Do you have any tips for starting a story? The middle and end is easy (lie) but the beginning SUCKS to write sometimes
oh gods no joke openers are one of the hardest part for me. Theres so many ways a story can start, and it makes me CRAZY because that right there is your hook, thats what convinces people to start reading!!!!! And there are so many unique ways one can start, so it ends up feeling a bit like that one reaction image of the girl being handed so so many pancakes
I think for me, what i try to ask myself when sitting down to write an opener is: "what kind of story is this?"
Because each story needs something different to accomplish its goals. A slower story might want to take its time with setting the scene, while an action-packed one might start in media res and with a bang!!! I guess if i had to give advice i would say, take the time to identify what your story is trying to say, and then look at what different openings can do for you to identify that goal.
For example; this is from my fic when the night cries, which is essentially a ghost story:
This was meant to be an introspective story, with a very gentle pace overall, so i took the time to really set the scene, build up the sense of what we're looking at before we get dropped into the fic proper. I remember my thought process for this was: how can i make this unique??? how can i make it FEEL like one of those old paintings with the beautiful yellows and summery oranges, while giving the reader a sense of whats to come?? Adding in the repetition of "it begins" was a way for me to sorta hammer that home: this is the start. This is where the story originates. And in a technical sense, it hooks your attention, with the question and immediate answer within the narration. The intention here is for the reader to want to know why this is important, and now it's answering that, but still leaving gaps for more questions.
Now compare that to, say.... lost in the dark's opening:
The overall pace of hunger au is slow, but this opener isn't-- partially because it's a rough draft, but also because what i wanted out of this scene was a sense of deep, deep urgency. We're in the middle of action; Grian is physically running while he thinks, and i wanted the reader to feel hunted and uncertain with him. Dropping everyone in with Grian at one of his most frightened, shaken points was the best way i felt i could establish that scene, and throughout it i drop hints as to what's actually going on. He's scared. He thinks he's going to hurt people. He's been on the move for a very, very long time. These are all things that are meant to pique interest and get answered later, when the reader is already invested. And i guess in that regard, its really all about timing.
But yeah!! Rambling aside, i'd say try out a few different ways of opening your fic and see what works. Think of em as thumbnails; write maybe 200 or so words at most and see if something works better than something else. I think theres this secret culture of shame among writers for not putting the perfect start down on the page the very first time you open the doc, but it's super normal to have to workshop things around to your liking!!! There's absolutely nothing wrong with writing a few different openers to see what works best for you and your story, and in fact is something i genuinely recommend. Its good practice, and essentially functions as a warm-up!!! You also get the benefit of exploring new angles in a scene, which can sometimes unlock really cool stuff for your writing
Sorry for how long this is, anon!! Hopefully you find my rambling helpful :D thank you for sending in this ask!!!
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hey that pokemon 2000 gifset + your jn dub analysis made me think about the pokemon 2000 dub - I've only seen it subbed once (compared to the hundred times I watched it dubbed as a child) so I could be misremembering, but didn't the dub completely change the themes of the movie with the chosen one ash thing?
i actually haven’t watched the sub nearly as many as times as the dub either :p but i have read extensively about this topic bc it’s personally my favourite pokemon movie and yes! the first and second pokemon movies are both victim to this (like mewtwo’s epic speech we all love so much at the end of the first movie…being a complete fabrication by the dub team :p you gotta give those writers credit - they were VERY good at what they did), largely i’m guessing due to cultural values and expectations. since they were trying to sell the anime to an american audience, not a japanese one.
tangentially, i will say i also think that’s the root of this like…subtle distinction some people have between the characters “ash” and “satoshi.” i don’t differentiate them in any big way myself because fundamentally they still are very much the same, but it is true that in japanese, ash has somewhat different mannerisms and responds differently to events at times, especially in the early anime when it was so much easier to get away with making big changes for…a big assortment of reasons haha.
in THIS movie in particular, some of those things are like…well. the prophecy is probably the most obvious change. the dub team rewrote it to include the chosen one reference, which works great because of the word play on ash’s name. in japanese, it just says “an exceptional trainer will appear to help calm the wrath of the gods.” ash’s response to this is more mild trepidation than outright fear. he doesn’t hesitate like he does in the dub. and tbh? both reactions make perfect sense for his character in my opinion.
