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#i look like im five
sbeana · 1 year
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the pool scene
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turtletoria · 3 months
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im so late but here's my full page for the @destinationunownzine !!! my little crossover was submas with fnaf hehe ^_^ this was really fun to do (despite all the trials and tribulations)!!
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mixtercandy · 7 months
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Shout out to the REAL fnaf mvp SPARKY THE DOG !!
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lemongogo · 1 month
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food--exe · 9 months
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five pebbles and looks to the moon text mode art :3
without crt filter under cut
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abrahamvanhelsings · 3 months
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no way people have not analysed this to hell and back already but im new to the whole 'i watched the terror' experience and im going insane
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aerequets · 9 months
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they Hug
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i saw them in the cookbook pages and Immediately thought of this meme:
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fauxbia · 5 months
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Okay!!! Finally (Finally, this has been months in the making and redone several times) I made a lineup of my Iterator designs!!! They're done and I'm really happy with them.
Misc headcanons under the cut
All: Asexual, Trans
Looks To The Moon: She/Her, Demiromantic Lesbian
Five Pebbles: He/Him, Greyromantic MLM
No Significant Harassment: They/Sometimes He, Aromantic
Seven Red Suns: They/Them, Demiromantic Bi
Moon and NSH are both Gen 1. NSH was Moon’s first junior and friend, and they are extremely close because of it.
Suns is early Gen 2 and was created by a particularly aesthetically inclined group, resulting in their slightly more ornate clothing.
Pebbles is put off by NSH’s humor, thinking that if they’re a Gen 1, then shouldn’t they act like it?
NSH’s humor is actually sourced from their life experience. They’re relatively comfortable with themself and know how to see the bright side in most situations. (Moon’s collapse not being one of them. They were completely devastated; even moreso once assigned Senior in her stead.)
Moon loves Pebbles and wants him to be happy and healthy. He thinks she’s too overbearing, but loves her too deep down.
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theonewhowails · 6 months
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Fleece of the Lamb
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wolfythewitch · 5 months
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Sometimes I draw joseph older lookin because I like drawing old men it gives them flavor but I genuinely think he really was not that old, like mid twenties or something
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mochirimochi · 6 months
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Somewhere Safe
William Afton X Reader
I wanna smash the pervy dilf in the rabbit suit ok?
-This is now officially part 1 in a series!-
p1 ● p2 ● p3 ● p4
-----
You just need somewhere safe to hide from your abusive ex. Unfortunately for you, you're about to stumble into the arms of something much, much worse.
18+ Minors DNI.
~3700 words, no use of y/n
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cws: abusive relationships, degradation kink, breath play if you squint, smut, rough sex, EXTREMELY dubious concent, a sprinkle of spanking
You can also read on ao3 if you prefer: https://archiveofourown.org/works/51567985
-----
Your arms shake as you push up the rusted steel door that separates the pizzeria from the outside world. Every clatter and rumble of the metal makes you flinch and sweep your eyes over the abandoned side lot. There shouldn’t be anyone out and about to catch you at this time of night, right? Regardless, your heart pounds as you force the heavy door up, inch by agonizing inch. As soon as you’ve made enough space for your body you toss your bag under and swiftly crouch to follow it. 
Breaking and entering is far from your typical Monday night activity, but circumstances have left you with little choice in the matter. You need somewhere you won’t be found, somewhere no one will think to look for you. A dilapidated former birthday attraction certainly fits the bill, you don’t think you’ve ever mentioned the place to your ex before and if you have he probably won’t remember anyways. 
You give the door a tug to close it behind you, flinching as it slams back down into the concrete, and pick your way through the broken glass of the entryway. The smell of mildew is heavy in the air, clawing at your lungs and making your eyes water. This place used to be so vibrant and full of joy once upon a time. You’ve attended many a birthday in the restaurant that stretches out in front of you, even had a few of your own. This place had always been a favorite of the local parents due to its… generous wine portions and the ability to outsource their children's supervision. As a result it had been a kids paradise, the ability to run wild while mom and dad got lost in the sauce on a Saturday afternoon? Few things could rival that sense of freedom for a kid. Ironic as it was considering what had come later, it had always been a place where you felt safe and happy. Maybe that was why you’d chosen the pizzeria when you needed to hide from your abusive boyfriend, well ex-boyfriend now you suppose. It wasn’t like you had any plans to go back to the man after tonight. 
