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Kevin Cage of @spotlightsaga reviews... Riverdale /S01\/E10\ Chapter 10: The Lost Weekend Airdate: April 13, 2017 @cwnetwork Ratings: 0.872 Million :: 0.32 18-49 Demo Share Score: 8.5/10 @riverdaleseries @archiecomics TVTime/FB/Twitter/IG/Tumblr/Path/Pin: @SpotlightSaga **********SPOILERS BELOW********** Four Months late isn't too bad, right? See, in Miami, it's never cute to be the first person at the party, and really the party never ends until someone actually says it does... And clearly the Riverdale Party is still very much in full swing. So consider this 10th Entry 'Riverdale Revisit'; the after party to end all after parties. Of course, we're going to be set up for S2 when it goes live. This is definitely not one of the tv shows that Spotlight Saga will be dropping in the coming, world famous, 'fall tv' season frenzy. But don't get it twisted, there are many on the chopping block... OUR chopping block. We're looking at what gets our blood pumping and our thoughts racing, giving us something more to talk about than "Last Night on ___insert uninspired show number #45 here___." 'Riverdale' has made a massive stir across social media and of course on The CW & their worldwide dominating partner, Netflix, as well. I love that due to streaming, the new large amounts of cash pouring in from its subsequent deals, and actually several generations full of 'cord cutters', there are no longer rules to watching and writing about television series and films... Get to them when you can, some will watch them live, some will stream them later, some will wait until they can binge them all at once like a Weekend Warrior with a pocket full of Ecstasy and a head full of hallucinogens. It's our world now, and CBS, NBC, ABC, FOX, and more (or less) importantly 'Nielsen Holdings', no longer control what, when, where, why, and how much. Smell that? That's the sweet smell of change... And the remnants of murder and sticky maple syrup, obvi. Ive been extremely careful not to overpraise 'Riverdale' in the past. Similar series have only led to frustration or feelings of complete frustration. Its hard to know what to expect from a show like this in the near future... We all saw the demise of similar series like 'Pretty Little Liars' and other shows that run through the same type of vein... Kind of like many of the other ones attempted over at the now defunct ABC Family where PLL first started. Like The WB, UPN, and now The CW, ABC Family has also gone through a newly rebranding process that didn't do much to help the sinking ship they now call Freeform TV... A network that only 'The Fosters' and its cheesy sister show 'Shadowhunters' seem to be keeping afloat. We aren't being negative, we're being real... And when you're at a party, or in this case, 'After Party', you've got to be real. You just gotta... Even if no one ever wanted the party in the first place. If you don't know what I mean, let me spell it out for you. Ready? Set? Spell! Ah fuck it, we'll just spill the tea... 'Let's have a Kiki! Lock the doors tight!' I sometimes wonder if my obscure pop culture references I often sneak into these articles ever actually connect. They probably don't, but to that one person that got it, FUCK YEAH! It's the birthday of Jughead (Cole Sprouse)... And much like the very similar, fellow female counterpart, Sheila the She-Wolf, another introverted style character from 'Riverdale's sister show on Netflix, 'GLOW'... Jughead is not really into parties and/or making a big fuss about a birthday or bringing any unnecessary & unwanted attention to his person. Unfortunately for Betty (Lili Reinhart), Jughead isn't really big on camaraderie, most definitely not in the spirit equivalent to the 'Gorgeous Ladies of Wrestling'! The reasons behind throwing these two characters' each their own impromptu birthday bashes on their respective tv shows are done for totally different reasons. With 'GLOW', it was slightly annoying at first (for Sheila, anyway), but eventually it turned from an apprehensive & anxiety filled event to a touching, sweet moment, where a closed off character had a major breakthrough that was captured in the perfect beam of light, allowing a significant development and enabling an insight into another character's backstory, bringing the whole cast together for the most part. In a great juxtaposition, on 'Riverdale', the psychology behind this one is actually much, much different... It's still got the 'trepidatious yet possible potential for a surprise moment of gratification' aspect down to a certain degree, but it doesn't go down the path of the balmy & charming. The reasoning behind Betty's sudden obsession to give Jughead the party that he never wanted, and the background as to why he's so against the idea in the first place certainly doesn't inspire camaraderie or any kind of 'feel good' moments, especially at the party itself. If anything, the intent is slightly bordering on the side of creepy. Riverdale?! Creepy?!? Yup! Keep up! It's only getting creepier. You see... We've been up on 'Riverdale' and then back down, and then back up and down again... And I think everyone here will openly admit that it's mostly due to a shaky CW track record, as well as similar networks just like it, though there has been a few inconsistencies outside of this oddball tone & beautiful color scheme we're always raving about. However, when the show fully embraces its complete and total anomalous, almost freakish eccentricities, we all just fall right back in love with the show again. It's episodes like 'Chapter 10: The Lost Weekend' that completely make us forget about past network follies and shows like PLL completely losing their way after gaining our trust and enthusiasm