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#house of tolerance
artfilmfan · 8 months
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House of tolerance (Bertrand Bonello, 2011)
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whirlingatoms · 7 months
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House of Tolerance, 2011
Has anyone watched this movie? It looks stunning.
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L'Apollonide, souvenirs de la maison close (2011), dir. Bertrand Bonello
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estellaestella · 2 months
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Adèle Haenel. HOUSE OF TOLERANCE
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poisonsome · 2 years
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Jasmine Trinca 🇮🇹, Hafsia Herzi 🇫🇷, and Adèle Haenel 🇫🇷
Still from House of Tolerance (2011)
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lolajames · 11 months
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House of Tolerance (2011) dir. Bertrand Bonello
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spiderliliez · 2 years
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Adèle Haenel (as Léa) Nervously anticipating a card reading. HOUSE OF TOLERANCE (2011) [+] LGBTQ 💜 [+] ..more French Films 🎥 [+] ..more on ADÈLE HAENEL 📷
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bluen3hey · 1 year
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2011  L'Apollonide (Souvenirs de la maison close)
House of Tolerance
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wlwmoviebracket · 6 months
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round 3 (6/32)
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House of Tolerance (2011)
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emmetreference · 1 year
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cardo-de-comer · 25 days
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Hey! The way you drew Mr. Qi makes me feral, thank you. I love that man in a way one would love their neighborhood cat. Mysterious, I wish to know more of where he comes from, who he is, yet it's better to be kept secret. Again, thank you for drawing him in such a nice way, loved it, will continue to love it, and once I've sent this ask, I shall continue to stare at it like the feral animal I am over that man. Thank you.
thank you anon! <3 i miss him lots lately so here's some sketches
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L'Apollonide, souvenirs de la maison close (2011), dir. Bertrand Bonello
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so-i-did-this-thing · 7 months
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Please look at what this house flipper did when they remembered that microwaves exit.
Just.
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I would like to believe that is a painting of a microwave, and if you pivot it to the side on its little wire and nail, you will find a wall safe full of 50 bottle caps, some ammo, and a stimpack, if you're lucky.
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houseswife · 4 months
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I love how they set taub’s biggest issue up to be the fact that he cheats on his wife. like that’s the only thing wrong with him really. and everybody dunks on him for it. meanwhile wilson has been causally dropping the fact that he’s a serial philanderer since season 1 and nobody bats an eye because there’s just so much else to unpack that it might be the most normal aspect of his personality
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Okay, I wanna talk about Fun and Games and the Anne and Mary plot.
First thing: the whole setup with Anne and Mary is a very one-to-one reference to the play Who's Afraid of Virginia Woolf, as many have already pointed out, but unless you've seen the play you might miss just how clear the reference is - there are lots of direct, kinda subtle references, from Anne kissing Stede to Mary throwing an axe at Anne's clock, but the main plot of this episode is so heavily rooted in what happens in the play that it's very worth talking about. "Fun and Games" is the title of the first act of the play.
A brief synopsis of the play, if you've never seen it. It will sound very familiar. The setup is an older couple having a younger couple (who mirror them in many ways, down to occupation) over at their house. George and Martha, the older couple, have a relationship that at first seems normal but quickly becomes obviously dysfunctional. They're passive-aggressive with each other, have all these little games they play with each other with rules obvious only to them, and frequently get into heated arguments and try to embarrass each other in front of their guests. Nick and Honey, the younger couple, are revealed as the play goes on to have some issues between them that could very easily lead to their marriage going the same way as George and Martha's, just fun and games because they can't handle actually talking like adults and accepting each other as they are. When George and Martha are forced to stop playing little games with each other, the play concludes with an open ending, and we as the audience are left to wonder if George and Martha will be able to actually talk through their emotions and problems without the impuse to avoid them that they've been leaning on for years.
The name of the play is a reference to Virginia Woolf, who was an author very invested in earnest exploration of a character's inner thoughts and feelings - playwright Edward Albee says that the play's title can be read, really, as "who's afraid of living life without false illusions?" and when Martha says she's "afraid of Virginia Woolf," that's what she means. The characters in the play constantly play games and create little illusions to hide from their real feelings and what happened in reality because it's too scary for them to be honest with themselves and with each other.
Anne and Mary are a cautionary tale for Ed and Stede, but it's not a simple "if you quit piracy you're going to get bored with each other and regret it." The cautionary tale is "if you refuse to talk with each other, if you refuse to actually address the reality of the situations you're in together, if you allow yourselves to become so bitter with each other because you would rather pretend you can get by with fun and games instead of acting like adults in a relationship, that is when you'll end up like Anne and Mary." It's notable that Mary mocks Ed and Stede for acting like teenage boys and not having an "adult" relationship, because she and Anne approach their relationship very childishly, snipping with each other, trying to get a rise out of each other, and refusing to actually talk, and when Ed and Stede are having an open, earnest, heartfelt conversation, they laugh and mock them for it.
And I think a lot of analyses of this episode miss that Anne and Mary broke free from the fun and games cycle at the end of the episode. When Anne set their shop on fire, she's burning the illusions they've been living with, too - their version of George and Martha's game is trying to "kill" each other, so scared of that final mystery, which of them is going to keel over first, that they have to make it into a game. The episode is not saying that it was a mistake for Anne and Mary to quit piracy and settle down. It's saying that their problem is refusing to actually talk to each other and communicate like adults, and when Anne commits to Mary over their shop, this symbol of the life they've become so bitter about and all the games they play to talk around their feelings with each other, they share a hug and we get the sense that their relationship is on the mend.
This episode is extremely well-crafted. It references the play without becoming overly derivative, but the central themes remain strong. It's a cautionary tale for Ed and Stede, but it's not a basic one, and it comes back at the end of the season when Ed panics and runs away to live an illusion of a fisherman instead of communicating with his boyfriend. Ed and Stede are not becoming Anne and Mary when they settle down together - it's the opposite, they're committing to what they want and living a life without illusions.
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