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#jean jacques castel
chikinan · 1 year
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Valentine's card comm for @torterrachampion 🐺🧁
[ptrn + twttr + insta on bio]
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atomic-chronoscaph · 2 years
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The Shiver of the Vampires (1971)
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mariocki · 5 months
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Le frisson des vampires (The Shiver of the Vampires, 1971)
"This is where the living make a religion of respecting the dead. This is where the dead make a religion of preserving their lives."
#le frisson des vampires#the shiver of the vampires#french cinema#jean rollin#1971#monique natan#sandra julien#jean marie durand#jacques robiolles#kuelan herce#marie pierre castel#michel delahaye#nicole nancel#dominique#jean jacques renon#acanthus#classic Rollin fantasmagoria of the vampiric sort; relatively early in his canon‚ but all the familiar tropes are in play#at its best this leans into a sort of theatricality; it's there from the very opening moment‚ as the players stand still‚ just for a second#like actors in tableaux before the beginning of a play (whether or not this frisson of artifice is intentional or simply the very real#capturing of actors awaiting their cue‚ i couldn't tell you‚ but effect persists regardless). it's also in the carefully choreographed way#that the two servants move together‚ or the elevated‚ vaguely unnatural performances of the two cousins‚ or the garish kaleidoscopic#lighting. Rollin is always playing in dreamscapes‚ nearly exclusively in his mainstream (ie non porn) work‚ but here more than ever he#seems to be revelling in it‚ even as he pushes it to another remove (a second step of othering nearly: not just a dream‚ but the#conscious performance of a dream). all of this is provided‚ like vibes and mood‚ by the bucketful; plotting and dialogue come a perhaps#necessary second (even by Rollin standards‚ this is ethereal and loosely fitted together‚ scenes blending into scenes without much regard#for cohesive story beats). didn't grab me and hold me like other Rollin films have but there's certainly something here‚ and visually#this is as interesting and as rich as any of the director's works. solidly weird proggy soundtrack too!
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honeydazai · 2 years
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୨୧·࣭࣪̇˖ 𝆬  ᴊᴇᴀʟᴏᴜꜱʏ, ᴊᴇᴀʟᴏᴜꜱʏ 𝆬 𓏸
feat.: Vanitas, Noé Archiviste, Dante, Johann, Lord Ruthven, Jean-Jacques Chastel, Antoine de Sade
content: nsfw, rough sex, marking and biting, possessive behaviour, edging, overstimulation
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VANITAS tells himself he doesn't get jealous. Really, he has no reason to — so what if you're talking to another man who's so obviously hitting on you it hurts to watch? That's not his business. Right?
Nonetheless, he eventually can't deny anymore that his good mood is ruined and his usual smirk has been replaced by an unhappy pout. He's the type to try and gain your attention back, though if that doesn't work, he distances himself until you notice you've been neglecting him.
That night, he really makes you work for his cock; if you're not bouncing up and down on his dick with tears welling up in your eyes, your cheeks flushed while you're begging him to please help you out, to please take you and fuck you harder, he's not satisfied.
“Hm? Oh, no, if you want to come today, you'll have to work for it, mon amour. You didn't seriously think I'd help you after that stunt you pulled today, did you? Come on. You were acting like a common whore, now ride me like one, too.”
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At first, NOÉ isn't quite sure why his chest feels tight when he sees just how well you get along with Vanitas; Vanitas, who is unashamedly hitting on you, his usual flamboyant smirk in place, his jokes and sarcastic comments making you laugh, your cheeks flushing.
He doesn't want to be possessive of you, but he can't help it, either; despite the faint feeling of guilt accompanying him, Noé tries to keep you closer by his side from now on. He does his best to make sure you don't notice any changes in his behaviour, though.
When he's finally alone with you, however, he's on you immediately. He's all but pounding into you at an uncharacteristically rough pace while his fangs pierce your skin, his tongue lapping over the bite mark proudly displayed on your neck, and you're not complaining; you're mewling in pleasure, your cunt clenches around his dick, and Noé isn't above absolutely overstimulating you that night; he wants you to remember he's the one making you feel this good. You're his and he's yours, after all.
“It's too much? What do you mean, dear? I'm only trying to make you feel good. Aren't you close again already? I'm sure you can give me one more, my love. Cum for me, will you?”
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While DANTE gets jealous quite often, he's not actually possessive. He feels like he doesn't have the right to be — he's already lucky you're with him at all, and he doesn't want to possibly risk losing you. Honestly, he wouldn't be able to handle it well if you were to suddenly break up with him.
