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#i genuinely have no idea who this is
cemeterything · 4 months
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are we still doing this because i have a late submission
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uncanny-tranny · 9 months
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Amatonormativity has destroyed so many people's understanding and acceptance of themselves, and it's heartbreaking.
Yes, it is normal to be in your 20s, 30s, or older and not have lost your virginity, had a first kiss, or a partner. It is normal to say that you aren't ready for those things, too! It is normal if your life doesn't follow the "college graduate -> engagement -> buying a home -> 2.5 kids and a dog" trajectory that so many people have idealized.
So many people associate maturity with losing your virginity, or having a first kiss, or a serious relationship, and I think that's a dangerous association. Maturity isn't gained through those things, and you don't have to have those experiences to be considered "mature" or "grown." It is not a bad thing to go at your pace. Nobody else can live your life but you. If you end up having those experiences, that's great! But it should be done because you want to experience them, not because you feel "broken" and "immature" without them.
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cookinguptales · 1 year
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Now that the post is over 10k and my notes are straight-up unusable...
One thing I wish I'd spelled out more explicitly in the original post because I see this point getting lost on a lot of rebloggers who don't understand why the healthcare thing was such a big deal is like
The subtext I thought would be understood bc I lived back then but apparently has been lost today is that making sure queer employees and their partners had healthcare in the early 90s meant Disney was paying for a lot of AIDS treatment.
This is one reason fundie Christians were so upset and queer employees were so grateful. It's one reason why it was such a controversial decision. It was a major talking point amongst my family, who believed back then that AIDS was a punishment from God.
(Some still do, I think. We don't talk.)
I keep seeing people saying that Disney only chose that option "because of their bottom line" and it's like??? Were you listening??? Disney has been paying for that decision for literally decades, but they've stood by it.
Like... the 90s weren't like now! It wasn't profitable to cater to the queer population of the country back then. They weren't raking in money with this.
It's in no way a perfect company but I fully believe in criticizing people for the specific things they do wrong and praising them for the specific things they do right. Disney has fucked copyright, monopoly, and labor laws and I'm not about to defend that. But they are well known in FL for being friendly to both queer people and disabled people, and that is unambiguously a good thing.
(Like side note, I could talk about Disney and accessibility for days. I have traveled extensively while disabled and no one does it like Disney.)
I've had people reblogging the post like "I straight-up don't believe Disney is an industry leader in equal protections for queer employees" and it's like ??? do you think I just pulled this out of my ass? If you want more information, go look it up! You'll see that this is well-established history. It's not my fault y'all don't read! :|
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cracklewink · 2 months
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Harmony Syndrome Part 5/5
The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )
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bunnakit · 3 months
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idk what tatort saarbrücken is but hell yeah fuck it up germany have fun with whatever funky thing you're doing today
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theminecraftbee · 3 months
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okay so. hear me out. but. au concept--
joel is one of many people affected by a Vanishing. its a phenomenon sweeping the country--people simply not showing up for work, school, life one day, as though they've vanished from the face of the earth. it's almost possible to mistake for normal missing persons cases, if it weren't for the way a few of the higher-profile Vanishings have happened to people who shouldn't have been able to vanish at all, let alone in a way that wouldn't be noticed until too late. look at joel's hometown. the people monitoring the dam were supposed to be redundant, and yet--
anyway. not like he cares or anything, except for the fact this stupid disaster or whatever has left him without anywhere to live or anyone to live with, and he still has a year of high school left, so he can't just do whatever he wants. luckily there's this school in a town called new hermiton that agreed to give him a scholarship to finish his education in the name of recovery and solidarity or whatever, and it's kind of a shwankier school than he'd normally go for, but it's free and, more importantly, they're willing to pay for his lodging, and he can't really turn that down. and it's not like he has a choice but to upend his entire life now. so packing what few of his belongings survived into a bag and getting on a train and moving across the country to a new school it is, he guesses.
