#mani in fede

[it-s-only-a-game]

#clasped hands #mani in fede #posy #ring #albion art collection

[diari0deglierrori]

I’m feeling so conflicted rn…

#I CANT CHOOSE I LOVE TOO MANY OF THEM #comunque sei stato bravissimo in quella serie figlio mio mamma sta fiera di te 🫶🏼 #ok but wait Vale is the only one there who is nominated for two shows sooo #I love all my children but maybe my top three there (in no order) would be vale fede and massi

[maiteo]

me thinking i was done w my program and can get my weekend started only for the words “121 compilation errors” to pop up

#a hunnid n twennyone I haven’t had that many in so long what the hell😭 #girl I wanted to go to the movies? #i love this pic fede lives in my reaction folder (cannoh wait till he lives back on that pitch)

[violeblanche]

lui pensa al marito anche in vacanza e quello va in giro col nuovo giocattolino

#anche se io vero giocattolino è bare nelle mani di fede #marcelo brozovic

[justisco]

i love him and he is wonderful in everything he does, but girlies i think we have to start bullying fede into scoring a goal

#how many seasons can you hit the post the crossbar EVERYTHING but the net #fede valverde #real madrid

[tra-le-patatine-a-fuoco]

I’m trying to free up some space on my phone, someone tell me why ain’t nothing but a heartache do I keep so many useless videos???

#so many loooong videooos #and nothings even happens in a lot of them??? #I recorded way too many stuff from ig too #who caaareeeessss #hundreds of videos of benji e fede Mengoni ultimo Sanremo etc #started in like 2018 #heelllpppp

[osiris-iii-bc]

Primo Emeritus: Florence.

This is the first of my posts where I locate each Papa in Italian cities based on the occult influences/history of each city. I hope you find it interesting and useful!

Primo Emeritus, The Old One, the embodiment of all that is sacred. A personality like his deserves to be located in an ancient city full of art, poetry, and history, shaped by the esoteric and alchemical obsessions of the Medici family, amidst the enduring shadow of centuries-old Satanic cults.

Let’s see why I have chosen Florence for Primo.

In this chapel of ritual…

From the early 70s to the late 80s, a series of murders occurred in various regions of middle-north Italy, with the most infamous taking place in Tuscany, known as the case of the 'Monster of Florence' (Mostro di Firenze), which resulted in the deaths of 14 people - officially, but it is believed there were way more.

The theory is that these murders were part of a large network of Satanic rituals involving influential figures from Rome, Perugia, and Florence. This network is supposedly still active. The original cult allegedly responsible for initiating these rituals seems to be the 'Rosa rossa' (Red Rose) cult. 

A fertile ground for writing Ritual...

2. The creator of Hell.

Florence is the birthplace of Dante Alighieri, the renowned author of the Divine Comedy and the creator of the now canonical structure of Hell.

Primo could have had many more things in common with Dante than we expect: indeed, it is said that Alighieri was part of an esoteric cult named ‘Fedeli d’Amore’ (Loyals to Love), probably affiliated with the Templars. From there, Dante is said to have drawn inspiration for his symbolic and esoteric tales, as well as his passion for numbers.

Keep an eye on Dante, as he will eventually come back in the next chapters.

3. The ghost behind the open window.

It’s not a Ghost story without an actual ghost.

In Piazza Santissima Annunziata, there is a building, Palazzo Grifoni, that holds a mysterious detail: a window that remains open at all times, whether day or night, summer or winter. Legend has it that a woman of the Grifone family bid farewell from that window to her lover, likely Ferdinando I, who departed for war. She waited for him by that same open window throughout her life, but he never returned, dying in battle. When she passed away, the window was finally closed. However, soon after, numerous mysterious events happened in the building, to the point the residents concluded that the building was haunted by the ghost of the woman, and they have kept the window open ever since not to upset her.

But that's not all: the Ferdinando I statue placed in the square, has his face turned to look right to that window… At the very end, he finally came back to her.

4. The Boboli alchemical garden.

Boboli represents a very particular case of an alchemical garden conceived to be ‘accessible’ only to those who have a strong alchemical and esoteric knowledge. It is built as a symbolic route where you can contemplate the principles of magical and alchemical doctrine along the way. You’ll be welcomed by two fountains, placed one on top of the other: the Mose’s (it is an indoor fountain) and the Carciofo’s (artichoke). They are believed to represent the esoteric concept of “as above so below”, but the references to esoteric concepts are present along the whole garden.