Still, he's not fond of it whenever you get this close to Noé — Noé, who's not even actively trying to hit on you, but he's such a natural flirt that his intent doesn't really matter. Dante can't help but grit his teeth together in what he hopes is anger instead of sadness.
Later that day, his pent-up frustrations show themselves through the hard pace with which he pounds into you. The bed is creaking as it rhythmically thumps against the wall, you're mewling and moaning, and your thighs shake from where they're closed around his waist. And, honestly, Dante just can't help himself when he leans down and sinks his fangs into your skin; he whimpers at the sweet taste of your blood and at the way your cunt clenches around him.
“Fuck, your blood tastes so good, ah—, and you get so damn tight whenever I bite you. Hey—, ah, not to make this awkward, but you're mine, aren't you? Yeah? Tell me, please, baby—”
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For less than a second, JOHANN's face twists into a grimace when he notices the way some vampire has his arm around your waist. He's much too close to you, and Johann's smile is cold when he pulls you away with a half-hearted excuse.
Whenever simply leaving doesn't work, however, his usual calm and teasing demeanour is replaced by crisp sarcasm and snide mocking comments. His sudden passive aggression is a tell-tale sign he's getting jealous, as well as the subtle touch of his fingers on your mark or his lips against your throat. Johann definitely isn't afraid of public displays of affection.
Whenever Johann is in a bad mood, it's safe to say you're getting teased to hell and back that same night. He's smirking while you're sobbing, tears dripping down your flushed cheeks as you beg him to finally let you cum, please, though he denies you once again as he pulls his fingers out of you with a lewd squelching noise. It's the fourth time you've been edged now, and you're not off the hook yet. You're lucky if he'll allow you to reach your orgasm at all that night.
“Oh? You want me to let you cum? You can't take it anymore? Oh my, that's just adorable, my love. Too bad I'm still quite annoyed by your antics this morning, though I assume I can be convinced if you continue begging this prettily.”
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While LORD RUTHVEN is scary on the daily, he's absolutely terrifying whenever jealous. Most people most likely don't even realise he's feeling possessive, but you do, and his quiet seething anger is lethal.
Jealousy is beneath him, but he's horribly possessive nonetheless, and he can't help that he wants to keep you by his side even more from now on. While his mark is always on display for everyone to see, clearly showing you off as his, there's always some idiotic vampires who just can't seem to get the hint and still try to talk to you. He's not having it.
It's also his ownership over you that he's demonstrating by making you warm his dick during a senate meeting, your cunt hot and pulsing around his cock. He's quite pleased by how obedient you're being, staying quiet and muffling your mewls and moans against his shoulder — those noises are only for him to hear, after all.
“Shush, little dove, you wouldn't want everyone to hear you, now would you? In my opinion, there's too many vampires who want a taste of you already.”
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JEAN-JACQUES is a terribly jealous man; he even admits so himself. He's absolutely possessive of you — to him, it's obvious you belong with him and him alone, which is why he doesn't get why you're happily chatting with a stranger. His mood visibly changes for the worse, and he's not above outright threatening to kill the guy until he leaves you alone. Afterwards, it takes quite a bit of affection from you until he stops sulking.
Later that day, his fangs sink deep into your throat while he pounds into you, his hips slapping hard against the plush curve of your ass, and you can't do anything but take whatever he's willing to give you, your whimpers needy and high-pitched. His mood switches between terribly aggressive and desperate; he needs to know you're his, please reassure him.
“You're all mine, aren't you? Come on, say it, please—, I want to hear it, my love, I beg you. I'm the only one who can fuck you this well, who can make you feel this good, right? I'm the only one who's allowed to drink your blood, am I not?”
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It's not easy to make ANTOINE jealous, mainly because he knows it's sheer impossible for you to get with someone who's better than him. He's intelligent and handsome, rich and has a lot of influence — really, what more could you want?
He is, however, quite possessive. You're his lovely wife, his pet, and he doesn't like it whenever other vampires get too close to you. It's safe to say he'd willingly end a life if someone even thought about biting you. To ensure you know your place is by his side, he puts a collar on you; one with his name on the tag, connected to a leash. It's no surprise he's quite mean whenever he pulls on said leash while thrusting into you from behind, forcing you to arch your back, mewling pitifully, if you don't want your breathing to get cut off entirely.
