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project-paranoia · 3 years

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Live Watch: Guardian Episode One, Part One

It's Guardian! The show that got me interested in this genre! I love spooky things and I love mysteries and fantasy! I simply adore it so much! When I can't sleep I just put on a playlist of Guardian in the background. I was aware of censorship before - every country has some version of it, but to some degree this was my first deep dive into how it might effect a piece of media. Guardian is exceptionally acted and incredibly written, as well as suffering from obvious dubs where the dubbing voice actor sounds nothing like the previous actor and odd cuts that are disrupted. In some ways it's the little drama that could fighting its way past their studio going bankrupt while they were filming, reshoots, and being taken down and altered several times.

In some ways Guardian's struggle fits the spirit and aesthetic of the show. Worn in like an old pair of jeans but still making an effort. Putting emphasis where things count and hoping the kindness of the universe will make allowances for the rest. Attention to detail where the story really matters. It has the charm of a community production put on out of love with actors and crew who would not be anywhere else in the world for any amount of money. That feeling of love comes through, and whether or not I'm barely literate I have so many words to share.

Part of why I love it as well is it has that feeling of 80s and 90s fantasy, like Moomin, Xena or Condor Heroes. Everything feels lived in, nothing's been spit shined except for Shen Wei's suits. It's an old city street of a show, it has history and character built in.

*After all that I don't know that I have a tonne to say about the intro. It's very good but it's also full of spoilers. I think having the intro song be in English does make a difference in making it appealing to English speaking audiences as well as standing out as different and interesting, which the show is. Speaking of Spoilers! Spoilers below!

* The obligatory beginning narration is beautifully animated, I have another post that will be done some time before the heat-death of the universe talking about the fascinating world building options. Unlike some Make It SciFi plots, this one has legs and implications.

* Remakes rarely are able to meet the original on equal ground - and I struggle to believe the actors would Fit as well - but part of me really wants to have a chance to have the Dixingren worldbuilding really leaned into. The writing is good enough we get implication but no real follow through. I want fifty episodes of how Dixing functions, give me more pseudo-science behind the mutations, what are the biological differences. I'm hungry for more!

* I love the cameos of later characters, and the way there was some effort to be discrete with spoilers.

* It's Ya Boy! I love Shen Wei. With that music cue and that sinister turn around they really set him up as dubious. I wish they went with something a little different with the intro so his character wasn't spoiled. The writing, directing, and acting was so good and spoiling who Shen Wei is kind of took the teeth out of that.

* Also cheers to the costume designer who outfitted Zhu Yilong so well and made him look jacked with the fit of those clothes.

* Also you can tell this is a real university because the staff has to sit in tiny student chairs. I'm not joking, please be warned if you're going into academia. Unless you have tenure life is An Adventure - and even then.

* Also shout out to Shen Wei's Prized Cabbage and the Queen of our hearts, Li Qian. Why is this actress not in more things? She has such an expressive and lovely face and she really goes all the way in with her acting. I respect an artist that acts from their chest. Also that windbreaker, white skirt combo is chic and fun all at once, it draws the eye and makes her melt into the background all at once - perfect for the character. I love her so much.

* Here's another one of Shen Wei's coats, it's a lovely color for him but it also is so thin that it looks like it crinkled up just from being worn.

* I'm being distracted by details and missing plot stuff.

* Story of my life.

* I love Li Qian hovering along behind Shen Wei like a duckling following their mother. A) Mood and B) it quietly informs their dynamic. Shen Wei has like one person he can trust but no one he can really confide in and it's the same for Li Qian. A ship will find a port in a storm and Shen Wei has Big Da-ge Energy. My fanfic heart hopes they found comfort in the pseudo familial relationship with each other while it lasted.

* Even in episode one we receive foreshadowing, we love and respect some excellent writing. For those of you who missed it - Professor Ouyang is talking about Lin Jing who I love partially because he's so outrageous large but has the total opposite of intimidating energy.

* What did they feed you Lin Jing? He is so tall and wide, but they do a lot with camera work to try to make him not quite as big. Side note, I would really love to see the actor who plays Lin Jing (Liu Minting) both in more dramas but more specifically in a role where he was like a minister or scholar - someone intellectual. I think the combination of being such a big gentleman and also someone who like plots or plans would be really dynamic if it was written well.

