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milkywayrollercoaster · 2 months
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Azulejos no Metro de Lisboa
Estação dos Restauradores
fotos cjmn
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robpegoraro · 2 years
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A little Lisbon and Web Summit advice
A little Lisbon and Web Summit advice
When I arrived in Lisbon for Web Summit in 2016, I had about the least experience possible with the place for somebody who had visited it once before–because that previous visit happened when I was one year old. But over four more Web Summit trips in 2017, 2018, 2019 and 2021, I’ve gotten a much deeper sense of the city and the conference. If you’re coming to both for the first time, I hope you…
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portugalthecitadel · 6 months
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some memories of the Lisbon metro as it used to be in the past
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diogenesz2020portugal · 2 months
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Fények és árnyak
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📌 Estação de metro Cais do Sodré
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atotaltaitaitale · 2 months
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It wouldn’t be a complete trip if we didn’t take the metro.
Plus I wanted to see the metro stop Parque (which conveniently was one stop on our journey to the airport) because it has ceramics designed by Francoise Schein with the Declaration of the rights of Men and Citizens similar to Metro Concorde in Paris.
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1weltreisender · 1 year
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Lissabon: Street-Art - die Stadt als Kunstmuseum - Fotogalerie
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Wer in der Stadt am Tejo auf der Suche nach moderner Kunst ist, für den gibt es neben zahlreichen Museen auch in den Straßen und Metrostationen der portugiesischen Hauptstadt viele Kunstwerke zu entdecken. Ob bemalte Schiffsanleger, Hausfassaden oder Müllcontainer – die Street Art-Künstler verwandeln die Stadt in ein abwechslungsreiches Open-Air-Museum. So zählt die Tejo-Metropole durch den Kontrast zwischen historischen Fassaden und moderner Kunst mittlerweile europaweit zu einem der wichtigsten Orte der Street Art und zieht damit zahlreiche Touristen an. Die außergewöhnlichen und farbenfrohen Illustrationen, die teilweise ganze Geschichten erzählen, entdecken aufmerksame Beobachter nicht nur an Mauern und Hauswänden der Metropole, sondern auch in den Lissaboner Metro-Stationen. Viele namenhafte Künstler haben sich an der Gestaltung beteiligt: Die Station „Oriente“ ist dabei ein ganz besonderes Beispiel der Lissaboner Street Art. Im Rahmen der Weltausstellung 1998 wurde die U-Bahn-Haltestelle von elf internationalen Künstlern in eine Kunsthalle verwandelt, in der sich das Thema „Ozeane“ mit großen Wandmalereien widerspiegelt – mit dabei Friedensreich Hundertwassers „Unterwassersetzung von Atlantis“. Es sind vor allem die kleinen Details, die dem Lissaboner Untergrund die besondere Atmosphäre verleihen. So zieren zum Beispiel Märchenfiguren oder auch kleine Tierzeichnungen die verschiedenen Stationen, auch die landestypischen Kacheln „Azulejos“ sind an fast jeder Ecke zu finden. Interessierte können gesammelte Street Art-Werke in Galerien des Lissaboner Stadtviertels Amoreiras bestaunen. Diese bieten Künstlern einen Raum für ihre fantasievollen Werke und tragen dabei maßgeblich zur Popularität der Straßenkunst bei. Auch die Stadt unterstützt mittlerweile viele Projekte, mit dem Ziel, den Vandalismus in der Hauptstadt Portugals zu reduzieren und gleichzeitig die Straßenkunst zu fördern.
