#i also feel like for some reason my understanding of what a redemption arc is is different from others?

[lord-squiggletits]

Something I keep seeing when I speak to others about MTMTE Megatron is basically the idea that he's going on a personal journey to become a better person, that the point isn't for him to be "redeemed" but for him to get a chance to do good and die as a person he can live with again. That MTMTE presents a unique take on this because being away from Cybertron gives Megatron a chance to be a person rather than a political figure and this is how it gives him more depth as a character. Or just generally pointing out in a narrative sense that Megatron being in MTMTE limits his story options so of course his story is going to be more focused on a personal journey than on politics of him dealing with the Decepticons/Earth/etc and that just because JRO made a choice to take that path with Megatron doesn't mean that it's inherently bad.

And I'm just, mmm like I understand all of those points and acknowledge that they all contributed to the MTMTE Megatron we got. I even think that without JRO writing Megatron we wouldn't have had his lore be as fleshed out and 3D as it ended up becoming.

(Post starts out as a sort of meta analysis or at least me giving a reasoned explanation for my interpretation of the story, ends up being petty bitching in the last 1-2 paragraphs)

I just..... I just personally don't agree with the "he's becoming a better person by getting a chance to relax and experience happiness and trust after a life of trauma" as being the best choice for his character? Because the problem is that maybe if he were a random Decepticon foot soldier that would be appropriate, but he was literally the leader of the Decepticons that made them Like That and has political/cultural/societal responsibility for why things are the way they are? To be completely frank, I don't care about him going on a personal journey for self-peace, I think that he should become a better person by helping to un-fuck all the things he actually screwed up???

Like idc about the debate of whether he can be "redeemed" or if he should've been killed/imprisoned/etc at the ending. It just comes down to the fact that for me personally, I feel that since Megatron's wrongdoings were at a social level, him "being a better person" would've been better shown by him engaging with those people who he wronged instead of just going on a frigging personal journey for his legacy and self-peace???

Especially since in other series (exRID, possibly Windblade) we literally got plots like "the neutrals hate Autobots but they hate Decepticons even more" and "the Decepticons have been taken over by Galvatron and are now invading earth 2 electric boogaloo" and "yeah the Decepticons are literally living in slums because people hate them so much and won't give them any work." It just leaves me wondering why in the hell people are like, "oh Megatron got to be happy and have a chance to be a normal person." I don't want him to be normal! I want him to repay his debts to the people he actually wronged! Like if you want to cast Megatron as a hero of the people so badly (which so many of his stans do as if he actually cared about the Cons) then how do you reconcile the fact that Megatron just fucked off and left the Decepticons to suffer on Cybertron? Including some of them attacking during his trial and getting killed and Megatron is basically like "sorry, I'm not coming with you and this isn't going to work." And then Megatron complains about "toxic Decepticon loyalty" as if he didn't literally make them that way? Like I get that MTMTE Megatron is still an asshole but if you've read something besides MTMTE and know what the Decepticons are going through, it just ends up being really grating.

I just don't see Megatron as being a particularly good hero or having a particularly fulfilling story if he's completely isolated from all the bad things he did on Cybertron/the way the Decepticons are suffering until LL#25 where it's like "ah damn I'm going to trial now, well this is what I deserve so it's fine." Why could we not have seen something like Megatron trying to deradicalize the Decepticons or change their public image so they could integrate into normal Cybertron again? They were living in SLUMS and getting gunned down by Starscream's badgeless enforcers!

The best we got was the Functionist Universe but like.... I'm sorry, but JRO inventing a whole alternate universe for Megatron to save doesn't do jack shit to save or fix the people he left behind in this one. It was especially grating to read because JRO literally wrote in someone saying "you saved billions of lives from the Functionists" as if he was trying really hard to show how good Megatron is because he saved people (and also if not for Megatron existing Cybertron would be even worse and half of your faves would be enslaved or dead, also the Functionist Council was going to genocide organics too so technically they're WORSE than Megatron since they hate organics AND want to enslave their own race).

I read Barber's, JRO's, and MScott's series concurrently using the omnibus + a release order list for phase 3, and after all that I'm kind of puzzled why the fandom seems to ardently love MTMTE Megatron and think he's so well written but then also shit on Optimus for things that he did during the same points in the story? Because, and I know this is a blazing hot take, I honestly think that Optimus makes a better hero of his story than Megatron does for his, and Optimus' personal journey combines his personal and political identities into a narrative that's a lot more gruelling and questioning of his goodness than we got for Megatron in MTMTE. Which is fucking saying something considering Megatron committed crimes against sapient species and Optimus is the guy who tried to stop him from doing that and has always been pro-equal rights for all beings. But people pretty much just cherrypick things like Optimus annexing Earth or beating up Prowl and go "he's bad" and I'm like no??? IDW OP isn't a bad person or a bad character??? It's just that unlike MTMTE Megatron he's placed in a narrative that actually suits the nature of his actions and has themes that match. To the point that IMO sometimes Barber's narrative shits on Optimus excessively or paints him mainly in the most unflattering ways.

But like. It's just funny to me because Optimus spent his entire part of the story doing things like trying to stop Earth from being invaded/colonized yet again. Grappling with his identity as Prime and dealing with the fact that people literally worship him vs. the fact that his upbringing made him see the Primacy as nothing more than a facade of authority/leadership. Having people get mad at him for prioritizing politics over friendship/relationships with other people. Even getting shit on for being a cop a decent amount so people can STFU about IDW OP being "copaganda" or "not held responsible for his actions". The problems that Optimus dealt with were personal because they had to do with his self-doubt, culpability for the war as a leader of one of the armies, distance from his soldiers, etc. But all of these are also POLITICAL struggles. Because Optimus gave up on the chance to just be a normal person having personal struggles when he chose to become a LEADER, which also means that he's held to extremely high standards that he regularly fails at in the eyes of others.

That's why, to me, MTMTE Megatron falls flat in comparison and really as a "hero" or heel-face character in general? Because he also made a decision to be a leader, and IMO once you do things like become the commander of an army and start your own galactic empire, you lose the right to prioritize your personal problems and instead are obligated by the power you've chosen to wield to focus on your POLITICAL problems. If Megatron's power, influence, and crimes are of a social-political nature, then his heel-face turn arc and ways of showing that he's a better person/helping to heal what little damage he possibly can should have been shown with actions that help on a social-political LEVEL. That's why I'm not particularly impressed with his character arc and feel as if it was overhyped by other people in this fandom: sure, the extra character depth and emotion is nice, but I'm not really going to see him as extraordinary or even particularly good when the extent of him "becoming a better person" happens entirely on a random road trip to fuck-off nowhere. Especially not when the ending of LL tried to sell me a "they lived happily ever after" ending while basically leaving the freaking MUTINY as just Rodimus going "oh it's okay you're forgiven, we're all together again" and I guess everyone was fine with Megatron and wanted to spend an eternity on a ship with him just because Getaway died.

This is why I like (the concept/themes of) exRID/OP and the way Optimus' character arc was handled a lot more. Because for Optimus, the personal and the political were as one. He was held accountable for his actions towards others and the disruptive effects they had on a social level, sometimes to a ridiculous extent (the fucking "oh Megatron is an Autobot so now that makes the Autobots colonizers" plot and that stupid colonist screaming about how Optimus is "literally fascist" my beloathed). Even his very personal issues like his relationship with Zeta were still cast in a wider lens of, yeah this is a personal struggle that Orion faced, but he was still part of a Society TM and his actions were sometimes ill-informed or harmful to others. Even if I had a lot of problems with the way Optimus' story was written by Barber (plot holes, little meaningful character interaction, forced conflicts), at least the BASELINE of it was way better than Megatron's in MTMTE. Especially since Optimus' struggle was explictly about things like struggling with responsibility and how he feels he HAS to intervene in political affairs because has to save people/make up for his past mistakes. That's something that a good leader/good person actually does, so I found Optimus to be a better hero (even if his actions weren't all "good") because he was trying to be a good person by actually getting involved with Cybertron/Earth and subjecting himself to something he hates (leadership, war) and dealing with a shitload of criticism instead of just going on a fuckin "personal journey" lksdlkfsd.

Which just makes me extra salty that people hold up MTMTE Megatron as the pinnacle of Megatrons and literally the best Transformers writing evar! while turning up their nose and ignoring or outright despising IDW Optimus. Like okay. I guess since Megatron got handled with silk gloves on while Optimus got put through the wringer of being shit on by every other person in the story, it's easier for you to pretend that Megatron is a poor uwu boy who just needs friendship and love while Optimus is literally the worst bastard to ever exist. Or maybe it's just that since Optimus' story involves him sometimes fucking up, being criticized, or making things worse, that makes him morally bad. As opposed to Megatron who disrupted a lot of other characters' stories in MTMTE, had to have an entire alternate universe invented so that he could "save lives," and got to sail off on a quantum Lost Light happily ever after, so since he's happy and the story says he saved people that means he's a good hero.

#squiggposting #it started out sort of analytical but ended up bitchy #i also feel like for some reason my understanding of what a redemption arc is is different from others? #when i talk to people about it they keep saying 'well M can't make up for what he did' #and i'm like. no that's not what i mean by redemption arc #to me redemption arc literally just means 'a character goes from bad to good over the course of a story' #whether they're forgiven or if they can 'make up for it' objectively is irrelevant like #redemption arc is literally a common label used for the general trope so idk where this confusion is coming from? #also hot take when i say a character should be redeemed i'm literally not talking about wether they're forgiven or pardoned in universe #i just mean. as a reader. do i read their story arc and see them go from bad to good and progress in meaningful ways #do they do something. anything. to address or apologize or fix what they did #is there some sort of symbolic or literal sacrifice or act of service or any Good Thing even if it's only one single moment #then to me they've been redeemed in a narrative sense. it has nothing to do with whether they can literally compensate for hteir crimes #anyways. the tldr of this is that i don't hate mt/mte at all and i also don't hate idw M. i love them in fact #it's just i feel like i was severely let down by how much this fandom hyped and continues to hype mt/mte meg #(peg/gy the pirate spongebob meme voice) that's it? that's the M redemption arc? #that's just a guy going on a space road trip and being emo #mfs tried to tell me it was one of the best tf stories ever written and i'm like. yeah thanks but no #worse still ppl came out of m/tmte going 'actually M was right about everything' #and i'm like. shit take and you are spreading this nonsense everywhere including shitting on my faves w your bad takes #mfs wanna call M a hero of the ppl who at least cared about the cons when he literally left them for broke on cybertron #i don't think idw M had a good heel-face turn arc bc he didn't really like do anything meaningful in the wider scope of things #what if idw M achieved inner peace by protecting the cons and making sure they had rights post war. how about that #i mean for various reasons the story would've been more complicated than that due to editorial and company mandate bullshit #i just feel as if talking about the story narrative itself IDW M's redemption arc is far from remarkable #except for the fact that JRO dared to do it at all perhaps #(vine voice) that's my OPINION!!!!!