* Also I like the exchange where without a word Professor Ouyang indicates he has one last thing to say, it's private and that he would like Shen Wei to ask Li Qian to leave. That's What You Can Do With Good Actors!

* Li Qian is just so pretty and the actress emotes so well!

* Shen Wei totally understanding what's going on with this shady research immediately and wanting to stay as far away as possible. We see one of the first examples of him being aggressively polite to remove himself from a situation.

* "i'M jUST aN oRDINARY sCHOLAR." No one buys it Shen Wei.

* Angy Thinking Face

* One thing the show is really good at is using establishing shots really well so you always know where everything is and everything is going

* Guo Changcheng, all around good boy and angel. We stan a nervous legend

* Zhou Yunlan Arriving. Why is everyone on this show an Absolute Legend

* Guo Changcheng protecting himself with his certificate is too cute. This young man is trying his best and I support him.

* Also that coat is Young, Pure, Stylish; I love it

* Zhao Yunlan, what's wrong with you? You are amazing!

* His irreverent style and disregard of usual policy makes him fit in really well with his band of misfits and special cases

* Guo Changcheng's OO face is too good, elastic face

* Da Qing my love!

* Jin Ling, I think he has an all seeing eye on his hoodie thing. Illuminati Confirmed.

* Also they filmed the shots so well, so you always know where everyone is in relation to everyone else

* Our Prized Cabbage! I love her!

* Great handheld work: shaky and unhinged, but not migraine inducing

* Foreshadowing in the form of a shadow and reaching for the necklace

* Da Qing's cat behaviours. I really want behind the scenes of the actor discussing how cat was he going to cat

* We get our first real example of how Zhao Yunlan doesn't feel safe emoting negatively and so he uses a super sunny mask to hide his feelings, except with Da Qing who he lets his anger show with because he trusts him.

* I'm not even halfway through and I've written so much, peace and blessings to the readers of this.

* Zhao Yunlan's swagger, after his childhood having a little power must feel comforting and good

* I love how Da Qing is talking as a cat less than a meter from the medical examiner. Does the examiner not care or does he know? Is he deaf?

* Harassing Guo Changcheng is the new team sport

* Zhao Yunlan Realises Something Music

* Also, Lollipop Measurement

* It's nice to see Zhao Yunlan just being himself with Da Qing, he's able to really be honest and genuine with him

* Slow Look Moment

* This moment is so fascinating! Shen Wei doesn't know what's going on yet. He just sees an old friend who winces when he sees him and disappears. We mostly see things from Zhao Yunlan's point of view, but from Shen Wei's perspective this is a first part of just some Odd and Confusing Happenings

* This cat though! I love him!

* The delicate way they’re both feeling each other out. This must be so confusing and startling for Shen Wei and Zhao Yunlan is trying to figure out if this teacher is going to bust him or what.

* He forgot to let go, way to set off Zhao Yunlan’s suspicions

* “Mark Stewart” Is he though? Who picked out that English name?

* Li Qian! I love her and I love that striped blouse. Fashion. Got to look good when you’re resisting a mental break. *Also she hears a meow and looks around at eye level, I love that for her.

* Zhao Yunlan! You can’t take pictures of young ladies without their permission. What is wrong with you!

* I love Da Qing’s very cat attitude of I Will Have Vengeance for These Wrongs

* Two for one! Shen Wei meets two faces from his past.

* Also, I get a little frustrated about people making a big deal about the 10,000 years versus 1,000 years age thing with Da Qing. a) He has amnesia and b) the thousand years refers to the amount of time needed to cultivate to a certain stage in Chinese mythology - usually by absorbing energy from the sun, moon, or depending on the animal other sources.

* I feel so bad for Shen Wei, who knows what he thinks. Were his friends brainwashed? Did they forget? Can they not say for some reason? What is happening?

This review is getting a little long, so join in tomorrow for Part Two~~!

#Guardian #watchthrough

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rametarin · 3 years

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And further thoughts about the yaoi paddles.

If you’re under 20, and just now learning that fandom seniors in their late 20s, 30s, 40s, even low 50s, used to run around slapping eachother on the ass with yaoi paddles in anime and comic conventions after anime became a household media staple, you probably have.. questions.

You’re probably thinking, “Wow!! It was really lawless and anarchistic back then, wasn’t it! They never heard about personal space or sexual harassment laws! SOCIETY must have been SO different, back then!”