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Ergreifende Wandbemalung in der Alameda de Santo Antonio dos Capuchos. / Foto: Ingo Paszkowsky
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Street-Art in Lissabon / Foto: Stefanie Gendera
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Lissabon. Streetart in Alameda de Santo Antonio dos Capuchos / Foto: Ingo Paszkowsky
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Viele U-Bahnstationen in Lissabon sind Kustobjekte. U-Bahnstation Oriente am Expo98-Gelände. Foto: Ingo Paszkowsky
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Die Station „Oriente“ ist ein ganz besonderes Beispiel der Lissaboner Street-Art. Foto: Ingo Paszkowsky
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Es sind vor allem die kleinen Details, die dem Lissaboner Untergrund die besondere Atmosphäre verleihen. Foto: Ingo Paszkowsky
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Im Bahnhof Oriente. Foto: Ingo Paszkowsky
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Im Rahmen der Weltausstellung 1998 wurde die U-Bahn-Haltestelle Oriente von elf internationalen Künstlern in eine Kunsthalle verwandelt, in der sich das Thema „Ozeane“ mit großen Wandmalereien widerspiegelt. Foto: Ingo Paszkowsky
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Kachelmotiv im Bahnhof Oriente. Foto: Ingo Paszkowsky
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Ob bemalte Schiffsanleger, Hausfassaden oder Müllcontainer – die Street-Art-Künstler verwandeln die Stadt in ein abwechslungsreiches Open-Air-Museum. Foto: Ingo Paszkowsky
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Dieser Parkplatz und ehemalige Theaterhof hat es in sich: Die Wände sind Street Art verschönt. Foto: Ingo Paszkowsky
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Street-Art in Lissabon. Foto: Ingo Paszkowsky
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Lissabon verfügte über eine rege Theater-Szene. Foto: Ingo Paszkowsky
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Street-Art in Lissabon. John Wayne inspirierte auch diesen Künstler / Foto: Ingo Paszkowsky
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Street-Art in Lissabon. Foto: Ingo Paszkowsky
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Dieser Hund genießt die Sonne im Künstlerviertel in Lissabon. Foto: Ingo Paszkowsky
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Street-Art in Lissabon. Foto: Ingo Paszkowsky
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Das Teatro Variedades im Parque Mayer in Lissabon in Nähe der Avenida da Liberdade. Foto: Ingo Paszkowsky
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Foto: Ingo Paszkowsky
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Street-Art im Fußgängertunnel in der Nähe der Brücke des 25. April. / Foto: Ingo Paszkowsky
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Lissabon: Fußgängertunnel in der Nähe der Brücke des 24. April zur Lx Factory / Foto: Ingo Paszkowsky
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Lissabon. Fußgängertunnel in der Nähe der Brücke des 24. April
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Street-Art im Parque Mayer in Lissabon. Foto: Ingo Paszkowsky
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Lx Factory Lissabon / Foto: Stefanie Gendera
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Lx Factory Lissabon / Foto: Stefanie Gendera
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Lx Factory Lissabon / Foto: Stefanie Gendera
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Waschbär von Bordalo II. Kunstwerk in der Nähe der Rua Dom Lourenco de Almeida. Foto: Ingo Paszkowsky
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LX Factory Lissabon: viele Restaurants, Galerien und Shops
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LX Factory Lissabon. / Foto: Ingo Paszkowsky
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Lx Factory Lissabon / Foto: Stefanie Gendera
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LX Factory Lissabon. / Foto: Ingo Paszkowsky
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Lx Factory Lissabon / Foto: Stefanie Gendera
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Lx Factory Lissabon / Foto: Stefanie Gendera
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Lx Factory Lissabon. Kunst-Insekt von Bordalo II / Foto: Stefanie Gendera
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Village Underground / Foto: Stefanie Gendera
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Grafitti in Lissabon / Foto: Ingo Paszkowsky
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Bairro Alto Rua do Alcaide Titelfoto: Ingo Paszkowsky
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photo-by-thomas · 1 year
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Wall Lisbon, Portugal 2023
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#lisbon #subway #metro #metrosaldanha #portuguese #art #arte #portuguesa #civilengineering from #portugal #lisboa https://www.instagram.com/p/CqF9gvUMoSb/?igshid=NGJjMDIxMWI=
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formalhusks-tomblr · 1 year
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Buying the tickets for the metro and waiting for it!Ⓜ️🚇🐆
Jaguar in Lisbon part 2🇵🇹
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tbhimnoteasyonmyself · 7 months
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A WOMAN DRESSED LIKE 2012 LOUIS JUST TOLD HER ENTIRE FRIEND GROUP OFF BECAUSE THEY THINK SHE SHOULD GET BACK WITH HER ABUSIVE EX, LIKE YES, MA'AM, YOU TELL 'EM
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milkywayrollercoaster · 7 months
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Tiles
Lisbon metro
photo: ismiguel
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biglisbonnews · 9 months
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Five consortia for Lisbon Red Line extension Five bidders have submitted their proposals for the design and construction of Lisbon Red Line extension between São Sebastião to [...] https://www.railwaypro.com/wp/five-consortia-for-lisbon-red-line-extension/
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portugalthecitadel · 4 months
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Saldanha with south atrium closed due to structural work
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the-underground-candy · 10 months
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sinceileftyoublog · 11 months
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The Walkmen Live Show Review: 5/18, Metro, Chicago
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BY JORDAN MAINZER
“It’s good to be back,” said Hamilton Leithauser in the middle of The Walkmen’s second show on a four-night run at Metro, in what’s surely been a triumphant return. “I don’t know what ‘back’ means, but we’re back right now,” he clarified. Of course, any time a band doesn’t really break up but takes an indefinite hiatus, and then announces a reunion (or revenge) tour, fans invariably consider the prospect of new music. Instead, right now, at least for the time being, The Walkmen are reflecting on a storied discography, revealing to crowds on a nightly basis where they started and how far they’ve come.