in japanese, his concern is more "do you really think i can fit that role?" this...tracks pretty well with his character development by this point. like yeah he said he could win the indigo league, but he's also thinking about dropping out after gary loses; it's that little grain of insecurity he has, which he's normally good at covering up with arrogance (a lot of which is also very genuine, don't get me wrong). but he sees the opportunity to help and he takes it. that's just...what ash does.
in english, though, the prophecy is pretty clearly about him. there's no one else it could be. it has to be him. and he...doesn't like that? that scares him. which, fair. anyone would be terrified by being singled out like that. it's also so much...not ash's thing, even at this point in the series. his character development is about embracing having to work hard to do well. to keep trying until you get it right, no matter how many times you get it wrong. the idea of being a "chosen one" completely robs him of his ability to be so single-minded about what he wants his destiny to be that it manifests as pre-determined; it just...pre-determines it for him, if that makes sense. lol.
the thesis of the japanese version of the film is that no one person or pokemon can stand on their own. everyone needs help. it's about harmonizing with each other and with nature. about letting others help you, and helping them in turn. the english version rewrites that into a story about power and destiny. the title alone says it all, right? it's called "the power of one" - no reference to lugia, no reference to the birds. in japan, the title is about the revelation (or "birth") of lugia.
westerners love a good chosen one story, so this was a really good choice by the dub team in that respect. i mean, it's a narrative that's stuck really well. fandom loves chosen one ash! in general, western fanbases are really into this narrative. it's everywhere. and there's a lot that goes into that, culturally, and especially religiously, historically, etc. so at the end of the day, i don't think the change is so much about conflicting ideas about collectivism and individualism. it's more about goals and ideals, on a personal level.
let me say again for the 273456784th time, i love that they resolved ash's story by having him realize that the goal he's really been striving for all this time is to meet and befriend pokemon. to learn from them. to earn their trust. it's like...he did the thing that everyone else thought represented his goal, maybe even himself included, only to realize that his dream was never about the end of it anyway. it was about everything he learnt and everyone he met along the way. (i also suspect nobody writing in 1997 knew that that would be the ultimate resolution, either. but it makes sense in the entire context. it's kind of a nice irony, even. to only figure it out after writing the story :p)
and i think this little distinction is important to that goal! it's his whole character! which is why even though i too love chosen one characters, i don't necessarily think of ash as one. because even if he is, his whole Thing is that he wants to try. a lot of the chosen one narrative is about characters being reluctant to be used for a "greater good," or about them collapsing under that pressure. ash doesn't really have that. he does what he thinks is right because he...thinks it's right. sometimes, sure, others have to push him into it a bit, but usually they're actually pushing the other way - it's too dangerous, you're going to get hurt, etc. and to me, i don't know - thinking of times he's died, or nearly died, and some legendary or mythical pokemon has saved him at the last minute...i don't think that has to mean he's special in a cosmic sort of way. i think it just means he's special to them. that he did something for them, or for someone else they had come to care for (thinking manaphy responding to may's emotions, not just to the fact that ash was drowning, or in mpm ash convincing latios to trust him because of their mutual desire to save latias, etc.), and so they want to help him. which is completely opposite to the typical chosen one narrative, i think? because he doesn't do those things out of obligation...he does them because he thinks he can become a better trainer by doing them, and he wants to do that. and well. he did do that.
anyway my tl;dr here is YES they changed the theme a lot haha, but i find it fun that they also changed the characters’ responses to that theme. funnily that’s…kind of also what fanfiction writers do all the time, lmao, but that’s a whole other conversation.
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Perhaps the only thing worse than being hated is being loved just enough to matter. Like you don't really know me, but I matter to you and my absence will be felt and isn't that awful that I both mean something and nothing to you? And isn't it terrible that that's how most people we meet are? We love them just enough to miss them but not enough to make any lasting change. Those passing through our lives, nomadically, never meant to stay. And what do you do with that? What do you do with knowing you can't be everything but you'll never be nothing no matter how hard you try? You'll never be inconsequential. Your presence and absence will be noted, documented in the hearts of those you get just close enough to to have an inside joke or casually talk about your lives.
And of course, the only thing worse than that is being truly loved. Standing naked in front of another, desperately hiding your scars and ugliness with your hands, hoping they stay. Hoping despite it all, they will choose to love you anyway. Because you know your absence will not just be felt but will be mourned. And their absence will rip your heart apart like thorns, never healing to what it was before. And everything ends in one or the other eventually.
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