NO. I cannot stress enough, the Yaoi Paddle phenomenon was borne PURELY because the demographic MOST LIKELY to protest and be wet blankets about everything fun and sexual and admittedly VERY SKETCHY sometimes in fiction, and ALWAYS bad in reality.. turned off and said virtually nothing. Wokesters that’d protest about the environment and sexual assault against women would take off their Problem Glasses by night and act like paddling was harmless, contextually acceptable behavior.

Yaoi Paddle shit appeared because something absolutely magical happened in scifi and fantasy fandoms. It survived purely because boys didn’t complain, or their complaints were not taken seriously. I promise you, I assure you, if you grew up in the late 80s, your night time TV was INUNDATED with heavy handed messages about how sexual harassment (always male-on-woman flavored) was wrong, even proxy or indirect violence to women (tossing rubber gloves in their lap) was wrong, and to never, ever, ever do that thing or they’d rub your nose in it and consider you mentally diseased until the day you died.

Fandom was always niche, with sci-fi and fantasy stuff being off in its own little corner. Conventions, before the internet was king, was one of few places where more rural, disparate suburban and city-definition isolated geeks, nerds and dreamers could get together and just cut loose. Comic books, novels, video games. All that GOOD shit. But if you knew a girl in the 80s and 90s, you knew a girl that knew a girl that was getting them to be less tolerant and “more conscious and aware” (80s and 90s parlance for Woke) and when that happened, a new persona was created. A new bunch of dialogue options, created.

Suddenly they didn’t say stuff like, “Ew. Why is this character dressed like a SLUT? Typical male writers. Like we’d ever draw ourselves in this or put ourselves in this.” Because that’d be a personal, subjective opinion. Instead, the option to say, “It’s endemic in our western culture that male chauvinist authors and writers in a patriarchal system exploit femininity in media and reproduce misogynistic culture.”

And so assured this was true by mob mentality AND the idea that learned, educated, acredited and tenured academics had this opinion, they were scientists, and so they were right, permeated. Suddenly girl-fans had outlets to have justified apprehension for everything they saw and didn’t like or, if they actually liked it, STILL interpreted it through their lenses to be on, “the right side of history.”

It made fandom miserable and a sausage fest for a while, if only out of fear of driving away female friends. You couldn’t share that shit unless you knew, beyond a shadow of a doubt, that your female peers and friends wouldn’t disregard you like a “typical misogynistic western male” for enjoying that stuff.

Sentiments and peer pressure thoughts emerged. Like, “The comic industry is hostile and cruel to women that try and enter it, and they exploit the image of women for cheap dollars.” So they simply weren’t interested in comics- mostly- unless the comics were written by women and sold with that virtue in mind. In which case, you had boys glowingly mentioning just how much they liked this authentically written adventure by this female comic author. Isn’t that just so special? Not like those horrid anti-woman cigar smoking old man stories, right?

There was always something to nag and get vitriolic about with the media. That’s part of why the Whedon brand of feminist writing got so popular in the 90s. it was low hanging fruit of peppy “sassy” girl characters doing girly things. They weren’t like “other” girls written in comics and cartoons. They were actually girly. Not idealized infantalized children, like those horrible white men write, you know.

Well. Things were looking really bleak for the forseeable future. Lots of boys just felt like comics and cartoons were lost to girls that weren’t specifically into them, and that meant more sausage fest conventions or hobbies, and signing off hope on those things being respected and accepted on the merits of what they are and were. The girls had embraced serials-filed-off radfem rhetoric and lenses, sometimes without even knowing the origins of where those truisms like the Male Gaze even came from, just assuming it was true and indisputable. And it complimented their insecurities, so they’d embrace that shit until they couldn’t anymore.

And then.. something absolutely miraculous and amazing happened that blindsided this whole vitriolic culture.

Anime.

And amazingly, every complaint that a lot of nerdy girls had about the very much sanitized, policed and made PG writing and characterization of characters in western comics and cartoons, just... fucking up and vanished. Seemingly within a fucking YEAR, the entire social culture of Problem Finders, finding everything wrong about these stories, the characters, the writer and the company that produced them being misogynistic male chauvinism, dried up. Those voices quieted, or were shut out of the groups.

