controversial post from me but like,,,
when did people start bashing the romance genre again as if reading romance means you’re less intelligent and to be a proper respected reader you have to read classics like???? isn’t it just good that people are still reading at all???? read what you like?????
it’s like you wouldn’t watch a tv show that bored you because it was “technically good” (and if u do like what are you doing with your precious hours it’s a bloody tv show) so why would you bash someone for not reading some long ass sad deep thinking book they don’t wanna read???
like i promise a whole generation is not losing language skills because they want to read a cute romance and not like,,,,, depressing miserable stuff
26 notes
·
View notes
the question of whether or not Jin Guangyao killed Qin Su or Jin Rusong is so deeply unimportant to me and also misunderstands, i think, the framing of these murders in the text. in the end, it doesn't actually matter if he killed them or not, it doesn't even matter if he feels like he did or feels ultimately responsible for their deaths (both of which are not necessarily the same thing as having capital M murdered them). what's important is that people think he did. what's important is that all it takes to destroy a man & make him the next surrogate victim is a few well placed rumors, whether or not they're true. it happened to Wei Wuxian and then it happens to Jin Guangyao. it doesn't matter, ultimately, if he killed Qin Su or Jin Rusong, the only thing that matters is that people think he did and that they were so easily and vindictively swayed is one of the themes of the story. Jin Guangyao uses this against Wei Wuxian and then Nie Huaisang uses rumors and gossip against him because the only murder that actually matters in the story is the one that starts the story, the one we know Jin Guangyao did for certain, the founding murder if you will.
30 notes
·
View notes
currently going through a rough patch of art block, so I busted out the ol painting skills and doodled my two favourite doc designs by @potionofinstantdamage and @theoctagon. had lots of fun doing all the loose brushstrokes for the fur and the shiny parts of the metal. feels good to be drawing again :]
269 notes
·
View notes
Is Harry a horocrux/ parselmouth ?
What, in canon?
22 notes
·
View notes
Ty for answering my q! (Am the guy who asked about lgbt being common in ancient china etc) since lgbt is more of a western concept what would be a chinese equivalent for it? Like how is the chinese homosexuality different from the west? (Sorry if my wording is off im not exactly sure how else to phrase it 😭😭)
I'm just talking about the cultural differences that shape what it means to be queer across the globe. Modern LGBT+ discourse was led and shaped by western academics so theories of gender and sexuality are based largely on the that of white thinkers. Although it's true that English LGBT terminology and the relevant standardised definitions have spread and been translated globally, and that Western ideals of masculinity and femininity remain dominant overall, similar concepts can't be understood 1:1 across all cultures. And there certainly existed something else before Western influence.
Also, picture this: you are watching a TV show from the Song Dynasty. You notice some of the male characters are always wearing flowers on their head/in their headwear 👀. You, proficient in imagery and symbolism, think to yourself, "💅🏼?"
But little did you know that this was a men's fashion trend at the time, practiced by young and old, rich and poor, hardly the indicator of queerness!
What I mean is, when it comes to looking at history, especially history of different cultures, basically you have to remember that there is a different context/historical framework to what is queer, what is gendered masculine and feminine, what is homoerotic/sapphic (and "queerplatonic" as we'd understand some of these instances and relationships), what is sexual, etc. So going back to my comment in the previous ask, based on all this, I personally feel that bringing terms like LGBT to such conversations is not appropriate because it also brings with it a modern framework which is not productive to understanding history as having its own frame of references.
If that makes any goddamn sense lmao.
