Izzy was actually feeling (and I am 100% sure that Ed knew how much Izzy loved him and how little love he got in return).

But being with Izzy was Ed's whole life, they were two halves of the same whole, and Ed even kinda expected Izzy to stay around after he fell in love with Stede ("We could have worked this out!") and didn't really think about how this never, ever could have worked out for the kind of relationship they were having (this is how Steddyhands... was so compelling actually).

So is it any wonder that, in Izzy's last moments on earth, Ed wants to have him all to himself? He sends Stede away. He signals the crew to stay (waaayy) back. He cradles Izzy in his arms, his back to the crew and everyone else who loved him.

And although, at the start, he tries to get a word in (to apologize back, to tell him he's forgiven) - Izzy dies without hearing anything that wasn't directly related to Ed and Ed's feelings.

Ed never tells him he loves him. He doesn't tell him how much Izzy will be missed for himself and not for what he could do for Ed. How important he was to Ed all those years.

The only thing Izzy gets from Ed before he dies is "You can't go. You can't leave me. Please! You're my only family."

What will happen to Ed? You can't do this to Ed! Ed has noone else! And as sad as this is, it is in character for him at this point in his life.

Ed is fundamentally a very self-centered (and self-hating) person, and his journey towards change had just begun with his death and rebirth. And just like Izzy, he would have needed much more time to grow (although Izzy'd gotten much, much further than Ed).

At Calypso's birthday, I think for the first time in forever, Ed saw Izzy as his own person, someone who he could actually love apart from this Ed-Izzy union they had going for so long. But only a few days (I guess?) later, Izzy dies.

So, at the end of S2, Ed still sees Izzy as "his" to a degree, sees him as one half of "us". He almost expects Izzy's last words to be about him (or them) and doesn't yet see Izzy as his own person, with his own feelings and ties to other people who might have wanted to say goodbye as well.

For Ed, Izzy died how he lived - wrapped up in Ed and Ed keeping everyone else away. Talking about himself only in relation to Ed. Izzy as a part of Ed that's vital and needed - but not itself in need of words of solace or other people's love (or any love, period).

Conclusion

At this point in Ed's and Izzy's life, the death scene and how it was written/acted is perfect, in my opinion. But for the characters, it's incredibly tragic.

Izzy never got what he wanted most - Ed's love. He died believing almost his whole life was a mistake, keeping Ed from his true self for far too long and destroying him in the process. In the end, the crew who had unconditionally loved and accepted him, stood at a distance, and the man he still loved over anyone and anything else never told Izzy what he meant to him - and now he never will.

Ed was absolved of his guilt and maybe, in the moment, he even believed it. But of course everything that happened in S2, and everything before that, wasn't (only) Izzy's fault and in the future, Ed has to deal with that. Only now there is no Izzy here to work it through with, and to make amends, no one who was there for it all and who knows parts of Ed best. When Ed finally realizes what Izzy meant to him, it will be too late.

So, if we get a S3 and nothing is ever made of all of this, if Izzy is really dead and the Ed/Izzy dynamic is done and dealt with, then it was bad writing (and I am so afraid that will actually happen).

But as it stands, I'm beginning to love the scene for what it is: a tragic, consistent ending for two characters that I love deeply.

But please don't tell me this was a kind ending.

#ofmd #ofmd s2 spoilers #ofmd meta #izzy hands #edward teach #this got longer than expected #but it's a more positive take #I guess I want to make sense of it all - even Ep8 #and I want to love this show again!! #rewatching S1 right now and wow - I'm not ready to give this up yet

[edandstede]

some thoughts about ofmd 2x07 and the “break up” (it’s not, it’s ed being an impulsive sensitive fool (affectionate) but i digress) so spoilers abound, just wanted to share my pov

ok so!!! ed panicked. he’s still trying to figure his shit out, trying to heal from literally dying, from losing stede and getting him back and every dark thing that happened with the crew. so much has happened in such a short space of time that his head must be spinning. we see him flashing back to it, he’s still processing, and it’s all going so fast.