Media from Japan was some of the most infantilizing, sexist, tittelating shit compared to mainstream American comics and cartoons and video games, and girls fluttered to it like flies to shit. We had Buffy basically subverting boogymen that a bunch of girls had been taught were still relevant after the 1950s by fighting crime in melee combat with men, and winning, while wearing jogging pants and cracking sassy, like Lola Bunny being a “tough girl.”

Japan had doe eyed, waif bodied ballet dancers that basically farted iridescent glitter, hearts and all the symbols and shapes of the Lucky Charms, riding unicorns and fighting evil in cute outfits. Being childish and not at all mature or professional to show how womanly and competent they were, basically being overgrown 11 year old girls fresh off the playground swing set.

And the fangirls loved it. Those nagging voices that would speak up and remind them about misogynistic, male chauvinistic “societies” and culture? Just.. they fucking VANISHED from the mind for AN ENTIRE GENERATION. I’m not exaggerating. Tolerance and fun and innocence was back again. The problem-glasses felt too ostracized and alienated, or didn’t even want to wear them anymore for personal reasons, and the Radfem Baby Wokes just seemed to grow out of that collective hysteria and pretend it never happened and never existed.

That’s why the very EXISTENCE of Yaoi Paddles at conventions was just so fucking bizarre to those of us that lived up to that point. After, “Stay in your own personal space, boy. DON’T even TOUCH a GIRL unless she VERBALLY AND PUBLICLY CONSENTS or it’s proof you’re just living up to this misogynistic, objectifying society’s evil history!” was drilled into us, day on the playground by day on the playground, by women with axes to grind and good-boy sycophants performing sharing those sentiments for brownie points, it was so fucking surreal to IMAGINE girls just running around sexually assaulting and physically assaulting random strangers because they thought they looked like cute, gay men.

It wasn’t that they didn’t know any better beforehand, it’s that they COMPLETELY put those sentiments away and up and decided, as girls, it was okay to violate male autonomy because they weren’t women, and “it’s okay to paddle a yaoi boy ^.^!” With NO self-awareness whatsoever.

The very fact it existed is testament to how attention starved boys were for girls approving gaze and playful interaction, that they’d tolerate some pocky fingered little cow stranger smacking them on the ass with a plank of wood because it was a socially acceptable way to just interact with girls in their lonely assed fandom and interest. It was an acceptable way to meet girls and positively interact. That’s the degrading bullshit boys said virtually nothing about at the hayday of yaoi paddles, purely to be welcoming to girls in anime and hentai approving spaces.

WE GREW UP hearing and watching horror stories and boogymen stories about true crime and sitcoms and crime shows about evil evil men violating the personal space of women for lewd and lecherous reasons. We had it drilled into our heads that the tolerance for boys and men doing that was negatives, and the general sentiment was men caught doing that (to women, or children of any sex) were effectively free game for any violence you personally felt like unloading on them, confident that in such outraged rape and sexual assault hating times, juries would excuse that passion as a defense.

So if you look back on the era of Yaoi Paddles and think. “WOW. That must be like driving cars before they invented seat belts and cough medicine before they invented the drug safety and scheduling legal system!”.. NO.

It was not like the 50s-70s, where many of the rules hadn’t been written yet so it was anarchy and chaos. Yaoi Paddles existed almost PURELY because girls HAD no rules if they didn’t want to respect them. The Yaoi Paddle phenomenon flew in direct opposition to how interactions were supposed to go, and ABSOLUTELY NO ONE would tolerate the reverse; no cis straight man could walk around randomly smacking women on the ass with a plank of even foam in pantomime, or ‘floating hand’ pretending to be a perverted character. The double standard was GLARING. The Double Standard was a fucking bugbear that had grown from a tiny screaming goblin and was now hanging upside down from the ceiling, roaring.

But because it was GIRLS inflicting it on BOYS, absolutely no party cared enough to raise a stink about it. The Radfems kept their mouths shut, because boys were the recipients. The Radfem Sympathizers really wanted to spank boys, so suddenly they couldn’t find their problem glasses and instead put on their neko ears. The boys were either stoic and amused by it or really wanted to be seen as cool and not buzzkills, so they tolerated to reveled in it.