“What's that, mon amour? It hurts? You can't breathe? Oh my, what a shame. Truly, I'd love to free you of this collar again; if only you hadn't wandered off earlier today to talk to one of the guards. Besides, your cunt clenches so nicely around me whenever I do this—”
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genevieveetguy · 1 month
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. Why do we do what's already been done? Why don't we do more personal films?
Irma Vep, Olivier Assayas (1996)
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cultfaction · 1 year
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Preview- The Shiver of the Vampires (Limited Edition 4K UHD Bluray)
Jean Rollin’s third feature film, 1971’s The Shiver of the Vampires (Le Frisson des vampires), established themes and visual motifs to which he would return throughout his career, blending horror, eroticism, fairy tale, and surrealism to create his unique cinema of the fantastique. Arriving at a decrepit chateau for their honeymoon, young newlyweds undergo a series of surreal and sinister…
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adscinema · 2 years
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Irma Vep - Olivier Assayas (1996)
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aguacerotropical · 1 year
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i really love how many references there are in Vanitas no Carte to different events and literature. The manga is pulpy and camp (as is all vampire media) but it’s also very carefully written. I’m going to list out the ones I have identified:
Averoigne is a region invented by writer Clark Ashton Smith
The real Beast of Gévaudan was killed by Jean Castel, who is Jean-Jacques Castel in the manga, in a party organized by the also real Marquis d'Apchier..
Astolfo is directly taken from Life is a Dream by Calderón de la Barca, and the storyline of Teacher putting Noé, Louis and Dominique in strange invented experiments to test human nature goes along the lines of the play.
Doctor Moreau comes from The Island of Doctor Moreau by HG Wells. His character is also a mad scientist obsessed with creating human hybrids.
The Comte de Saint Germain existed and was as eccentric as Teacher. Lord Ruthven is a literal copy-paste from The Vampyre, since, in that novel, the protagonist is doomed due to an oath he swore to the vampire.
Sir Francis Varney, the Marquis Machina, is named after Varney the Vampire, a pulp serial that popularized vampires and set a lot of their characteristics.
There’s De Sades, of course, and Faustina which references the various Faust storylines in which the character makes a deal with the Devil that completely backfires. That seems to be the deal with her becoming Naenia. A naenia is also a lamentation.
Charlatan’s parade is a nod to the Mask of the Red Death by Poe and the Danses Macabres that became popular, with vanitas paintings, after the Black Plague.
The civil war between vampires and humans is inspired by the Hundred Year’s War, due to Jeanne being, of course, Jeanne d’Arc.
Similarly, the setting is most definitely La Belle Époque and the World’s Fairs. Like the Belle Époque, a period of peace between 19th century wars and WWI, I expect that the events will soon devolve to another war.
Count Orlok is from Nosferatu. The Mina girl who becomes a curse-bearer is from Dracula.
Early 19th century vampires were obsessed with the moon and, I’m probably wrong on this one, but Luna reminds me so much of the García Lorca poem Ballad for the Moon Moon. Lorca always associates the moon with death throughout Romancero Gitano and, since she already sampled Spanish literature, it could be a possibility.
There’s Parcelsus and all the character’s coloring seem to hold some sort of relation to the steps needed to create a philosopher’s stone. Dante, as Vanita’s guide to the underworld.
I’m sure there are more, but these are the ones I already know. I expect there to be a reference to Carmilla eventually, and perhaps a more direct one to the Harkers. And Noé’s biblical background to play more into his character, as a savior of what is left after the flood. Interestingly though, Vanitas refers to him as “child of the ark”, which might signal that he is what is left of something else (the Archivistés?) (Also, who named him? His human adoptive grandparents?)
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driftwork · 1 year
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names, mostly surnames (1)
let me apologise for this partial list of names in the library,  titles available on request...
