Roland Blum x Reader
notes: nobody asked for this but I wrote it anyway. big shout out to my mate M who helped me brainstorm this and came up with some of the *chefs kiss* lines. might do a part 2 idk
rating: E, minors dni
words: 2.4k
cw: utter filth. smut; excessive discussion of oral sex; pegging; you’re both switches lmfao
taglist: @clarina04 @havaheart @angiestopit @cryptid-flannelhell @shadowluna25
Roland Blum fucking hates you.
He hates how you think you know everything even though you’re just a kid. Yeah, sure, he was the exact same way when he was your age, but he also acknowledges that he’s a hypocrite and doesn’t care. He hates the tight little outfits you wear, because he’s a slut for a well-tailored suit and you know you look exceptionally fuckable in them. He hates how he couldn’t stop imagining bending you over his desk and drenching his cock in your tight little pussy, wondering what his name would sound like from your mouth as you choke it out through orgasms. He hates that you’ve rejected his every advance so far.
Most of all he hates how you’re good at this job. It’s infuriating. If you were shit, like so many of the others he’s seen come and go through these doors, it might be different. But you’re not. You’re a fucking shark, out for blood. Just like him.
He hates you.
If there’s one thing that’s worse than you it’s your shitty little boyfriend.
He’s constantly around, trying to earn your approval - and he does need to earn it because it doesn’t take much research to find out he’s a fucking serial cheater. He has this habit of falling dick first into leggy blondes he finds at bars which you don’t much approve of. And you fucking let him keep getting away with it! You don’t even seem to like the guy that much. Roland can see the thinly veiled disinterest on your face every time your boyfriend tries to surprise you with your favourite coffee or a bunch of flowers. You accept them, and the kiss he offers, and then look relieved when he’s gone.
You need a good fuck. You need it. He can tell, and he’s sure your boyfriend isn’t getting the job done. Nobody sexually satisfied is as bitchy as you are. Except, maybe, for him. But his exception doesn’t prove the rule. He teases you about it mercilessly and loudly, and your conversations always end the same way.
“Maybe if someone was taking care of your vagina, it wouldn’t have sand in it.”
“I fucking hate you, Roland.”
“Yeah, I know.”
But you work well together, that can’t be denied. Case after case you take on, and case after case you win. It’s nice that you can put your mutual loathing aside to be professional for long enough to help your clients out.
He knows where you’re meant to be meeting your boyfriend that night. That fancy bar in the penthouse of that hotel. Seems fucking stupid to him, bars should be on ground level, but what does he know. While you’re in the bathroom he gets himself something strong which goes down well with the pill he takes; he sits in the corner where he won’t be seen and watches you.
You’re sitting on a tall stool, drumming your fingers on the counter. At first you look hopeful. Then you look at your watch. Over and over again. He can see the excitement leave you and you deflate like a balloon animal left in some kid’s room as time ticks by. Eventually your phone rings, and though he can’t work out every word, you have a very short conversation with the person on the other end, finishing the call by jabbing your screen so hard he’s surprised the glass doesn’t shatter.
You head into the elevator. He follows you. You’re the only two in there as the doors slide shut and it begins its descent. He leans on the wall and looks at you, levelly. You don’t even seem surprised that he’s there, you just look sort of tired.
“So,” he says, and you look like you’re bracing yourself for him to mock you like he usually would, but he gets straight to the point, “you gonna let me fuck you?”
You look at him, properly look at him. You seem to sum him up for the first time since you started at the firm, let your eyes trail up and down his body, taking him in.
“Roland, you have until the alcohol wears off.”
You barely get the last word out, actually, because he hears your consent and fucking lunges for you. His mouth is hot and rough on yours, beard scraping your chin and cheeks, and he grins into it when he hears you moan. Moaning from a kiss? You are desperate.
He slams his fist on the emergency brake button and the elevator screeches to a halt. You pull back to look at him, confused and appalled. He likes it.