Many times when you hear about things that happened either when you were a child just too young to really personally experience a thing, or before you were born, we’re quick to assume it’s a medieval place and the people were so uncultured as to have never pondered the social problems of spanking one another on the ass unprovoked. Violation of personal space, personal sovereignty- all that. That was NOT okay at the time. It happened because fujoshi decided it was okay and nobody argued with them to not do hat, or they were told to stop and did it anyway.

And as I’ve laid it out, that is the most bizarre and surreal element to the whole thing. They DID know better, but felt it didn’t apply to THEM because they were girls, and a girl slapping a boy on the ass “as a joke” didn’t mean anything- because it wasn’t happening TO them, FROM a man.

And irony of ironies, it was NEVER okay, EVER, throughout that entire era, for the reverse to be a thing. It was very specifically and exclusively not. As a man if you ran around slapping cute looking girls with the Yuri Paddle, you goin’ to either juvy hall, or prison, boi. Both sexes knew it. And yet, yaoi paddles STILL became a thing.

#history #yaoi paddles #90s fandom #early 00s fandom

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simonjadis · 4 years

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Anon I’m ASSUMING that these are from the same person; apologies if they are not

I would say that my feelings are similar to yours, but not quite identical ...

Disney’s handling has been imperfect, and some of the mistakes have been made the highest level (I know that people give Kathleen Kennedy a hard time, but if rumor is to be believed, some of the interference that made IX kind of weird came from higher than that)

for example, Kennedy said in an interview that she tries to find people who just make big, successful movies to make sure that these are also big, successful movies. I can understand that as being a safe bet from a business stand point, but that’s not the same thing as finding someone passionate about very specifically telling good, new Star Wars stories, which we did not really get in the Sequel Trilogy

(one of the most common theories that I saw from TLJ apologists was that people didn’t like that it was new/different than what they were expecting, which was really not the issue for me or my friends. Also it was just a speedrun of parts of Episodes V and VI)

I think that I’m “too close” to Star Wars to see it as a financial asset rather than a beloved universe full of characters and stories that I adore, but I don’t think that “literally just rehash the Original Trilogy for two movies and barely acknowledge any other part of Star Wars until IX” was a good idea

Rey deserved her own story. and Luke deserved to not be retroactively robbed of his

as for George Lucas, I do think that years of backlash over the Prequels sucked the fun out of it for him. Also, who doesn’t want four billion dollars? it was a sweetheart deal for Disney, of course

the sad thing is that this meant the end of Clone Wars, because Disney took one look at Lucasfilm’s budget and was like “OH NO YOU CANNOT SPEND THAT KIND OF MONEY ON A CARTOON” which is why Season 6 was paid for by Netflix and why Maul: Son of Dathomir was a comic

I love Star Wars Rebels and I’m not trying to knock the show at all, but the budgetary difference was palpable. Clone Wars did have it a little easier because of the Clone Troopers (all having the same face), but on Rebels, you notice that 90% of the Imperials are the same guy wearing a hat with his visor obscuring most of his face. market scenes show just a few people (but plenty of Storm Troopers)

the designs of the main characters -- Ezra, Hera, Sabine, Zeb, Kallus, Thrawn, Kanan, etc -- are great and loving and detailed and most of those change a little over time, but there’s a reason that we only see so many planets on Rebels. look at the huge armies and crowds in Rebels. my friend @drunkkenobi is the first who pointed out to me that in Clone Wars, you sometimes see lines of ships (Space Traffic) and each ship in line will be unique, distinct from the others

it’s not Rebels’ fault that they didn’t have that kind of budget. that’s also why their space battles (and space ships) never quite look right. meanwhile, for Clone Wars, if they wanted a particular scene or ship that went over their planned budget, all that they had to do was ask Uncle George

eccentric billionaires funding expensive media isn’t necessarily the most sustainable model for storytelling, but it sure worked out well for Clone Wars and for The Expanse

