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#just finished tvd
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The way Chloe Gong pulls off fake deaths the way she does is an amazing testament to her skill as an author.
Usually fake deaths cheapen the blow of losing a character. You have to go through all of the emotional turmoil of losing a beloved character and watch everyone mourn them only for everything to be okay because actually they were kind of integral to the plot and the author needs them but also they also wanted to make the book sad for a little bit but hey everything is okay now!
But Chloe Gong doesn't do this. She gets you invested in what you usually know from the start is a doomed story. She makes you very desperately want to believe that the character that you know is going to die won't die. And then. She kills them.
And it's horrible. You mourn for them. You have to watch the other characters react to the death. But most of the time, it's a fake death. And even if you know or suspect this from the beginning, it still hurts, often just as much, if not more, than it would if the death were real.
And not just because of the way she writes grief, which gets more and more painful with each new book she releases. But instead of killing off a character for a quick gut punch and bringing them back because they were actually way too important to kill and she needs them for the plot, she uses fake deaths to create these absolutely insane scenarios that are often, at least in my opinion, more painful then just killing off the character.
When Marshall fake died, for example, she could've just had him die and forced Juliette to deal with the grief and guilt of killing her friend as well as the implications of Marshall's death for her relationship with Roma plus everyone else's grief and then created a weird situation where Roma can just,,, get over her killing Marshall and still like her. Instead, she creates this absolutely insane situation where Juliette is still grieving for the loss of her relationship with Roma, and Roma and Ben are grieving for Marshall all with Marshall still being alive. And rather than just using Marshall as a plot device to be sacrificed to make the other characters more interesting, she makes him more interesting as well. She forces him to watch as Benedikt and Roma grieve for him, making his relationship with both of them, as well as Juliette more interesting in the process.
And then when Roma and Juliette fake died at the end of OVE, even if you suspected it, it being fake doesn't take away from the pain very much, especially knowing what happens in Foul Lady Fortune. Alisa, whose only real family was arguably Roma and Benedikt, is left behind to raise herself and she is too afraid to check to see if Roma and Juliette are really dead. Because if they are dead, then she's truly alone, clinging onto the false belief that hope won out while everything she ever knew disintegrates around her. Plus, even though Benedikt and Marshall figure out pretty quickly that the death was fake, they're still forced to cope with the grief and guilt of having had a hand in the situation and forced to flee the country with only each other, thrust into a world where their best friends are dead and the hope that they are relying on to get themselves away from everything is based on the same sense of hope that ultimately lead to the "deaths" of Roma and Juliette. And then there's the cruelty of the sense of responsibility Rosalind feels for their deaths. And how after they died, she became deathly ill, but like them, was inexplicably saved. But she can't move on from their deaths and spends every waking hour and every unsleeping night of her immortal life trying to put the broken world they left behind back together. And Celia sees Alisa and Rosalind regularly. As she watches two people who she cares about immensely suffer for years after the deaths occurred, she can't say anything. Even though her first loyalty is to her sister, she's forced to watch Rosalind grieve and become a ghost of a person who seems to derive purpose solely from the pursuit of an impossible mission. And Roma and Juliette, who so deeply wanted to make the city better are forced to watch as things get worse and worse and the people that they seemingly sacrificed everything to save continue to suffer.
In Foul Lady Fortune, the fake deaths are a little different. So far, the only characters who have fake died are Dao Feng and Lady Hong, the later of which falls into this trope a bit more loosely. In Dao Feng's case, it leads to worry then betrayal on Rosalind's part. Her worry was all for nothing, and she's once again put in a place where one of the few people she dared to care about has left her and likely never truly cared about her in return (at least as of the end of FLF). Assuming that he did genuinely care about her based on As You Like It, I am very interested to see how this ends up playing out.
Lady Hong's case is somewhat similar. Although we never really think with absolute certainty that Lady Hong died, Orion suspects that his father could have done something to her and has no concrete explanation for her disappearance. He grieves her absence even though her relationship with him was always iffy at best. Only to find out that she never cared for him as anything other than a tool for her to take advantage of. Like Rosalind, he is left feeling used and as if all of his grief and pain were for nothing.