264 notes
·
View notes
isagi & bachira, blue lock chapter 49
happy holidays i am here to make my annual hellsite post, this time about blue lock because my god i cannot with some of the lines in this (spoilers: they’re gay)
let’s take a look at chapter 49, this iconic line by bachira:
i commonly see this line cited as one of the big bachira/isagi moments and while this translation definitely not wrong, those wouldn’t be my exact word choices
this is the original japanese panel:
bachira: 俺が欲しけりゃ、奪いに来い
the verb used here is 「奪う」 (ubau), which does indeed mean to take without permission, but has a much more aggressive feel to it. 「奪う」is more commonly translated as “rob”, and overall there’s the implication that the thing was taken through unlawful means specifically by force, in a pretty obvious/in-your-face kind of way
the japanese verb that has a closer feeling to the english word “steal” would be 「盗む」 (nusumu), which is more commonly used in situations where the thing is taken secretly without the person noticing (of course there are exceptions; but generally it’s used for more hidden/secretive types of action).
feeling/imagery-wise, the difference is like one person prying something out of someone’s hands vs. trying to sneak into someone’s room at night to take something
tldr the line is a lot more aggressive and forceful in jp, and i think what would’ve conveyed the feelings better here would be something more like
“if you want me, come and take me by force”
174 notes
·
View notes
not about poetry but i don't trust people who go online spewing vague declarations of "in order to write you need to understand Form And Structure!!!!" because there's prose fuckheads who do the same thing where they just vaguely say you need to understand Structure before you write a novel, but by structure they usually just mean the three act structure and the hero's journey and they've never studied or considered how structure can function beyond that, especially in non-western/non-english writing theories. the minute someone is like ohhhh but the Structure.....in a vague manner like that i'm like okay so you don't actually know structure because if you had deeply studied structure in writing theory as you claim to have done, you would know how complex and fluid and varied and malleable it is and it's not just one thing you Learn How To Do like putting a table together. and it's not something you will one day know perfectly because you will, ideally, encounter new ideas to structure a story as you expand your reading and your own writing. anyway i'm done for now i'm logging off to read more filthy animals by brandon taylor, potluck was such a good short story collection opener. i'm excited to see how he links these stories into a structured collection. i'm excited to read family meal by bryan washington when i'm done because he did a lot of fun things with really short + really long chapters in memorial and i learnt a lot about structure and pacing from there.
7 notes
·
View notes
sniffs. man. i really want this job :(
9 notes
·
View notes
in the same vein of "stop saying chuuya is a 100% good guy or a pure innocent man when he's literally in the mafia and killed who knows how many people", stop saying skk is 100% not toxic. girl you gotta let go of these black and white readings of fiction. bsd isn't the type of media where it'll do you any good. characters and ships and stories can and should have some nuance
47 notes
·
View notes
Something I keep seeing when I speak to others about MTMTE Megatron is basically the idea that he's going on a personal journey to become a better person, that the point isn't for him to be "redeemed" but for him to get a chance to do good and die as a person he can live with again. That MTMTE presents a unique take on this because being away from Cybertron gives Megatron a chance to be a person rather than a political figure and this is how it gives him more depth as a character. Or just generally pointing out in a narrative sense that Megatron being in MTMTE limits his story options so of course his story is going to be more focused on a personal journey than on politics of him dealing with the Decepticons/Earth/etc and that just because JRO made a choice to take that path with Megatron doesn't mean that it's inherently bad.
And I'm just, mmm like I understand all of those points and acknowledge that they all contributed to the MTMTE Megatron we got. I even think that without JRO writing Megatron we wouldn't have had his lore be as fleshed out and 3D as it ended up becoming.
(Post starts out as a sort of meta analysis or at least me giving a reasoned explanation for my interpretation of the story, ends up being petty bitching in the last 1-2 paragraphs)
I just..... I just personally don't agree with the "he's becoming a better person by getting a chance to relax and experience happiness and trust after a life of trauma" as being the best choice for his character? Because the problem is that maybe if he were a random Decepticon foot soldier that would be appropriate, but he was literally the leader of the Decepticons that made them Like That and has political/cultural/societal responsibility for why things are the way they are? To be completely frank, I don't care about him going on a personal journey for self-peace, I think that he should become a better person by helping to un-fuck all the things he actually screwed up???
Like idc about the debate of whether he can be "redeemed" or if he should've been killed/imprisoned/etc at the ending. It just comes down to the fact that for me personally, I feel that since Megatron's wrongdoings were at a social level, him "being a better person" would've been better shown by him engaging with those people who he wronged instead of just going on a frigging personal journey for his legacy and self-peace???