(Jeff Bezos personally called up the head of Amazon Prime programming, who had already been considering acquiring the extremely good but expensive show, and was like “hey the cast from this show is at a thing where I am, I’d love to just tell them that their show is saved, give me it?” and we saw as many new locations in Season 4 as we did in the first three seasons)

but streaming -- where you actually get money directly from customers who then, through their activity on your platform, show you exactly what they want to see aka what is keeping them on your platform -- offers a new opportunity for high quality genre media. remember, scifi and fantasy were EVERYWHERE in the ‘90s and the early aughts, and then because too expensive for regular TV unless they had huge audiences. only through streaming do we have these new Star Treks, The Witcher, and the real possibility of a new Stargate series

why do I bring up streaming? because

The Mandalorian goes to show that Disney can 100% do good Star Wars. Rebels was good, despite its budget, but can you imagine how much better it would have been if it had aired on Disney+

as with the DC movies (three of which are good and I’m also excited for Birds of Prey), the solution to the our-movies-made-a-lot-of-money-but-aren’t-strictly-speaking-good is literally just “let the people who do the cartoons make the movies”

and now we’re getting a final, seventh (half) season of Clone Wars! twelve episodes looking better than the show has ever looked!!

if you’re like me, you probably thought to yourself “gee, only 12?” and, cynically, you figured that it’s a trick -- announced at ComicCon in 2018 to build up the first wave of hype for Disney+

and it is ... but it 100% worked on me, I signed up for Disney+ and will pay anything for Clone War

my HOPE is that this is a test run to see if people really like high-quality animated Star Wars stories enough to continue with it. there’s only so much clone wars that one can cover (my suspicion is that we will see Ahsoka fake her death during Order 66 in these eps, so yep, that’s the end of the Clone Wars right there)

imagine a well-written series with everything that Clone Wars had in terms of content and visual quality, but it’s set after Episode IX. to my frustration, IX ends with effectively the same worldstate as VI which essentially means that nothing much happened in the Sequel Trilogy. but imagine a series set after IX. we could see a new set of (Force-wielding) characters. we could see Rey, Finn, Poe, and Rose during some episodes. Rose could finally get to do something that’s not an insulting fool’s errand (she deserves so much better!!!!!)

we don’t need a new Big Scary Empire/First Order thing, just organized crime and pirates and Hutts and bounty hunters and individual planet systems going to war as the characters try to assemble a NEW New Republic (gods I hate the unchanged worldstate)

now, I know that Star Wars Resistance is not ... reassuring. this is the only screencap that I have from it because I couldn’t get into it. it’s not the animation (I enjoyed Tron Uprising and Iron Man: Armored Adventures and this is the same kind of deal), but three things:

-I watch Star Wars for the Force primarily; other stuff can be cool but I need the Force

-I will never care about ships racing and really I don’t care about an individual ship flying; I’m a Command Ship kind of space nerd

-apparently the writing doesn’t improve much during the first season. people tell the main character to not do something, then he does it, and disaster ensues. that’s ... it’s fine, it’s fine to exist as a show, it’s just not for me

obviously, not all Star Wars media is for me, but when something -- like TLJ or the Sequel Series as a whole (even though VII and IX are enjoyable) or Resistance -- disappoints me, I would never accuse it of “ruining Star Wars”

Star Wars is a whole franchise. the breadth of canon isn’t all wiped away by some disappointments. was the MCU ruined by Age of Ultron? no. it was a bad movie but from the same franchise that gave us The Winter Soldier and Thor Ragnarok. hell, Dawn of Justice doesn’t “ruin” Wonder Woman or Aquaman or Shazam. bad movies aren’t contagious

for the past several years, the Entitled Dude crowd has felt empowered. they were radicalized in the altright/redpill/MGTOW/meninist/nazi/gamergate/comicsgate/etc spheres of the internet and now they just have a reflex where they see any sort of representation and decry it as “SJW,” which they also seem to think is a bad thing

in the same way that well-meaning people on tumblr can get radicalized into being antis/puriteens, people with certain vulnerabilities on reddit or youtube can get sucked into a world that tells them that they are the default and that other people existing is “political” in media and in real life, and that people being upset by outright cruelty towards them is both funny and means that the cruel person is the victor. they need therapy and studios need to not listen to them

unfortunately, sometimes there are movies that are bad despite having things like solid representation. Ghostbusters 2016 was a delight, but my friends and I with whom I saw TLJ (all of us queer feminists) left the theater angry. we’ve bitten our tongues a lot (even if it seems otherwise) because publicly criticizing the film too often leads some incel monster to chime in with agreement, and we’re just like

the redpillgate crowed et all is a natural ally of conservative white evangelicals, even though the former group is generally made up of New Atheists (the short version is atheists who hold socially conservative views because racism/misogyny/transphobia benefit them without using christianity as an excuse). it’s kind of like how terfs will side with conservative hate groups because, though they’re natural enemies, they both despite trans people just for existing

unfortunately, when you’re looking at who went to see a movie or who hated it, not everyone posts with an ID card saying exactly their demographic. which is only going to make studios like Disney even more nervous about including queer content in Star Wars and in the MCU (I mean real queer content with characters whose names don’t have to be searched on a wiki)

that was a bit of a tangent, but yeah. sorry if I missed anything

#star wars #clone wars #anon #ask #anon ask

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qsdblogging · 3 years

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Another 10 TV Shows You Should Give A Shot If You Haven’t Already