[starlithumanity]

I don't even know what you can say to the people who somehow missed that all of Ed's violence is a) anti-imperial, b) protective against direct repeated threats to himself and his loved ones, or c) self-destructive in the hopes someone will respond by killing him during his suicidal spiral. (That last example is fairly indirect and performative and comes from a place of severe nihilistic suffering.)

I don't know what you can say to the people who somehow missed that the violence is triggering and traumatic and exhausting for Ed, and that he is desperate for a chance to live differently but has also never known any other life. Stede gave him the one true glimpse he's had of something gentler! Ed didn't fully know how fucked up his life was before because that was normal to him. That's what growing up traumatized does to you.

I don't know what you can say to the people who somehow missed that the suicidal spiral is a result of Ed's circumstances: of Ed being threatened by Izzy after Izzy repeatedly found ways to force Ed back towards the violent life Ed wants so much to escape, of Ed losing his one glimpse at safety and happiness through Stede and now having to face the darkness knowing he nearly found something different, of Ed feeling like the only way he can survive in this world is by being an "unlovable" monster he hates--and then he's confronted by Izzy telling him he's still not getting it right. Of course Ed gives up then.

I don't know what you can say to the people who somehow missed the show's themes about how much harm is caused by toxic masculinity and by masking your true self and by cultures founded on trauma and self-hate and burnout. (You do see the burnout in Ed, yeah?)

I do get why some people might not understand the complexities of Ed's relationship with Izzy--how codependent and enmeshed their identities are--or the layers of symbolism that position Izzy in the story as a metaphor for traditional pirate culture and its harmful impact. (Which is particularly triggering for Ed on a daddy issues level because that's his original trauma.) If you understand those things, the unique nature of the physical harm Ed does to Izzy in this story makes even more sense.

Ed also frequently communicates through metaphor himself. Him cutting off Izzy's toes is not only a show trying to convince Izzy he's playing Blackbeard right and not only a response to Izzy repeatedly threatening Stede/continuing to threaten Ed, but also is meant to physically represent the harm that Izzy has done emotionally to Ed. Ed is communicating to Izzy the only way he knows how anymore: "See how it feels to be forced to lose parts of yourself? Stede was a part of me. My hopes of softness and joy were a part of me. You cut those off too."

There is so much evidence against the thought that Ed is some irredemable, monstrous lover of violence who will hurt Stede someday. Stede would have to repeatedly and directly threaten someone else Ed loves first (which Stede won't do), and even then, Ed would really have to fight with himself.

It's not his nature, y'all, and I'm so frustrated that some people keep insisting it is. I'm frustrated about what that says about people's ability to empathize and consider reasons for or contexts behind behaviors--particularly when the character in question is an openly queer and likely neurodivergent indigenous man. Is it so hard to have compassion and forgiveness for him? Please don't get stuck in that punitive, dehumanizing mindset.

Redemption is so important, which is why I appreciate that Izzy gets a growth arc once he stops centering his entire identity on the Blackbeard persona and clinging to toxic masculinity. (Seeing Stede's impact, how different things could be, vs. the harm caused by the traditional ways, changes Izzy too!) Izzy's time, as a side character and mentor figure and piracy metaphor, does end, but first he gets to live with more meaning and unlearn many of the negative behaviors. That's the goal, right? To move forward.

#i try to avoid negative discourse but damn guys #edward teach #our flag means death #izzy hands #stede bonnet #my stuff

[alpaca-clouds]

How redeeming Gortash would improve Karlach's story

I will admit, that the title is a bit overstated, because by the time you actually get to interact with Gortash, the plot just does not have enough time left to redeem him. Because other than what some folks in Hollywood think: No, giving a character one last minute "heel-face-turn" with one big symbolic act does not in fact redeem a character. Redemption is a process that takes time.

BG3 actually understands this, because Astarion's arc basically ends with: "You took the first steps towards redemption." Which is really good.

However: You could end the game at least in a way to set Gortash up for a possible redemption arc - and more importantly just... not have him die. Because actually that would improve Karlach's character arc.

I will get one thing out of the way first: The entire "Gortash redemption" idea is always contentious on the fact that he is a really bad guy. Like, he is bad. He brutally killed and tortured, he enslaved people, all of that.

I am an anarchist though. Hence, I do not really believe that punishment is in any way just. And to put it differently: Killing Gortash does not undo any of the harm he has caused. Not a single dead person will live through it, not a single tortured person will become untortured through it, and no slave is freed through it either (you kinda gotta say that as the player in a different mission).

And yes, I will say at this point that in general I was iffed by the fact that in many fights of the game I was not given a choice really. It was "either join the bad guys or kill them", and my "all charisma bard", who does not believe in killing for revenge, was like: "But... But..."

Like, my Tav was on board with killing Cazador (because literally in the situation it is "kill Cazador or have 7000 people die") and killing Ketheric (because he needed to die to end the curse), but he is already iffy on Orin (as she never had a choice but to be a killer) and definitely is not on board with killing Gortash (because there is no good reason to do it).

But let me talk about Karlach. Because the thing is... I have seen a lot of commentary on how Wyll is underwritten. And he is. But not as underwritten as Karlach. Like, her entire companion quest basically goes: "Kill some fake paladins, find Dammon, find two pieces of Infernal Iron, kill Gortash (which you have to do for plot reasons either way)". She doesn't really have a dungeon connected to her quest. Nor really an exclusive boss fight, because again: Gortash you kinda gotta fight for the story either way. Nothing really.

Every other character, too, also has to make one hard decision. Where they want one thing - but what is actually the good thing is something else. I wrote about this before, the "become what you hate" decision, basically.

Karlach doesn't. Sure, you could argue that the "die or go back to Avernus" decision is her big decision. But it feels very different than the decisions of the others.

Which brings me to Gortash and saving him.

Here is the thing: Logically speaking Gortash should probably be able to fix Karlach's engine. He understands infernal engines, as he built the Steel Watch around them. You can easily argue that yeah, he should be able to fix Karlach. And that... would actually make for a great decision for Karlach's story.

If I would get to fix Karlach's companion quest, I would probably do it like this: Put in some sort of dungeon where Dammon sends you in the hope that you can find some plans there, that might give him an understanding on how to fix the engine. Heck, if you do not wanna do a whole new dungeon, you could also just put some plans or whatever into the Steel Foundry.

The point is that it will then turn out that, yeah, even with those plans for some reason Gortash is the only one who could fix it. Putting Karlach into the spot to make this decision: Does she value her life more than her revenge on Gortash?

Because here is the thing: Gortash is supposed to be 1) the intelligent one of the dead three chosen, and 2) also clearly is the one who acts first and foremost in some sense for his own self-preservation. Which made me go like: "Nah, this does not make sense," when he decides to fight against me after his Steel Watch was disabled and I already killed the other two chosen.

So, yeah... You should get at least a chance to persuade him to just give up - or, going back to what I was talking about before - to save Karlach.

And again, I actually think that even for the Gortash part of the story it would make for more interesting storytelling. Killing him is not really that interesting.

Especially as, once again, killing him does not undo any of the harm he has caused. But given that he is this big egghead he could actually do something good if he got to live. And yeah, also there is the fact that... You know... Given what we know about his backstory, his actions are about as understandable as those of some of the companions.

Some of you might already know, I have written some fics dealing with the way how I would imagine something like this to go. Mainly Hurt begets Hurt (which is basically my Tav convincing Gortash to give up), An Impossible Future (Karlach inner turmoil after her engine is fixed) and Cheesy Noodles (Gortash being a big meany towards Tav, who is unphased by this).

I am right now writing a story featuring Astarion dealing with a very, very depressed Gortash.

#baldurs gate 3 #baldur's gate 3 #bg3 #enver gortash #gortash #gortash redemption #redemption #karlach #karlach cliffgate

[firelxdykatara]

I too ship Zutara and think they should have been canon. Although for me it's important to know how such a rewrite would go down. I tried to think, and I'm lost.

After Mai betrayed Azula for him, will he just go "sorry, not interested"? He isn't obligated to date her because of this, but her redemption hinges on Zuko and I don't see it being satisfying if he ends up rejecting her after this.

I thought the solution would be to rewrite her arc in boiling rock to make her have a moral realization, but then the problem with Maiko is practically solved. Their relationship wasn't salvaged by her redemption because last time they talked, Mai still didn't understand what's wrong with the Fire Nation and only changed because she loved Zuko. So how do you make it both satisfying & logical?

With Kataang the problem is the Chakras. The problem with the original (in my opinion) is that after he opened his chakra, letting go of his attachment to Katara, he's still attached (forcing a kiss on eip). Should TCoD get rewritten so that Azula shoots him before he opens it? Then why wouldn't he just open it later? Maybe the chakra would be locked so he feels as though he doesn't need to overcome his attachment just yet. In that situation, how would his chakra even unlock? The stone thing felt like nonsense, so how would I do it?

So yeah I have no idea how to approach this. How would you? (Thanks)

I've been rotating this ask in the back of my head like a rotisserie chicken for a few days--it's interesting because I don't generally stop to think like, how would I write them out of these relationships, I either ignore the relationships completely (which isn't hard, they were barely footnotes in the cartoon) or play a little bit with jealous exes or something. Thinking about like, In A Perfect World where Bryke wasn't in charge of ATLA post-canon (because if zutara had been canon, you can be sure they would've made us regret it) is interesting, and I do have thoughts on how I'd handle their relationships in a rewrite.

(this got long, so the rest is beneath the cut)

Assuming you mostly want to keep canon intact, I think maiko would be the easiest to work around, given how little relevance their relationship has in canon. The problem with maiko as an endgame ship is that it was not set up that way--if it had been, it would not have begun entirely off-screen and their whole relationship would not have been a study in misery and utter inability to connect emotionally. His relationship with Mai was there to showcase just how much he had changed and how little he fit into the life he had been so sure he wanted more than anything since his banishment. It worked very well to highlight Zuko's growth--how that contrasted to Mai's lack of it and why she could not understand him even at his most open and vulnerable--and did not work nearly so well when she was shoved back with him in the epilogue, after he'd quite literally forgotten her existence (he never mentions her again after Boiling Rock, not even to say a word of mourning, considering he'd have every reason to believe she was killed for defying his sister).

I don't think you can fix this by giving Mai some moral realization, because there simply is no room for it. As @araeph says in the essay I linked:

As a character, Mai is very useful to the story during Zuko’s return, because she represents everything that Zuko gains by sticking by his father. A girl who cares about him; the ability to indulge her; the authority he has over others at the palace; we see it all in his interactions with Mai. But this makes Mai a tether to a life he has long outgrown. Her function is not to advance Zuko’s character development, but to obstruct it, which also unfortunately means that Mai gaining a full understanding of Zuko’s trials would be disadvantageous to the story. If she knew everything about him and still wanted him to stay, it would give Zuko more cause than he should have to remain in the Fire Nation, but if she knew and encouraged him to leave and join the Avatar, it would rob Zuko of the triumph of making this decision on his own. In other words, there are good narrative reasons for keeping Mai in the dark; it just doesn’t make their relationship any stronger.