and then the revenge gets boarded and he has to watch stede be tortured, watch stede take a life purposefully for the first time, be reminded of killing his own dad, and then they fall into bed together after ed went to him to see if he was okay. they have sex, and ed makes stede this lovely breakfast, and he throws his leathers overboard whilst wearing his nice blue robe. he immediately wants to shed blackbeard for good and live in this new bliss where he can be soft and safe, but that’s interrupted when stede says that near-death situations are hard to avoid in their line of work. he’s brought crashing back to reality and thinks, shit, this isn’t gonna work is it? what have i done?

his head and heart are being pulled in so many directions and he really is facing an identity crisis, a personal dilemma, trying to answer the question “what do i want?” while all this is going on, while he’s faced with the fact that they’ll never truly be safe doing this and they could lose each other again. he might never get proper peace and bliss with stede, and he wants it so much. he wants a life where he doesn’t see stede in danger ever again.

and ed is insecure too, is the thing. he’s so highly sensitive. about the twine on the tray, the fish he caught. stede isn’t the only one who runs and buries his head in the sand when shit gets tough, ed does it too. whim-prone. this time, running off to be a fisherman is ed’s blanket fort. he’s like, okay, i’m feeling bad so that must mean last night was too fast, a mistake, and i don’t wanna do the pirate thing anymore but stede is loving his new fame, so that must mean i should leave. it’s almost like he’s rejecting himself before stede can, before stede realises this isn’t gonna work, that they want different things; they’re not compatible after all and it’ll hurt less if he walks away first this time. he’s trying to save himself the heartbreak.

i don’t think ed truly thinks them sleeping together was a mistake, i think so many feelings are just being mixed inside and that’s the conclusion he’s come to. he got to have this little taste of what their life could be like if they were safe and out of harm’s way together, settled down, but he doesn’t think it’s possible. he’s pissed off with himself for giving in to that temptation when he already knew he wanted to retire.

stede tells him their relationship can be whatever they want it to be but ed isn’t listening because he’s already made that impulsive choice and he’s stubborn, he’s afraid, he’s spiralling, he’s angry it has to be this way. he doesn’t even stop to think that, actually, it doesn’t have to be this way. they could find their middle ground, it doesn’t have to be one life or the other, but they cannot do anything without talking it through.

ed feels doubt, uncertainty, and takes a job on a boat rather than actually telling stede what’s going on in his head. what he wants. he wants to retire, has this fantasy in his head of owning an inn with stede, having quiet domesticity away from a fear of death. clearly he doesn’t think they can compromise, it probably hasn’t occurred to him or it has and he just thinks it isn’t possible to have the best of both worlds. but it is, and they’ll get there, and i think s3 will see them really find the life they’re going to keep.

honestly they should just look at their crew, really look, at how they look after themselves and each other. they could learn a thing or two.

#ofmd spoilers #ofmd #ed x stede #ofmd meta #quill to paper

[dragon-kazansky]

Spirit of the sea

Izzy Hands x Reader (GN)

You were a member of Blackbeard's crew long ago. Then you became a ghost story. Izzy Hands only sees you in his dreams these days, until he sees you for real when investigating Stede Bonnet. This sets him on a rollercoaster of emotions between you and what his captain is doing.

{Masterlist}

{Previous Chapter} - {Next Chapter}

Warnings: Swearing. Mostly Izzy, sometimes you, but mostly Izzy. Angst too.

Chapter Five - Rocky waters

♡♡♡

We've been almost a fortnight aboard the Revenge... and I'm beginning to suspect that Edward nas no intention of ending Stede Bonnet's life.

If I didn't know better... I'd say he's somehow become seduced by this imbecile.

You catch Izzy writing in his journal as you walk past his cabin. He had been rather quiet the past couple days, at least as far as you were concerned anyway. He hasn't noticed you in the doorway. You smile at the sight of the wooden sparrow on his desk. You knew he would like it.

You know that the longer Izzy is aboard this ship, the worse it gets for him. You've kind of adapted to the way the crew do things round here. It's a change of pace from your days on Blackbeard's crew.