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Entering the stage to little banter, perhaps The Walkmen wanted to show us that, indeed, they never really left. They certainly sounded like it, Leithauser’s twangy sneer and Matt Barrick’s chugging drums propelling “On the Water”, Paul Maroon’s angular stabs and Leithauser’s trademark screams lifting “In the New Year” to the heights at which it previously soared, the entire band blasting through “The Rat” like they had little time left on earth. But as the set went on, Leithauser’s contextualization of their songs surfaced the raw imperfections underneath the band that always dressed perfectly, like the debonair socialites of Aughts post-punk. (I’ll never forget a fall 2013 Walkmen show where Leithauser clarified the band bought all their clothes at Costco and Target.) The band formed in the early 2000′s in Harlem from the ashes of Jonathan Fire*Eater and The Recoys, and their back-to-back performances of “Little House of Savages” and “The Blizzard of ‘96″--meant for those previous bands, respectively--showcased how the two disparate sonic aspects of The Walkmen for so long have worked in tandem. That is, many of their best songs start with, simply, sheer blasts of instrumentation, like “The Rat” or “Little House of Savages”, but equally impressive are the plinking, jangly exercises in collegiate and urban nostalgia like “The Blizzard of ‘96″, “138th Street”, and “We’ve Been Had”, the last of which was the first song they ever wrote, Leithauser a ripe 21 “writing forlorn lyrics about being 19.”
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Though the band prioritized their back catalog over strong later career albums like Lisbon and Heaven, I was glad to see them recognize the brilliance of a few more recent tracks. The first couple times I saw The Walkmen, they played songs from those records that had not yet been released, and hearing “Blue As Your Blood” and the anthemic “Heaven” took me back to my initial transfixation. Lisbon, especially, established a newfound emphasis on country-adjacent music, the most Leithauser’s ever sounded like a raspy Bob Dylan, songs like “Blue As Your Blood” carried by Maroon’s Spaghetti Western guitar plucks and Barrick’s galloping percussion. You could say such songs were foreshadowed by You & Me’s gorgeous “Red Moon” (“I prefer it without the horn section,” admitted Leithauser), but to me, Lisbon was the album where The Walkmen most successfully honed in on what made them tick. “This song took the longest to record of any Walkmen song ever,” said Leithauser introducing “Juveniles”, joking, “I don’t know why: It’s a simple song.” On the surface, “Juveniles” is simply, a gentle sway, but something about its clanging treble worms into your head, Leithauser’s chants of “You’re one of us or one of them” practically made for an audience to shout back.
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When Leithauser told the crowd, “We didn’t know whether anybody would remember us,” it came at first as a shock. The Walkmen were one of the most critically acclaimed indie rock bands at a time when indie rock dominated the critical discourse, for better or for worse. Of course people would remember them! Thinking back, though, as the years passed since Heaven was released, maybe the band was simply stored in people’s memory banks, perhaps precisely because they never technically broke up or announced a big farewell, leaving a permanent-feeling void in their fans’ hearts. In essence, then, their entire set felt like scratching a giant itch you didn’t know you had. What a thrill it was to hear Peter Bauer’s mammoth basslines, and Walter Martin’s synths adding to the whirr and swirling noise of “All Hands And The Cook” and “Thinking Of A Dream I Had”, Maroon’s sharp tones, Barrick’s meaty, precise fills, and Leithauser’s desperate wail. We were “one of us” once again.
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artemispt · 1 year
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Omg happy birthday!!!!🥳🥳🎉🎂 and enjoy London i hope you have the best of time!!♥️♥️
Thank you so much! 🥰 It’s being good, although my head is exploding with the tube. It’s more complicated than the Lisbon metro 😅
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