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shazzeaslightnovels · 5 years

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Reading Long - March 2019

Volume’s read: 12

As per usual, no spoilers unless otherwise tagged and I obtained all of these volumes in Japanese from Bookwalker.

Saenai Heroine no Sodatekata 8 by Fumiaki Maruto

A welcome breather after the last few volumes of non-stop drama. It felt a lot more like the early volumes but I enjoyed it anyway. I swear Katou’s relationship with Eriri is the true love story of this series. Even though it’s only been a couple of months since I read the first two volumes, I couldn’t help but be nostalgic about the events in them along with the characters, as if a year had really passed for me too.

Sword Art Online: Mother’s Rosario by Reki Kawahara

Since I read the interview with Kawahara Reki where he talks about wanting to write a proper yuri series someday, my interest in this series was renewed. I rewatched the anime and genuinely enjoyed the first two seasons, though I still dislike Phantom Bullet arc (mostly because GGO just doesn’t look like much fun to me) so I wanted to read some of the light novel and figured I’d start with my favorite arc.

Even though this volume doesn’t hit me as hard as it did when I read it in English as a teenager, I still really like this volume. I’m one of those people who was annoyed by how little presence Asuna has in Fairy Dance and Phantom Bullet so I always liked that this volume gives her a lot of focus. And I LOVE Yuuki. One of Kawahara’s strengths has always been his ability to make the reader care about a character with only a couple of pages. Despite how little time she has, Yuuki still means a lot to me and I love her relationship with Asuna so much. One issue I did have with this book though was how many pages at the beginning were dedicated to recount the events of previous volumes. I already know all this and I doubt there are many readers who didn’t know all this. The other issue I had with this volume is how the last chapter tries to tie the arc into the main story. It didn’t need to and I think it shifts the focus of the arc away from Asuna and Yuuki’s relationship too much. And, as much as I enjoyed reading it, I think the anime surpassed it. Aoi Yuuki’s performance as Yuuki is breathtaking and the action scenes are so brilliantly animated. I did like having more insight into Asuna’s thoughts though so if you liked this arc in the anime, definitely check out the light novel!

This volume was published in English by Yen-Press as Sword Art Online: Mother’s Rosary so check it out if you’re interested!

Saenai Heroine no Sodatekata 9 by Fumiaki Maruto

I’m not sure what to say other than that this keeps up the quality of the series? It was a good volume.

Saenai Heroine no Sodatekata: Girls Side 2 by Fumiaki Maruto

Well this was a surprisingly satisfying read. Like the first volume, this volume is split into two parts with the first part taking place after volume 8 and the second after volume 9. The first part has three stories in it all focusing on characters and relationships that don’t get much focus in the main series. For example, the first story focuses on a conversation between Michiru and Utaha who I don’t think have had a real interaction since vol. 4. Even though these stories aren’t very plot relevant, I enjoyed them anyway. The second part is much more plot relevant and has some really good character moments for Izumi, Eriri, Megumi and Michiru and also includes a guest appearance by Mayu (from Koisuru Metronome manga)! The stories here were really good and the epilogue really tied them together nicely. I’m not sure whether this volume will be necessary to understand the story of future volumes but I get the feeling that the events that happen in the volume will be necessary to understand the characters and their relationships with each other.

Saenai Heroine no Sodatekata 10 by Fumiaki Maruto

Once again, Maruto takes a typical light novel volume premise and quickly turns it into a dramatic affair. The cover and the colour illustrations are a lie! This isn’t a beach/swimsuit volume but it is an Utaha volume and a good one. It made me remember why I loved Utaha in Koisuru Metronome and why I still do. I’m a bit anxious about vol. 11 given that the cover and the colour illustrations show Megumi being embarrassed which is very out of character for her.

Saenai Heroine no Sodatakata 11 by Fumiaki Maruto

Welp, Maruto finally did it. He finally made Megumi into a boring heroine for me. I can’t get into too much details about what I disliked about this volume without spoilers but I think one thing that was really missing was scenes without Tomoya in them. I get that he’s the protagonist and the narrator but in the first few volumes, there sections that were just dialogue that showed Megumi interacting with people who weren’t Tomoya. I think we haven’t had a scene like that since vol. 7 and GS doesn’t fully replace it. Those scenes made Megumi feel like a full character and they were needed here. The reader needs to be shown that she has a life outside of Tomoya.Without that, she’s boring.