As Izzy scribbles away, you decide to interrupt gently. With a soft knock to his already open door, you smile as he lifts his head to look at you. He snaps his journal shut and drops it beside him on his cot.

"What do you want?" He asks, trying to look annoyed by your interruption, but you can see through him.

"Thought I'd come check on you. Everything good?"

"Just peachy," he let's out an exasperated sigh. You chuckles softly as step into the room with one foot.

"We'll be off this ship soon. Sailing back aboard the Queen Anne leaving ruin in our wake. Doing things we used to do."

Izzy stares silently into space at the thought.

You step a little closer to his bed and take a seat. You can see how tired he is. The man never seems to stop: always working, never resting.

"When was the last time you slept?" You ask him.

"Last night."

"All night?"

He eyes flicker up to meet yours. He looks less than impressed, but he also can't hide anything from you. The sigh that escapes his nose tells you enough.

"I know you hate it here, and that you want Blackbeard back so we can return to our ship and our life, but you also need to give it time, Izzy."

"It's been a fucking weeks."

"I know, but surely he has a plan. He's our Blackbeard."

"That's the problem," Izzy starts. "I don't think he's our Blackbeard anymore. I think he's been seduced by Bonnet."

"Seduced?"

"Last night... last night I was up on deck. I could hear them. They were... I'm pretty sure they were fucking."

"Out in the open?" You ask, wide eyed.

"Sounded like it."

"Ew, Izzy, why were you listening to them?"

"It wasn't on purpose!" He groans. "I think Edward might be... in love with this guy."

You fall silent as you think about it. It made sense in a way. Edward was always where Stede was. They kept in the same cabin. They talked constantly. They were always looking art each other.

"Well shit..."

"Exactly!" Izzy huffs.

"I mean... Is it that bad if he is?" You ask him.

Izzy stares at you. "Bad? It's a fucking disaster."

You gaze down at your lap. "He's the happiest I've seen him in ages."

"It's pathetic."

You glance up at Izzy. "Love? Or the fact you're losing Blackbeard to Bonnet?"

Izzy glares at you.

You stand up from his bed and move over to the door. You glance back at Izzy. "I would be so lucky to have what they do."

Izzy watches you leave. He stares confused at the space you occupied only moments ago. Your words and the expression on your face, it felt strange to him. What did you mean by that? Were you jealous of Edward? No, that was nonsense. Izzy knows you better than that.

Izzy thinks he knows you better than that.

♡♡♡

One of the crew's favourite things to do was tell stories. If it wasn't Stede reading them a fairytale, it was telling ghost stories.

It was entertaining, even if they didn't always make sense.

You were sat on the steps near where Izzy stood with Ivan and Fang. You could hear them talking behind you. You were watching Ed where he sat by Stede. The latter was telling one of his ghost stories.

"So, is the plan off?" Ivan asks.

"Yeah, I reckon we're not killing this guy now." Fang chimes in.

"The plan is very much alive." Izzy says. "He promised me."

You listen to them.

"It just seems that he's having an awfully nice time," Fang says, looking at Izzy. "I mean, look at him. He's telling ghost stories."

"This is the most open and available I've ever seen him." Ivan states.

You sigh and get up, walking last the crew and heading below deck. Izzy watches you go, not once looking away until you were out of sight.

♡♡♡

You're sitting in your dark little corner when you head footsteps coming toward you then stopping. You don't have to look up to know it's Izzy.

"You alright?" He asks.

"Yeah."

He sees the way you're sitting with your knees up, arms draped over them. You're not even looking at him. He sighs quietly.

"You're not. What is it?"

"Nothing, Izzy."

"You can talk to me, ya know."

You glance up at him. You can't read him for his blank expression. You're not sure what he is trying to do.

"What happens if Edward doesn't kill him?"

"Then I'll take matters into my own hands."

"Will Edward even let you?" You ask.

"Does it matter? We'll get our captain back and we can go back to our lives. We... we can be a crew again."

"We're not a crew now?" You gaze up at him.

"Not with this lot."