“What?” he asks, pressing his thigh between yours, up into your needy cunt, “You said I have until the alcohol wears off, I’m not wasting a single fucking second with you.”
You seem oddly charmed by that idea, but it’s only a quick flash of sentiment over your face before he finds your clit and begins to fuck into it with the width of his thigh. You begin to twist and writhe in pleasure against him, wanting to ride him yourself, but him not allowing you the freedom to do it. He grins as he watches you melt.
“Knew you needed someone to take care of your little cunt.”
“I fucking hate you,” you snap, but he can tell your heart isn’t in it. Not this time anyway. He pulls off his suit blazer and, with a flick of the wrist that is too certain to have not been practised before, he manages to throw it over the camera in the upper corner of the elevator, letting it hang off it as if it were a coat rack. Seemingly happy that you have a few minutes, you let him kiss his way down your body and end up on his knees in front of you. He sees the hungry way you look down at him and wants to see it on your face all the fucking time.
He makes light work of your tight little skirt, raising his eyebrows when he gets to your thong. You shove him with your foot.
“What?”
“Someone thought she was gonna get lucky tonight.”
“Yeah, well, I fucking am aren’t I?”
He can’t argue with that. Well, he could, but for once he doesn’t. Instead he rips it off your body with his bare hand and shoves it into his trouser pocket. You yelp but any complaints you have are quickly doused when he begins to fuck you with his mouth. He is fucking ravenous for you, pressing his fingers up inside your greedy cunt and latching onto your clit viciously. You haul a leg over his shoulder and pull him in harder against you, your heel knocking against his spine. He digs his hands into the meat of your ass and hopes his fingernails leave little crescents.
You come once on his fingers, heavy and slick, and look both exhausted and disappointed when he pulls his hand away. He sucks his fingers dry and nods to the elevator control panel.
“Thing’s about to start working again. I’d get dressed if I were you.”
On cue the elevator begins to whir as someone somewhere deactivates the brake. As it starts to swoop downwards and finish its journey you scrabble to get your skirt back on while Roland grins at the show.
He takes his suit jacket and walks out the door with confidence when they open, striding past the assembled staff with utter nonchalance.
“Get that fucking thing fixed, almost ruined my evening,” he shouts at them, but anyone looking for too long can see his beard is soaked in you. You do your best to mimic his confidence, walking out as if the elevator room doesn’t reek of sex.
He heads to the street, doesn’t say anything, but offers the cab driver two hundred dollars to ignore what’s happening in the back seat. You bark out your address and fall into his lap.
Roland fingers you while you’re driven to your apartment. You’re one orgasm deep and high off it, and he makes you come again in the back of a dark taxi while easy listening plays over the radio. When the journey is over you grab his tie and pull him the two flights up to your home. He likes it a lot, being led like a dog, but there will be time to explore that another day.
Because there will be another day.
Roland takes immense joy in fucking you on the mattress he can only imagine your boyfriend has disappointed you on hundreds of times. He has stamina, you’ll give him that, and he ends up coming inside you three times over the following hours. By the end of it you’re lying on either side of the bed, sweaty and exhausted, just listening to the sound of your combined breathing.
“Why do you wax?” is the question he chooses to break the silence with. You look confused, and he points to your pussy.
“Oh. Personal preference I guess.”
“No, try again.”
“What—”
“I can tell when you’re lying. About this, anyway. Tell me why.”
You clench your jaw, but admit: “My boyfriend doesn’t like me hairy.”
Roland lets out a short, loud laugh that’s reminiscent of a bark.
“What, he afraid to get a pube in his mouth?”
“Roland!” you snap, and hit him with a pillow far harder than it has any right to feel.
“I’m just saying he’s a pussy. Wait, no, let’s not use that word, I fucking love pussy - he’s a coward. Grow it out if you want to grow it out, fuck him. If my face isn’t stuck to your cunt like Velcro then it’s no fun.”