The seeds of a genuine redemption arc (one that includes some sort of moral realization and change to her moral framework) for Mai would have to have been planted far earlier than five episodes from the end of the series, but doing so would have of necessity detracted from Zuko's own character arc and the realizations that he makes despite his attachment to Mai (or more specifically to their relationship, which I feel like he was clinging to more out of a sense of abject loneliness he couldn't shake rather than genuine feelings and emotional connection).

So, in my mind, since we're tackling this with an eye towards getting rid of maiko with the fewest ripples to the overall story anyway, the easiest way to do this would be make one slight change to the end of the Boiling Rock two-parter--have Ty Lee (who had always been the least gung-ho of the trio about bowing to Azula's whims and had to be textually threatened into joining her in the first place) save Zuko's life, and then have Mai (who showed the most genuine affection for Ty Lee anyway) save Ty Lee. I love Zuko more than I fear you always fell flat for me as some epic declaration of love, anyway, since a) Zuko is not around to hear it, and b) unlike Ty Lee, she never showed much fear of Azula to begin with, so it wasn't a very high bar to clear. It was a cool line that was entirely unearned, and I don't think it would be missed, there would be some cute mailee crumbs this way, and a throwaway line of getting them released from the prison after the war ended could wrap up their presence in the story pretty nicely.

Now, kataang is a little trickier, if only because the last leg of Aang's character arc is almost completely derailed by his refusal to let go of his possessive attachment to Katara, to the point where he never naturally reopens his chakras, he has to have the Rock of Destiny hit him in just the right place, and the deus ex lionturtle there to give him a way out of having to make a hard moral choice. (I've maintained for years that if you work the final act of your main character's overall arc in such a way that it could have been solved by one good session with a chiropractor, something got fucked along the way.)

The thing about Aang's chakras is that, narratively, his whole thing with Guru Pathik and leaving his training early to save his friends was basically his version of Luke running away from his training with Yoda on Degobah because of his Force vision, only to find out that his friends were in the process of rescuing themselves and then losing his hand because he hadn't completed the most crucial part of his training. What's missing, therefore, from the last act of Aang's character arc, is the return.

See, in Star Wars, Luke pretty explicitly makes the wrong choice when he chooses to prioritize saving his friends over attaining enlightenment and fully mastering the Force. It was the only choice he could have made, but it was still the wrong one--because, like Aang, his friends did not actually need him to save them, he actually almost makes it harder for them to get away by requiring them to save him because, like Aang, he loses a battle in a very critical way. This was a lesson he desperately needed to learn, and it is clear he has learned it by the time he makes it back to Degobah and witnesses the end of Yoda's life, his own enlightenment having already been reached.

But Aang never goes back to the Guru.

And the text refuses to allow us to sit with the fact that he made the wrong choice in prioritizing his attachment to Katara over his ability to master the Avatar State. He is actually narratively vindicated about it, because the plot bends itself into a pretzel so that he doesn't have to spend any time during the last book trying to reopen his chakras and regain access to the Avatar State, handed both in the final battle with no excess effort on his part, and handed the girl into the bargain. (The girl who never even wanted him, so far as we can tell from all the lack of cues she gave him that she actually returned his feelings.)

And I think this could have been solved with a few scattered scenes. Let Katara actually have some agency in her own romantic relationship (or lack thereof), insofar as noticing Aang's advances and clueing the audience in to how she actually feels. Let Aang struggle with the fact that he can't reach the Avatar State, that his mastery of the elements is in limbo because he can't access his full power, rather than ignoring all of this until the end of the show. If we're trying to keep the shape of the last season roughly the same, let Katara confront Aang about the invasion kiss.

This would have been the perfect time to establish that Katara actually does feel some type of way about Aang prior to the epilogue, and it could have saved us from the exceedingly cringey EIP kiss that Aang never apologized for. How it comes across now, of course, is that Katara basically pretends it never even happened, to the point where she doesn't even know what Aang is talking about during EIP until he reminds her--the death knell for any shot their relationship had at looking requited, because I can tell you, as someone who's been a teenage girl, if someone I had conflicted but burgeoning romantic feelings for had kissed me, I would not have completely forgotten about it only a few weeks later--and we never get any indication as to what she actually felt about the kiss (which was not mutual, despite what Aang's dialogue in the EIP scene implies) except for the fact that she looked away and frowned afterwards. (A change mandated by Bryke, who wanted to leave her feelings completely ambiguous; the original storyboards had her smiling to herself.)

So, with an eye towards wrapping up Aang's puppy love crush and establishing Katara's distinct lack of romantic feelings for him, have her talk to him about the kiss. A good frame of reference for this would be Meng's conversation with Aang in "The Fortuneteller", where she finally realizes that he doesn't like her in the same way she likes him. Katara and Aang's conversation about the invasion kiss could be a callback to this, with Aang having some important realizations--that just because Katara doesn't share his feelings doesn't mean she loves him any less, and just because he can't have her the way he wanted doesn't mean he has to love her any less, that she doesn't belong to him but that's ok, because she's still his family and they'll always have each other's backs. Which could have functioned well in helping him take another step towards unblocking his chakras. Going back to the Guru directly may not have worked, since by this point in the story we're hurtling towards the final confrontation and Sozin's Comet, but let Aang reflect on what the Guru told him with new understanding granted him by his experiences throughout the first half of the season.

To keep the stakes high and up the suspense, obviously, he shouldn't have fully unlocked his chakras and the AS before the final fight, but the seeds could be planted--little moments like a talk with Katara about the invasion kiss, maybe a little more empathy and understanding from him about why Katara needs closure in TSR, etc--and then, during the final fight, rather than hand him all the answers on a silver platter, have him almost lose. He still can't go full Avatar, he's out of time, he still doesn't know exactly what to do about Ozai given his own pacifism and desire to preserve that part of his culture--he tries to fight but he's pretty quickly overpowered. Idk how I would've animated this, and maybe it wouldn't have looked as cool for the final fight, but the true climax of the finale was the Zuko and Azula agni kai anyway, so it hardly matters--I'm picturing him doing the rock-shield thing and going into a brief meditative state, where he finally achieves the enlightenment necessary to unlock the AS on his own, no rock of chiropracty necessary. And at this point, I'd give Ozai a Disney Death, since leaving him alive causes more problems than it solves and it's not necessary for Aang to kill him for him to die--they're fighting on a mountain ffs--but if you don't want to change that part then him figuring out energy bending as part of becoming a fully realized Avatar would at least feel more earned than the lionturtle just handing it to him. (And that could've been foreshadowed better by seeding the idea for it earlier in the season.)

After all of that, particularly if you up the emotions during the agni kai and have Zuko and Katara kiss there (or something less explicitly romantic but still tender, like a brief forehead touch), it'd feel pretty natural to have a just friends ending for Aang and Katara. Maybe a brief, slightly awkward but ultimately amiable conversation if Zuko and Katara had a ~thing at their final fight, and then the final shot of the series could be the gaang all together, maybe zutara holding hands or Katara resting her head on his shoulder or something, but since they already kissed there wouldn't feel like a need to end the whole show on romance, something which I've always felt missed the point of the series.

And then, y'know, after that, the world's your oyster! This is how I'd do it if I were trying to keep the bulk of the final season intact. Of course, breaking it all down to its component pieces and rebuilding from the ground up is also an option, but that'd probably be a longer post lol.

#zutara #atla #m.aiko salt #k.ataang salt #atla canon rewrite #hey albert kim if you're taking notes on how to do season 3 of the LA................ #Anonymous #asked

[vashtijoy]

on forgiveness: best girl haru okumura

OKAY LET’S TALK ABOUT how most people’s idea of Haru (besides her being axe crazy or some shit) begins and ends with the first half of this line to Akechi. And also babble about how everyone reacts in the engine room for a bit:

Just to be clear here: Akechi murders Haru’s father. Not only that, he murders him after his change of heart, at the point he has a chance to turn around and do better and stop being, y’know, kind of a tremendous asshole. Would it have worked? Haru will never know. Akechi stole that from her.

However. Haru is also not a tremendous asshole. I know, I know, y’all want her to go crazy ape batshit with vengeance and her axe. However, Haru doesn’t believe in vengeance (that’s Akechi’s gig, and maybe Ann’s). She does believe in redemption and giving people chances, and she (besides Joker, who like, doesn’t have lines) is the Phantom Thief who embodies this most in regard to Akechi.

so let’s take a look

Let’s start with the second half of that line. “I sympathize with you”. And let’s put it together with the next line:

Haru understands why Akechi might have acted as he did. And when Cognitive Akechi arrives, she’s the one who tells Akechi it isn’t too late:

Because, make no mistake, Haru is also a child of a terrible father. A father who used her to advance himself. Haru relates to Akechi. She sees what she could have become in him—someone just like her father.

This becomes clearer later on in the scene, when the bulkhead door comes up—and let’s just take a moment here to see what “unforgivable” looks like.

Here’s Ryuji banging on the door as it comes up:

Here’s Yusuke:

And Makoto:

Now note that Haru and Futaba (and Morgana and Ann) have not come forward at this point. But what’s Akechi’s response, by the way, when you tell him you’ll hang on to the glove and keep your promise?

He fucking smiles. Tiny little smile. Sad, barely there, but a real smile, behind the bulkhead where nobody can see it. I swear, people are like “oh, he only dies to save you because it’s the only way left he can get revenge, it’s all part of the manipulation” no, get out of my hair with that shit, I will literally eat you all. He passes up his revenge. He starts his arc as someone who has nothing but revenge to live for, and he ends it (for now) passing up that revenge for someone who matters to him. That’s important.

And that’s level 10: incidentally this is when he gets Endure, “survive an otherwise fatal attack with 1hp remaining”

After this Cogkechi and Akechi face off, and that is when Haru comes forward:

And Ann:

... and then the gunshots, not quite in unison. Bye, kids, we’ll miss you. But note that it is Futaba who only speaks up now—to do her job, not to express any concern for Akechi. It’s Futaba who gives him a far harder ride in Mementos later in the third semester than Haru does. And yet I feel like I see Futaba easily forgiving Akechi all the time and Haru almost not at all?? idk.

so what happens next?

Well, here’s Haru when they resolve to leave:

She’s sad they couldn’t save him. Like her father, Akechi will never have a chance to do better.

what about the third semester?

So in the third semester Akechi comes out as an axe crazy killer and also kind of an interpersonal asshole, but he does seem to have laid off the hired killings, so that’s, uh, good?

This understandably impacts the way the engine room fell out: nobody wants to admit what went on there. Akechi doesn’t; Akechi wants to keep all of them at an emotional radius of ten thousand kilometres, for reasons of his own. The PTs certainly don’t, because third semester Akechi is an immense pain in the ass. and about as friendly as a porcupine on PCP.

Still, he comes back on the team for reasons, and Haru and Futaba understandably have feelings about this. Here are Haru’s:

But this isn’t all that goes on. What about all those Mementos chats?

Akechi doesn’t talk to the other Phantom Thieves—if they say anything, he doesn’t respond. (Sumire also doesn’t, which gives me an image of her, Akechi and Joker stuck next to each other speaking only in Royal Trio in-jokes.) But he’s not saying anything unless he chooses to say something—when the others respond.