You turn your eyes away from him and Izzy exhales through his nose in a sound of slight desperation. He doesn't want you to turn away from him.

He says your name softly. "This isn't our home."

When you say nothing he clenches his jaw and walks away. You listen to his footsteps fade. When you're sure he's gone you sigh.

♡♡♡

You stand on deck the next morning as the ship is shrouded in fog. The crew of the Revenge have no idea what's going on, but you sailed with Blackbeard long enough to know.

A Fuckery, as he liked to call it.

You lean against the railing of the ship as you wait. Once Stede arrives, dressed in pretty pyjamas and gown, Edward demonstrates the art of "Fuckery", which leads to the Swede jumping over the side of the ship.

Ed promptly stops his theatrics so someone can get the Swede back onboard.

Izzy promptly comes out, looking up at Ed who is still hanging from the mast. "May I have a word?" He asks, grabbing at Blackbeard's boot.

"It's a bit like theatre, isn't it, Ed? Theatre of fear!"

"Ha, theatre of fear, love that!" Ed grins back at Stede.

"His name is Blackbeard, dog!"

"Well, I'll leave you to it. It looks like there's trouble in paradise." Stede walks off.

You stick around just long enough to see Izzy try and help Ed, but he gets fed up after being caught between his legs. Izzy storms off leaving Edward hanging.

Ed looks at you.

"Help?"

You shake your head and walk off too. He can get out of his own mess.

You follow Izzy to find him with Fang and Ivan. He looks at you as you get closer to him. There is something about the way he is looking at you that sends your heart thumping.

"Where's Blackbeard?" He asks.

"Hanging out."

Izzy doesn't react, but Fang giggles and Ivan grins.

"You with us?" Izzy asks.

"Izzy..."

"No. It's important that I know you're with us," he says. "You don't want to stay with this lot, do ya? You're so much more than they are. You're wasted on a crew like this." Izzy speaks softly, almost gentle. This isn't like him at all.

"Why is this suddenly about me?"

"I-"

Izzy is cut off by Edward entering. You turn around to see him looking less than impressed.

"You left me hanging." He looks at you with a flat expression. You don't even react. "What the fuck's all this?"

"Do you remember your policy about let's aboard your vessel?" Izzy asks.

"Pets? Yeah. No pets. They befoul the ship."

"You know what else you said?" Ivan asks. "You said the love of a pet makes a man weak."

"I said that?"

"Yeah, when I joined your crew, you made me put my dog down." Fang tells him.

"Yeah, OK. Well, yeah, vaguely... remember that."

"So, here's the rub. Me and the boys, we think you've begun to view Bonnet as a sort of a pet." Izzy says. "You're in too deep, Edward. Beat thing to do, end it quick."

"The longer you wait, the harder it gets..." Fang says, getting upset. Ivan holds Fang as he cries.

You stand between Izzy and Edward, not sure what to do. Edward walks off, making it a bit easier on you.

Izzy turns his eyes to you and then follows Edward out.

You look at Fang and step closer.

"There there, Fang. It's okay."

"He's in doggy heaven, Fangy," Ivan says, trying to comfort him.

"But we go to different heavens!" He cries some more. You pat him on the shoulder. Fang turns and pulls you into a hug.

You stay there awhile.

♡♡♡

You sit on Izzy's bed and wait for him. He takes a while to return, but when he does, he seems surprised to see you there.

"I was looking for you," he says.

You're sat on his bed with the wooden sparrow in your hand. You notice some detail has been added to it in ink, meaning Izzy is giving it some character. It made you happy to think this meant something to him.

"I've been in here."

Izzy watches the way you handle the gift you made him. You're being very careful with it, your finger tracing over the ink lines on the wing.

"You know I'm right," he says.

"Do I?"

Izzy closes the door to his cabin and stands in front of you, gazing down at you with his dark eyes.

"Bonnet has to go."

"Do you hate Edward being happy?" You ask

"No, I-"

"Because it seems like it," you cut him off. "Edward has found someone new. He's trying new things and kind of just enjoying life."

"We're pirates, we're not meant to enjoy life." Izzy hisses out.