You give yourself a shake, attempting to bring yourself back to the moment at hand. This isn’t exactly the time to be spacing out after all, you’re technically committing a crime. Actually, there isn’t anything “technical” about it, you’re definitely breaking multiple laws right now. You shoulder your backpack and cast a glance toward the stage, it’s concealed behind a dusty red curtain but you can practically picture the animatronics behind it ready to jolt into song and dance just like they did years ago. You wonder if the owner removed them when he shut the place down. If you pull back the curtain will you find the shabby remains of your childhood heroes? You shiver, maybe it’s best not to find out.
If you remember correctly, the staff always entered and exited through a door next to the prize counter, maybe you’ll find a staff room with a couch through there. It seems like as promising an idea as any so you flick on your flashlight and make your way past the dining area and through the arcade. Sure enough, you’re greeted with a “staff only” sign and an unlocked door to boot. 
The hallway beyond is dark, lacking any of the color of the show floor. Interestingly, flickering yellow bulbs hang from the ceiling sporadically. The emergency power must still be on in this part of the building, you reason as you cautiously move through the hallway. You round a corner and let out a yelp as you collide with something huge, brown, and strangely soft. The impact knocks you off balance and you land rather gracelessly on your ass. It takes a moment for your brain to comprehend what you’re looking at as your gaze travels upwards over pudgy brown legs and a round plush stomach.
“Fredbear?!” The exclamation comes out before you really have a chance to think. “How in the world did you get all the way over here?” Your heart, which has been about ready to leap out of your chest, slows as you take in the animatronic. It’s in surprisingly good shape considering the state of the rest of this place. You push yourself to your feet and take a few steps back. “I can’t believe they actually left you guys here, you’d think they’d have moved you. Poor guy, all this time stuck in this dingy old hallway.” 
It’s strange when you really think about it, who would leave him just standing in the bowels of the restaurant? It seems like an awfully strange place to just leave your star animatronic, rushed closure or not. After a moment, a distant memory of the animatronics being wired to wander through the pizzeria comes back to you, in fact now that you think about it you can remember getting a big warm hug or two from the Freddy animatronic. That would explain it, maybe his circuits got damaged over time and had triggered that unique function. 
“Sorry to bug you big guy, I promise I’m not here to cause trouble. I just… needed somewhere safe.” Not for the first time that night you feel tears well in your eyes. “Nope, I am not going to cry over this. Not happening, you didn’t see me cry as a kid and you’re not gonna see it now.” You blink the tears away and the absurdity of your situation finally hits you. Not only are you hiding from your psycho ex and breaking the law for the first time in your life, but you’re also talking to a decrepit old robot like it can actually understand you. You heave a shaking sigh to ground yourself and pull your shoulders back. This might be your lowest moment but you refuse to let yourself wallow in it. With a determined huff you give Fredbear an affectionate pat on the arm before moving further into the building.
Before long you stumble across the staffroom, a long cluttered room with an extended plexi-glass window looking out into the hallway. Maybe at another time the window would serve to make the room feel brighter and bigger but now the dust covered plastic is shot through with a spider's web of cracks that barely allow you to see into the room. The door is unlocked though, and after a few quick shoves the warped wood releases its hold on the frame to allow you entry. Luckily, the room seems fairly well preserved and you spot a few dusty but intact couches pushed up against the wall. Jackpot. The exhaustion you’ve barely been keeping at bay all night hits you like a freight train and you lurch across the room to the couches. You collapse onto the nearest one, sending a fine cloud of dust into the air. You can’t bring yourself to care as you curled into a tight ball, finally letting sleep take you.