This is the third installment of my recommendations of shows for you to add to your own lists. I watch a lot of television and I’ve got, what I consider to be at least, a wide variety of shows under my favorites.

If you haven’t seen the first or second list, you don’t need to unless you want to see another list of ten shows you may want to check out if you’re looking for anything new to watch.

Warning, though, some of these don’t end the best way and may end up more as a disappointment. I’ll leave that up to you to decide.

I. The Librarians.

Does this have to do with the movie franchise The Librarian? Yes.

The Library has chosen a new group to help safeguard magical cursed artifacts throughout time and around the world. An art historian, a thief, a mathematician, and a warrior are tasked with finding and saving all the mysterious, ancient artifacts. (IMDB).

This show covers action, adventure, comedy, horror, fairy tales, and much more. It’s a good choice of a new show if you’re a fan of Doctor Who and Warehouse 13, which then makes this feel like a strange mixture of the two shows.

You might find some familiar faces in Rebecca Romijn who has played the older version of Mystique in the X-Men movies, Christian Kane who’s acted in Angel, Leverage, Supernatural, and is quite the Country singer, and Noah Wyle who is the original Librarian from the movie series reprising his role, Fallen Skies, ER, and Donnie Darko.

II. My Babysitter’s A Vampire.

Technically, this did air on Disney. However, it was a Canadian production if I’m remembering correctly. The show follows after the events of the movie by the same title, so I suggest giving the movie a watch first for some background before diving into the show.

Now, because of the fact that it aired on Disney, it is a little more child friendly but it’s still quite a good show if you’re looking for a laugh. It holds more than just vampires and while things happen a little quickly (in the movie, at least) everything makes sense.

Unfortunately, it only has two seasons, but it’s worth a watch if you’re looking for something a little more light-hearted than most of this list.

III. Killjoys.

In the Quad, a planetary system on the brink of a bloody interplanetary class war, a fun loving trio of bounty hunters attempt to remain impartial as they chase deadly warrants. (Taken from IMDB).

Set in space with loads of action and adventure with all the added scifi bonuses. And while I haven’t gotten around to watching the show in full myself, I do quite enjoy what I’ve already seen of it.

I highly recommend giving it a shot.

IV. Dark Matter.

Set in the 27th century, Dark Matter focuses on six people who wake up on a deserted spaceship with no memory of who they are or what exactly they’re doing there. The six of them reluctantly team up and set off to find answers regarding their presence on the ship together with the help of a female android.

If you haven’t noticed by now, I’m quite the fan of scifi and futuristic shows. Dark Matter was unfortunately cancelled, but not until it already produced three kickass seasons.

V. Stargate SG-1.

If you’re a scifi fan, chances are you’ve seen this or heard of it. Maybe you’re like me, who grew up watching it over and over again because rewatching shows seems to run in the family.

However, if you want to give this a go, be aware that there is a movie you need to watch first, Stargate (1994), that gives a bit of background before jumping into the show. Warning, actors were changed from the movie to the show but once the show started, those actors stay in those roles.

Stargate SG-1 follows a secret military team formed to explore other planets through the discovered form of space travel, the stargate. It spans over 10 full seasons and a couple of movies too. Plus, two spin-offs.

I highly recommend watching this show if you’re a fan of scifi, ancient mythology, and just wacky goodness in general.

VI. Stargate: Atlantis.

Stargate: Atlantis is the first of two spin-offs to Stargate SG-1. This team is sent to a whole other galaxy in order to expand interplanetary communications and trade and end up coming across a whole new powerful enemy. You might see a familiar face or two pop up and I don’t just mean characters from SG-1.

It’s a great spin-off and while the third spin-off (Stargate Universe) is not on the list, if you like the first two shows, you should give the third a shot. I, personally, have not seen or gotten around to seeing the third installment of the Stargate shows just yet, so I won’t recommend it until I do.