, Adorno, horkheimer, anderson, aristotle, greta adorno, marcuse, agamben, acampora and acampora, althussar, lajac kovacic, eric alliez, marc auge,  attali, francis bacon (16th c), aries, aries and bejin, alain badiou, beckett, hallward, barnes, bachelard, bahktin, volshinov, baudrillard, barthes, john beattie, medvedev, henri bergson, Jacques Bidet, berkman, zybmunt bauman, burgin, baugh, sam  butler, ulrich beck, andrew benjamin and peter osbourne, walter benjamin, ernest bloch, blanchot,  bruzins,  bonnet,  karin bojs,  bourdieu,  j.d. bernal, goldsmith,  benveniste, braidotti,  brecht,  burch, victor serge, andre breton, judith butler, malcolm bull, stanley cohen, john berger, etienne balibar, david bohm, gans blumenberg, martin buber, christopher caudwell, micel callon, albert camus, agnes callard,  castoridis, claudio celis bueno, carchedi and roberts, Marisol de la cadena,  mario blaser, nancy cartwright, manual castells, mark  currie, collingwood, canguilhem, mario corti, stuart hall, andrew lowe, paul willis, coyne, stefan collini, varbara cassin, helene cixous, coward and ellis, clastres, carr, cioren,  irving copi, cassirer, carter and willians, margeret cohen,  Francoise dastur, guy debord, agnes martin,  michele bernstein, alice, lorraine dastun, debaise, Gilles Deleuze, deleuze and gattari, guattari, parnet, iain mackenzie, bignall, stivale, holland, smith, james williams, zourabichvili, paul patton, kerslake,  schuster, bogue, bryant,  anne sauvagnargues, hanjo berresen, frida beckman, johnson, gulliarme and hughes, valentine moulard-leonard, desai,  dosse, duttman, d’amico,  benoit peters, derrida, hinca zarifopol-johnston, sean gaston,  discourse, mark poster, foucault,  steve fuller, markus gabrial, rosenbergm  milchamn, colin jones,  van fraasen,  fekete,  vilem flusser, flahault, heri focillon, rudi visker, ernst fischer,  fink, faye, fuller, fiho, marco bollo, hans magnus enxensberger, leen de bolle, canetti, ilya enrenberg,  thuan, sebastion peake, mervyn peake, robert henderson, reimann, roth,  bae suah,  yabouza, marco bellatin, cartarescu, nick harkaway, chris norris, deLanda, regis debray, pattern and doniger,  soame jynens, bernard williams, descartes, anne dufourmanteille, michelle le doeuff, de certaeu , deligny, Georges Dumezil, dumenil and levy,  bernard edelman, victorverlich, berio, arendt, amy allen, de beauvior,hiroka azumi,  bedau and humphreys,  beuad,  georges bataille, caspar  henderson,  chris innes,  yevgeny zamyatin,  louis aragon, italo calvino, pierre guirard,  trustan garcia, rene girard, paul gilroy, michal gardner,  andre gorz, jurgan gabermas, martin gagglund, beatrice hannssen, jean hyppolyte, axel honneth, zizek and crickett, stephen heath,  calentin groebner, j.b.s. haldane,  ian hacking,  david hakken,  hallward and oekken,  haug, harman, latour, arnold hauser, hegel, pippin, pinksrd, michel henry, louis hjelmslev,  gilbert hardin, alice jardine, karl jaspers, suzzane kirkbright, david hume,  thomas hobbes, barry hindus, paul hirst, hindess and hirst, wrrner hamacher,  bertrand gille,  julien huxley, halavais, irigaray, ted honderich, julia kristeva, leibnitz, d lecourt,  lazzaroto, kluge and negt, alexander kluge, sarah kofman, alexandre kojeve,  kolozoya, keynes,  richard kangston, ben lehman, kant,  francous jullien, fred hameson, sntonio rabucchi, jaeggi, steve lanierjones, tim jackson,  jakobson,   joeseph needham, arne de boever,  marx and engels, karl marx, frederick engels, heinrich,  McLellen , maturana and varuna,  lem, lordon, jean jacques-lecercle,  malabou,  marazzi,  heiner muller,  mary midgley, armand matterlart, ariel dorfman, matakovsky, nacneice, lucid,  victor margolis, narco lippi,  glen mazis, nair,  william morris,  nabis,  jean luc nancy,  geoffrey nash,  antonio negri,  negri and hardt, hardt, keith ansell pearson, pettman, william ruddiman, rheinberger, andre orlean, v.i. vernadsky,  rodchenko,  john willet, tarkovsky, william empson,  michel serres,  virillio, semiotexte, helmut heiseenbuttel,  plessner, pechaux, raunig, retort,  saito,  serres, dolphin, maria assad, spinoza,  bernard sharratt, isabelle