"You didn't enjoy being on Blackbeard's crew?" You ask.

"Well, yeah."

"You don't enjoy sailing the seas?"

"Course I do-"

"You don't enjoy life?"

He falls quiet.

"Are you jealous that all of Edward's attention is on someone else, or are you jealous that he has something you don't?"

Izzy stares at you silently.

You put the bird back on the desk and stand up, looking Izzy in the eye. You want to say more, but you're not sure what. Izzy seems to read your mind.

"It will be over soon," he tells you. "Tomorrow night."

"Oh. So, that's it then?" You ask.

"Thought you'd be happy."

"Happy?" You huff. "You're the one who will be happy, Izzy."

"Don't tell me you're soft for Bonnet too," Izzy almost begs.

"I don't hate the guy like you do. He's actually kind of nice. He's kind, polite, funny if even unintentionally so."

"See, that's my point. He ain't a pirate."

"Izzy. Let the man live. He's doing his thing and he's still alive."

"Not on my watch," he says in a low voice.

You see the look in his eyes and you walk away. You're done trying to change his mind. This thing with Stede was between Izzy and Edward.

You weren't going to get involved.

♡♡♡

You walk into the kitchen to find Fang holding an unconscious Lucius down. Roach is sharpening a kitchen knife.

"The fuck?"

Fang looks up. "His finger is infected."

You lean over Lucius to see the state of his hand. His finger was horribly swollen. "Ouch."

"Seems to me the best move here is... amputation," Roach says, looking closely at the finger.

"Oh, for God's sake! He's a visual artist." Fang cries out. "You can't cut the boy's little fingies."

"Level with us, man." Pete grabs Roach. "There's no better option?"

"Not in my professional opinion."

You pull a face.

"Hold him down."

You sigh and help Fang hold the poor lad down. Just as Roach is about to cut the finger off, Lucius gains consciousness again. As soon as he realises what's happening he pushes both you and Fang away and runs off.

"It's only going to get worse!" You call. He's already too far gone.

You can't help but chuckle as Pete and Fang go after him.

This crew isn't so bad.

♡♡♡

The Fuckery goes about as expected. Except for the fact that the crew of the Revenge didn't raid the ship. They let themselves get boarded by the Dutch merchants and basically put on some kind of Shakespeare play.

It ended with Edward freaking out and hiding in Stede's bathtub.

Stede did not die.

Izzy was fuming. You stand beside the man seeing the way he was clenching his jaw. His fist was balled up and it took everything in you not to reach out and calm the man.

Edward was complimenting the crew on their performance.

Edward was enjoying himself.

Not anymore.

"Stede Bonnet."

You turn to look at Izzy. You curse under your breath. Yet, you shouldn't be surprised. Izzy did tell you he would take matters into his own hands.

"Draw your weapon."

"No, Izzy, we're not doing this." Ed points at him.

"No, YOU'RE not doin' this. So I must." Izzy steps down and grabs 2 swords. "Stede fuckin' Bonnet... I fuckin' challenge you to a fuckin' duel."

He tosses Stede a sword.you step in front of Izzy.

"Izzy, please."

"Move." He says your name softly.

"I accept your challenge," Stede says from behind you. You turn around.

"Stede, no."

"Stede, be careful. He does know his shit," Edward warns him.

Izzy uses his arm to move you out of the way. You glare at him as he steps closer to Stede.

"As do I. You've taught me well," Stede replies to Ed.

"Not that well," Ed admits.

Stede watches Izzy. "I assume standard duel rules apply. What are those exactly?" He asks.

"Let's make it interesting, shall we?" Izzy says. "The loser is banished from the ship, if they're not dead."

"Izzy, no!" You call out, but he ignores you. Instead he instantly swings his sword at Stede.

Stede manages to block his attacks

"Come on. Give a man a warning." Stede says as Izzy holds his sword up to his neck.

"That was your warning."

They start swinging their swords at each other. You stand there anxiously, watching. There is no way for Stede to beat Izzy. Israel Hands was the best man you knew with a sword.