(Plus, Jason Momoa is in this one!)

VII. Sleepy Hollow.

When Ichabod Crane is resurrected and pulled two and a half centuries through time to unravel a mystery that dates all the way back to his founding fathers, things get a little crazy in the town of Sleepy Hollow.

While I’m a huge fan of sci-fi, I’m also quite the fan of fantasy. Sleepy Hollow was a wonderful show while it lasted and while it’s been a while since I’ve watch it on any screen, I know I’m still going to love it as much as I did when I first saw it.

(Keep in mind, there are some issues that happened BTS with the lead Nicole Beharie [played Abbie, who is pictured above] and how they treated her alongside her character, so I completely understand not wanting to give this a go if that bothers you!)

And you might recognize a few faces amongst the cast. Orlando Jones who’s known for his role in American Gods, John Noble who’s known for roles in Elementary, Salvation, Legends of Tomorrow, and Fringe, Nikki Reed who known for the Twilight Saga, and Janina Gavankar who is known for her roles in The Morning Show, The Vampire Diaries, and The Mysteries of Laura.

VIII. Firefly.

Now, if you know underrated shows, there’s a high chance you know Firefly. Firefly is one of Joss Whedon’s works that unfortunately got cut way too short in its life span.

Even with only 14 episodes to its single season and a movie that wraps up the story on the big screen (but don’t worry, there’s extra content available online to find to know more about the lovable Browncoats), Firefly is highly respected.

Set in the future, the show follows a ragtag team of renegades aboard a small ship named Serenity (Class: Firefly), they find themselves wrapped up in a bigger mess than intended and work their way out of it the best they can while still evading the authorities trying to hunt them down.

Now, Firefly had been aired out of order so I highly recommend searching up the correct order before giving the show a shot just so you understand everything going on.

The cast is full of familiar faces that include Nathan Fillion who is best known for his roles on Castle, The Rookie, Big Mouth, A Series of Unfortunate Events, and Con Man, plus his upcoming role in the second Suicide Squad film, Gina Torres who is known for her roles in Angel, Westworld, Pearson, and Suits, Morena Baccarin who’s known for her roles in the Deadpool movies, The Flash, Gotham, and V, and a young Zac Efron even appears in an episode.

I will always highly recommend this show to people looking for something quick to binge while also being highly entertaining and catching.

IX. Buffy the Vampire Slayer.

If you’re a Whedon fan or was alive at any point in the 90s, or have a father like mine, you’ve probably seen this show. Hopefully, you’ve at least heard of it if you haven’t seen it. The title kind of explains it, but you get seven full seasons (plus a bunch of comics that continue the story afterward) plus a spin-off.

The show follows Buffy Summers, the chosen Slayer at the time, and her adventures after moving to a new town (after burning down the gym at her old school to kill a bunch of vampires, but she can’t really explain that one to the authorities) that happens to be sitting above a Hellmouth.

Between the action and slightly disturbing relationships, Buffy the Vampire Slayer handles a lot of teen angst and comedy.

I always laugh throughout the one scene from the episode Hush and if you know what scene I’m talking about, you know why.

It’s truly a great show and had a great ending. Highly recommend starting to watch ASAP.

X. Angel.

Lastly on this list, Angel. If you don’t know, Angel is the spin-off to Buffy the Vampire Slayer. It follows Angel, the vampire, after he leaves at the end of season three of Buffy and moves to the lovely city of Los Angeles. Along the way a few familiar faces show up and new ones get added to the mix.

Some soul-reading karaoke happens, and a few people get killed along the way. Maybe even get turned into a puppet once in a while.

Overall, it’s one of the best spin-offs to exist and holds it’s own through action, comedy, and pure spite.

I highly recommend giving it a shot. It’s up to you however if you try watching it at the same time it lines up with Buffy. My dad does it due to crossover episodes, but I know it can be quite the difficulty figuring out.

It’s up to you when to watch it.

#angel #watchlist #tvshows #buffythevampireslayer #btvs #firefly #sleepyhollow #stargate:atlantis #stargate: sg-1 #darkmatter #killjoys #mybabysittersavampire #thelibrarians #qsdpopculture #qsdbloggingpopculture #qsdblogging #findingqsd

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