in its beginning stages. Reinhart is effortlessly serving up 'Bizarre, Bilateral, Betty Bananas' like a full-on, award ready, seasoned vet. Seriously, I don't want to blow too much smoke up the kid's ass, but I'm pretty sure her breakthrough performance here would even make the likes of decorated actress such as Nicole Kidman proud. Betty Cooper has a duality that Reinhart not only highlights with strong, hearty performances... But it's also the efforts of Director Dawn Williamson, a phenomenal Art Department (you guys KICK MAJOR ASS), Cinematographer Stephen Jackson (this guy was award-worthy in this episode), and Costume & Wardrobe (hell, everyone involved in the smallest, minute details) framed from shot to shot... The absurdity of how tight & perfectly situated her ponytail is, how hard she clenches her hands (leaving scratch marks on her palms), even the way she holds the cake & dawns the signature 'Jughead Crown', to whoever made the call of having those weirdo party goers in horse masks in the background - Good call, guys! That was freaking CRAZY! It's all those little things that make the picture such a pleasure to watch... Turning what seems like a normal teen drama at first glance, to a finely tuned, surprisingly compelling theatrical spectacle. The crazy is in full on abundance, though... It's not just Betty. Suddenly after a string of a few disappointing episodes, I come back after a break and either see things in a totally different light, or it could be that this was just slowly building right under our noses the whole time, or *the most plausible of all three options* is that the ironically lowest rated episode of the series, according to the great analysts over at Nielsen, is actually the most technically sound, character driven, insanely atmospheric entry of the entire 1st Season. Veronica Lodge (Camila Mendes) finally lets go of some deep resentments she's been bottling up and goes after Cheryl Blossom (Madelaine Petsch). This is a task that I wouldn't suggest to any person of sound or capable mind to attempt in any way, shape, fashion, or form. The act is crazy in and of itself, and pissing off the 'Ravishing Redhead' that literally wears the letters 'HBIC' on the back of her cheerleading uniform, that's 'Head Bitch in Charge' for anyone too young or too old to remember Tiffany Pollard of VH1's 'I Love New York', is obviously going to lead to a backlash that Veronica won't likely forget. Sure she might get her big 'W' now, but we must remind you... There's no 'W' in 'HBIC'. Meanwhile, Cole Sprouse & Skeet Ulrich, who plays Serpent Gangster FP Jones & Jughead's father on the show, are literally close to actually convincing me that they are really father and son in real life. The little ticks and nuances that they share are out of this fn' world insane. Either these two have spent a week in a trailer together mirroring their every move or we seriously need to ring in Maury Povich for a DNA Test! Oh, and apparently there's some guy on the show named Archie Andrews (KJ Apa)... The only drawback is that they've failed to make the main protagonist (is he tho?) even remotely interesting. He's good looking, but he's not a convincing redhead, and I'm still not hooked into his arc. Hey, that's ok... Enter Mary Andrews (Molly Ringwald - ChaChing!), Archie's long lost mother. So nice of you to finally drop in, Molly! Fred Andrews (Luke Perry) is ready to finalize the divorce, but we're just biting on all the possibly juicy dramatic scenarios! Who is Archie again? Back at the party, that burgeoning rivalry between Veronica and Cheryl hits its boiling point when Veronica gets a bit too carried away and accuses Cheryl and her deceased brother Jason (Trevor Stines) of having an incestious affair. Ah, gotta love seedy underbelly of the United States! The more money, the crazier the family!!! Oh but there's more! Good ol' All-American Chuck (Jordan Calloway), who actually WAS almost boiled alive, attempts to out Betty on her 'Dr. Jeckyl/Ms. Hyde' issue that surfaced when a hot tub prank got a bit too out of hand earlier in the season. To our surprise, and viewer delight, Jughead and his Dad actually had a moment, which was completely unexpected, yet felt completely real. Like I said before, Ulrich & Sprouse have stellar chemistry, and the writers seem to know this and obviously derive great pleasure in giving us this moment where the two aren't at total odds and Jughead not only carefully considers, but actually takes his biological father's advice... Providing solid proof that the series isn't trying to meander or stretch out any unnecessary storylines at all. No disrespect to fans of other series broadcast on The CW, but clearly this isn't 'The Flash'. These storylines seem to be heading into important territory at a reasonable pace, and not just hanging around to fulfill an episode number requested by an executive to make sure ad-space quotas are filled... Although I have considered that this could be an issue that the show could run into in its expanded 22-Episode Run that it's been greenlit for S2. There's plenty of juicy drama to go around, but when we see that drama making moves instead of being drawn out, then you know you've got a potentially good show on your hands. For now, 'Riverdale' is back on a solid trajectory, delivering what appears to be a set-up episode for the impending S1 finale... A set-up episode that was easily the most consistent entry to date from start to finish. The impression that an episode as good as this exists to move its characters like chess pieces, seemingly just to put everyone in place for the final three episodes is an exciting notion for the last 3 hours of S1 of 'Riverdale' to come!

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