(Hiding the part below this because of huge Immortal Longings spoilers)
In Immortal Longings, you know that either Calla or Anton is going to have to die at the end because of the structure of the games. And as their relationship progresses, you dread the resolution more and more. You want a fake death. You want them to find some hole in the rules that will allow them both to survive. And Calla comes up with a plan that allows this. She gives you false hope. She lets you cling to the idea that the horrible ending you can so clearly see coming won't happen. And then that hope is snatched away, and you're even closer to the ending. And you know what's coming. You know that Anton has to die. And then the final crumb of hope is snatched away from you and they're in the ring together. And just when it's too late, Anton tells Calla that they could run for the wall together. He's finally willing to set aside Otta Avia, without who they wouldn't even be there in the first place. But it's too late. Because this is bigger than either of them. And Calla knows that she has to kill him. And she sinks her knife into his back in some of the most excruciating paragraphs I have read in my life. You see Anton realize that although he was willing to make a run for it with her, she has bigger plans. She isn't doing him a kindness by killing him first, and even though she may be planning on ending her own life as well soon, she cares more about killing King Kasa than she ever did about him. So when, at the very end, it is revealed that Anton somehow survived, it's somehow a million times worse than if he had actually died. Even though you so desperately wanted the book to not end in on or both of them dying, this isn't what you wanted. Now, he's alive and remembers just how willing she was to sink a knife through his back. And Calla must grieve for him all over again because even though he's alive, she surely can never truly have him back after what she did.
In conclusion, Chloe Gong is a legend and a genius. Thank you for coming to my tedtalk I guess.
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Losing my mind fyi
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belle-keys · 8 months
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Damon being both physically and emotionally vulnerable is such a delicious concept. Like this is what we the people have been fighting for.
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marsneedstherapy · 7 months
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my brain has melted, I have brainrot, and it'd secret shanghai's fault
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@otpsource 2023 Valentine's Day Celebration
Day 1: Delena + Words not in the english language
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nerdie-faerie · 1 year
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Slowly rereading the vampire diaries series every time I travel and you know what? Maybe it wasn't ever good, maybe I was just 11
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summerfrwrks · 10 months
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(contains tvd and charmed 2018 spoilers)
if i have a dime every time my ship:
has character A as a mentor/someone that guides character B through their supernatural world (and also protects character B) and character B is one of the most disciplined individuals of her kind when it comes to their powers/supernatural nature (and a close and loyal friend to character A)
has friendship as the foundation of the relationship 🫶🫶🫶🫶
has involved character B in an all-girl trio
has given character A an evil counterpart that is the spitting image of him
has "the other woman" trope that put a major strain on their friendship and delayed a confession 🥹
gave character A temporary amnesia (bonus: it led to moments that really fed the shippers)
gave character B's mom a death scene (the death greatly impacted the trajectory of her life)
has [screaming at a distance] A WEDDING SCENEEEE
has dance scenes that cemented their bond that shippers all know by heart
character A's immortality was taken away and wasn't able to live a full and happy life with character B
and one of them dies 🥹🥹
i'd have two dimes which isn't a lot but you can bet your ass i have gone through the stages of grief multiple times
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vergina-spva · 2 years
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Sometimes you just want to rewatch your comfort show for the bazillionth time, but it switched streaming platforms a while back and you don’t wanna give Amazon any money 😢
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latrodectal · 2 years
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not me starting the americans again when i’ve already started about five other shows again
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itachi86 · 2 years
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writing denzo fic before enzo’s even shown up haha
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ashiemochi · 1 year
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I can't help but feel excited for the third story of aphrotitty. I just rewatched RE vendetta and leon is just so attractive.
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helpimstuckinafandom · 10 months
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Elijah Mikaelson my beloved
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belle-keys · 8 months
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“heart of darkness” (3x19) is just too good! we got: rose and damon playful flirting, elena checking out damon all while he’s totally aware she’s watching him, ‘never let me go’ rabid makeout scene, rose unprovoked giving jeremy the best insight about delena versus stelena thereby making me deep these vampire ships like if i have to write a paper on them or something, evil alaric comes out to play, and klaroline crumbs!
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readingwriter92 · 2 years
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I keep starting shows and then giving up after five mins only to then complain about not being into anything rn
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belle-of-a-time · 2 years
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Does anyone have like a list of obscure occult/supernatural campy tv shows, I’ve watched everything like super mainstream that I have access too, I’m looking for stuff in the vein of like Vampire diaries, Buffy, teen wolf, Wolfblood, iZombie, the imperfects, etc. Like campy, kinda trashy at times, but with enough spook and gore to be interesting and mildly thrilling. But like fun thrilling not gives me nightmares thrilling yk?
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ayoedebiris · 2 years
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Do you not like legacies anymore why haven’t you posted it
too sad
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