William watches the security cameras with curiosity as you wind your way through the building. Normally the animatronics would have taken care of any intruders well before they got to this point. This is new, novel even. He leans forward at his desk, squinting at the video feed in an attempt to get a better view. His jaw almost drops when you collapse onto the couch and fall still. Even through the grainy monitor he can tell that you’ve fallen asleep. What in the world is your deal? Who in their right mind would break into an abandoned establishment of dubious repute only to take a nap? He clasps his hands in thought as he watches the slow rise and fall of your chest. This calls for a more… hands on investigation.
A tickling in your nose rouses you from your slumber and you begin to sneeze yourself awake with surprising force. You check your watch, barely 4 in the morning. You’ve only slept for an hour at most and exhaustion threatens to pull you back into sleep. It might too, if not for the insistent vibration of your phone in your pocket. You flip the cursed thing open without hitting the button to answer, bracing yourself for what you know you’ll see. 
Unsurprisingly, you’ve got 53 unread texts, 20 missed calls and 16 voicemails. You don’t need to check the contact info to know who they’re from. Against your better judgment you navigate to your sms messages and begin to read through the backlog when your phone finally stops buzzing. Some of the texts are pleading, others threatening. A few texts claim to “love you so much” and be “so fucking sorry”, while others rail at you “you fucking bitch” and “how dare you fucking run off like that?”. The messages paint a grim but unsurprising picture, a picture that’s unfortunately all too familiar. You raise your hand to the tender bruising that you know must be beginning to come to the surface on your neck before you navigate to your most recent voicemail. You flick on the speaker before staring into the green light of the screen. 
“Where the fuck are you, you fucking bitch?” You flinch as an angry voice fills the room. “You think you can fucking run away from me? You think you can fucking end shit? You’ve got another thing coming to you, used up fucking slut. The next time I lay eyes on you you’re fucking dead, you hear me? Run the fuck away from me again and see what happens. I’ll-” You don’t give the voicemail a chance to run its course. With a raw, frustrated scream you launch the phone across the room. It hits the wall with a satisfying clatter. The battery and casing skitter across the floor and the voicemail cuts out abruptly. Not satisfied with just cutting the bastard off you stomp across the room, still screaming, and smash your foot into the body of the phone. It gives with a satisfying crunch and you roar as you kick it for good measure, sending the now useless device across the room once again. All the fear and rage of the last few hours overcomes you and you let yourself scream until you run out of breath.
Suddenly a flash of something yellow through the hallway window catches your eye. You push your hair out of your face as you try to catch your breath, attempting to squint through the aged plexi-glass. A hulking, inhuman figure stands on the other side of the window, seeming to peer back at you. For a moment neither of you move, it seems to be taking you in as much as you’re taking it in. The strange standoff breaks when the figure, still indistinct through the dust and cracks in the glass, starts to move slowly and methodically towards the staffroom door.
Finally your brain springs into action. Shit. Whatever that is, it’s not good. You sweep your eyes frantically around the room, weighing your options. Any windows to the outside are boarded up, and the only door in or out is the one the massive yellow figure is making its way towards. The only viable option seems to be to take the defensive. There’s a tiny kitchenette against the wall, and you rush towards it in desperation. Frantically, you yank open the drawers in search of anything you might use to protect yourself. The best you can come up with is a wooden spoon. In another situation that might be laughable, but you can’t take a moment to consider how absurd you look brandishing a wooden spoon like a sword. The rattle of the doorknob tells you that you’re out of time.
Whatever you had expected to be on the other side of that door it certainly wasn’t a massive yellow rabbit suit. It’s huge, so large that it has to duck to get its ears under the door frame. As it tilts its head to take you in, your blood runs cold. You hold your ground as the thing stalks closer, its movements slow and deliberate as it moves towards you. 
In a moment of desperation you launch yourself forward, attempting to dodge around the looming figure and make a dash for freedom. You don’t have a chance. A pair of strong arms wrap roughly around your waist, jerking you back with enough force to knock the air from your lungs. Your makeshift weapon clatters to the floor. A dark chuckle rumbles from the depths of the suit as a hand drags its way from your waist and up your chest to grab your chin.