(he's been having nightmares that inexplicably feature swarms of blue butterflies. last time he checked, lakes don't have butterflies in them. although maybe it's a metaphor or something, on account of the butterflies saying stupid stuff about how people who are remembered can't disappear, and even a false world cannot be erased if it's watched over, and how fate depends on him holding people in his heart. thanks for saying the same stupid shitty platitudes his social worker told him, just more cryptically, butterflies. real cool.)
new hermiton, it turns out, is a small city. while new hermiton academy is a newer school, much of the city is older. he's moved into a nice enough flat in an older apartment building. he has another cryptic butterfly dream. he thinks he remembers someone trying to urgently warn him of something, but it's all... shaky. that morning, he goes to the school for the first time. he's greeted by a fellow transfer student, skizzleman, although apparently he already knows some of the other folks in town, and transferred here so he could stay with them. but it's at least someone else in a similar enough situation to joel, especially since joel can just tell by the way people are looking at him that skizz didn't have much of a choice but to be here, either, and best friends with impulse or not, he's on his own too.
so. a friend. maybe this school won't be that bad, even if joel keeps having nightmares, and even if the weather here is weirdly cold for july, and even if his new homeroom professor keeps on looking at him really weirdly. (aren't professors supposed to be better about stupid rumors anyway? what's that mr. hills's deal?)
and then, two days later, he waves skizz off at the end of the school day, and gets skizz's friend, impulse, at his door, desperate to hear that skizz had just come to stay the night in joel's shitty lonely apartment, because otherwise it looks like--come on man. joel's already having a shit time. the universe deciding to go after his one existing friend too? he promises impulse to help investigate that night, in the vain hope that Skizz isn't one of the Vanished. joel gets a splitting migraine trying to follow their path back, though, and they have to stop for the night.
skizz is reported missing the next morning. joel resigns himself to cutting himself off from the people around him, as per usual. then, strangely, mr. hills corners him as he goes home.
"you'll need this," he says, and shoves what feels like a cheap butterfly knife into joel's hands. "uh, remember, trust your heart! you'll know how to use it."
"what," joel says. "hold on. you're supposed to be a teacher. why are you giving me this. i know for a fact my file says i have like, ptsd or whatever, which is stupid, but you definitely aren't supposed to be giving me a knife, you weirdo?"
"you'll know how to use it," joe hills says again. "goodbye! believe in yourself!"
mr. hills sprints behind a building before he has to explain anything else. joel is left standing on the sidewalk holding a knife, staring after him.
so. that's weird as hell. joel shivers in the cold and continues on his way home. the butterfly knife feels heavy in his pockets. he should probably report that guy to his social worker or something, but actually talking to his social worker feels like conceding defeat. joel can take care of himself. he can prove he can take care of himself. just watch him. step one: go out to get ramen because he forgot to buy any food for his apartment.
he sees impulse putting up signs as he eats. impulse looks miserable. joel thinks about how skizz, just in the short time he'd known him, had sort of unintentionally given away that he felt isolated after his mother Vanished. that impulse was a great friend, but impulse didn't understand what it was like. he never really SAID as much, but--
it's not fair to impulse, for that to be the last thing impulse remembered of what was apparently a friend since childhood. and joel doesn't care about any of these guys, but he can still pay his check and go out and help impulse go looking. he's no good at comforting people and doesn't know this guy, but joel had been alone too, sitting on the roof and crying, when the helicopters came.
except when they go back to the path by the school, joel's head starts to hurt again.
he looks up and there's a butterfly.
"hey, impulse, are butterflies common here?" he asks, a little desperately.
"i mean, not really, why?" impulse says.
"uh," joel says, and gestures. the two of them stare as the strange yellow butterfly circles in place.
"okay, so that is kind of weird," impulse admits.
"right?" joel says. "the only way it would be weirder is if it were blue." impulse gives him a look. joel does not explain.
it starts to fly away.
"we should follow it," impulse says, his voice getting a little dull. "yeah. we should follow it."