This is the last volume in the series that I own so I won’t be reading the last four volumes (including FD and GS) until Bookwalker has them on sale again.

Iriya no Sora, UFO no Natsu 1 by Mizuhito Akiyama

A few years ago I read The Picture of Dorian Gray. It was the first time I had read any novel that was written before I was born and I remember being so amazed at how paragraphs could last an entire page. Reading Iriya gave me a similar feeling to that, even if it’s not nearly as old as Dorian Gray. It’s amazing to see how much the light novel medium has changed since the first volume was released in 2001. There were so many descriptions of settings and movements and some of these lasted for more than a page. Due to this, I had a tough time reading this volume. There were a few times where I lost the plot and had to go back and read the scene from the start again. The writing style is smooth and the relationship between the two leads is cute but I can’t say I found the plot very interesting. I don’t quite understand what most people find charming about this series yet but I’m looking forward to possibly finding out in volume 2.

As for the anime, I saw it a long time ago and barely remember it and don’t have easy access to rewatch it. Looking at the episode summaries from Wikipedia, the first episode adapts around 170 pages so I’d imagine it’s pretty rushed.

Torikago Miko to Seiken no Kishi by Izuki Kougyoku

A short ~90~ page story from the author of Mimizuku to Yoru no Ou. It’s a pretty standard fantasy story about a legendary knight and I can’t say I cared for it. I didn’t really buy the relationship between the two leads but I did really like the ending. Even if I didn’t care much for it, I’d still recommend it to people who liked Mimizuku.

Kidou Shitsuji by Takeshi Matsuyama

Well, this was a pleasant surprise! This is by the author of Ame no Hi no Iris and Koori no Kuni no Amaryllis and the English title is Robot Butler but the titular character is not the funniest thing about it. Instead, most of the scenes I found humorous involved the female lead, Liese and her attempts to get Bel to notice her through the use of shoujo manga tropes. Of course, they all backfire on her. She tries to wink flirtatiously at him and he just asks if she has dry eye. She tries to run into him with a piece of toast in her mouth… only, they’re in the middle of a hallway and he catches her effortlessly when she tries to run at him. Liese’s cluelessness when it comes to romance is genuinely charming and of course I loved her relationship with her best friend, Flora, who introduced her to the concept of shoujo manga in the first place and encourages her every step of the way. The other notable character is Flora’s robot butler, Victoria who seems to be the only one who knows how much of an idiot Bel actually is. In addition to how funny it is, the volume has some surprisingly tight world-building and chapter six is truly awesome. There are so many things that get revealed and there’re big epic fights! I liked it a lot. Unfortunately, I didn’t care for the ending. I thought it was a bit of a cop-out though I suppose it did end it cleanly in the way that I am not desperately wanting a second volume. Anyhow, I’d highly recommend it and I’m looking forward to reading more of Maruyama’s works in the future.

Iriya no Sora, UFO no Natsu 2 by Mizuhito Akiyama

Despite my lukewarm opinion of the first volume, I actually quite enjoyed this volume. Surprisingly, Iriya isn’t in this volume much and the volume instead gives the reader some insight into some of the side characters thoughts, particularly Akiho. My favorite part of the volume was when we got to experience the school’s cultural festival through the eyes of the Asaba parents. It was an interesting choice and one that I quickly got behind. Rather than being just background dressing, Asaba’s parents are actually pretty interesting and fun without being too eccentric and silly. One thing I think this series does really well is that I never feel like the author is treating the characters like adults. A huge issue with a lot of fiction is that they tend to think of teenagers as adults instead of just a pile of people who are still growing and learning how to make decisions. (Saekano has this issue too, btw.) But these characters are still in their first year of middle school and they act like it. I think I’m starting to get the charm of this series now. This volume was very fun to read and I enjoyed it enough that I started volume 3 right away.