Izzy gets a hit into Stede which stumbles the man backward. Izzy's swings become a little more furious. Stede falls onto the ground. Izzy stands over him with sword pointed down at him.

"Yield or die."

"I choose... this." Stede throws powder into Izzy's face, temporarily blinding the man. Izzy covers his face and stumbles backward. The crew cheer for Stede, but all you can think about is if you should step in or not.

Stede gets to his feet, he gives Izzy a smack on the backside with his sword. Izzy straightens up again and continues the fight.

Izzy disarmed Stede with ease. The gentleman pirate backs up against the mast.

"So, it looks like we've arrived, Bonnet. The end of the road." Izzy holds his sword up to Stede again.

"Alright. Let's call it a draw," Stede says, breathless.

"Nah, I'm good."

"Izzy, stop!" You try once more in vain, but it feels like he's ignoring you completely.

With a firm stab, Izzy's sword goes right through Stede's abdomen and into the mast, pinning him there.

You inhale sharply at Stede's scream.

"Did I do it right?" Stede asks Ed, looking at the other man. "He missed all the important bits..."

Izzy tries to pull the sword out, but to no avail. He pulls hard, grunting. You stare at him, mild confusion painting across your face.

"This mast... is made from the finest cherry wood in Brazil. It's rather strong, actually." Stede manages to say as Izzy continues to attempt to pull the sword out.

Edward looks flabbergasted.

You can't quite believe what you're seeing yourself.

"Shut up!" Izzy yells at Stede. "Don't you ever shut up?! You rancid rat!"

The sword breaks in Izzy's hand. The blade still pinning Stede to the mast. You feel a gasp escape last your lips.

Buttons laughs. "Well, now, Mr Hands. Reckon he's rendered your sword inoperable."

Izzy stands there with realisation on his face.

"By duelling tradition, that means..."

"Stede wins!" Frenchie yells. The crew all cheer. "In your face, Jizzy!"

Edward shrugs as Izzy looks at him.

You watch Izzy with concern. He walks off. You watch him. You don't care for what everyone else is doing. You take off after Izzy.

He disappears into his cabin, you follow him inside, not even knocking. He doesn't say anything to you about it as he faces away from you, shoulders tense.

"Izzy..."

"No." He speaks with a firmness, but not in an angry way. Just a firm 'no.'

"Izzy, please. That whole thing was stupid."

"You're telling me..."

You take a step closer to him hoping he will turn around and look at you. He remains facing the wall of his cabin.

"Just forget the duel! Forget everything."

"No. Rules are rules."

"Izzy..."

He turns around and looks at you, but only briefly. He looks like he struggles to look you in the eye.

"He promised me. I was fucking right all along. Edward's gone soft for that twat. Any trace of Blackbeard is gone and it's all because of fuckin' Bonnet."

Your arm twitches as if you were going to reach out and touch him, but you catch yourself. However, Izzy noticed the slight reaction in your hand. He kind of wished you would.

"Don't be stupid, Izzy. Stay. We'll figure all this out. Maybe there's another solution."

"No." He shakes his head, his Adam's apple bobs as he swallows thickly. He's angry. Silently angry.

"It was a stupid fucking duel. Are you seriously going to leave?"

"I'm not a coward."

"I didn't say you were," your voice is almost pleading. "Don't go."

"Rules are rules," he says again. For a brief second his eyes meet yours and you can see all the emotion bottled up inside. You want to reach out and hold the man, caress him, get him to open up and talk to you.

But he won't.

Your breathing becomes uneven as you try to fight off any emotion. You will not cry in front of him.

"So that's it then? You're going to fuck off and... and what? Leave me behind? I only just found you again and you're leaving me?"

"You could come with me."

"And do what? Izzy, what would be the point? I only just found my way back home," you tell him.

"No. This isn't home. This is a lie. A facade. Home was back on our ship, back with Blackbeard's crew. Home is... is where we belonged. It's where we lived together."

A tear escapes and runs down your cheek. This was your breaking point.

"Fuck you," you whisper.

Izzy stares at you.

