Something I’ve been thinking about lately is that small moment in “Air Turtle” where immediately after the Daves lose yet another game, Leo says how sorry he is and how he’s doing his best as the mascot. This moment is so short but it’s honestly jam-packed with a whole heap of characterization.
His need to apologize for things clearly not his fault - especially when it feels like he messes up the job he was given despite doing the best he can (the phrase “it’s not about you” takes a new meaning when this is one of the lessons to be learned from that - that he is not always solely responsible for things going wrong), his need to save face and make a connection with an older adult man in his life (something he consistently does throughout the series - he’s got a few daddy issues, always collecting potential father figures, it’s no wonder he jumps at the bit to keep rapport), and the way he sounds and looks and the words he chooses really pushes how he is just a kid (“Mr. the Dunk, I’m so sorry”).
Like I know it’s a one off moment that doesn’t truly mean much, but when put against the rest of the series it works really well with the rest of Leo’s established character and helps in solidifying later concepts as well.
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say it with me everybody: personal health is completely immaterial to morality, including mental health. leading a mentally unhealthy lifestyle (or what you perceive as a mentally unhealthy lifestyle) does not a bad person make. no one has to socialize, exercise, have healthy coping mechanisms, or lead (what you perceive as) a fulfilling life with fulfilling hobbies in the same way that no one has to go to the doctor to get a broken bone reset. both of those types of management of personal health are likely to be beneficial to the individual, but they are in no way moral requirements or debts owed to society. they do not actually say anything about a person's principles, personality, or actions towards others. additionally, people know themselves and their own situations better than you do. maybe a person judges that the physical and financial toll of going to the doctor outweigh the benefit of getting their bone reset, maybe a person just does not have the capacity to develop healthy coping mechanisms at this point in their life, and yes, maybe a person feels like they are totally fulfilled by "media based" hobbies alone and would feel no difference in their life if they picked up a loom. just like. let people be sick without accusing them of being representative of the lazy, degenerated state of modern society.
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i hate how commodity and capitalism has ruined so much storytelling . i hate how sequels and prequels and whatever else all ring like merch sales; i hate that i as an author have to include any social media following i have as a marketable trait; i hate that everything feels like a xerox of a copy of a dream of a memory.
i hate that my nostalgia has been turned into profit. i hate that companies fear consumer backlash so no real commentary may be made; i hate that companies care more about quantity over quality. i hate that so many artists and creators are being overworked to the point of complete collapse rather than being allowed to tell the story their way. i hate that every point of representation has to be fought for. i hate it i want us all to go back to living in a cave .
when you sit with friends over a bonfire and the night is getting long and people start telling this slow, almost hypnotic story - in this quiet voice, like they don't expect you to listen while they say the most fucked up shit you've ever heard - that is storytelling. who cares if the punchline is car hand hook door. storytelling has always been about community, about us all sitting in the dark, choosing to fill the silence while the last embers are dying. we forgot that storytelling is spellwork. hallucinating together, our breaths held, waiting for the ending we already knew was coming.
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So nimona being trans coded and ballister being gay and kinda but not really turning on her in the end..
Something something gay vs gender non-conforming people/queer on queer violence/hate/lgbt+ not accepting others that are in their own community because they don’t think they should be apart of the community themselves or think their experience is lesser then theirs or understand it etc.
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As much as I mourn all the lines that appeared in mario movie trailers but for some reason, didn't make it to the finished product (RIP "I'm not afraid! I'd do anything for my brother!" YOU LIVE ON IN MY HEART ALWAYS AND FOREVER), I've been thinking about "I hope you told your brother how much you love him, because you're probably never gonna see him again" and the rest of that whole dialogue exchange in particular from this specific trailer and how much I wish we'd gotten that moment because I think it would have helped spotlight a vital aspect of Mario's character that the movie already does a REALLY good job with getting across in the first place: the way he communicates how he feels through action and acts of service instead of words!
(more under the cut because this got too long, haha)
Mario is usually a very quiet protagonist so this tracks with the games too, obviously, but even movie!Mario seems like someone who isn't overly verbose or who's especially eager to enter into heavy, feelings-based conversations (at least not without a struggle). Talking about his feelings might not come easy to him, and he maybe even forgets to say things outloud that to him, seem obvious. (Meanwhile, I think Luigi is always up for gushing about his favorite people (see the interrogation scene lol) and probably ends every phone call/text message exchange ever with "love you!" to Mario and his parents, to the point that he might accidentally say it to acquaintances and customers too on occasion, LOL).
So thinking about this exchange with Toad and how, even if the movie didn't acknowledge it past that point, this idea would be hanging over Mario throughout his journey hits harder because you can imagine him thinking: hey, when WAS the last time he told Luigi outright that he loved him that wasn't a distracted "yeah, me too" response to Luigi saying it first? Maybe it's been a long time. Too long. So long it's genuinely upsetting for him to realize! What if his brother doesn't actually know how much Mario loves him, because he does, he does so much, and he's been an idiot for going so long without saying the actual words and now he can't, he CAN'T and he would give anything in the world to go back and do things differently!
And of course, all this panic is totally unwarranted and even silly because I think Luigi knows like his own name how much Mario loves him. Because the audience watching this movie knows how much Mario loves his brother by that point! Mario never says the actual words - in fact, he never says anything particularly positive about Luigi, other than "you were great!" regarding the commercial in the very beginning - and yet it couldn't be any clearer!!! I think it's pretty impossible to come out of this movie (if you were paying attention in the least) not seeing that love plain as day in everything Mario does, down to the littlest things, because he is a man of action and that's how he expresses himself best!
You see it in how he shifts from mildly embarrassed to immediately Intense and Ready To Throw Down on a dime when Spike insults Luigi, you see it in how he pauses to open doors and create paths for Luigi to safely follow him through the construction site as he's parkouring, you see it when the dog becomes aggressive and Mario is just entirely focused on keeping Luigi behind him, pushing him out of harm's way, getting the dog's attention so it will attack him instead, etc. You see it in the warp pipe when his entire demeanor changes the second he realizes Luigi is in trouble, how he desperately paddles to reach him and grab his hand and comfort him about the situation. You see it in how his brother is front of mind for him at every point in his adventure and that's why he fights so hard to talk to Peach, why he agrees to the fight with DK, why he keeps trying even when things seem hopeless and no one believes he can do it. You see it written all over Mario's face during the reunion, every single little way he touches Luigi and brings him closer and checks in on him with crystal-clear relief and joy and gentleness!!! The "show, don't tell" aspect is just OFF THE CHARTS IN THE BEST WAY POSSIBLE because that's how Mario is. He's not so good at words and remembering to say them. When he loves someone, he wears that feeling, he lives that feeling in so much of what he chooses to do and how he interacts with the world, and while it's always good to say these things outloud now and then just to be clear everyone's on the same page (and I'm sure he does after the movie, haha), it doesn't make it any less meaningful. :)
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but i do also think that its important to acknowledge that jordan peele also directed the movie alongside henry selick, and the reason for the poc majority cast in wendell and wild is probably his influence and dedication to telling explicitly black stories with black characters than anything else
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the thing about saltburn is that we all shame oliver for what he’s done, but we’d probably do the same if we could. when has a person in love not done everything in their power to keep the object of their affection interested in them? when has a heartbroken person not craven violence after being rejected? when has a lonely person not lied to make ourselves look better? when have we been truly calm and collected?
we’re emotional beings driven by impulse and the desire to be loved that would exploit the rich on the first opportunity we get. we feel deeply and destroy in the name of love and success.
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