Iriya no Sora, UFO no Natsu 3 by Mizuhito Akiyama

I’m starting to realize that I like this series the most when it’s not being told from Asaba’s POV. I still like his character and a lot of the impactful scenes come from his POV but the most memorable part of this volume was chapter 1 where Akiho and Iriya have an eating competition and become friends. I liked it a lot, especially since Akiho kind of becomes Iriya’s “Mum friend” afterwards and Kiyomi starts affectionately calling Iriya “Kana-bu” which I thought was pretty darn cute. One thing that I really like about the dynamic between Akiho and Iriya is that Akiho is never portrayed as a straight-up bitch trying to get between Asaba and Iriya. Instead, she’s just a girl learning how to deal with her feelings. And Iriya is never portrayed as just a victim of Akiho’s attitude. Iriya is strong in her own way and can be very determined when it comes down to it. But enough about them, this volume had a lot of character development for Asaba. I really liked that he asked Iriya what she wants. Does she want to keep things the way they are? Or does she him to help her? He asks and I really liked that. I also think the way he runs to the bathroom in uncomfortable social situations is hilarious and adorable. In general, despite this volume having pretty heavy plot developments, I just found all the characters to be really cute. Anyway, I’ll be taking a short break before reading the final volume but I am really enjoying this series so far.

Ankoku Kishi wo Nugasanaide 1 by Shinichi Kimura

From the author of Kore wa Zombie desu ka? this story starts when a high school student called Najima’s class gets a new transfer student who just looks like a suit of armour wearing a female uniform. Honestly, I found it boring which is why I’m not putting much effort into the premise summary. It was fine, I guess, but I didn’t laugh at all and I found the characters to be bland. But I bought the first three volumes when they were first released so I kinda have to read them.

#Saekano #Sword Art Online #Mother's Rosario #Mother's Rosary #Iriya no Sora UFO no Natsu #Torikago Miko to Seiken no Kishi #Kidou Shitsuji #Ankoku Kishi wo Nugasanaide #light novels #Light novel reviews #Reading log #Shinichi Kimura #Fujimi Fantasia Bunko #Mizuhito Akiyama #Dengeki Bunko #Takeshi Matsuyama #Izuki Kougyoku #Fumiaki Maruto #Reki Kawahara

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lachatalovematcha · 3 years

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💕 :･ﾟ🐟✧ :･ﾟ✧ 💕

╰═══════╯ 🌌· . •. ✶˚ .　 · ✧ ˚ 　☆ .°•.｡ · . °. ⋆ 🌌 『✨』✱*.｡:｡✱ ०ೋ✱*.｡:｡✱

#iriya no sora ufo no natsu #anime #animecore #kawaii #kawaiicore #00s #2000s #asaba yuko #iriya kana #sudo akiho #otakucore

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toushindai · 7 years

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Sooo @agallimaufryofoddments sent me the short story that Narita wrote to go with the Dengeki Gakuen RPG Cross of Venus! She knows me well and got my attention by saying “so you wanna see something with Ronny’s name in it” and I was like “yes, always” and that is why I read a silly story. It’s a little too silly for me to translate but I can tell you about it at least!

It is a very silly story. The overall story of DGRPG is described by Wikipedia as

Dengeki Gakuen RPG is set primarily at Dengeki Academy, a Japanese private school that the main characters attend. The story revolves around an unnamed protagonist who one day hears a recent rumor that a ghost has been appearing during the night at school. While he does not have any real interest in the occult, he uses searching for the ghost as an excuse to sneak into the school campus one night. However, his childhood friend Kizuna Kasugai comes with him to search for the ghost, and the two decide to search around the bench in front of the campus store. In the silent darkness, the two gradually arrive to open the door of the store and before them they see a person's shadow move in the room. By straining his eyes, the protagonist sees that the person casting the shadow is eating melon bread, and realizes that this must be the cause of the ghost rumor; the shadow is in fact cast by Shana from Shakugan no Shana. This is possible due to one day the reality-based world of Dengeki Academy and the worlds of the Dengeki Bunko light novels to suddenly become connected allowing people from both the real-world and the novel worlds to cross over.

By meeting Shana, the protagonist and Kizuna become entangled in a struggle by the members of the novel worlds to protect their worlds from the unidentified evil organization known as Zetsumu (絶夢) who have been changing story details from the novel worlds and creating disorder in them. Their goal is "to snatch away the smiles from every person". In order to combat Zetsumu, the protagonists will help the fighters from the novel worlds by traveling between the real-world and novel worlds.

The short story, on the other hand, features mainly Yumisaki Walker from Durarara!!. He somehow stumbles into Dengeki Gakuen and is absolutely delighted, first by the revelation that he’s made it into a parallel world... and then even more so when he runs into Shana from Shakugan no Shana. (Though first he bores the heck out of the game protagonist by explaining Dengeki Bunko’s history and publication statistics.) However, he freaks Shana out by a) knowing who she and Alastor are and b) referring to things that haven’t happened to her yet (because she’s from volume 1 and he’s read further than that) and c) mentioning someone she has a secret crush on, I think, and telling her he’s rooting for her on that front. Before Shana can get violent on him, Celty barges in, apologizes for him, and drags him away. (She also asks Shana if she’s a Saika because she has red eyes and a sword. Shana doesn’t know what she’s talking about.)