Especially since in other series (exRID, possibly Windblade) we literally got plots like "the neutrals hate Autobots but they hate Decepticons even more" and "the Decepticons have been taken over by Galvatron and are now invading earth 2 electric boogaloo" and "yeah the Decepticons are literally living in slums because people hate them so much and won't give them any work." It just leaves me wondering why in the hell people are like, "oh Megatron got to be happy and have a chance to be a normal person." I don't want him to be normal! I want him to repay his debts to the people he actually wronged! Like if you want to cast Megatron as a hero of the people so badly (which so many of his stans do as if he actually cared about the Cons) then how do you reconcile the fact that Megatron just fucked off and left the Decepticons to suffer on Cybertron? Including some of them attacking during his trial and getting killed and Megatron is basically like "sorry, I'm not coming with you and this isn't going to work." And then Megatron complains about "toxic Decepticon loyalty" as if he didn't literally make them that way? Like I get that MTMTE Megatron is still an asshole but if you've read something besides MTMTE and know what the Decepticons are going through, it just ends up being really grating.
I just don't see Megatron as being a particularly good hero or having a particularly fulfilling story if he's completely isolated from all the bad things he did on Cybertron/the way the Decepticons are suffering until LL#25 where it's like "ah damn I'm going to trial now, well this is what I deserve so it's fine." Why could we not have seen something like Megatron trying to deradicalize the Decepticons or change their public image so they could integrate into normal Cybertron again? They were living in SLUMS and getting gunned down by Starscream's badgeless enforcers!
The best we got was the Functionist Universe but like.... I'm sorry, but JRO inventing a whole alternate universe for Megatron to save doesn't do jack shit to save or fix the people he left behind in this one. It was especially grating to read because JRO literally wrote in someone saying "you saved billions of lives from the Functionists" as if he was trying really hard to show how good Megatron is because he saved people (and also if not for Megatron existing Cybertron would be even worse and half of your faves would be enslaved or dead, also the Functionist Council was going to genocide organics too so technically they're WORSE than Megatron since they hate organics AND want to enslave their own race).
I read Barber's, JRO's, and MScott's series concurrently using the omnibus + a release order list for phase 3, and after all that I'm kind of puzzled why the fandom seems to ardently love MTMTE Megatron and think he's so well written but then also shit on Optimus for things that he did during the same points in the story? Because, and I know this is a blazing hot take, I honestly think that Optimus makes a better hero of his story than Megatron does for his, and Optimus' personal journey combines his personal and political identities into a narrative that's a lot more gruelling and questioning of his goodness than we got for Megatron in MTMTE. Which is fucking saying something considering Megatron committed crimes against sapient species and Optimus is the guy who tried to stop him from doing that and has always been pro-equal rights for all beings. But people pretty much just cherrypick things like Optimus annexing Earth or beating up Prowl and go "he's bad" and I'm like no??? IDW OP isn't a bad person or a bad character??? It's just that unlike MTMTE Megatron he's placed in a narrative that actually suits the nature of his actions and has themes that match. To the point that IMO sometimes Barber's narrative shits on Optimus excessively or paints him mainly in the most unflattering ways.
But like. It's just funny to me because Optimus spent his entire part of the story doing things like trying to stop Earth from being invaded/colonized yet again. Grappling with his identity as Prime and dealing with the fact that people literally worship him vs. the fact that his upbringing made him see the Primacy as nothing more than a facade of authority/leadership. Having people get mad at him for prioritizing politics over friendship/relationships with other people. Even getting shit on for being a cop a decent amount so people can STFU about IDW OP being "copaganda" or "not held responsible for his actions". The problems that Optimus dealt with were personal because they had to do with his self-doubt, culpability for the war as a leader of one of the armies, distance from his soldiers, etc. But all of these are also POLITICAL struggles. Because Optimus gave up on the chance to just be a normal person having personal struggles when he chose to become a LEADER, which also means that he's held to extremely high standards that he regularly fails at in the eyes of others.