stengers,  viktor shklovsky,  t. todorov,  enzo traverso, mario tronti,  todes, ivan pavlov,  whitehead, frank trentmann, trubetzkoy, rodowink, widderman, karl wittfogel, peter handke, olivier rolin, pavese,  robert walser, petr kral, von arnim,  sir john mennis,  ladies cabinet,  samuel johnson, edmund spenser,  efy poppy, yoko ogawa, machado,  kaurence durrell,  brigid brophy,  a. betram chandler, maria gabriella llansol, fowler,  ransmayr,  novick, llewellyn,  brennan, sean carroll,  julien rios, pintor, wraxall,  jaccottet, tabucchi,  iain banks, glasstone,  clarice lispector,  murakami, ludmilla petrushevskaya,  motoya, bachmann, lindqvist,  uwe johnson, einear macbride,  szentkuthy,  vladislavic, nanguel,  mathias enard,  chris tomas, jonathan meades,  armo schmidt, charles yu, micheal sorkin, vilas- matas, varesi, peter weiss,  stephenson, paul legrande,  virginie despentes, pessoa,  brin,  furst, gunter trass, umberto eco, reid, paul,klee, mario levero, hearn, judith schalansky, moorhead,  margert walters, rodchenko and popova, david king, alisdair gray, burroughs, ben fine, paul hirst, hindess,  kapuscinski, tchaikovsky,  brooke-rose, david hoon kim, helms,  mahfouz, ardret,  felipe fernandez-armesto,  young and tagomon,  aronson,  bonneuil and  fressoz, h.s. bennett, amy allen, bruckner brown, honegger, bernhard,  warren miller, albert thelen,  margoy bennett, rose macauley,  nenjamin peret, sax rohmer, angeliki, bostrom, phillip ball, the invisible commitee, bataille and leiris,  gregory bateson, michelle barrett and mary mcintosh, bardini, bugin, mcdonald, kaplan, buck-moores,  chesterman and lipman,  berman,  cicero, chanan,  chatelet,  helene cixous, iain cha,bers,  smirgel, norman clark, caird, camus,  clayre, chomsky, critchley,  curry,  swingewood,  luigi luca cavelli-sforza,  clark, esposito, doerner,  de duve, alexander dovzhenko, donzelot,  dennet, doyle, burkheim, de camp,  darwin,  dawkins,  didi-huberman, dundar, george dyson, berard deleuze, evo, barbara ehrenrich,  edwards,  e isenstein, ebeking, economy and society, esposito,  frederick gross,  david edgeerton,  douglas,  paul,feyerband,  jerry fodor,  gorrdiener,  tom forester, korsgaard,  fink,  floridi, elizabeth groscz, pierre francastel,  jane jacobs,  francois laplantinee,  gould,  galloway, goux,  godel, grouys, genette,  gil, kahloo, giddens,  martin gardner,  gilbert and dubar, hobbes,  herve, golinski, grotowski, glieck,  hayles, heidegger, huxley, eric hobsbawn, jean-louis hippolyte,  phillip hoare, tim jordan,  david harvey, hawking, hoggart,  rosemary jackson,  myerson,  mary jacobus, fox keller, illich,  sarah fofman, sylvia harvey, john holloway, han,  jaspers, yuk hui,  pierre hadot, carl gardner,  william james, bell hooks,  edmond jabes,  kierkegaard, alexander keen, kropotkin, tracy kidder,  mithen, kothari and mehta, lind,  c. joad,  bart kosko, kathy myers,  kaplan,  luce irigaraay, patrick ke iller, kittler,  catherine belsey,  kmar,  klossowski, holmes, kant, stanton,  ernesto laclau, jenkins, la mouffe,  walter john williams, adam greenfield, susan greenfield, paul auster, viet nguyen, jeremy nicholson,  andy weir, fred jameson,  lacoue-labarthe,  bede,  jane gallop, lacan,  wilden,  willy ley,  henri lefebvre, rob sheilds,  sandra laugier, micheal lowy, barry levinson, sylvain lazurus, lousardo, leopardo, jean-francois lyotard, jones,  lewontin,  steve levy,  alice in genderland,  laing, lanier, lakatos, laurelle, luxemburg,  lukacs, jarsh,  james lovelock, ideologu and consciousness, economy and society, screen, deleuze studies, deleuze and guattari studies,  bruno latour, david lapoujade,  stephen law, primo levi,  levi-strauss,  emmanuel levinas,  viktor schonberger, pierre levy, gustav landaur,  robin le poidevin,  les levidow, lautman, david cooper,  serge leclaire, catherine malabou, karl kautsky, alice meynall,  j.s. mill, montainge,  elaine miller, rosa levine-meyer, jean luc marion, henri lefebrve,  lipovetsky, terry lovell,  niklas luhmann,  richard may, machiavelli, richard mabey, john mullzrkey,  meyerhold, edward braun,  magri,  murray, nathanial lichfield, noelle