Yumisaki then runs into Kino (of Kino’s Journey) and Index (of To Aru Majutsu no Index) and similarly manages to freak them out by knowing things about them that people “of this world” shouldn’t--namely, being able to identify Hermes as a motorad and Kino’s guns as persuaders. Once again Celty has to drag him away before Kino decides to use him for target practice. Then he spots Iriya from Iriya no Sora, UFO no Natsu. He speaks enthusiastically of her battle against UFOs and that, uh, that terrifies Celty and she drags him away more emphatically.

...To Firo’s underground casino circa the 1930s. Which is also connected, for reasons which aren’t explained but are, honestly, probably just “because Narita does what Narita wants.”

People from Dengeki Gakuen have been wandering in all day, and Firo’s really confused by what’s going on, although Ronny is not nearly so concerned. Ronny theorizes that Firo is not able to mentally adjust to the oddities in the same way people from other worlds are because the connection with the Naritaverse is actually from the future of this world, and then muses that he can interfere with neither the matters of other worlds nor the future of this world.

Shortly thereafter is when Celty and Yumisaki come in, with Celty still panicking with the fear of aliens. Ronny says he’ll take care of it, and Firo asks if he knows them; Ronny denies it but suspects they’re from this world’s future. He goes to talk to them.

“You seem to be Ms. Celty Sturluson, one of the headless fairies of Ireland,” he says, to Celty’s considerable surprise and confusion. “What happened to your head? In my era, you always had it with you... well, no matter.”

He’s not too worried about time paradoxes since they’re meeting in Dengeki Academy, which is outside of the normal world. Celty is still very confused. And Yumisaki doesn’t recognize Ronny as a Dengeki Bunko character. Ronny doesn’t particularly explain himself but does note that Yumisaki reminds him of some old alchemist friends of his and offers, “If you’d like to go home, I’ll create a route home for you in the corner of this casino--since you two are merely from a different time, not a different world. Feel free to return home and to your normal lives.”

But Yumisaki wants to enjoy where he is first, which Ronny approves of (since for him to enjoy himself is the most powerful weapon against Zetsumu there is). Yumisaki and Celty go on their merry way; Ronny goes back to talk to Firo. Firo considers “that man in the big head covering” to be suspicions and wonders if he should keep an eye on “him.” Ronny reveals that uh actually that’s a she, and so Firo freaks out at how tight her clothing was. Ronny wonders how fashion will change in the future... and how Firo will cope with that.

Eventually, Yumisaki makes it home to hang out with Kadota et al. He brags about meeting his beloved characters, to which Kadota replies “Okay, time to go to the hospital. C’mon.” But then Yumisaki shows off the autographs he got from them... which Erika can immediately tell from her very soul are real. They squee fannishly for a bit. As for what happens at Dengeki Academy... you’ll have to play the game to find that out.

So... takeaways:

1) Guys, I think... I think Celty and Ronny knowing each other was a misunderstanding of this. Ronny is able to know of Celty, since she’s of the same world as him, but they don’t seem to know each other personally, unless there’s some second encounter between them in some other well-hidden piece of media.

2) Draws some interesting, though not particularly unexpected, limits around Ronny’s powers. yes. the limits are not unexpected. the idea that he can create a path through time is somewhat more unexpected and I don’t know how to deal with this being in something so obviously(?) noncanon(??). How dare you do this to me, Narita. How dare you.

#baccano!#baccano #durarara!!#narita ryohgo #dengeki bunko rpg cross of venus #yumisaki walker #ronny schiatto #celty sturluson

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lowkeynando · 1 year

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Many works of fiction have featured UFOs. In most cases, as the fictional story progresses, the Earth is being invaded by hostile alien forces from outer space, usually from Mars, as depicted in early science fiction, or the people are being destroyed by alien forces, as depicted in the film Independence Day. Some fictional UFO encounters may be based on real UFO reports, such as Night Skies. Night Skies is based on the 1997 Phoenix UFO Incident. UFOs appear in many forms of fiction other than film, such as video games in the Destroy All Humans! or the X-COM series and Halo series and print, The War of the Worlds or Iriya no Sora, UFO no Natsu. Typically a small group of people or the military (which one depending on where the film was made), will fight off the invasion, however the monster Godzilla has fought against many UFOs. Earth vs. the Flying Saucers (a.k.a.