That's why, to me, MTMTE Megatron falls flat in comparison and really as a "hero" or heel-face character in general? Because he also made a decision to be a leader, and IMO once you do things like become the commander of an army and start your own galactic empire, you lose the right to prioritize your personal problems and instead are obligated by the power you've chosen to wield to focus on your POLITICAL problems. If Megatron's power, influence, and crimes are of a social-political nature, then his heel-face turn arc and ways of showing that he's a better person/helping to heal what little damage he possibly can should have been shown with actions that help on a social-political LEVEL. That's why I'm not particularly impressed with his character arc and feel as if it was overhyped by other people in this fandom: sure, the extra character depth and emotion is nice, but I'm not really going to see him as extraordinary or even particularly good when the extent of him "becoming a better person" happens entirely on a random road trip to fuck-off nowhere. Especially not when the ending of LL tried to sell me a "they lived happily ever after" ending while basically leaving the freaking MUTINY as just Rodimus going "oh it's okay you're forgiven, we're all together again" and I guess everyone was fine with Megatron and wanted to spend an eternity on a ship with him just because Getaway died.
This is why I like (the concept/themes of) exRID/OP and the way Optimus' character arc was handled a lot more. Because for Optimus, the personal and the political were as one. He was held accountable for his actions towards others and the disruptive effects they had on a social level, sometimes to a ridiculous extent (the fucking "oh Megatron is an Autobot so now that makes the Autobots colonizers" plot and that stupid colonist screaming about how Optimus is "literally fascist" my beloathed). Even his very personal issues like his relationship with Zeta were still cast in a wider lens of, yeah this is a personal struggle that Orion faced, but he was still part of a Society TM and his actions were sometimes ill-informed or harmful to others. Even if I had a lot of problems with the way Optimus' story was written by Barber (plot holes, little meaningful character interaction, forced conflicts), at least the BASELINE of it was way better than Megatron's in MTMTE. Especially since Optimus' struggle was explictly about things like struggling with responsibility and how he feels he HAS to intervene in political affairs because has to save people/make up for his past mistakes. That's something that a good leader/good person actually does, so I found Optimus to be a better hero (even if his actions weren't all "good") because he was trying to be a good person by actually getting involved with Cybertron/Earth and subjecting himself to something he hates (leadership, war) and dealing with a shitload of criticism instead of just going on a fuckin "personal journey" lksdlkfsd.
Which just makes me extra salty that people hold up MTMTE Megatron as the pinnacle of Megatrons and literally the best Transformers writing evar! while turning up their nose and ignoring or outright despising IDW Optimus. Like okay. I guess since Megatron got handled with silk gloves on while Optimus got put through the wringer of being shit on by every other person in the story, it's easier for you to pretend that Megatron is a poor uwu boy who just needs friendship and love while Optimus is literally the worst bastard to ever exist. Or maybe it's just that since Optimus' story involves him sometimes fucking up, being criticized, or making things worse, that makes him morally bad. As opposed to Megatron who disrupted a lot of other characters' stories in MTMTE, had to have an entire alternate universe invented so that he could "save lives," and got to sail off on a quantum Lost Light happily ever after, so since he's happy and the story says he saved people that means he's a good hero.
19 notes
·
View notes
Hi aleks, sometimes I feel like, no one wants to connect on this social media site? Idk. The like to rb ratio is depressing. I mean, I’m grateful that people are liking my posts. But like. I wanna hear what they think too, ya know?
not sure if you are a writer im guessing from the wording of this ask that you are. but I think it's a bit hard these days to get the level of interaction that you may be asking for
depending on what fandom youre in or what character youre posting about or what trope youre writing etc etc the size of the audience will change. like I already know in my mind if im writing something that is more geared towards stereotypical heteronormative relationships that will get much more interaction than something that is subversive. or if im writing a fic for a popular character that will get much more interactions than a not so popular one.
But at the same time, coming from someone who used to write for a very popular character, I have to say that the grass is not always greener? As in, I think there is a difference between quantity and quality of interactions. If im writing something that I know a core base of people who follow me will like, I know I will most likely get at least some sort of interaction from people who typically enjoy that content. I find that interaction to be more meaningful, especially if it's something I enjoy talking about. vs, if I write something with a bigger 'audience', perhaps there will be more reblogs but the back and forth interaction does not happen. that person will read the fic, reblog or leave a comment, and then be on their way. It does not create this relationship where you end up having a back and forth conversation or becoming mutuals or anything like that (at least, in my experience).
