today i am angry because lightlark keeps (kept? i think it’s dead) getting compared to the hunger games
i don’t know if tumblr saw the lightlark drama and i’m not interested in rehashing it especially bc some of it got uncomfortably personal towards the author at one point and also it was months ago so just! suffice it to say lightlark is a book by alex aster, it is a terrible book, and i did not put myself through the torture of reading it but i did watch a 7.5 hour video essay
(i think the essay could have been 6 or even 5 hours, and i think this person went a little too hard on the critique at some points, so that rubbed me wrong a little but it was also extremely thorough and i was bored.)
but anyway. one of the big things about lightlark is that it was marketed as “hunger games x acotar” which is….fine. but every time someone compares a book to thg i’m automatically suspicious because no one does it right.
and of course, neither did lightlark.
the book is a complete disaster so i will try to stick only to the relevant points but seriously. there’s so much.
the official premise of lightlark is that six realms in a fantasy world have been cursed for hundreds of years. each curse is (supposed to be) a twisted version of the realms magic, and the curses also cut them off from their main island of lightlark. except for once every century, when the island becomes accessible for 100 days and the six rulers travel there to try to break the curses via death tournament.
but then you get to the book and learn that the curses are only broken if a ruler dies without an heir, since their special ruler magic just transfers to the heir and no one gets anywhere. this was only a caveat so we could have a young protagonist ruler, i’m sure. ALSO, IMPORTANTLY, if a ruler dies without an heir, their entire realm also dies.
and obviously that’s bad so the rulers have to consider carefully who they want to kill, and they keep putting the killing off bc it’s not easy to condemn thousands of people to death.
so why, pray tell, the FUCK, are you doing a death tournament every century.
(they’re not, by the way. the first 50 days are dedicated to some demonstrations that are definitely hunger games inspired and meant to allow the rulers to forge alliances bc even though there’s only six of them they’re also required to partner up for some reason?? but there’s almost no fighting and almost all the fight scenes end very quickly with no real damage to the main character. it got really annoying really fast.)
but like, let’s pretend for half a second that lightlark IS about six rulers fighting to the death to break a curse. it’s still not even close to being like the hunger games.
the hunger games was about teenagers under constant surveillance forced to perform and then kill for the masses, many because they weren’t rich enough to buy their way out or into good training.
no one except the rulers and the essential staff is even allowed on lightlark, and no i don’t know why that is. and the characters spend the entire book trying to avoid killing each other as much as possible (well, minus two cases) bc they want to find another way to break the curses. i don’t understand why it’s billed as this big bloody dangerous battle even in-universe when everyone involved really REALLY doesn’t want to fight.
also, this isn’t related to the thg nonsense, but if i’m talking about lightlark i have to talk about That Twist. alex aster really loves her twists and is very proud that no one can see them coming but that’s because reading the twists is like watching the street for cars, then trying to cross and getting hit by an airplane.
as i said, the characters keep trying to find a new way to break the curse, even though it’s been 500 years and many of the rulers have been alive that long (no i don’t know if that’s normal or a ruler perk, it’s not explained) so they SHOULD have tried all of these fairly obvious methods by now but SURE, JAN. this book would make so much more sense if it was only the first century and everyone was still scrambling to figure the curses out. but whatever. alex aster wanted her protagonist to be in a love triangle with two 500yo men
(there’s nothing inherently wrong with that and i actually really loved grim, not for the reasons i was supposed to bc the writing was bad, but i liked him, until—well, put a pin in that.)
ANYWAY. THE POINT. our protagonist, who i guess i should say is named isla, needs to find “the heart of lightlark” which “blooms where darkness meets light.” everyone assumes they’re looking for a super special flower but they can’t find it. then, isla decides this random-ass bird that’s only almost gotten her killed twice is DEFINITELY going to show them the heart, so they follow the bird.
and at dawn, the bird lays a fucking egg. and it falls out of the nest. and cracks. and the yolk. floats. into the air. in time with the rising sun.
I CANNOT EMPHASIZE ENOUGH HOW MUCH IT IS A LITERAL FUCKING EGG
no foreshadowing. isla has an internal monologue where she thinks she always did see the moon as an eggshell and the sun as yolky, but the yolky sun description happens twice in 400+ pages and the egg moon description happens Never, so like. shoutout to aster’s copy editor??
i can’t take this book seriously bc it is a literal egg an EGG isla has to carry an EGG YOLK to break the curses. there are scenarios where i could accept that but this Serious YA Fantasy Book is not one of them.
and since i mentioned the one thing i did actually like, i will explain isla’s one love interest, grim. technically her only love interest bc nothing about the other guy struck me as romantic but idk maybe her inner monologue was yearning or smthn. anyway, grim.
grim is from the least trusted/most stigmatized realm. he’s described as a huge hulking nightmare of a man, a demon, every badscary description under the sun. but like. the times he is alone with isla? he takes her to a chocolate shop during their first meeting and hand feeds her truffles, which is a little weird and overly sexual but…still. chocolate. then he hides her from another ruler no questions asked even though he has every right to be suspicious. he opens up to her and shit. he calls her “hearteater” (it’s a reference to her curse, her people eat human hearts to survive, no that doesn’t make sense either) (also isla is magically not cursed so our protagonist doesn’t have to be scary and gross and worry about that during the novel haha!) (guess what else is never properly explained….)
anyway grim calls her “hearteater” but like, almost in a teasing/endearing way, which is fun, and when they start to fall in love he just calls her “heart” which is ALSO cute imo i’m weak for nicknames. he’s like. the narration and aster really really want me to think he’s the scary bad boy but he’s just such a soft dude.