Invasion of the Flying Saucers and Flying

Saucers from Outer Space) [31 is a 1956

American science fiction film from Columbia

Pictures. It was produced by Charles H.

Schneer, directed by Fred F. Sears, and stars Hugh Marlowe and Joan Taylor. The stop-motion animation special effects were created by Ray Harryhausen. The storyline was suggested by the bestselling 1953 non-fiction book Flying Saucers from Outer Space by Maj.

Donald Keyhoe. [4] The film was released as as AND

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ljaesch · 6 years

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Anime Expo Announces Naoyuki Ito as Guest

Anime Expo has announced that anime director Naoyuki Ito will be a guest at its upcoming convention.

Itou’s credits include the first two seasons of Overlord, Kimi no Koe o Todoketai, Kanon, One Piece: Strong World Episode 0, Digimon: Data Squad, Eiga Dokidoki! Precure Mana Kekkon!!? Mirai ni Tsunagu Kibō no Dress, and Iriya no Sora, UFO no Natsu. He will also be directing the third season of Ove…

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#anime #Anime Expo #Naoyuki Ito

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thatdeadmikey · 6 years

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#iriya no sora #ufo no natsu #anime #manga anime #manga

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bamfas · 5 years

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Frame Arms Girl Hresvelgr Bikini Armor Ver. Plastic Model Previewed in PV and Photos

Kotobukiya has posted a 60-second PV and official product photos for its forthcoming non-scale plastic model kit of Hresvelgr in bikini armor from its popular model kit series Frame Arms Girl for a May 2019 release. Based on the original design by Tomotake Kinoshita, the bishoujo version character’s bikini armor is newly designed by illustrator E-ji Komatsu (Iriya no Sora, UFO no Natsu).

The…

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shazzeaslightnovels · 5 years

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Reading Log - April 2019

Volume Count: 8

My first month without Saekano and I finished off Iriya no Sora, UFO no Natsu and read all my volumes of Ankoku Kishi wo Nugasanaide. I also read Cafe de Blood, a one-shot by the author of Psycome and started Slime Taoshite 300-nen, Shiranai Uchi ni Level Max ni Nattemashita and Saijaku Muahi no Bahamut.

This post does contain spoilers for Iriya no Sora, UFO no Natsu vol. 4, but other than that are no spoilers. I put the mini-review for Iriya at the very bottom of the post so you can easily avoid spoilers.

(Finally figured out how to shrink image sizes so I can put the volume covers to make this post look more interesting. Yay! Let me know if they aren’t visible to you.)

Ankoku Kishi wo Nugasanaide 2 & 3 by Shinichi Kimura

Putting these under the same entry because my feelings on them didn’t differ much between them. After my lukewarm feelings on the first volume, I didn’t have much hope that the following volumes would be better and I was right. I was rewatching Kore wa Zombie desu ka? and I didn’t like it nearly as much as I used to so it’s possible that I’ve just grown out of this type of humour but I do think that KoreZom is better than this series as Ayumu really stands out as a protagonist while Kurama lacks anything that makes him interesting. He’s a bit of an idiot sometimes but that’s it. The reader has no reason to care about him. The other major issue is that I found the scenes to be too long so I would start a scene being somewhat interested but would quickly get bored before it was over. Volume 2 was a little bit better than volume 1 but volume 3 introduced a perverted lesbian character who doesn’t understand the meaning of consent and my views of this series dropped to rock-bottom. I do think that it’s possible to enjoy this series if you’re into this kind of humour and found KoreZom to be hilarious but I won’t be buying any future volumes.