And who responds how? Well, there are moments of connection—more than a few. But responses to Akechi often range from passive-aggressive through mocking to outright aggressive. And this is perfectly fair: make no mistake, these guys are not friends.

How does the count stack up?

Yusuke has the lowest number of responses to Akechi—he has five. Ann and Makoto each have seven. Futaba, Morgana and Ryuji each have eight. And Haru?

Haru has nine chats in response to Akechi. She has more than anyone else. And the reason she has more chats than anyone else is that there is one chat that only she responds to:

Yeah. Akechi is not someone who enjoys being cooped up in the back of a catbus. And when he complains about it, it’s Haru who’s the only one to reply. The Japanese is not that patronising, by the way

Haru is trying. She doesn’t want to sit down and hang out with him—she won’t join him in the Thieves’ Den, for instance. But her responses to him range from passive-aggressive through conversational. They are hard to interpret—she’s not comfortable with him; she’s keeping up her mask. She’s not necessarily concerned for him or welcoming—she’s saying the “right things”, making conversation; she joins in when they all laugh at him for bouldering. Haru’s mask has a lot in common with Akechi’s many masks. But she also has that one chat that only she replies to.

Here are her nine responses to various things Akechi says:

Haru: I think this [outfit] fits you better, after seeing how you fight. Haru: I've heard you don't actually need to be that strong to boulder. Maybe I should give it a shot. Haru: It's pretty hard to imagine a group of phantom thieves successfully getting around on bicycles. Haru: Well, the car does have ears and a tail, so I wouldn't say it's impossible to tell... Haru: Well, no one gives them orders, so it appears they just wander around. Haru: As long as you're fighting alongside us, we're happy to have you. Haru: Thanks for the concern. You should stay mindful of your health, too. Haru: I wonder... You can't underestimate the Tokyo subway system, though. It's pretty long. Haru: Then what say we take a little break when we reach the next rest area?

and what’s the takeaway here?

Pretty much this: forgiveness in P5 is complicated. The story is all about responsibility and redemption and the harm you do others. Even if you can’t forgive someone, that doesn’t mean you can’t work with them. It doesn’t make them not part of your group. It doesn’t mean you can’t take an interest in them. The Phantom Thieves have a bond with Akechi regardless of what he’s done. Regardless of whether they’re “friends” or “forgiven” or whether they will ever be close. That bond doesn’t have to be pretty, or fun, or even something most of them want too much to do with, but it is there. He is, in the end, as close to being one of them as you get.

And Haru does take an interest in Akechi: more than any of the others bar Joker, Haru is the one who seems to relate to him. Haru doesn’t model judgement (that’s Futaba)—Haru is modelling understanding, and reparative justice. She doesn’t want to be Akechi’s friend; they’re hugely unlikely to ever be friends. Any relationship they have is likely to be distant, based primarily on mutual obligation. But she understands him, to a degree.

Let Haru be the wonderful human being she is. #theend

#persona 5 #haru okumura #goro akechi #p5 meta #engine room #the squad #okumura haru #akechi goro

[moon0fairy]

Finished 2x05 of heartbreak high and oh boy stuff went down (contains spoilers!!):

I kinda expected the identity of bird psycho but also didn‘t want it to be true. He was kinda acting sus during the camping trip and something about his mannerisms, the way he looked made me suspicious

On reason why I threw away that thought is because I couldn‘t think of a motive since he‘s the new kid but I‘ll guess why‘ll find out soon

Poor Malakai tho, he deserves someone who truly likes him :( I can‘t tell if I still like Amerie x Malakai because she‘s done some not so nice stuff but let‘s see

Amerie listing out to Malakai what he‘s done wrong in a frog costume and a flute was hilarious

Poor Quinni, I totally get it tho :( She was so focused on her detective work and then suddenly it all collapsed. I also panic when my friends have so much stuff going on and I feel left out. I‘m just glad we got such great autism representation

Darren, Cash and Harper sounds like the most chaotic living situation ever (I feel like Cash would do all the household chores and being stressed out)

Kinda need more Darren and Cash scenes, I‘m glad they‘re communicating more ( minus Cash not telling Darren about the whole Chook thing, which also understandable)

Interesting that we get a Spider redemption arc and yeah, after seeing his living situation, I can understand why he behaves like that (what Missy said). I hope he learns that he doesn‘t have to be such a shitty person

Also MISSY IS SO GORGEOUS I HAVE A FAT CRUSH ON HER (Spider you better treat her right)

#heartbreak high #heartbreak high spoilers #heartbreak high s2 spoilers #heartbreak high 2x05 #malakai mitchell #amerie wadia #darren rivers #darren x ca$h #ca$h #missy beckett #spider #rowan callaghan #quinni gallagher jones #harper mclean

[rowanwithaz]

How Katsuki's Character Is Misunderstood.

I think people that hate Katsuki just don't really understand his character or how he breaks the cliches of most rivals in shonen.

Accidental rant :D

No Tragic Backstory.

Vegeta had his home destroyed,Sasuke's clan was murdered,Shadow lost everything,etc. They have "reasons" to be an asshole,people excuse they're actions because people say "You can't blame 'em,"

Which is kinda an awful way to look at people's actions and why they do it. A character always needs a motive,and killing half their family,giving them abusive parents,makes it easier to write them. (kinda like a cheat code)But,with Katsuki,he doesn't have a "good" reason to do all the bad things he did.Katsuki stands out because he has what we would call a good life. He has good grades,he has both of his parents,who love him,he has an awesome power,he has so many things going for him,so,in most people's minds he doesn't have any issues and he's just a spoiled brat who doesn't get what he wants. And I think that's what trips people up the most,because he doesn't have a objectively good reason to do anything,but,here's why it's GOOD he doesn't follow that formula. Katsuki is just a kid who was an asshole,that's really it,in reality it's so simple,but some how Horikoshi took one of the most simple things and made it so complicated and gave it so many layers.

Katsuki just felt like he wasn't enough even though people told him he was,he knew he had what people would call a "perfect life," that he was "perfect," and that's what messed him up so bad. He felt deep down,despite what other people were saying,he was inadequate; because one person who he shouldn't think is better than him makes him feel weak. It doesn't make sense. If you were pampered and told you were essentially perfect,then one slip up happens and someone who you have been told is beneath you,that should be beneath you,is the one who helps,it would confuse you too. (Also,remember,Katsuki is a CHILD when this all happens,and he had no one to talk to about it,so of course those feelings would build up over time). It also doesn't help Izuku always wanted to be near him,and when you look at it from Katsuki 's perspective,that person is only there to see you fuck up,that person (Izuku) is WAITING and WATCHING your every move. Waiting until you fuck up just to leave you and or mock you. You would feel like shit too if that's what you thought for ten years.

Katsuki is not some "brat throwing a tantrum because he doesn't get his way," He's confused and coming to terms with a lot of things. His arc is about acceptance. He learned to accept he isn't the best or strongest,he learned to accept he needed help,he learned to accept himself,he learned to accept Izuku.

The person Katsuki has been losing to his whole life,is the person he thought he should be. He had to let himself lose to win. GOD,THAT IS SO DEEP.

(*I also hate the whole thing of, "Well, Katsuki had no reason to be the way he was," then those same people will turn around and get mad that Toga is having a redemption arc because "nothing justifies killing" first, no one is saying it does,second,you were just saying you need a bad past to be forgiven for your bad actions,which is awful. Like,you can't make mistakes if you haven't suffered. That's fucked.*)

KaTsUkI DiDn'T fAcE aNy CoNsEqUeNcEs

My honest reaction:

Katsuki faced defeat his VERY first day at his dream school. It wasn't just that he lost,he had his HERO his IDOL the person he looked up to,insult and scold him while he sang the praises of Izuku right in front of him. I hate that argument so fucking much. Like,did you seriously read this blindfolded? It happens in the first VOLUME. And it just gets worse.

He gets kidnapped and then has to deal with all of that shit on his own. I also can't image being called a villain when you're trying your best to be a hero,and you got kidnapped because of your personality. Katsuki faced,in my opinion,the most brutal and most instant humbling ever. And real quick,I made a post about All Might and why I don't think he's going to die,and I brought up he sucked at teaching,and in my opinion,he was an asshole too. When he sees on of his students having a panic attack the first thing he says is:

"U.A. Will humble ya :D"

That is beyond problematic.

(Not All Might bashing! I think he's a great character,but I think he was an ass at the beginning of the series,that has a lot to do with his hero persona and his inexperience with children,and just socializing as a whole. And that's why I like him,because we see him grow to be less like his persona and more like his true,sweet,authentic self.)

Inconsistent Writing.

A lot of people get Inconsistent writing and...y'know...more than one tone and personality trait mixed up.

I've see people say, "I don't like how he's written because it's inconsistent,'' and I think that is bullshit. Mainly because out of all the characters Katsuki is objectively the most consistent one.

I saw this person say they didn't like how Katsuki's anger is treated as a joke then the most serious thing in the room,and I say that's valid,but I think the thing they don't understand is tone and context. In the context when it's a joke,Katsuki isn't necessarily even "mad". I think when it's used as a more comedic device,it's not his anger,it's his inability to express himself without yelling. And I think it's funny and interesting to see how Katsuki struggles to articulate himself when he's not "mad" or "yelling." He also lives in a household where communication is done by yelling.

The atmosphere and tone really matter too. When Katsuki has his more "funny mad" moments it's with a group of people all smily and happy. No one is actually "mad." Including Katsuki.

DAMN. I didn't mean to go on a rant like that. Uh,anyway;Katsuki is my favorite character,if you couldn't tell.

#mha #bnha #bakugo needs therapy #bakugo katsuki #Kacchan #great explosion murder god dynamight #Or should I say “murdered”? ahaha #i'll see myself out #greenade #charter analysis

[liashinigami]

Was gonna gather my thoughts and write a post tmr on the general mood in the ofts space after the finale bc I feel like a whole bunch of people overthink the amount of editing that was supposedly the result of "promo couple fans complaining too much" but I literally cannot sleep before I get this off my chest so here goes nothing:

Do you guys not understand how tv show productions work....

The script was written, reworked, and then finalized before they even began filming. Yes they might have changed some stuff between the initial scrips draft they had before the mock trailer and the true beginning of production this year but considering that they booked two at the time new but well received promo couples (remember that this show was already in planning at a time when Enchené and The Eclipse were still very very fresh), TopMew and SandRay were always gonna be endgame. It's especially obvious now that the full series is out bc if you go back and watch the mock trailer, all the same storybeats are there. This is how the story was supposed to go from the beginning. They most likely cast two promo couples on purpose because of the added bonus of pre-established compatibility and chemistry needed for endgame couples in such a messy series.