mcafee,  hans meyer,  ouspensky, lucretius, asa briggs, william morris, christian metz, laura mulvey, len masterman,  karl mannheim, louis marin, alaister reynolds,  antonio  munoz molina,  FRAZER,  arno schmidt,  dinae waldman,  mark rothko, cornwall, micheal snow, sophie henaff, scarlett thomas,  matuszewski, lillya brik,  rosamond lehman , morris and o’conner,  nina bawden, cora sandel, delafield, storm jameson,  lovi , rachel ferguson,  stevie smith, pat barker, miles franklin, fay weldon,  crista wolff, grace paley, v. woolf, naomi mitchinson, sheila rowbotham,  e, somerville and v ross, sander marai,  jose  saramago,  strugatsky, jean echenoz, mark robso,  vladimir Vernadsky,  chris marker, Kim Stanley Robinson,  mario leverdo,  r.a. lafferty, martin bax, mcaulay, tatyana tolstaya,  colinn kapp,  jonathan meades,  franco fortini,  sam delany, philip e high, h.g. adler, feng menglong,  adam thorpe,  peeter nadas,  sam butler, narnold silver,  deren,  joanna moorhead, leonara carrington,  de waal,  hartt, botticelli,  charbonneau, casco pratolini,  murakami, aldiss,  guidomorselli, ludmilla petrushevskaya, ,schulz,  de andrade, yasushi. inoue, renoir,  amelie  nothomb,  ken liu,  prynne,  ANTIONE VOLODINE, luc brasso,  angela greene,  dorothea tanning,  eric chevillard,  margot bennett w.e. johns, conan doyle,  samuel johnson,  herge,  coutine-denamy, sterling, roubaud,  sloan, meiville,  delarivier manley, andre norton, perec, edward upward, tom mcCarthy,  magrinya,  stross,  eco, godden,  malcolm lowry,  derekmiller,  ismail kadare,  scott lynch, chris fowler, perter newman,  suzzana clarke,  paretky, juliscz balicki,  stanislaw 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akhmatov, artuad,  simon armatige, albahari, felipe alfau, audem auden and soendor, varicco, barrico, bainbridge, asturias, ronan bennett, beckett, paul bowles, jane bowles, celine, bukowski,  wu ming, blissert,  kay boyle,  andrei  bely,  hugo barnacle,  BOLL,  isak dineson, karen blikson,  brodsky,  richmel crompton,  berry, barthleme,  mary butts, leonora carrington, cage,  chevhillard,  canetti,  cendres,  butor,  cortazar, danielewski,  bertha damon,  dyer, havier cercas, micheal dibden, marguerite duras, john donne, duras, durrell,  dorrie,  Fredric durrenmatt,  heppenstahl, eco, enzensberger, evanovich, fruentes,  farrell,  alison fell,  alisdair gray,  hollinhurst,  andre gide,  jean giono, gadda, henry green,  grass,  andre gorz,  william gibson,  joyce,  gombrowitz,  alex laishley, murakami,  herve guibert,  franz kafka,  juenger, junker, kapuscinski, laurie king,  kundera,  mcewan, ken macleod,  ian macdonald,  moers,  meades,  vonda macintyre,  nalmstom, maillert,  havier marias,  jeff noon,  anaus nin,  david nobbs,  peter nadas,  nabokov,  iakley, oates,  raymond queneau,  cesare pavese, paterson, ponge,  perte, perec, chinery, ovid,  genette,  kandinsky, robert pinget, richard piwers,  rouvaud, sloan, surrralist poetry, ilya troyanov, paul,raabe,  julien rios, arne dahl, pierre sollers, rodrigruez,  chris ross, renate rasp, ruiz, rulfo, tove jannsson, cabre,  vladislavic, tokarczuk, pessoa, jane bowles, calvino, lispector, lydia davis, can xue,  sebald, peter tripp,  hertzberg,  virginia woolf,  zozola, sorrentino, higgins,  v.w. straka, cogman, freud, jung, klein, winnecot, lacan,  fordham, samuels,  jung, freud, appignesai,  bjp, pullman, magnam, sybil marshall, mccarten,  galbraith, jewell,  lehmann,  levy,  levin, jung,  spinoza,  fairburn,  jung, sandler,  lacan,  laplanche,  pontalis, can, xue,  klein, cavelli, hawkins, stevens,  hanna segal, bollas,  welldon,  williams,  sutherland, buon,  symington,  morrison,  brittain,  sidoli, sidoli,  holmes, bowlby, winnecott,   bollas,  kalschiid,  malan, patrick casement,  anna frued, wittenburg,  liz wright,  fordham, fairburn, symington, sandler,  jung, balint,  coltart,  west, steiner,  van der post,  stern,  green,  roustang,  adrew samuels,  d.l. sayers,  salom, krassner,  swain,  rame and fo,  storr,  cogman,  hessen,  penelope fitzgerald,  cummings, richard holloway,  juhea kim,  glenville, heyer, cartland,  kim, cho,  atkinson,  james,  king, audten,  hartley,  du maurier,  bronte,  thomas, plath, leon,  camillairi, kaussar, fred fargas, boyd,  sjowall and wahloo,  pheby,  morenno-garcia, perrsson,  herron, nicola barker, arronovitch,  karen lord, stephen frosh, ernest jones, flamm o’brien, shin, mishra, chin jin-young and so on to the warm horizon