Slime Taoshite 300-nen, Shiranai Uchi ni Level Max ni Natteshimatta 1 by Kisetsu Morita

It took me 10 days to read this which is a lot longer than I usually take for a volume of this size. Amazon lists the volume as 281 pages while BookWalker says it’s around 320 pages. Either way, it felt like the page count was pushing it for a story where not a whole lot happens. It was relaxing at first but I quickly got bored of it. For most of the volume, each chapter introduces a character and you get to spend a little bit of time with them before moving on to the next character. And I don’t think it spent enough time getting me to care about the character it just introduced before moving on to the next one so I didn’t really care when the “climax” happened. Also, I don’t think the 300 years thing was really thought out - it’s just there to get Azusa at an OP level but we barely know what she did for those 300 years. We know that she read a lot, killed slimes, learned how to use herbs to make medicine and helped some villagers but I want to know what kind of books she read because you would think that after 300 years of reading books, she would be quite knowledgeable in just about every field but other characters still have to explain things to her for the sake of the reader. Another issue I had with this volume is that even though Azusa is a female protagonist, she’s not really written like one. The series still uses a male gaze. A really good example of this is when Halkara is introduced and the first thing Azusa notices about her is her large boobs and butt and not in a yuri way but more of in a breast envy way. You could change her into a male character and not much would change. I don’t think this will bother too many people but it sure did bother me. In general, I think this series will be a good relaxing series but it lacks any overall direction to be an entertaining series. I’d recommend if you want to take it easy and I’d especially recommend it if you’re learning Japanese and want to read a story set in a fantasy a world as it’s pretty easy to read though there are a couple of tricky parts. If you want a slice of life set in a fantasy world, this would probably do the trick.

I’m not sure if I will continue with this series. I can see that it has some nice elements to it and I do feel like the series will feature more yuri in future volumes if the covers are anything to go by but I’m not sure it’s the series for me so we’ll have to wait and see.

The manga version of this is pretty good. It has a cute art style (though I prefer Benio’s art in the original) and is a 1:1 adaptation but doesn’t improve the source material much so it’s probably not worth reading unless it’s the only version of the story you have access to or you really like the novels.

Yen-press is currently publishing this series in English under the title of I’ve Been Killing Slimes for 300 Years and Maxed Out My Level so please pick it up if the series interests you.

Cafe de Blood by Mizuki Mizushiro

This is a one-shot from the author of Psycome and it’s kind of what you’d expect from the title: it’s about a café that serves vampires blood and the human male who works there. It’s not terrible but it’s pretty plain and the heroine doesn’t stand out much. While I do think that people who like vampires would find this worth the read, it features one of the more plain versions of vampires that I’ve seen. There’s also some pretty annoying stuff in it like a paedophile/lolicon vampire who talks in a mangle of English and Japanese and is super annoying as well as a character who’s only function seems to be to have big boobs. It might have been a good first volume for a longer series but it’s not a memorable one-shot. If you liked PsyCome, I do think you would like this a lot but I just found it too plain to care much for it. I do love Namanie’s art style though so that was definitely the highlight of the book for me.

Saijaku Muhai no Bahamut 1 by Senri Akatsuki

Little known fact about me: I actually really like this kind of school battle fantasy. I know most of them follow the same template but I’ve always enjoyed reading them anyway and I enjoyed this volume a lot. I loved the characters and their interactions, I loved the battles and I loved the atmosphere that comes with these kinds of stories. Don’t get me wrong, Bahamut is far from being original but reading this volume was so much fun and I got really interested in the plot. I love that Lisha’s a geeky mechanic and I love that the story has the old empire being corrupt while most modern light novels would make this a story about Lux manipulating everyone into getting him back on the throne. I do think that the exposition was sometimes awkward and I don’t think this would be a fun read for people who place importance in originality but I certainly had fun with it. I was surprised by how much I liked this given that I remember reading this volume in English a few years back and not caring for it but I did and I can’t wait to read the second volume for my girl Krulcifer.

The anime adapts this volume into 2 episodes and cuts out a lot of good character moments but I think they probably made the right call as so many light novel adaptations have failed due to the staff’s unwillingness to do anything but a 1:1 adaptation (Seirei Tsukai no Blade Dane comes to mind; I don’t know anyone who really enjoyed this series prior to volume 4 but the anime only adapts the first 3 volumes). The anime has really clumsy exposition even more so than the light novel. I liked the novel more but I think the anime serves as a good advertisement for the series so, if the anime got you interested in the plot, I highly recommend checking out the light novels.

The manga is a closer adaptation and it’s fine but the novels are better. The manga does make some interesting character design choices though like making the teacher indistinguishable from the students. Probably wouldn’t recommend the manga unless you don’t have access to the light novels.