Like if I post a fic that EYE enjoy, and I get ten comments from lovely people, that means more to me than a hundred interactions on a fic I didn't put my whole dick into. ya know?
idk where im going with this. I guess I wanna say if you are passionate about something, and you receive even a few bits of feedback, that will feel so much more rewarding than trying to 'chase' the feedback by writing things you think others will enjoy. and I think too that people will be able to tell when you are writing something that you feel passionate about.
im of the opinion that you can't force people to reblog and interact with your work. ive seen every excuse under the sun for why people wont reblog. but I think if someone feels as passionate about something as you do, they will overcome whatever shyness they feel to come tell you that they appreciate what you are doing
12 notes
·
View notes
You ever have one of those fandoms where you’ve never really interacted with or gotten to know it better, but something deep in your soul is like, “Yeah I’d probably go feral for this if I gave it a chance.”
14 notes
·
View notes
(*slides onto main with my niche progression fantasy book fandom*) listen why I’ve become so gay for thelys after eotw is just like. the AA1 flashback shows therin sacrificing herself for ria and the others. she tells them to go, to run, and she faces vaelien alone. (and for the first and last time, she falls.) that was there before eotw, and I assumed, to stay as close to our therin crumbs as possible, that it meant therin was dutiful and serious and kind and selfless, a guardian, a protector. (and she loved ria selys. that was never in doubt.)
and then I read eotw, and the smiling sword saint happened, this beautiful piece of shit with sharp words and uncaringly rough edges and the capacity to tear apart a landmass with a motion of her lips, who was glad to hear that she ended in a two-sun blaze of glory, who was eager for a good fight and fully confident she would win because she always does. because there are blades in her breath and in her skin.
and she wielded a sword with a handle of white stone. she never transitioned from the body she was born in, the one she shouldn’t have had. the sword of her rival-killer was marked with golden runes for every life it took. he stood in part shadow.
so she was therin.
and that changed things. that meant that this fucking asshole was the person who stayed behind and gave her life to give the people she cared about a chance. this was the person who held ria close and ran her fingers through her hair. this was who loved her.
8 notes
·
View notes
i noticed you’ve been reblogging all for the game stuff recently! i looked into it a bit and saw that it was a book series, but i’m not a huge sports novel fan. i figure i’ll shoot an ask towards you if it’s any good to read if i’m not a diehard sports fan? i’m always looking for new books to read, though!
help. so here's the thing LMAO
I don't think you need to be a sports novel fan to enjoy aftg. it's about a fictional sport called exy, which is kind of like the violent child of hockey and lacrosse.
it is also about the mafia. so. you know
here's the summary of the first book for your consideration:
Neil Josten is the newest addition to the Palmetto State University Exy team. He's short, he's fast, he's got a ton of potential - and he's the runaway son of the murderous crime lord known as The Butcher.
Signing a contract with the PSU Foxes is the last thing a guy like Neil should do. The team is high profile and he doesn't need sports crews broadcasting pictures of his face around the nation. His lies will hold up only so long under this kind of scrutiny and the truth will get him killed.
But Neil's not the only one with secrets on the team. One of Neil's new teammates is a friend from his old life, and Neil can't walk away from him a second time. Neil has survived the last eight years by running. Maybe he's finally found someone and something worth fighting for.
I do enjoy the series a lot but you absolutely have to know what you're getting into if you want to read it. here's a list of trigger warnings for each book, so take all those into consideration, but if you're fine with reading books that deal with all that, go for it! these books changed my brain chemistry for the better and I mean that completely genuinely
3 notes
·
View notes
blog that makes me happy vs nobody will ever take me seriously here as long as I post the way I do
3 notes
·
View notes
sometimes i think i’m a fully proper binary guy. and then i think about gender for a minute too long and
2 notes
·
View notes