You purse your lips but don’t say anything else.
The next time he fucks you, hair is beginning to grow there again. You’ve not really spoken about that night, and a couple of weeks have already passed. There’s been too much work to think about sex, anyway. Well, to act on it, at least. Well to act on it with each other - he’s not above admitting he kept your thong and likes to have the fabric over his mouth and nose while he jerks off into the toilet. You must know but you’ve not asked for it back, which he finds just wonderful.
The two of you are working late, main office lights off, lit by lamps, utterly exhausted. You’re in business mode, swapping ideas back and forth, butting heads a little but generally agreeing with what the other is saying. Excitement builds in the room and bubbles over to something else, and suddenly you’re in his lap stripping him off, and then he’s hefting you onto the desk and pulling down your skirt. He grins when he sees the slightly more natural state of your pussy and you roll your eyes at him.
“Don’t say a fucking word.”
“Oh, but I really want to.”
You silence him with a ferocious kiss and he begins to slide inside, too horny to bother getting out of his clothes properly; which is saying something because he loves being out of his clothes. He sheathes himself in you and you throw yourself back against the legal papers, not caring about how they scatter.
“So, your boyfriend pissed you off again?” he begins to thrust, pushing his girthy cock even deeper inside your creamy pussy.
“You wanna ask this while you’re inside me?”
He shrugs. He’s still hard as rock, so doesn’t seem to mind the discussion, so you humour him as he begins to work your clit with his thumb.
“Eh, a little. He’s always pissed me off to some level.”
“Why are you with him? You seem to fucking hate him.”
“We’ve been together - aah! - since we were in high school. Our families are friends. It’s just – oh, fuck – expected now.”
“Ahh, expectation, the truest form of love.”
You seem to mull that over, sincere, but you’re taken out of the moment when he slings one of your legs up over his shoulder and fucks into you so deeply you think he’s about to split you in half.
It becomes a more regular thing after that. Your little boyfriend is still around, but he’s none the wiser that you’re spending every other night fucking one of your coworkers. And the two of you are amazing at fucking. Roland believes you could sell tickets to a show to watch the two of you going at each other, feral and needy. And you’re kinky, too! One night you wrap his belt around his neck and squeeze it so hard his vision blurs and he comes more than he has since he was a teenager. On another, you fold him in two on your bed and take your time stretching his ass open before you peg him with the biggest dildo he’s ever seen. A prostate orgasm can really make you appreciate the world a little better.
You see each other a lot outside of work now, too. Usually he feels like the little dates you go on are extended foreplay, where you can run your foot up and down his leg and press your toes into his dick, but sometimes he has to admit he just likes going out with you. You’re a quick wit, whip-smart, and fucking filthy. You’re wasted on going out with that pathetic asshole, you really are.
And one night the two of you are working late, again. You’ve both ordered Chinese takeout from down the street, and have found yourselves distracted. Not with sex, not with arguing, but with trying to fling battered chicken balls into each others’ mouths across the length of the office. You’re in literal tears as Roland tries to wheel his chair into the chicken’s oncoming trajectory only to lose his balance and tumble out of it, landing miserably on his ass.
You can’t breathe. You grip the edge of the desk for support, tears streaming down your cheeks, the long line of your beautiful throat exposed as you throw your head back laughing, and Roland finds himself fucking enamoured with you. He wants to hear your laugh all day, every day, forever, actually. He wants to go home tonight knowing his is the only cock you have inside you. Fuck it if that’s possessive, he’ll promise the same thing if it means you’ll be only his.
He’s fucked.
He’s so fucked.
Roland Blum hates you.
Except he doesn’t really. He just has to tell himself that, or he’ll realise he’s fucking fallen in love.