"Fuck you and this whole fucking thing." You take a couple slow steps back toward the door. "Fuck off then, Izzy. Leave me behind. Maybe... maybe I should have stayed a ghost story."

You don't hang around. You turn on your heel and leave.

Izzy catches his breath as he stares at his empty doorway.

"Fuck," he whispers.

♡♡♡

@grippleback-galaxy - @askmarinaandothers - @godlikegallagher - @for-fuck-sake-im-alive - @whiskeyswriting - @lxsm2 - @bloody-bunni666 - @the-chocoholic-writer -

#spirit of the sea #izzy hands x reader #ofmd #our flag means death #dragon writes

[carrymelikeimcute]

The izcourse continues...

When did people stop saying 'in my opinion'? because lord above would that simple phrase have stopped me getting so mad this morning.

I have no interest in reblogging the posts and starting drama, but some izzy takes I've seen this morning have made me want to chew through rawhide, and here's my opinion on why these 'factual statements' are wrong.

Izzy fans shouldn't be upset by his death because he's not a main character, he is a plot device to further the story of the main characters.

I'm a professional writer btw and to me a 'plot device' character is the barista who's in one scene. To me, if a named character with backstory and complicated interpersonal history with one or more main characters is just 'a plot device' - that's a waste of a character and shitty writing. I don't think ofmd is shittily written so this annoys me on two levels - disrespecting the show, and the character. Because in my view if Izzy is 'just a plot device' that's someone insulting the show.

2. Izzy was an antagonist and antagonists can only ever be redeemed and then die, or become a villain.

Not even true of ofmd and certainly not of media in general, yet stated as fact with nothing to back it up. This is NOT an opinion btw - you only have to look at Zheng and Jackie to know it's not true within the context of the show.

Jackie dobs Stede in to the British just as much as Izzy does, and she threatens them with vengeance again over the indigo - does she die? Does she become a villain? No, she's a guest at the lupete wedding for fuck sake.

Zheng insults Ed and attempts to kill Stede, two things Izzy was vilified for, gosh it was so sad when she died in the finale wasn't it? Oh no wait, she became their ally and sailed away on The Revenge!

'Have to die or become villains' is just...incomprehensible to me. The only way I can see it working in someone's head is if they think character like Jackie and Zheng did nothing wrong, when Izzy was evil, for doing the same things - albeit for more personally passionate reasons.

3. Izzy telling Ed that the ship's atmosphere was poison because of 'his feelings for Stede' was Izzy 'blaming Ed's actions on love again, just like he did in s1.e10 because Izzy is just one-note evil and only ever has that one thing to say.

To me, s1 Izzy is absolutely thrilled to have managed to bait Ed to anger, to have brought this out of him. He thinks he knows what he's just unleashed, but as we soon discover, he has no idea - because Ed had never cut off one of his extremities before. He poked the bear, but the bear was actually a fucking kraken.

s2 Izzy, in my opinion, looking at his expression above, is sad, resigned, he is saying Stede's name (which it's already established even obliquely mentioning him is a BAD IDEA with the whole 'talk it through' thing, after which Izzy sounds panicked) but he is specifically trying to make Ed see that he is not himself - that what he is doing to the crew is toxic.

Just because he's essentially saying 'This isn't you' in both scenes, doesn't mean the tone or the meaning of those scenes is the same. One scene ends with Izzy gleeful, victorious. One ends with him screaming on the deck, bleeding out.

I am happy for people to have these opinions, and for me to vehemently disagree with them, but they ARE opinions. And Izzy 'fans' or you know, people who see the show differently to you, are not stupid, racist, immature or whatever else you want to call us.

We just have a different opinion. If you're going to share your opinion, great! But it's still just your opinion.

#ofmd critical #the izcourse #izcourse #izzy hands #izzy hands apologist

[celluloidbroomcloset]

I want to talk about Ed's "I loved you, best I could" and Lucius's "maybe the time he spent with you is the best it's ever going to get for him."

We see how clearly Ed fears he's unlovable, but there's another facet that is just as important to how he responds and the way in which he tries to push people, including Stede, away: the fear that he's unable to love someone else in a way that doesn't hurt them.