"what? no! no we should not follow the haunted butterfly, are you nuts?" joel says, but it's a bit too late. (maybe this is what the knife is for: stabbing impulse. it would be an effective method of stopping him!) he chases impulse down, down to the river, where yellow butterflies are swarming. impulse, as though possessed, simply steps into the swarm and falls through them to the water.
joel's, uh, freaking out more than a little bit? he'll admit he's freaking out. he dives forward to try to grab him, only to realize that he doesn't see impulse anywhere.
a single blue butterfly lands on joel's shoulder. "do you hold his heart next to yours?"
"i'm going insane," joel says.
"no heart is meant to be completely alone. do you hold his next to yours?"
"this isn't happening," joel says. "this is like a stupid manga or something. it's not happening."
"there is still time to save them; you must hold your heart strong, or the consequences will be dire. i believe in you."
the butterfly vanishes.
"fuck it," joel says. "if i drown then it's nothing people haven't expected of me anyway."
he steps through the swarm of butterflies.
that night, he drags both impulse and skizz out of the river. they're all freezing cold. shadows and strange, yellowy liquid still cling to all of their skin. also, joel stabbed himself, which like, glad to know that's what the knife was for, apparently, and the scar is warm and comforting. he can feel his--persona, and don't ask him how he knows that--shifting under his skin, under the mark on his hand. it said its name is pygmalion; it says it is a piece of joel's soul.
this is all patently insane. but skizz and impulse are alive and NOT eaten by shadow monsters, so even if they're both a little unconscious, joel takes that as a win.
they lie on the ground outside the river. someone stumbles across them. "well give me some teeth and call me an alligator. you got out on your own," breathes a fellow student clutching a dagger. joel thinks he's in the class across the hall. also--
"what are you talking about," joel wheezes.
"you found it on your own. you can find them?" the student says. his eyes are wide. something in joel's soul recognizes something in the student's. something in joel's BRAIN puts two and two together and realizes why mr. hills gave him a knife.
"no. no, go away, i don't want to be involved in this," joel says.
"well, don't you think it's too late for that?" the student says, and joel passes out. he's pretty sure the butterflies have to be laughing at him. in fact, as though to mock him further, after passing out, he doesn't even get to avoid it forever, because he wakes up in a glowing blue boat. there is a man with white-blonde hair, blue eyes, and a blue outfit leaning over him, poking him.
joel takes no responsibility for punching him. he'd do it again, too, as the long-nosed man sitting next to the unmanned steering wheel welcomes him to the velvet room.
(this, joel realizes later, all rather sets the tone for what the next year of his life is about to become.)
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femmeconomics · 21 days
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hate to say it, but part of ending the stigma around sexual assault means not assuming every woman blames herself. yes, female socialization encourages it, but that doesn’t make it a given, and the goal of all of these campaigns is to eventually diminish the proportion of women who do blame themselves. it is entirely possible, and increasingly common, for women to experience sexual assault and not feel shame or guilt, which we should be happy about. but instead, there are only so many times you can hear “you know it’s not your fault, right?” before it sounds like “it was your fault”. and there’s only so many times you can hear “don’t blame yourself” before it sounds like “you should blame yourself”. because it feels good to say, doesn’t it? sure, you don’t believe she’s guilty, but you do believe she should feel guilty, so that you can disabuse her of the notion. just something to consider.
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essektheylyss · 5 months
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I keep lingering on the fact that Chetney says that the only thing left when he came home was toys, because on its face it's such a strange detail.
He says it as though he feels like it was an indication that his family left the one thing that was associated with him, that he cared about, that he has essentially crafted his whole identity around, which indicated to him that they were left there because the family didn't want them—and by extension, didn't want him.
But what if there was something else? What if he'd misinterpreted? What if they were trying to leave them as a point of connection, like a coded note that they were thinking about him as they fled? What if a misunderstanding left Chetney alone for his entire life, and it was entirely his fault?
It's like, god, his confession feels so concrete (in a way that Travis is very good at when talking around backstory) such that it really starkly outlines what he doesn't say. And gnomes live such long lives that, yes, you could have relatives walk in and out of your life with some regularity and spend a lot of time independent and distant without ever severing the connection, and it doesn't feel like the circumstances in the family were so bitter that the family cared so little as to simply abandon him entirely, at least not without extenuating circumstances.