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Maddai che Benny non ha fatto poi granché di brutto, se togliamo:
- omicidi e aggressioni degli oppositori prima e dopo la Marcia su Roma: Giacomo Matteotti, Don Giovanni Minzoni e i Fratelli Carlo e Nello Rosselli solo per ricordarne qualcuno
- marcia su Roma e instaurazione della dittatura
- abolizione del diritto di voto e della libertà di stampa
- ruolo della donna relegato a fattrice di figli e casalinga
- istituzione del Tribunale Speciale e conseguente fucilazione di 42 antifascisti e 28.000 anni di carcere e/o confino comminati agli stessi
- aggressione alla Spagna Repubblicana
- aggressione a Libia (circa 80.000 morti) ed Etiopia (circa 700.000 morti) con uso dei gas tossici nei bombardamenti
- stipula dei Patti Leteranensi
- emanazione delle Leggi Razziali
- aggressione (tentata) alla Francia ed entrata in guerra al fianco della Germania Hitleriana
- aggressione all'Albania, alla Jugoslavia e alla Grecia
- aggressione all' URSS e successiva disfatta dell'Armir
- 45.000 deportati politici e/o razziali nei lager nazisti dove ne morirono 15.000
350.000 soldati italiani morti o dispersi, più altri 640.000 prigionieri in giro per il mondo
- complicità con l'esercito tedesco nelle stragi avvenute durante l'occupazione nazista della penisola: Sant'Anna di Stazzema e Marzabotto, solo per ricordarne due delle più atroci
- Guerra persa e Paese distrutto.
Probabilmente ho dimenticato qualcosina ma voi mi perdonerete.
Ecco, se togliamo le inezie sopraelencate cosa resta ?
Non resta che lo statista che governò l'Italia dal 1922 al 1943.
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COS' È LA DISTRAZIONE DI MASSA...
🔻Noam Chomsky, uno dei piu' importanti intellettuali oggi in Vita, ha elaborato la lista delle 10 strategie della manipolazione attraverso i mass media.
Dedicate 5 minuti e non ve ne pentirete.
Non foss'altro per ampliare le proprie conoscenze.
1-La strategia della distrazione
L’elemento primordiale del controllo sociale è la strategia della distrazione che consiste nel deviare l’attenzione del pubblico dai problemi importanti e dei cambiamenti decisi dalle élites politiche ed economiche, attraverso la tecnica del diluvio o inondazioni di continue distrazioni e di informazioni insignificanti.
La strategia della distrazione è anche indispensabile per impedire al pubblico d’interessarsi alle conoscenze essenziali, nell’area della scienza, l’economia, la psicologia, la neurobiologia e la cibernetica. Mantenere l’Attenzione del pubblico deviata dai veri problemi sociali, imprigionata da temi senza vera importanza.
Mantenere il pubblico occupato, occupato, occupato, senza nessun tempo per pensare, di ritorno alla fattoria come gli altri animali (citato nel testo “Armi silenziose per guerre tranquille”).
2- Creare problemi e poi offrire le soluzioni.
Questo metodo è anche chiamato “problema- reazione- soluzione”. Si crea un problema, una “situazione” prevista per causare una certa reazione da parte del pubblico, con lo scopo che sia questo il mandante delle misure che si desiderano far accettare.
Ad esempio: lasciare che si dilaghi o si intensifichi la violenza urbana, o organizzare attentati sanguinosi, con lo scopo che il pubblico sia chi richiede le leggi sulla sicurezza e le politiche a discapito della libertà.
O anche: creare una crisi economica per far accettare come un male necessario la retrocessione dei diritti sociali e lo smantellamento dei servizi pubblici.
3- La strategia della gradualità.
Per far accettare una misura inaccettabile, basta applicarla gradualmente, a contagocce, per anni consecutivi.
E’ in questo modo che condizioni socioeconomiche radicalmente nuove (neoliberismo) furono imposte durante i decenni degli anni ‘80 e ‘90: Stato minimo, privatizzazioni, precarietà, flessibilità, disoccupazione in massa, salari che non garantivano più redditi dignitosi, tanti cambiamenti che avrebbero provocato una rivoluzione se fossero state applicate in una sola volta.