Then they filmed stuff. They finished filming I believe the day that episode 3 aired, so they could not have changed any of the ending based on audience reactions (as I have seen multiple people suggest), since we were barely a few epiaodes into the story. The book based on the series was also already finished and in the last stages of preparing to be released. The only thing they actually did was edit out parts of scenes or full scenes that they found did not add anything at this point in the story (like the sandray garage scene) or would actively harm what we, the audience, are supposed to be understanding and feeling right now (like the Mew smashing shit scene and Top attempting to sleep with someone else, which both were explained to have been cut because audiences were reacting strongly negative to Top even a few episodes into his redemption arc, when we were clearly supposed to start being on his side). They might also have moved some scenes around to aid the story flow but I am unsure of that one (I suspect the scene where Ray and Mew finally solve their shit out was supposed to be directly before the SandRay donut scene bc of obvious clothing reasons, bc they either fucked up hardcore with clothing continuity or moved the first SandRay rehab discussion to after the RayMew talk because it made more sense that way when seeing it played out on screen. If that was the case I am glad for it bc it would have felt a bit weird the other way around idk...).

All of this is however not new. It happens all the time in film and broadcasting production (also in book publishing....this is why editors and alpha/beta readers exist. I mean Brandon Sanderson's books famously go through four (?) stages of feedback before they get published...). Some scenes just get dropped in editing because when you see it on screen it feels redundant or not quite right, so it gets taken out before it changes what they want the audience to take away from other scenes. Movies and tv shows that have months between filming and airing dates usually solve this issue with test screening audiences and several runs of editing. There have been instances of Movies having test screenings at cinemas and then having their release date scrapped because they have to be re-edited completely as a result of unexpected audience feedback. GmmTV series being on smaller budgets and timeframes results in this time window falling away and relying on observing audience reactions to already aired episodes closely and then editing the next episode close to its release is one strategy to still ensure that you bring across what you wanted to (Kdramas also do this very frequently). It might not be ideal but it's not unusual and it certainly does not mean that anything substantial from the story was changed. All the storybeats as well as the character and relationship development remained the same because they already had everything filmed. They did not do reshoots or we'd know it. The story was planned this way. It was in the script. If you did not like it, then you did not like it. But don't accuse the directors of "bending to the will of fans" bc that's just plain wrong.

I too have my issues with some of the writing and some of the characterizations. But let's keep the criticism where it is actually deserved ok?

Edit: I have also seen quite a few people over here and also on Twitter say how disappointed they are in the "editing based on audience reaction" and that they should release a "directors cut" with all the scenes but like....this IS the directors cut. THEY decided how to edit this because the original intent is not always what arrives in the brains of the audience. Storytelling is a two-way street and if a massive chunk of your audience interprets a part of your story so differently to how you intended it to be understood, edits are necessary. Because that means that your intent is not communicated well enough.

#only friends #ofts #only friends the series #I said pretty much the same things a few weeks back added onto someone else's post a few weeks back #back when that interview with jojo and ninew came out where they first said they look at audience reaction before they edit the next ep #I thought we got past that but apparently not #apparently people need to justify their own frustrations towards the writing and the storyline in weird ways #blame it on 'couple fans' #completely ignoring that realistically most people who got interested in this show found it through the mock trailer release #way back when the eclipse had barely finished airing and enchenté was also only a few months out #heck I hadn't even watched those two shows when the mock trailer came out and I went insane #haven't watched any other forcebook show to this day and while I liked the eclipse I certainly wouldn't have called myself a firstkhao stan #and still it was obvious to me from the mock trailer way back when and then the proper trailer a few months ago who would end up with who #I just feel like a lot of y'all were anticipating a different show than what it was advertising itself as...

[beeshoesometimesdraws]

LAES SPOILERS AHEAD

So I just finished catching up on all the recent episodes and OH MY GOD DO I HAVE THOUGHTS (specifically about Eclipse and the newest laes episode because holy hell I’m reeling from it)

In the second half of the “HOW TO DEAL With The GRIEF of Losing SOLAR” episode on the laes after Monty leaves and Eclipse appears, I was very much expecting him to make his usual snarky remarks and mock Earth and Solar’s death in some way (though I was hoping he wouldn’t ofc)

Imagine my shock when he does none of those things and instead is much more mellow and even softer/nicer—by his standards at least—and just looks around briefly and asks questions and just stands and actually LISTENS to what Earth says with barley if any semblance of his usual snark. The fact that he actually lets her talk about her feelings and everything and rant without cutting in to be his usual snarky self is EVERYTHING TO ME.

AND WHATS EVEN MORE; the fact that he asked her “do you really need him (Solar)” and when she said “yes” he didn’t say anything and just sighed as if in defeat. I think we all knew before from the previous episodes that he was battling with wether to actually help aid in bringing Solar back or not after his encounters with Puppet and Frank, but it seems to me that with this scene with him and Earth AND how it was mentioned by Sun that he was wiping the floor in Sun’s and Moon’s house that he has maybe decided that he IS going to help, or at least is reasoning with himself as to if he should or not.

With all the questions he was asking Earth it makes me think the ladder is true.

I also love the fact that despite her still very much grieving and breaking down at the loss of Solar (as we all are), she still expressed sympathy towards Eclipse and him not having anybody to lean on nor him being able to understand that kind of bond or trust. Even with this is brought up Eclipse just…kind of agrees to some of it and then deflects as usual but one thing caught my attention when he said “it looks like you need it (sympathy) more than I do anyways” and though he doesn’t directly offer it, I think the fact that he just stays there for a bit to listen to her and maybe even take in her opinions and feelings towards Solar and Ruin into consideration for whatever he’s planning to do is his own way—however unintentional it may be—of offering his own small bit of support. Hell, he definitely got Earth to talk a bit more about what she was feeling in regards to the situation and Solar.

Hate him all you want, everyone is inclined to their own opinions ofc, but Eclipse was so different from how he usually is this episode and I think things have slowly been changing for him for awhile. Before it was almost certain that when this was all over that he’d be dead in an instant without a thought…but now? Now I don’t think that’s going to be his fate anymore, and this and other recent episodes have only proved that to me.

He actually listened to Moon about not killing Ruin, he is obviously at least considering in helping to bring back Solar if what he did at Sun’s and Moon’s house and the questions he asked Earth are any indication, and the way he was just willing to stand there and just listen to Earth with barely if any a hint of his usual attitude and hold a rather peaceful conversation with her and even be quite NICE about it by his standards.

I think wholeheartedly that Eclipse is improving steadily and slowly and I am very much manifesting not only a redemption arc but a friendship between him and Earth because so far she has been one of the most sympathetic and in some capacity caring of him and the borderline softness he showed today only brings my hopes up.

Okay rant over, I just really needed to put my thoughts out there because damn is my brain reeling with so many thoughts and feelings about this

#bee rants #bee rambles #rant #tw rant #tsams eclipse #sun and moon show #lunar and earth show #laes spoilers #laes earth #manifesting rn #god I love eclipse dearly #the unhinged wet cat of a man has a death grip on me #here I go again #ranting about eclipse #:)

[bibibbon]

What fails in MHA: gags/jokes

As well all know gags and jokes are everywhere in shonen but they are rarely done well in my opinion especially in MHA. There isn't a problem with having a bit of comedy in your manga but when the gag or joke either harms the characters development or just is offensive it tends to just fall flat at best and ruin the story at worst.

There are many common and multiple gags hori uses which I HATE:

Izuku/the midoriya family are crybabies. This is one that was VERY PRESENT during the earlier seasons which in my opinion ruined the show and many peoples view of izuku as a character. It makes sense why izuku would cry more then a regular shonen type of MC considering that he is supposed to be a "normal" teenager and he shows some very clear signs of anxiety. I understand when people get annoyed at how much he cries especially because it's very over exaggerated a lot of the time and just depicts him crying a waterfall when you could of just shown him tearing up. It's a bit more excusable for inko but it really doesn't shine a good look on her especially knowing that she is quite emotionally dependent on her son .

Katsuki being mean towards literally anyone and anything. We know that bakugo is a character who is going through a redemption arc to change and become a better person so we shouldn't see him be so aggressive and angry if he is trying to change especially if it's a joke. A gag like that really ruins his development and to me its the reason why I don't think he really changed his attitude or way of thinking towards izuku as much as people like to believe he has ( CANON BAKUGO AND FANON BAKUGO AREN'T THE SAME )

Perverted characters like mineta or sir nighteye .Yes, this is definitely targeted towards mineta and night eye because Iam still very disgusted by the scene of bubble girl and night eye and mineta just gives me the absolute CREEPS. honestly, idk what it is with hori and giving us these type of stuff it's honestly disturbing and disgusting I don't think I would mind if it were done to criticise or lambast something about hero societies pedophilic undertones and the way it loves to sexualise female characters but it's just there as a horrible gag.

Dumbing down denki and making him seem stupid. This is more of making UA look bad because Denki could of been seriously hurt in the usj because of the whole dumbing him down gag and while it isn't the worst gag in the show it kinda falls flat in my opinion and just makes ua look bad. It's also double standards in my opinion because he would be useless in battle if he were to overuse his quirk just like izuku.

The interview scene with mount lady. I don't understand why izuku was ridiculed for his lack of control when it came to blackwhip and it doesn't help that some of the characters where DEFINITELY ACTING OUT OF CHARACTER when they all had the same reaction.

There are some 50/50 gags that still failed due to horikoshi not letting them go or not handling them well.

Izuku's everlasting fanboyism of heroes especially all might. Look this one isn't that bad but like I just don't like the fact that he never grew out of it. I personally like to think that izuku was a big all might fanboy is because he saw all might as the only person who actually believed in him and gave him words of encouragement even if it was through a screen and even if those words where directed towards anyone not only him. As the story progresses izuku should grow to realise that all might is a flawed individual who has cared for him but harmed him at the same time.

Horikoshis perception of izuku being "too intense". This could of easily been incorporated into Izuku's character as an actual character trait that could be used as a gag from time to time. For example we see izuku over think everything or hyper analyse so many small things like fuyumi's cooking. There are moments where izuku seems to come off as weird to other characters and I feel like that shouldn't happen or it should be handled in a better way. I mean how is it that someone doing something so simple as looking at a video intensely will freak/weird you out compared to someone who has a weird quirk or a passerby doing something weird

There are definitely A LOT MORE THAT IAM PROBABLY FORGETTING.

However, hori does have some good gags/ jokes in my opinion, yes they are rare but they do indeed exist like:

Kirishima's manliness. A lot of the time this actually promotes positive masculinity which is something that is definitely needed and it also helps develop kiris character a whole lot more

This one interaction between jiro and tokoyami. I really liked it, it didn't come out as sexual which is something I really enjoyed and you can clearly tell it's just two classmates vibing and trying not to die

Tokoyami and his whole darkness persona. Idk I guess this is me but I like it, it adds a lot to tokoyami while also not being overused .

This one Iam 50/50 with and it's yuuga and his whole I like cheese and I can't stop twinkling persona. I think it adds more depth to his character and foreshadows his role as the traitor to a certain extent but I also find it a bit stereotypical considering the fact that he is french and yuuga will just end up speaking in basic french words and then Japanese

Hawks favourite food ironically being chicken wings. It's simple but it also makes us closer to hawks and can make him a bit more relatable to people

Izuku, iida and shotos hand crusher joke. That has to be my favourite joke in the series it literally didn't end up mocking anyone and cemented one of the best MHA trios

Overall, hori sucks at making truly enjoyable gags and has a lot that harm characters developments especially surrounding his MC Izuku but he can sometimes actually provide enjoyable ones.