Juuou Mujin no Fafnir by Tsukasa

And here I thought Bahamut had clumsy exposition but at least it only provided the reader with information on a need-to-know basis and spread it out over the volume. Fafnir just gives it to you in the first couple of chapters and the battle mechanics are way to complicated to do that. In my opinion, the author should have made the battle mechanics more simple or spread it out more instead of dumping it at the start and hoping the reader paid attention when it becomes relevant later. Otherwise, I didn’t really like this volume but I didn’t hate it either. I think the story has potential and Iris is a charming main heroine and I enjoyed seeing her character and relationship with Yuu grow throughout the volume. But, aside from Iris and maybe Mitsuki, none of the characters really stand out. Yuu’s your typical protagonist with a bit of a snarky attitude and a dark past. I’ve seen worse protagonists but he doesn’t strike me as particularly interesting and characters like Lisa and Firill don’t really do much and are just kind of there. That has the potential to change in future volume but it’s an issue in this one. I will probably continue with this as I remember being fond of the later volumes when I read them in English but it might be take a while to get around to.

I won’t be covering the manga or anime on this blog as I don’t have easy access to them.

Dokuhaki Hime to Hoshi no Ishi by Izuki Kougyoku

Last month, I talked about Torikago Miko to Seiken no Kishi which is actually a spin-off to this novel which in turn is a sequel to Mimizuku to Yoru no Ou. I didn’t mention this then because I didn’t realize that characters from Torikago Miko would actually show up in this. I just thought they were in the same setting. And it’s been so many years since I read Mimizuku that, while I know that some of these characters are from Mimizuku, I wouldn’t be able to tell you exactly which ones. Regardless, this didn’t impede my enjoyment of this novel at all so I don’t think that reading Mimizuku is required to understand and enjoy this story.

Regarding the work itself, I really liked it. I think it was a perfect one-shot that was incredibly compelling. I loved Elsa. She’s very different from the usual female protagonist in that the best ways that I could describe her at the start of the story are “feral”, “angry” and “broken”. She’s experienced so much abuse in her life and I think this story is really about healing after so much trauma and finding a place that will accept you where you can be free to be whoever you want. I really enjoyed that theme of the story. I didn’t find Claudius to be that interesting of a character but he’s a nice guy and I’m glad that Elsa found someone to support her. I recommend this work if you want to read a fantasy story that’s really about healing, especially if you’re a fan of fairy-tale inspired stories.

I’d be interested in doing a closer re-read of this in the future and doing a proper essay-type post on the themes because I think there’s a lot going on underneath the surface of the story here and I think there’s a lot to say about how Elsa is the only character to express her anger and sadness in a straight-forward manner while everyone else tends to be more passive-agressive about it.

THE FOLLOWING REVIEW CONTAINS SPOILERS FOR IRIYA NO SORA, UFO NO NATSU 4! READ AT YOUR OWN RISK!

Iriya no Sora, UFO no Natsu 4 by Mizuhito Akiyama

Before I read this volume, I was panning on doing a full review of the series but, before the first 100 pages of the volume were over, someone tries to sexually assault Iriya. I do not know whether this attempt was successful or not because, as soon as I realized what was happening, I had to skip through the scene. This scene is incredibly poorly done. We never get to see Iriya’s POV of this event either during or after it happens. Instead, the story decides to continue to focus on Asaba and how stressed he is. Perhaps I’m thinking too hard about it but the fact that this scene is juxtaposed with a scene of Asaba acquiring a porn mag and masturbating and that adolescence is a primary theme of the series makes me think that this scene is meant to imply that “boys desire girls while girls get to be desired” as neccesary part of adolescence. Furthermore, at the end of the volume, Iriya dies and it feels like she got fridged for the sake of Asaba’s character. And, to be honest, Iriya has never really felt like a proper character to me. She’s always felt too perfect to be one. The only time she felt like one was during the eating battle with Akiho. We’ve never gotten the story from her POV and that prevents her from becoming a proper character like the others. She feels like an idealised Mysterious Girl who motivates the other characters but has no real motivation for herself. Part of this is undoubtably because of when it was written but I can’t overlook these flaws because of that, espcially since I was around the ages of 3 and 5 when this was written so I don’t feel that same nostalgia that this series is trying to make me feel. I never went to middle school either and Australia high schools are very different from Japanese ones so I feel none of the nostalgia that this series is praised for.

I think this series has it’s charming moments and it’s not as though this volume was boring but I just can’t overlook the things I’ve mentioned. I could only really recommend this series if you are interested in the history of light novels or you are interested in reading a coming-of-age story with a bit of sci-fi.

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