4- La strategia del differire.
Un altro modo per far accettare una decisione impopolare è quella di presentarla come “dolorosa e necessaria”, ottenendo l’accettazione pubblica, nel momento, per un’applicazione futura.
E’ più facile accettare un sacrificio futuro che un sacrificio immediato.
Prima, perché lo sforzo non è quello impiegato immediatamente. Secondo, perché il pubblico, la massa, ha sempre la tendenza a sperare ingenuamente che “tutto andrà meglio domani” e che il sacrificio richiesto potrebbe essere evitato.
Questo dà più tempo al pubblico per abituarsi all’idea del cambiamento e di accettarlo rassegnato quando arriva il momento.
5- Rivolgersi al pubblico come ai bambini.
La maggior parte della pubblicità diretta al gran pubblico, usa discorsi, argomenti, personaggi e una intonazione particolarmente infantile, molte volte vicino alla debolezza, come se lo spettatore fosse una creatura di pochi anni o un deficiente mentale.
Quando più si cerca di ingannare lo spettatore più si tende ad usare un tono infantile.
Perché? “Se qualcuno si rivolge ad una persona come se avesse 12 anni o meno, allora, in base alla suggestionabilità, lei tenderà, con certa probabilità, ad una risposta o reazione anche sprovvista di senso critico come quella di una persona di 12 anni o meno” (vedere “Armi silenziosi per guerre tranquille”).
6- Usare l’aspetto emotivo molto più della riflessione.
Sfruttate l'emozione è una tecnica classica per provocare un corto circuito su un'analisi razionale e, infine, il senso critico dell'individuo.
Inoltre, l'uso del registro emotivo permette aprire la porta d’accesso all’inconscio per impiantare o iniettare idee, desideri, paure e timori, compulsioni, o indurre comportamenti.
7- Mantenere il pubblico nell’ignoranza e nella mediocrità.
Far si che il pubblico sia incapace di comprendere le tecnologie ed i metodi usati per il suo controllo e la sua schiavitù.
“La qualità dell’educazione data alle classi sociali inferiori deve essere la più povera e mediocre possibile, in modo che la distanza dell’ignoranza che pianifica tra le classi inferiori e le classi superiori sia e rimanga impossibile da colmare dalle classi inferiori".
8- Stimolare il pubblico ad essere compiacente con la mediocrità.
Spingere il pubblico a ritenere che è di moda essere stupidi, volgari e ignoranti ...
9- Rafforzare l’auto-colpevolezza.
Far credere all’individuo che è soltanto lui il colpevole della sua disgrazia, per causa della sua insufficiente intelligenza, delle sue capacità o dei suoi sforzi. Così, invece di ribellarsi contro il sistema economico, l’individuo si auto svaluta e s'incolpa, cosa che crea a sua volta uno stato depressivo, uno dei cui effetti è l’inibizione della sua azione.
E senza azione non c’è rivoluzione!
10- Conoscere gli individui meglio di quanto loro stessi si conoscono.
Negli ultimi 50 anni, i rapidi progressi della scienza hanno generato un divario crescente tra le conoscenze del pubblico e quelle possedute e utilizzate dalle élites dominanti.
Grazie alla biologia, la neurobiologia, e la psicologia applicata, il “sistema” ha goduto di una conoscenza avanzata dell’essere umano, sia nella sua forma fisica che psichica. Il sistema è riuscito a conoscere meglio l’individuo comune di quanto egli stesso si conosca.
Questo significa che, nella maggior parte dei casi, il sistema esercita un controllo maggiore ed un gran potere sugli individui, maggiore di quello che lo stesso individuo esercita su sé stesso.
https://it.m.wikipedia.org/wiki/Noam_Chomsky
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