#bnha critical #izuku deserves better #mha critical #horikoshi critical #mha #bhna critical #bnha

[utilitycaster]

🔥 each member of vox machina

Vax: really the sadboy narrative for Liam has always been stupid but it's egregiously bad that it started with Vax, who is like, sad for maybe a fifth of the episodes and largely because Liam O'Brien's actual mother was dying, like, with all due respect what the actual fuck, fandom.

Vex: I am the founding and probably only member of the "Vex is my favorite character and also I am 100% cool with Colville's depiction of her." The generosity she shows even very early on in C1 is still a generosity borne of some degree of security - they have a keep by then - and I also just don't think you have to like a character to write them fairly. Granted it's been a minute since I read early VMO but nothing stood out to me as out of line with my understanding of Vex.

Pike: repeating myself once again but I like Pike a lot and wish we could have seen more, but because we didn't, people who say she's their favorite in C1 do tend to turn me off in that I feel they're looking for a relatively flat and widely praised character to project onto rather than a character who goes through more messy development.

Grog: I think he's often underestimated and I was guilty of doing so myself, to be honest, until I saw Travis play more and until I personally got better at D&D. Also I still maintain that playing INT 6 sensitively and well is infinitely harder than playing INT 16, all things considered, and this is yet another reason why people should play high INT more often.

Scanlan: Also underestimated; I do understand being turned off by the whole extremely horny playboy thing but as I've said before Bard's Lament is a major litmus test for me: if you think Scanlan is completely at fault here, you are wrong, and if you think he's not partially at fault, you are also wrong.

Tary: I genuinely love him and think he's a great character and one of Sam's best, but while his character arc is strong the Taryon Darrington Arc of the VM Campaign, through no fault of his own (and partly bc I personally think D&D Hell, especially pre-Descent Into Avernus publication, is kind of boring), is one of the weakest parts of the campaign because it's kind of a grab bag of loose ends. With that said I would happily watch more Darrington Brigade-one shots.

Percy: Percy is also generally a litmus test in that it's like. Is he a good person? Eventually I believe he becomes one, and even before that I think he's very sympathetic and deeply traumatized and like, 24, so I get it, but also, who the fuck cares. This ties into the Essek and the Ashton opinions and all kinds of other stuff but why are people so invested in fucking absolving their blorbo of all sins? I want someone who's lived enough of a life to have done some heinous shit because that's fun and interesting and it's pretend and also because then they can have a rewarding character arc by either working towards redemption or coming to terms with who they are or spiraling into tragedy.

Keyleth: I like Keyleth a lot but I am, as this post indicates, far more sympathetic to Vex, and so while I do think Keyleth is a fairly good person she is also extremely sheltered and naive and terrified of doing the wrong thing and I would have, like Vex, wanted to scream at her half the time were I just a random NPC wandering about the campaign. On the other hand C3-era Keyleth? fantastic no notes she has grown up in such an interesting way.

Tiberius: I think we, and by we I mean people capable of separating the art from the artist, can recognize that his concept actually fucking slapped and unfortunately he was played by someone who absolutely sucked in a myriad of ways. I would love to see the alternate universe in which the same general concept (prodigy sorcerer from Draconia who is full of themself) had to face not just the destruction of their civilization but the realization that they were taking advantage of the Ravenites and while they did not deserve to be killed by Vorugal, had done nothing to justify aid from those they had subjugated either. Like, the alternate world in which one of the current cast members or like, a close friend of the main cast (Ashly, Erika, Mary Elizabeth) played this is one I'd love to see.

#answered #burr-ell #unpopular opinions ask meme #cr tag

[licorice-lips]

Okay, so I was thinking about Snape and although I'm avoiding like hell speaking online about Harry Potter, I think it needs to be said because it falls onto the rest of fantastical literature as well, especially those stories that have parallels to fascism/nazism/colonialism in their magical world.

I'd like to start by saying I don't like Snape for a variety of reasons, some of them because of Rowling, others because of the character himself, and others because of his fans, but today I'd like to talk about how Snape's Redemption Arc actually sucks and why, and also about how we're treating redemption arcs as a whole.

Okay, so let's begin by making a sort of timeline on Snape's life: he grew up in an abusive household, suffered bullying by the Marauders through school years, bullied other students as well, called his best friend a slur, "apologized", joined a fascist hate group that actively persecuted and hurt people for things they had no control of, acted on behalf of this group for years, turned against the hate group not out of morals but because their actions began to threaten the people he cared about (like they always said they would, how shocking), bullied his teenage students as a grown adult, acted as a spy against the hate group when it came back, died.

Right, so before I dive into all those things, what we also have to add is that Art isn't made in a vacuum. Just like science can never be done by a completely neutral party, our productions of art are completely based off of our views, especially when we're talking about writing. As a writer myself, I can see exactly how my experiences as a person in the context I was born and grew up in affect my writing and my production of art.

For example, it's very common that I find enemies calling themselves by their last names in American/European fiction but in Brasil, we don't normally call people by their last names unless it's very unique and as a nickname. So when I write enemies, they always call each other by their first names, simply because it doesn't feel right to me any other way. On a more serious example, most of the countries in my fantasy books have some history of colonization or dictatorship because it's a part of my history and I feel it's impacts to this day, so it's something that reflects my own thoughts and ideas in politics.

So when we talk about Snape as a character, we cannot escape the fact that Rowling created him. And as a European author, it's more than clear —and that's especially obvious to people who suffer under colonization to this day— that Rowling has a deeply ingrained colonizer mentality. The goblins in Gringots are a clear and problematic representation of Jewish people, the domestic elves LIKING being enslaved and not changing the status quo by the end of the books, and even Hermione being ridiculed for her militancy on it — these are all representative of how Rowling views the world.

Although there's more, all of those examples make it clear that, when she looks at fascist ideology as a whole, Rowling doesn't think the ideology itself is the problem: the ending is the depiction of them getting rid of the "bad apples" instead of making the "roots of the tree" healthy again is parallel to blaming bad individuals for a system that is corrupted and therefore corrupts. So basically, what the Harry Potter books tell us by the end is that it's okay for you to perpetuate a racist system, just don't do it so openly. The problem for her is not the system, but these people she considers "bad apples" which is basically right-wing ideology.

And my problem with Snape starts here: because Rowling sees purist views as an acceptable way of thinking as long as you don't kill people because of it (because for some reason that's a step too far — but when the system oppresses, beat down, and hates on marginalized people, that's okay) — in her mind and in her writing, Snape's ideological affiliation earlier on in his life is not that big of a problem, especially when he "changes sides".

Snape's active participation in a hate group is dangerously and irresponsibly downplayed both by Rowling and by Snape's apologists and fans when this is, in reality, one of the two greatest offenses his character has to compensate for in his "Redemption Arc". So when he hesitates at nine yo to say to Lily that being a Muggleborn doesn't make a difference (even when he knows it does in a practical sense of what's happening in the Wizarding World), when he despises Petuney for being a Muggle, when he says to Lily that what he, Mulciber and their "death eaters" friends did to Mary McDonald was "just a laugh (btw, I'm sure the Marauders also think what they did was "just a laugh" as well), all of this is not only extremely reprehensible, it's the kind of thing that makes a fascist, a fascist.

And it's not that I don't believe teenagers cannot change their minds and grow with more ease than adults, it's just that this alone would've been enough grounds to understand why Snape's redemption arc sucks. His beliefs from early on, even before he goes to Hogwarts, are extremely problematic and hateful, and they uphold the very corrupted system that is perpetuated against Muggle-borns in the Wizarding World.

Then we reach the point I wanted to make: it's very clear throughout the books that child and teenager Snape struggles with feelings of deep hatred against his parents (especially his father, who's a Muggle), inadequacy in social life even among his peers (wizards and witches) and isolation, all of which make a person undeniably vulnerable to extremist ideology.

And here's my first issue with Snape and his Redemption Arc: his trauma and feelings should not be an excuse for his bad choices and yet, they are used exactly as such. Yes, Snape was an impressionable teenager and yes, he was influenced by an ideology in his desperation to fit in and find solace in a community, but that doesn't matter.

None of it matters because, at the end of the day, his actions for this ideology are just as harmful, just as awful, just as cruel, as the actions of someone who joined the Death Eaters for thoroughly believing Muggleborns were scum. He harmed people just as much as Yaxley, Mulciber, or any other Death Eater who joined Voldemort for their hatred just for his support alone.

And more than that, even if Snape was in a vulnerable state and impressionable, he was still receiving other kinds of influences, influences that were contrary to the bigotry and cruelty of Voldemort — and he still chose to ignore those influences. There was still a level of choice to what he became as a young adult.

But even if there wasn't, Snape is —or at least he should be— responsible for his own choices regardless of influence. As they say in the Kingdom of Heaven film, when you're before God and he asks you why you did something, you won't be able to say that others told you to do so or that it wasn't convenient to do the right thing — it'll not be enough. And it's not enough because your actions matter more than your intentions. Your actions will be the thing that will determine what happens next, not your intentions. It'll be actions that will shape your path and influence or directly impact the path of others around you, not your intentions.

The older I get, the more I understand the power of action and how it says more than any intention or feeling ever will. At the end of it, Snape's actions are what matters, not his feelings or intentions. But as humans, we're so prone to empathize with others that we actually believe that, because someone feels guilty or regrets the things they did, that's enough to forgive them.

We forget that it's not.

Earning forgiveness must come with 5 major steps —

Accountability — do they acknowledge the way their actions hurt us? Do they acknowledge the way they hurt us? Do they acknowledge their role in our pain?

Apologies — do they apologize? Is their apology sincere? Do they hold themselves accountable in their apologies?

Acceptance — do they feel entitled to forgiveness? Do they accept the consequences of their actions? Do they accept the boundaries you impose on the path to forgiveness?

Amends — Did they take steps to mend what's broken? Do they make choices to prevent them from doing this again? Do they try to help without crossing your boundaries?

Alteration — Did they change the behavior that hurt you? Did they take steps to improve themselves?

Those steps are fundamental in a Redemption Arc because it'll exemplify to the (young) readers what is forgivable and how forgiveness is earned, not deserved. That's what grits me the most about Snape's "Redemption Arc":

There is no accountability, at least not for joining and upholding a hate group, and we kinda get accountability for what he did in his friendship with Lily, but in a fucked up way, let's see:

It was nighttime. Lily, who was wearing a dressing gown, stood with her arms folded in front of the portrait of the Fat Lady, at the entrance to Gryffindor Tower. “I only came out because Mary told me you were threatening to sleep here.” “I was. I would have done. I never meant to call you Mudblood, it just – ” “Slipped out?” There was no pity in Lily’s voice. “It’s too late. I’ve made excuses for you for years. None of my friends can understand why I even talk to you. You and your precious little Death Eater friends – you see, you don’t even deny it! You don’t even deny that’s what you’re all aiming to be! You can’t wait to join You-Know-Who, can you?” He opened his mouth, but closed it without speaking. “I can’t pretend anymore. You’ve chosen your way, I’ve chosen mine.” “No – listen, I didn’t mean – ” “ – to call me Mudblood? But you call everyone of my birth Mudblood, Severus. Why should I be any different?”