I just keep thinking about it and the more I think about it the more I want to know what happened, because there's something else there—but the thing is, a large part of Chetney as a character is that sometimes you do feel such resentment for so long that by the time you even think to reconsider, things (or people) have changed or passed, and there isn't always a satisfying answer to be had.
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yrdnzz · 2 months
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shakes.. rin edit pleas.. im begging u oomf..
been working on this for a minute but here u goooo, hope u like it !!!
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uncanny-tranny · 10 months
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The whole "breasts shouldn't be politicized because the primary purpose of breasts is to feed babies!" can be a fine jumping-off point, but I really wish people thought deeper than that when we talk about the ways in which bodies are politicized and restricted.
Like, why's it that when we talk about breasts, they must have some Higher Purpose? It's true that breasts aren't inherently sexual, but they aren't valuable solely because they can potentially feed a baby. A human body doesn't have to serve a Higher Purpose in order for it to not be legislated against or policed, and I just wish people would remember it isn't always about babies, about other people, about anything else other than the people who have that body.
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crunchworldsupreme · 2 years
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FinFin has been thinking thoughts [Audio recommended]
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homoeroticgrappling · 6 months
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vaguely-concerned · 7 months
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Thinking about the symbolic weight of smoking in the TLT universe that comes to the fore in The Unwanted Guest -- the way it moves through from person to person: Pyrrha smoked, and Augustine wanted to impress her in all her stone cold fox MILF James Bond glory (and tbf who wouldn't) so he started too. and even though as far as he knows she's been gone for a myriad and is never coming back, he keeps the habit. Ianthe sees something in the hollowed-out Faberge eggshell of Augustine that resonates with her, all that gilded eloquent emptiness and disdain through the ages, so she picked it up from him to try to emulate it. She picked it up so hard that Palamedes -- the exact spiritual antithesis of the 'smoking! on a space station! what a powermove' ennui Ianthe so admired -- spontaneously unnerded enough to even known how to, simply from a sort of contact contamination of the soul.
G1deon and Augustine sharing a jittery smoke after their near-Harrow experience during soup night, and it's the closest thing to any real sense of brotherhood that remains between them. Pyrrha going ten thousand years dying both literally and for a smoke (and then Camilla sold her fucking cigarettes (for a third of what they were worth, probably Pyrrha's own good, and also more importantly grocery money). what an entirely haunted time to be alive etc.). Augustine and Mercy trading a cigarette back and forth in the middle of their collusion over the love and murder of god.
An act of small and measured self-destruction in the name of something a little bit like connection when you're stuck somewhere in yourself where love itself dares not or cannot tread (ritualized, transmissible)..........
#the unwanted guest#the unwanted guest spoilers#the locked tomb#ianthe tridentarius#augustine the first#pyrrha dve#palamedes sextus#this series is going to make me lose my mind completely one day (affectionate)#the locked tomb meta#the fact that ianthe seems to have had some genuine admiration for augustine makes my head spin. of course though.#of course she sees the person who looks the most like he's successfully made himself impervious to the world#utterly untouchable and impossible to hurt because he isn't even really there#and she believes it! even after seeing the john mercy augustine mess at the end! because it's such a seductive idea#when you've stuck yourself in an inevitable ocean of pain to think you could make yourself numb enough that it doesn't matter#it's the emotional equivalent of 'oh there's water all around? well I just won't breathe in then. easy lmao get on my level'#she holds on to that thing from him even when it's been proved to be both impossible and ultimately untrue even in him#because uh. oh I'm about to be kind of sad for ianthe what the fuck is going on. he might actually have been the closest thing#to parental and especially paternal affection she's ever known. certainly known enough to try to model herself after#IMAGINE how fucked up the nine houses must be when augustine the first registers for anyone as a model of psychological survival#ianthe do you really want to be yourself completely so much that you're willing to be nothing. I mean yeah probably but. oh my god#gaining nothing at the cost of everything
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