“What. Have. We. Here?” The voice that comes from the suit is deep, taunting, and undoubtedly mascuine. He punctuates the last word with a rough but controlled yank, pulling your chin up and your head back into his chest. You whimper as it strains your already aching neck. With your head tipped back you can see the yellow rabbit head looming above you and it tilts to the side again as if in curiosity. “I asked you a question.”
“I-I-...” You can barely get your mouth to move and you lick your lips in a desperate attempt to draw words from them. Your obvious fear draws a satisfied hum from the depths of the suit and the hand on your waist tightens noticeably. The hand on your jaw however, disappears. You pull in a shaky gasp and buck your head forward in an attempt to build up enough momentum to break free. The vice-like grip on your waist is unaffected and your captor grunts in amusement. 
A rustling above your head draws your attention and you look up to realize that the hand that had just been holding your jaw captive is running along the neck of the suit. With a single, deft movement the head of the suit comes off and your captors face is revealed. There’s an almost rugged handsomeness to his mature features, graying stubble covering his cheeks and eyes that in another life may have looked almost kind. The expression he’s peering down at you with now is anything but kind or gentle though. There’s a hunger there, and a barely suppressed rage. He places the head on a nearby table and returns his hand to your jaw. With agonizing languidness he leans forward and presses his lips to your ear.
“Who gave you permission to sleep in my restaurant?” 
You gasp as his stubble rasps against your jaw and his hot breath ghosts across your face. 
“I’m sorry. I just needed a place to stay. I’ll leave right now. I’ll-”
He cuts you off. “A place to stay, huh?” His lips are still brushing against your ear and despite yourself you feel a chill run down your spine that has nothing to do with fear. “That wouldn’t have anything to do with that absolute delight of a man on the other side of the phone, would it?”
“He’ll kill me.” As soon as the words come out of your mouth you know they’re true. Honestly, you’re lucky to have survived him this long.
“Oh, little mouse, what makes you think I won’t?” The grip on your jaw releases for a moment and you hear something fall to the floor. When it returns it’s a very warm, very human hand that takes its place. His other hand briefly lets go to do the same and you can feel his nails digging into your flesh as he presses you against him. 
“Please.” It’s barely more than a whimper as the hand at your jaw dips to circle your neck. “I just needed somewhere safe.”
“And you chose here? Bad luck.” He presses his nose to your jaw and draws in a deep, ragged breath. “But you know, we might be able to work something out.” The hand at your waist begins to travel, burrowing its way under the hem of your shirt before splaying wide across your stomach. His long fingers barely brush the underside of your bra but you feel the heat of them as if there’s no fabric to separate you. “I’d hate to see a pretty thing like you put out in the cold.”
“Anything.”
William can barely contain himself. The feeling of your trembling body in his arms is oh so delicious and your intoxicating scent floods his nose, every breath sending a thrill through him. You’re so soft, so malleable, so utterly breakable. It’s brilliant. 
Using one hand to keep you pinned against him he uses the other to work his way out of the suit with practiced skill. Initially he’d just wanted to watch you, figure out the enigma that was your survival after breaking into his restaurant. Normally people don’t last for more than a few minutes. But you’d dithered around, chatted up his ace in the hole, and then taken a nap? He couldn’t contain his curiosity.
The phone call had derailed his plan and given him an idea. Sure, he had planned on killing you once he’d solved your mystery but maybe there were other things you could be useful for. There was something captivating about you, and the perfect leverage had just fallen straight into his lap. 
He makes quick work of the suit, and soon he’s reveling in the feeling of your body against his. 
“Anything?” He asks, stroking his thumb gently over your jugular before giving your throat a controlled squeeze. Your startled gasp is almost enough to send him reeling. “Don’t make promises you can’t keep, little mouse.”
This is wrong. Everything about this situation is wrong.