From what we know of Ed's past, we see that he's not had many real, nontoxic friendships—"pirates don't have friends"—and though he considers Calico Jack and Annie and Mary friends of a certain type, the damage they do each other as a matter of course means that he's never been safe with them. Izzy may be one of the first people in Ed's adult life to even try to say that he loves him—and even that is qualified: "I...have love for you." That love is tainted and toxic, by piracy itself, and by the abuse that Izzy has tried to claim as love. None of the people in Ed's pirate life prior to the Revenge have been able to unequivocally say that they love him, and I think we can infer that he's not been able to say that he loves them. The closest he manages what he says to Izzy, after Izzy is supposedly dead: "I loved you, best I could."

And it's this line that indicates, more than anything, that Ed may believe at this point (his lowest point, where he is already dedicated to killing himself) that he's actually incapable of loving someone properly. He has indeed experienced real friendship and love, not just with Stede but with the crew. It seems clear that he thinks he's done something, or been something, to make Stede leave him, and he's trying very hard to make the crew hate and fear him enough to kill him. His other friends that we've met—Jack and Izzy—are dead (or he thinks they are). He's truly isolated, and it seems he believes that that isolation is entirely because of who he is, not just being unlovable, but being a "bad person" unable to love someone else.

We see this at work already in Season 1, in Ed's inability to do anything to stop Izzy from harming Stede. Stede is related to Ed's mother, the other person in Ed's life whom he loved without toxicity. Ed's murder of his father was to protect his mother and himself, but it ultimately (it's implied) leads to him running away to become a pirate. Having had a person who loved him, he fled to avoid his violence poisoning her further. The duel between Stede and Izzy repeats the process, but Ed is unable, here, to stop the abusive father from harming the person Ed truly loves and who has shown him genuine love. Ed's love for Stede brings Stede into danger and nearly gets him killed.

The second time, Ed brings Calico Jack onto Stede's ship. Ed's reason for leaving the Revenge with Jack is his fear that Stede will eventually see him for what he is, and reject him: "This is who I am, Stede. Can you see me now? You were always going to realize what I am." This comes after Jack has killed Karl and harmed other people in Stede's crew. The undercurrent is that Ed himself has brought violence on the people that he loves, purely by his association with Jack. Again, Ed's love for others is not just a weakness in the eyes of Jack and other pirates, but a danger to the very people he wants to protect.

Which is why Stede's rejection of Lucius's statement—that the time Ed has already spent with Stede is the best it will ever be for him—and his continued hope and expression of love for Ed is so important, not just to Stede's characterization, but to Ed's. Because it isn't just that Stede loves Ed, but Stede's conviction that Ed loves Stede. Stede firmly believes that Ed is capable of love, that the love they experienced wasn't a whim or something that could easily be discarded ("a love like ours doesn't vanish in an instant"), and that Stede himself is not going to accept the idea that Ed's love for him in Season 1 is the best it's going to get. He knows that Ed is capable of love, and that Ed's love is not poisonous or dangerous.

Season 2 isn't just about Ed learning that he's loved, but also about him learning that he is indeed capable of love. He tries to help heal the damage that he has done, not just as Kraken, but as Blackbeard. He tries to give the crew joy, what there is within his power, and to express his love for them through turning "poison into positivity." He learns to love Stede better by becoming a better man himself. Most of all, though, he begins to understand that he is not poisonous but has been poisoned, and he has to let the poison bleed out.

I have more to say about how this works in Season 2, but that's enough for now.

Side note: I do think this is another narrative reason why Izzy has to die. He is one of the last connections to the poisonous past, a major player in Ed's inability to recognize his own capacity for love, and a stumbling block to Ed being able to both accept Stede and the crew's love, and to understanding that his love is not the cause of violence.

#ofmd #our flag means death #edward teach #ed teach #stede bonnet #ofmd meta #ofmd season 1 #ofmd season 2 #izzy hands #calico jack #revenge crew #the crew of the revenge #ofmd s2 #gif