It's very important to me that we dissect this piece of dialog because it shows a lot about Snape and how every time he's tried to apologize, there's no accountability.

He didn't say he's sorry he said that slur (to LILY and only Lily, might I add, when at all would've been ideal but I'll have some leniency because of the situation) — he's said he's sorry, but not for what he has done, just for Lily. He didn't take responsibility for his words as he should — he says it 'slipped out' or that 'he didn't mean, again just to LIly.

He accepted no boundaries Lily tried to impose — sleeping outside Gryffindor? Really?

Most importantly of all, he took absolutely ZERO steps to alter his behavior so that he could never harm someone again like he harmed Lily. And that's very important, I cannot begin to explain how: when we regret doing something, the most fundamental step to take in change.

Change is fundamental to forgiveness but it shouldn't be conditioned by it. If we regret doing something harmful, the first thing to do is to change our behavior. Instead, Snape not only doesn't change his problematic behavior, he doubles down on it, joining the hate group Lily pointed out as one of the main problems in why their relationship couldn't continue, acting in the name of said group for years and only backing down on it when Lily is threatened.

And that reveals something about Snape's worldview: for him, since that day he called Lily a slur, the problem wasn't that he was a bigoted piece of shit (like Lily said it was), the problem, in his head, was that he hurt Lily. And that's not true. The problem is, one hundred percent, his bigoted behavior, and Lily says as much, more than one time. He just does not listen to it. He doesn't listen to her.

More than that, though, you can try to point out that he redeems himself by acting against Voldemort but I'm sorry: what Snape did is not enough. He was part — and believed in — a hate group, it's not enough that he changes sides not because of values, but because one person who is being threatened is dear to him (which was the whole prerogative anyway so I failed to see how he's even surprised by this). You can say that this is good or honorable or "love" but it's not cute to base your entire life around one person.

It's not honorable to prioritize one person over a whole world he was threatening before and not caring at all about them. Disregarding other human beings in favor of one is not as pretty as people think it is and Snape represents this very well: it makes you bitter, it makes you become abusive, cruel, a bully to everyone else. It's not pretty, it's not understandable. Be a fucking decent human being, it's actually not that hard.

But I digress again: my point is, that just because Snape regrets the things he has done for Voldemort (not even out of morals, which drives me mad) it doesn't mean he deserves forgiveness. He doesn't and he hasn't earned it, he didn't even try. Actually, he's so stuck in his regret, he's harmful because of it: guilt is a trap, babes. It sucks you in if you let it and makes you miserable as well as anyone around you. You'll be so remorseful and yet you'll hurt people because of it.

And it's the same thing I've been saying since the beginning: we need to stop associating feelings with deserving forgiveness because you don't deserve forgiveness, you earn it. Either you earn it from someone else, from yourself, or from both, but either way, it's earned, not deserved. If I were to excuse my harmful behavior every time just because I regretted doing something instead of earning their forgiveness by taking steps to apologize to the people I've hurt, I would be compared to my father all the time. And THAT would've been an insult.

Anyway, let's just stop feeling sorry for characters, especially fascists, just because they regret something. Please, let us hold our characters accountable for the shit they've done adequately and make our writers actually put in the work to make them earn the forgiveness they crave instead of just wallowing in their own misery, stuck forever in a vortex of hurting and being hurt that sucks people in. It's not a good example for us readers, it's not a good example of behavior, it's not what a good person who did shitty things should strive to be and we shouldn't think it is.

#snape slander #severus snape bashing #anti severus snape #pro james potter #pro marauders #sirius black #writers #writers on tumblr #female writers #books #harry potter #hp fandom #severus snape #snivellus #james potter #the marauders #marauders era #james potter is actually a good person #i really hate snape #sorry not sorry

[peri]

Peridot and Unlearning (Internalized & Externalized) Homophobia

i.e., here's why peridot's redemption arc is partially (a metaphor?) about unlearning homophobia

the title sounds crazy but bear with me here.

let's start off with saying NO, fusion does not = romantic love. that's an age old discourse and it can be so easily solved by stating there are many different forms of love, and sometimes fusion is just for power (which is a form of love in-of itself, albeit fucked; the love for power or toxic love) HOWEVER, in many cases, such as Garnet's, it most certainly is about romantic love. so to keep it as brief as possible, thats what we have in mind in this post. it's gay love okay.

now, let's talk about the scene i just captioned. this is from the episode "too far," which is an episode about developing a crush and accidentally hurting them in the process of trying to impress them. (however you want to look at it, but thats how i interpret it) the fact it starts off with casual homophobia is important, coz it shows peridot still has a lot of prejudices despite recently becoming part of the team, which is full of gay people, undeniably.

peridot's redemption arc is partially about coming to terms with your sexuality, retraining your mind from internalized homophobia after being raised in such a homophobic society/household, and becoming proud of your sexuality / identity.

OBSERVE:

"you dont understand! im protecting a planet i was once trying to destroy! i used to follow every order - every rule!"

"now im a traitor! a rebel!"

"A CRYSTAL QUEEEEEER"

sorry i had that joke stored for this analysis since 2019. anyways

i'm going to try to keep this short, but more under the cut.

IM SO BAD at organizing my words so this post is rly hard to make so im gonna do it like this.

MORE EVIDENCE THAT PERIDOT'S REDEMPTION ARC IS COMING TO TERMS WITH BEING GAY / UNLEARNING HOMOPHOBIA:

being frustrated about joining a lesbian/gay gang

coming from a society where homosexuality is forbidden

telling off your mom by saying youre joining some rebel lesbians/gays to fight her oppressive society

wearing pride flags (stars) everywhere after coming out

looking up to experienced lesbians (Garnet)

the scissoring joke (from "too far." if you know you know)

furthermore, i thought it'd be fair to include peridot learning how to respect how people identify in other ways, such as names / how they prefer to be addressed. this, most of the time, goes hand-in-hand with homophobia.

peridot, narrating: "he also said he wanted me to stop calling him "the" steven." steven: "its just, steven!" peridot: "i told him i'd call him whatever i want!" [hiss] peridot: "he told me that was rude."

(from the episode "log date 7 15 2")

peridot learns how to respect how people identify. lgbt win

i should add she also eventually learns how to respect Garnet's whole deal in the same episode (log date 7 15 2) which was also a huge moment in her unlearning homophobia. which, btw if you dont know or dont remember, Garnet does by comparing herself to peridot's (assuming) gay ship between Percy and Pierre from Camp Pining Hearts, saying she was the optimized version of herself (the reason peridot "ships" them; theyre the best team logically according to her analysis ship chart)

anyways, now the biggest most obvious point is the fact that peridot actually is gay. i've referred to this episode a few times now, but thats becoz it really is a huge point in proving my 'thesis';

in the episode "too far," peridot is shown to get obsessed with impressing amethyst. peridot experiences something they havent yet up until this point: a crush. i mean, you can interpret it as you wish, but thats how i saw it. the butterflies, the obsession with making someone laugh, the fact peridot states amethyst is objectively the best gem of the crystal gems and emphasizes "damaging her standing with the best gem here" with their apology to amethyst after hurting her feelings.

and um, this.

🌈yeag

sorry im losing any professionalism i started this post with. also this is focusing on early-season / redemption arc peridot which is why its kind of short and is missing stuff from later seasons. i hope this was at least somewhat concise and easy to understand, and i hope yall see my point of view here! feel free to add on (theres SO MUCH its easy for it to skip my mind) if you have any other points youd like to make to support my cause and uprising. love you

#peridot #su #steven universe #q slur #idc abt the discourse w tagging it as that im doing it for a friend. love and light #im so sorry for the bad formatting im off my meds #peridot analysis #tagging that for personal ref ok bye

[rinbowaman]

Masterlist (Not for minors)

- Heeseung-

My Girlfriends Roommate / MGR (1st arc of series) Chapter 1 - Mmkay Chapter 2 - Oooooookaaaaay Chapter 3 - Getting there Chapter 4 - Almost Chapter 5 -Oh damn Chapter 6 - ........ Chapter 7 - Here we go Chapter 8 - Omg theres fluff Chapter 9 - Fluff, fluff, fluff, and fluff. Chapter 10 - OMFG Its finally happening!!! 18+ Only Chapter 11 - ...THE HELL!?!! O...M...G 18+ Only Chapter 12 - DAFUQ!!!? ERMAHGAWD!! JDASHWGEI!!!!! 18+ Only --End-

MGR SMAUS:

Vicky's Roommate

Knowing me, Knowing you Part 1

Knowing me, Knowing you Part 2

Its not enough Part 1

Its not enough Part 2

Frustration

Wont you say my name?

!!!!!!!!Netflix and Chill SMAU should be the very last smau to read after reading all the other smaus (to include in MRE and HHP) because the references in it will be too confusing. I highly recommending reading MGR at the very least before reading this SMAU as well. it's very sentimental and also..there's tension that hits deep that can only be felt once you read MGR. Enjoy.

Netflix and Chill Part 1 - Read after all SMAUS in all arcs first and MGR

Netflix and Chill Part 2 -Read after all SMAUS in all arcs first and MGR

Netflix and Chill Part 3 - Read after all SMAUS in all arcs first and MGR

My Roommates Ex / MRE (Sequel to MGR, 2nd arc of the same series/universe)

Chapter 1 - Oooooh the fluff be strong in this chapter

Chapter 2 - Drama, drama, drama.

Chapter 3 - Let the juiciness commence. 18+ only.

Chapter 4 - This made y'all go crazy a little bit, huh?

Chapter 5 - Don't say I didn't warn you. Let me know what you guys think of this chapter, its one of my favorites actually. (18+ only)

Chapter 6 - Let me know what you guys think of this one. This is the last chapter for this arc, working on the third arc of the same series as we speak along with MT. (18+ Only)

MRE SMAUS:

Olive Juice Part 1

Olive Juice Part 2

Say it again and move with me

What is "it" ??

Send me a selfie or else...

I worship you.

Why are you not answering?

I need you

You really wanna know?

One and Only...

Give and take back

Unknown Number

Group Chat Part 1

Group Chat Part 2

Car Door

His and Her Perspectives / HHP (Sequel to MGR/MRE, 3rd arc of the same series/universe)

Chapter 1 - Yay first chapter! (18+ Only)

Chapter 2 - Heeseung/Ethan POV on you, omg such a beautiful chapter. (18+ only)

Chapter 3 - Just another day in the life of you and MGR/MRE/HHP Heeseung. Only for those that are 18+ older. Adults, enjoy!

Chapter 4 - Enter beotch Tiff, you guys aren't going to like her at all and she is based off of a very unpleasant person that was rude to a friend of mine back in HS. so yeah. 18+ only for this chapter so minors, pass over on this one pls.