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byneddiedingo · 1 year
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Tout Va Bien (Jean-Luc Godard, Jean-Pierre Gorin, 1972)
Cast: Yves Montand, Jane Fonda, Vittorio Caprioli, Elizabeth Chauvin, Castel Casti, Éric Chartier, Louis Bugette, Yves Gabrielli, Pierre Oudrey. Screenplay: Jean-Luc Godard, Jean-Pierre Gorin. Cinematography: Armand Marco. Production design: Jacques Duguied. Film editing: Claudine Merlin, Kenout Peltier. Jean-Luc Godard and Jean-Pierre Gorin's sardonic look at what happened to the leftist intellectuals who were in the forefront of the May 1968 protests in France has two great cinematic showpieces. The first is the multi-chambered two-decker set on which we watch the employees of a sausage factory play out their messy, scattered, and mostly ineffectual efforts at a strike. Though the set is often described as an hommage to Jerry Lewis's similar set for The Ladies' Man (1961), the concept goes back to the era of silent comedy. The other remarkable sequence takes place in an enormous supermarket, in which the camera, placed behind the row of cashiers ringing up purchases, tracks back and forth as shoppers wheel up their goods, a communist hawks his book with a newly marked-down price, and a small revolution starts in which people are told that everything is free. It's a nightmare of consumer capitalism run amok. Godard and Gorin's satire is directed at the complacency into which everyone has sunk in the four years since May 1968, while attempting to demonstrate that the class struggle is still viable. It's conceived as a kind of film about a film, with off-camera voices discussing the need to cast stars -- i.e. Jane Fonda and Yves Montand -- to guarantee the money needed to make the movie. As a demonstration of Godardian film technique, it has moments of brilliance, but even though it scores some points, as political filmmaking it feels inert and now inescapably dated.
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juristique · 1 year
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Comment connaitre la vérité sur la guerre en Ukraine ?
New Post has been published on https://www.juristique.org/opinion/connaitre-verite-guerre-ukraine
Comment connaitre la vérité sur la guerre en Ukraine ?
Difficile en ces moments troublés d’avoir des informations fiables et essayer d’approcher la vérité sur le conflit entre la Russie et l’Ukraine, surtout depuis que la France est devenue de fait cobelligérante en livrant des armes, notamment les fameux canons CAESAR. Comme pour tous les conflits, une propagande de guerre est mise en place par le gouvernement afin de légitimer ses interventions militaires auprès de la population.
Sommaire
1 La propagande de guerre de LCI
2 Avoir une information objective et mesurée sur le conflit en Ukraine sur YouTube
3 Autres sources d’information fiables sur ce qu’il se passe en Ukraine
3.1 Telegram
3.2 Twitter
3.3 Blogs
4 Autres publications sur le conflit en Ukraine
La propagande de guerre de LCI
Principal relai de cette propagande, la chaîne de télévision LCI, filiale du groupe TF1 en a fait son fonds de commerce, relayant en permanence le narratif des gouvernements ukrainien et français.
Un des points culminants a été, quand les deux journalistes vedettes David Pujadas et Jean Quatremer ont proposé l’épuration ethnique des Russes qui habitent la Crimée, une fois celle-ci reconquise par les Ukrainiens.
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Comment se débarrasser des habitants d’origine russe de Crimée une fois celle-ci reconquise ?
Pour rappel, la Crimée est russe depuis le XVIIIᵉ siècle. Elle est peuplée à 70% de Russes. C’est donc environ 1,7 million d’habitants que nos deux journalistes de plateau proposent de déporter.