And yet, your body seems to have some of its wires crossed because it is not getting the message. The only thing you should be feeling right now is fear, and sure, there’s a very healthy dose of that tying your guts in knots but beyond that there’s an underlying current of heat. None of what’s happening should be causing your core to tighten, and the goose bumps forming on your neck should be from terror.
But they’re not.
His hand drifts up even further, pushing your bra up and out of the way to capture the smooth skin of your breast in his hand. You can’t help it, you roll your hips back into his, pushing against the hardness that’s growing there at an almost alarming pace. He growls behind you, pulling you even closer to grind against your ass.
“So that’s how it is?” His voice in your ear is even deeper now, heavy with lust as he gives your breast a hard squeeze. Even you’re surprised when you let out a wanton moan. “Imagine such a dirty fucking slut falling right into my lap.” His words have you clenching around nothing and you don’t even have the presence of mind to feel conflicted about your body's reaction. He releases your breast and his hand burns a trail down to the top of your jeans, he flicks the button open with ease and slowly undoes your zipper. Then he stops, his hand ghosts over the crotch of your jeans before it stills. You let out a needy whimper that you barely recognize as your voice.
“Beg for it, little mouse.”
You groan, canting your hips forward in a desperate search for pressure. “Please.”
“Please, what?”
“Please, fuck me.”
His control seems to snap and he spins you around before shoving you across the room and face down into the couch, barely giving you time to yelp in surprise. He pulls your hips into the air before yanking down your jeans and panties in one harsh motion. The animalistic groan that escapes him at the sight of your dripping pussy sends a shock of arousal through you. He grabs a globe of your ass in each hand, digging his fingers in so hard that you gasp. His nails bite in deep enough that you’re sure they’ll draw blood. 
“God, look at you.” He grunts, releasing your ass and stepping back as if to admire the view. You hear the clinking of his belt buckle and wiggle in anticipation. “What a fucking freak you are, so fucking wet and ready for a strange man in an abandoned building.” He lifts his hand and lands a stinging blow on your ass. You flinch and yelp at the unexpected pain and he does it again on the other cheek. “Dirty slut.” The sting brings tears to your eyes, but it also causes your arousal to coil even tighter in your abdomen. 
Suddenly and without warning he grabs your hips and slams into you, burying himself to the hilt in one fluid motion. You scream as he stretches you, your channel burning around his thick cock. “Take it.” He grunts, slamming into you. All you can do is whimper in response as he sets a punishing pace, thrusting into you again and again. The burn eventually melts into a building and rising heat that threatens to sweep you away. 
Your scalp stings as he tangles his fist in your hair and yanks your head back, changing the angle so that he drives impossibly deeper into you with every stroke. Any train of thought you may have been able to carry is lost as he bombards you with pleasure. Your eyes roll back as your hands desperately grip the couch cushions. A few more thrusts and you’re coming undone, screaming out your release. He follows close behind you, letting go of your hair to grab your hips again. His fingers bite into you as he pulls you back against him, trapping you to him as he fills you. 
“Fuck.” He grunts, his voice raw and his hands trembling at your hips. You both still for a moment and your brain finally starts to realize what you’ve just done. But in the throbbing, warm throes of your afterglow you can’t seem to bring yourself to care how truly fucked up this situation is. When he finally releases his vice-like grip on your hips you groan at the loss of contact.
The chuckle that he gives is warmer than any of the others so far, and he gives your ass a final squeeze that you could almost consider affectionate before he steps away.
“Yes, I think we’ve come to a satisfying agreement.”
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I don't know what came over me last night, but this was the result. I've never written smut before, but I sure have read a lot so hopefully it's enjoyable.
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crunchchute · 5 months
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will in a mxes onesie for @utoarts 😳
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starry-bi-sky · 1 month
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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ask-moon-and-pebbs · 5 months
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Is Pebbles alright? He looks like he got put in timeout
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spaciebabie · 1 year
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SMALL SPRINGTRAP DOODLE 2 CELEBRATE FINALLY ESCAPING ART BLOCK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! DONT MIND THE WEIRD DIALOGUE I HAD FREE SPACE AND DIDNT KNOW WHAT TA DO W/IT
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