Chapter 5 Part(s) 1, 2, 3, 4, 5, 6, 7, 8, 9, and 10. - sorry this is divided into so many parts, tumblr was acting up and would not let me paste anything beyond 1k words at a time for some reason.

Chapter 6 Part(s) 1 , 2, 3, 4,

Chapter 7 -

Chapter 8 -

Chapter 9 -

Chapter 10 Part(s) 1, 2, 3

Chapter 11 Part(s) 1 , 2 , 3, 4 OMG......This chapter i swear to God.

Chapter 12 Part(s) 1, 2 .....aaaah...redemption.

Chapter 13 Part(s) 1 , 2, 3. (Part is adult rated MDNI)

Chapter 14 Part(s) 1, 2, 3. - PLEASE understand that this is a very dark and twisted chapter. Heethan is PISSED and he's not in the right mind and shit just got real. but read the warnings bc Eden even gets back at Tiff....in a very brutal way. (recall her warning to her in earlier chapter when Tiff tried to confront her in the campus building) so please read at your own risk (it's still a good read)

HHP SMAUS:

Come rain or shine

Vegan Food

Good at acting :P

The Sun and the Flower

Ethan's hungry

Jealous

Feeling a little lonely

Freaks

Blood and Carnage

MGR/MRE/HHP One shots

Halloween Part 1

Halloween Part 2 - coming soon

Jealous - coming soon

Needy

Shark Week

Mermaids Tale (New series)

Chapter 1 - Slay! You are the Daughter of the Seven Seas

Chapter 2 - Whoo hoo! Chapter 2! I really like this story guys.

Chapter 3 - Yay its finally here! there's alot to this chapter, please feel free to send anon asks or message me if you need me to explain because alot of historical (made up, mythological) references are in this one.

Chapter 4 - Coming 05/31

Upcoming:

You're a fan. I'm a fan. - One shot (maybe a couple chapters long) but is going to be good. Smut writers, this one is for you guys. (hintity hint hint)

#heeseung hard hours #heeseung hard thoughts #enha x reader #enhypen smut #heeseung x reader #heeseung scenarios #heeseung smut #enhypen hard hours #enha heeseung #heeseung fanfic

[merrysithmas]

masculinity in star wars

you know, after some great posts by the brilliant @intermundia my mind has been going. something i've long thought, and something they recently put into very beautiful words, is how one of the central themes of star wars, and why so many nonbinary/queer/trans/masc people gravitate towards it, is masculinity.

i'd even argue it is THE central theme (even beyond the concepts of Spiritual Balance & Good vs Evil), which explains the phenomenon of cismen being so violently gatekeeping and protective of it.

we all know when sw was released in the 70s the emotional arc at its core revolved around the concept of Father and Son, the forgiveness, redemption, or blame therein.

it is easy to see why Luke Skywalker, noble, innocent, and nontoxically pursuing a masculine concept of "knightship" (while retaining feminine qualities himself which would prohibit him from fitting in with the imperials) would become a hero to many young cis boys who had overbearing, unrelatable, absent, or downright evil fathers. it is easy to see why obiwan, the wise and protective second-father figure would become their beloved guru.

it is also easy to see, of course, the reverse, wherein many men who feel they failed at fatherhood, partnership, and life, would relate to Vader and the salvaging love he had for his son. the possibility that they were not totally consumed and digested by the toxic masculinity that had conscripted them and of which they then became soldiers of - an Empire.

the question SW asks in almost every film to this date is - what is masculinity? where does it come from? how do we define it? what do we do with it? and how do we balance it?

we see this reflected over and over again - Din Djarin with Grogu, the Bad Batch with Omega, Palpatine/Qui gon with Anakin, Obi-wan with the Skywalker twins, Rey's unrelenting search for a father figure in Luke, Kylo Ren and his burning abandonment in front of the absent Han Solo, Yoda and his Order, Cassian Andor and the powerless castration he experiences via the Empire, the HyperMasculine Empire, the warsome Mandalore vs. the pacifist Satine Kryze, Cal Kestis & his success borne of his crew of resourceful women.

Characters who are presented as male are constantly being challenged by ideas of masculinity and by which route they will choose to express it.

what does it mean to be a "man"? a question queer, trans, and masc people often ask themselves in relation to our identities. and a question we see the SW characters face constantly. is it sacrifice (Anakin)? protectiveness (Din)? bravery (Luke)? resilience (Obi-wan)? taking up arms when you are wronged (Cassian)? vengeance and blazing your own way (Vader)? Kindness and vulnerability (Cal)?

of course, this concept of masculinity in SW as a central theme also extends to its female characters and what it means to have female masculinity of any kind especially within a patriarchy or a situation where masculinity can be translated into a threat (to anyone, including oneself). this is another reason, id argue, for uproar in the cismale sector of the fandom when they are faced with a topic (female & queer masculinity) that they neither experience nor understand and see therefore, as a threat.

characters like leia, rey, jyn, reva all display various components of outright female masculinity and/or display a picture of women grappling with the masculinity around them, which i would postulate is what makes them so iconically and instantly popular. they are allowed to be whole on screen. they are not merely a "feminine" archetype. they are whole - masculine, feminine, passive, and aggressive.

Leia with her commanding military presence is never once questioned. She then becomes a mother who grapples with the duties of traditional motherhood while following a path that is most meaningful for her (the Rebellion).

Jyn, the abandoned streetrat rebel who is allowed to be callous, doubtful, unpreened, and cynical. Whose strength of heart eventually pulls a motley crew together.

Rey, a sexless scrapper whose skills come from self-reliance, who is pushed face to face with someone who repulses her - Kylo Ren with his burning crucifix of a saber, who haughtily croons to her that he can take "whatever he wants" from her. She pushes him away, rejects him continually, until he renounces the toxicity of his confused perspective (brought on by his own torture). Only to in the end embrace Ben, the good man who'd die for her to live: as she embodied the principles that he failed.

Reva, a hardened and traumatized covert soldier who gives in and then climbs out of the charybdis of vengeance and spiritual suffering. who mistrusts and is disgusted by the men who were supposed to protect her family (Obi-wan and Anakin). we rarely get to see this rage and pain from a female character on screen.

as queer people of course we see ourselves in between those philosophical questions and identify with various characters and their struggles. we are always presented with these internal questions of what makes an identity and confronted with our own society's labels of "masculine" and "feminine" and how they relate to our place as queer people.

& of course, "canon" doesn't truly exist in the sense of a character's gender or sexuality - a character's orientation and identity is up to the viewer- and with complex questions of identity already at play in this universe it is easy to see oneself as a queer person within this story.

and then of course, we are now starting to see characters like Merrin, Obi-wan, and others' sexualities expanded upon further than the "assumed cishet" brand usually defaulted by the general audience.

so those are some futher, not-totally developed thoughts on the topic here haha

#just thoughts #star wars #sw meta #anakin skywalker #obi wan kenobi #luke skywalker #leia organa #din djarin #cassian andor #cal kestis #rey skywalker #reva sevander #jyn erso #han solo #kylo ren

[mattbegins]

My 911 7x05/7B predictions

- Eddie and Marisol break up (she’s only had one line and one appearance in the last four episodes and I find it kind of ooc that the reasons Eddie didn’t want to be with Ana wouldn’t also apply to Marisol, there’s been such little build up or even scenes with them to suggest otherwise. That might change this season, but we haven’t seen a successful relationship launched between a recurring character and a newly introduced character since Michael and David (I don’t count madney because even though Maddie was new they’re both mains), so I don’t know how they’d do this for Eddie and Marisol without it being rushed and kind of clumsy)

- Buck and Tommy will have a good run but I don’t think they’ll last to the end of the season. Tim Minear said as much himself and described bucktommy as an important but “sort of the entry-level relationship” as Buck begins to understand his sexuality, but because of Tommy’s redemption arc and the clear joy Buck has about their relationship I don’t think they’ll end because of something bad between them. I’d hope it would either be that Tommy has to move due to some sort of career advancement, or someone realizes feelings between Buck and Eddie and Tommy doesn’t want to be a replacement, and not them killing him off. With that in mind, my genuine theory is that buddie would be what ends bucktommy because Minear hasn’t completed the rest of the season yet and has repeatedly expressed concerns about making sure he doesn’t create anything that messes with ratings and views, so if anything he may have been testing the waters with bucktommy to pave the way for buddie if it was received well- which it was. Whatever it is, I don’t think it’ll happen off-screen like with Natalia.

- There’s going to be some drama or angst surrounding Hen and Karen’s baby (they really deserve a break but they never seem to get one when it comes to their kids and I’m nervous, but they’ll get a lot of support from Chim and Maddie especially and I can see the relationship between these sets of parents getting even stronger)

- The silly Jinx/Cursed type episode this season will involve Chimney’s bachelor party (might be There Goes the Groom) as the 118 boys stumble into some wild shenanigans. For anyone who’s seen Psych 3x04 and 6x02 and/or remembers 911 2x15 Ocean’s 9-1-1, THAT is the kind of chaos I’m looking for where maybe they accidentally get involved in some kind of nonsense and wind up getting interrogated by Athena or get drunk/dosed and have to retrace everything that happened that night (bonus points for the trope of something happening between Eddie and Buck during that time because it would be hilarious timing but honestly not a bad way to get the ball rolling). Anyway, this would explain the ruined suits in the bts photos and I honestly see them just showing up to the wedding all messy and disheveled like John Watson in Game of Shadows and Maddie being shocked but not surprised despite having made them promise nothing will go wrong or something.

- Christopher’s current storyline arc is going to get a wholesome resolution closer to the end of the season as he works through his feelings and trauma from his mom’s death, and I think/hope Eddie and Buck will get to share a proud co-parent moment seeing him go off to a school dance or a date and knowing that he’s in a better place than he was at the beginning. The scene with Shannon’s letter was so beautiful but I think this narrative still hasn’t come full circle yet because we haven’t seen it change his dating behavior, he just put the photo back up, and I think the resolution really has to involve all three of them as a family (in whichever sense that ends up being).

- Whatever grand emergency features in the season finale, I don’t think it will involve the traumatic injury of a main character, I think it’ll be a really personal and emotional type of situation rather than something physical. The three episode premier was so intense and ongoing that I have a sense they might follow the pattern of s3 and s5 which each had a major physically endangering episode in the middle (Fallout and Brawl in Cell Block 9-1-1) and then scattered large emergencies near the end with a finale that provided a lot of closure and personal resolutions for character struggles to carry over into s8. This might be the thing with Chris, or possibly more personal growth for Buck, but I think it has to be Eddie, Chris, or Buck because they have the most loose ends right now. The middle emergency has a good chance of being Ravi if they go with him getting the Albert treatment. Regardless, the hype for the show since being taken up by ABC has been huge so I think the finale will still have some sort of massive implication that’ll hook people in for the next season.

- Bonus minor prediction: Buck and Tommy cross paths at an emergency because I think that would be cute

#911 abc #s7 predictions #these are just my thoughts okay #evan buckley #eddie diaz #tommy kinard #christopher diaz #hen wilson #karen wilson #bobby nash #athena grant #chimney han #maddie buckley #ravi panikkar