Avoir une information objective et mesurée sur le conflit en Ukraine sur YouTube
Pour obtenir une analyse sérieuse du conflit entre la Russie et l’Ukraine, il faut se tourner vers les réseaux sociaux, notamment YouTube qui à ce jour, n’exerce que très peu de censure politique. L’affaire toute récente des Twitter Files est certainement venue calmer les velléités des réseaux sociaux américains.
Sur YouTube, les interventions de Jacques Baud sont plébiscitées. Ancien membre des services suisses de renseignement, il a participé à des programmes pour l’OTAN en Ukraine de 2014 à 2017. Spécialiste autant de l’Ukraine que de la Russie, il a écrit de nombreux livres sur le sujet, « Poutine le maître du jeu » et « Opération Z » publiés aux éditions Max Milo.
Pour bien comprendre, le conflit, ci-dessous trois liens d’interviews de Jacques BAUD sur la chaine Dialogue Franco-Russe :
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Jacques Baud : 1 an du conflit russo-ukrainien. Partie 1
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Jacques Baud : 1 an du conflit russo-ukrainien. Partie 2
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Jacques Baud : 1 an du conflit russo-ukrainien. Partie 3
Comme aime le répéter Jacques BAUD dans ses interviews, ses sources sont anglo-saxonnes, ukrainiennes ou de l’opposition russe, mais jamais francophones.
Autre chaine à suivre, c’est celle Vu du droit, animée par Régis de Castelnau et Sylvain Ferreira avec une publication tous les jeudis.
Autres sources d’information fiables sur ce qu’il se passe en Ukraine
Telegram
Telegram est le réseau social ou vous trouverez le plus d’informations. Utilisé autant par les Russes que les Ukrainiens, il n’y a aucune censure politique. Mon fil Telegram préféré est celui d’Erwan Castel, breton, ancien militaire français, baroudeur, il se bat depuis 2015 au côté des Ukrainiens dans le Donbass. Retrouvez son fil ici : Erwan Castel.
Twitter
Pour avoir une information objective sur les avancées militaires dans ce conflit, le compte Twitter de jacques frère est le meilleur.
Blogs
Et, pour conclure, je recommande le blog de Karine Bechet-Golovko et qui intervient régulièrement sur les chaines TV et les réseaux sociaux.
Autres publications sur le conflit en Ukraine
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Comment connaitre la vérité sur la guerre en Ukraine ?
Bulletin n° 123 de Stratpol : économie, le chaudron d’Artémiovsk et la carte militaire
Bulletin n° 122 de Stratpol : nouvelle Russie, poudre pour Macron et Transnistrie
Le grand retour des cryptomonnaies en Chine et à Hong Kong
Des vidéos qui prouvent l’enrôlement de force de civils par l’Ukraine pour aller combattre la Russie
Bulletin n° 121 de Stratpol : cocaïne de Zelenski, munitions et dictature moldave
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le-journal-catalan · 2 years
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Perpignan : Jeudi musical au rythme du Tango
« Destination Tango… ! » Pour ce premier rendez-vous musical de la saison 2022-23, jeudi 13 octobre à 18h30, à l’auditorium du Conservatoire, 1 rue des Jotglars à Perpignan, Martine Maymil à l’accordéon, Joëlle Ivanes au piano, Gabriel Castell au violon, Jean-Paul Homs à la contrebasse et Jacques Frédenucci pour le chant vous invitent à […] from Le Journal Catalan https://ift.tt/Al4VmHx via IFTTT
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abs0luteb4stard · 3 years
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W A T C H I N G
I like that 70s psychedelic beat to the soundtrack in this era of horror films. But I hope this movie isn't too "strange" low budget avant garde art stuff. I'm sure there'll be some of that, but hopefully not at the sacrifice of plot.
UPDATE:
It was extra low budget, the usual avant garde French "boobie" movie tropes, nude scenes sometimes without a point as the French do. But the plot wasn't altogether bad, it lagged here and there, redundant in places, but there were some interesting additions to "vampire movie lore".
But it took me much longer than the 95 minute length, had to pause a lot to read the subtitles because I can't read them as fast as they speak and watch the scene to get what the hell is going on. Lol
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scenesandscreens · 4 years
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Irma Vep (1996)
Director - Olivier Assayas, Cinematography - Eric Gautier
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fawnvelveteen · 5 years
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Edie Sedgwick, Chez Castel, Rue Princesse, Paris, 1965. Photo by Jean Jacques Bugat 
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tvln · 6 years
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la vampire nue (fr, rollin, 70)
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