and then. ohhhh, and then. one of the other hit-by-airplane twists is that the weird sexy dreams isla has been having all book about grim? they’re not dreams. they’re memories. the two of them used to be together for about a year before the book started, and grim erased her memories as part of a plot to betray her yada yada i was braindead by this point so i don’t fully remember all 17 elements of the betrayal. but like…..first of all that retroactively makes all of their interactions but especially the chocolate thing kind of weird and creepy? also WHAT was the FUCKING POINT pf making her forget she loves you if you’re literally just going to seduce her immediately anyway. like. the book makes a halfhearted effort at having grim avoid her but it really didn’t feel like he was purposely being mean to push her away. because every time they did interact he was so sweet! sir!!
anyway he betrayed isla probably mostly to keep up the ambiguity of the love triangle and so aster could brag about more twists and i hate that bc WHY. he was doing so well.
anyway. i got so far off track. lightlark is a wild fucking ride and i did not even scratch the surface of the plot-hole filled mess that this book is. my sister does own it and i did check a few things bc i straight up could not believe they were real (like the egg. i cannot get over the egg.) so.
also this book only got published bc it went viral on booktok so that kind of tells you everything you need to know. the good news is it does give me some measure of hope/an ego boost bc if lightlark exists in the world…..surely whatever i’m doing can’t be too bad.
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@unfortunate17 and I were discussing Wille’s anxiety and how we don’t feel like Wille’s reluctance to partake in public speaking was a result of his anxiety, but rather his history of being forced to speak and say things he doesn’t mean and follow a script in order to preserve the reputation of his family and control the public’s perception of him. He was forced to follow a script three times in season 1 - the first when he had to apologize on TV for a fight he was not sorry about, when he had to read a written speech to his classmates regarding his brother who had just died, and when he was forced to lie about the video leading to the destruction of his relationship with Simon.
In my opinion Wille’s fear of public speaking in season 2 is not related to general or social anxiety - as I do not believe Wille has social anxiety at all and is not shy at all despite some people in the fandom tending to believe he is - but rather a fear of being perceived, because that is ultimately Wille’s main struggle in the series - not being with a boy, not being in love with a gay, not being queer, but being perceived by others and feeling forced to live up to a certain standard or expectation when all he wants to do is live his life truthfully and without people having opinions about the things he does.
What’s so powerful and beautifully written about the scenes with Boris is that even though Wille is made to see a therapist by his mother, the Queen, who is the one who persuaded/forced him speak out when he didn’t want to, Wille’s sessions with Boris are the first time he is told he doesn’t have to say anything if he doesn’t want to, and the confidentiality of their sessions and Boris’ position as an unbiased professional allows him to be more honest with not only himself, but with another person without feeing like he is being judged or forced to feel or believe something he doesn’t.
We see in season 1 episode 4, when Wille goes off script and speaks from the heart about Erik, and in season 2 episode 6 when he once again goes off script, that Wille really has no issues with speaking to a crowd, but only when he feels he’s being truthful and honest and in control of the narrative. His fear of speaking in the class presentation, in my opinion, has a lot to do with how out of control of his own narrative Wille felt throughout season 2 as a result of the lie at the end of season 1 and the events of season 2 - he is perceived by his classmates now as having denied being a part of the video, as if it was something to be ashamed of, he is perceived as being interested in Felice when in reality he’s desperately in love with Simon. He just wants to exist and stay true to himself and it scares him to do it in front of an audience, and that’s what makes it so powerful when we see him slowly begin to accept how he feels about himself and the circumstances of his life through the sessions with Boris, and how that results with him re-taking control of his own narrative at the Jubilee at the end of the season, and that’s just beautiful writing.
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The way I felt sick to my stomach for half of the episode last night thinking that this was setting up a big Carlos storyline next season where he goes on a cop/Ranger hunt for the killer. Ugh. I was slightly placated by the end and his (for now) acceptance when Owen mentions he may never know who pulled the trigger. Obviously it’s gonna come back up, but I’m somewhat hopeful it’s at least on the back burner for a bit. That’s probably wishful thinking on my part and after the season we’ve had I have no idea why I’d be that way at all.
I feel you. I was uncomfortable from the moment there was a knock on the Reyes’ front door until we got to the wedding scenes. I had resigned myself to the ~Gabriel dying of it all~ before the episode aired but as soon as I realized how they were killing him off, I was basically just checked out...
I know a lot of people liked the episode or could at least enjoy Rafa’s acting, even if they were sad about Gabriel dying, but I truly just wasn’t enjoying myself from a viewing perspective during any of the Gabriel/Carlos stuff going on. But that is fully a personal thing in regards to what I’m going to enjoy watching and I still liked other aspects to the finale for sure (I answered a whole ask about it here in fact - I'm not all negative over here y'all).
As far as this coming back up next season, it’s basically a guarantee, yeah. No matter how nice that scene with Owen was, there’s no way the writers are going to leave Gabriel’s murder unsolved forever. My prediction is the season might not start with that for Carlos, maybe it will focus on his decision re: detective, patrol, or ranger and then move into the Gabriel stuff mid season.
I genuinely am hoping that next season the writers can pull back on the dark storylines just a liiiiittle? My thoughts on this season as a whole are scattered, both positive and negative in parts, but I do think just overall there was a LOT of dark shit happening back to back. I enjoyed some of it but maybe a little more balance of lightheartedness in there would help. and then maybe some storylines that are serious but not... serial killers/family members murdered/black market organ harvesting level of serious?
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