Primo would have surely loved this place.

#ghost band #the band ghost #primo emeritus #papa emeritus i #papa primo #italian cities #ghost theories #Ghost band theories

[forzarma]

love’s in the air

Pairing: vini jr x fem!physiotherapist reader

Working as a Real Madrid physiotherapist was a dream for you that you still can’t believe is real.

You started working with them in 2021, but you couldn’t help it when a certain Brazilian caught your eye.

And that Brazilian was Vini; Vini was the first to welcome you, and you became close friends really easily.

But you started to feel something for him, though you thought it was just a small crush that would fade away with time.

And let’s say you were wrong.

Because each day, your liking for him grows every single day.

You tried to tell yourself that you can’t have him, and it’s so unprofessional for you to have feelings for him, and he probably doesn’t like you anyway.

But you were wrong because Vini felt the same way about you since he first saw you.

Now that’s where Vini would fake an injury during training so he could see you often.

It wasn’t one time, nor two times, or three times; you literally lost count.

Even his teammates sensed something was up with him.

He opened up to Fede about his crush on you, and obviously, after that, the whole team knew about it.

They encouraged him to ask you out.

And he finally manned up, and he did ask you out.

You went on so many dates with him, till he finally asked you to be officially his girlfriend.

You eventually moved in together.

He would comfort you at your lowest, while you supported him through the ups and downs. You even attended his brother's matches and practices.

God knows the love you have for him.

There you go, it’s not the best😭 but i hope you like it🩷 @myloveisforbellingham

#Vini jr #vini jr x reader #vini jr imagines #football x reader #Jude bellingham #vini jr x you #camavinga #vinicius jr imagine #Football imagine #football x you

[coochiequeens]

Finally I'm able share some good news

Wild festivals, exquisite fruit-bowls and unusually realistic renderings of motherhood and female friendship – not to mention a glimpse of Lady Hamilton as an enthusiastic follower of Bacchus – will go on show in Madrid on Tuesday as one of the country’s most famous galleries seeks to spike the patriarchal canon of art history with a new, and avowedly feminist, exhibition.

The show at the Thyssen-Bornemisza – called simply Maestras (Women Masters) – uses almost 100 paintings, lithographs and sculptures to show how female artists from the late 16th to the early 20th centuries won recognition in their own lifetimes, only to find their works forgotten, erased or consigned to dusty storerooms.

Organised into eight chronological sections that reflect artistic and social changes, Maestras also explores how female artists, gallerists and patrons worked together to create and celebrate art while living and working in the grip and gaze of sexist, and often misogynistic, societies.

Elizabeth Sparhawk-Jones, The Shoe Shop, 1911. Photograph: Elyse Allen/© Art Resource, New York Scala, Florence

Seventeenth-century works by Artemisia Gentileschi, Fede Galizia and Elisabetta Sirani give way to still lifes of fruit and flowers before the exhibition moves to portraits – including Élisabeth Louise Vigeé Le Brun’s Lady Hamilton as a Bacchante – and then to Orientalism, depictions of working women, images of maternity, sisterhood and, finally, to images of female emancipation.

Among the show’s early exhibits is one of Gentileschi’s anguished studies of Susanna and the Elders, while the later pieces include Mary Cassatt’s bleary-eyed Breakfast in Bed and Maruja Mallo’s playful Fair pictures.

“This exhibition speaks positively of that other half of art history,” said the exhibition’s curator, the art historian and critic Rocío de la Villa.

“For a long time, the feminist history of art has been beset by all the handicaps and obstacles that had been put in the path of female creators. For example, they couldn’t access the same artistic training that their male colleagues could. They generally lived in an extremely patriarchal system that denied them their rights and in which their signatures had no legal value.”

There were, however, “certain moments and certain places” in which conditions were more favourable to female artists, and the show aims to offer “a series of windows through which we can see a mutual understanding and a camaraderie between artists, gallery owners and patrons”.

It also reminds visitors that some talented women caught the eye of European royal courts, and that some had husbands who helped them in the studio – or even looked after their children – because they knew that their wives’ gifts far exceeded their own.

Mary Cassatt, Breakfast in Bed, 1897. Photograph: The Huntington Library, Art Museum

Guillermo Solana, the artistic director of the Thyssen-Bornemisza, said Maestras was another example of the museum’s continuing commitment to feminism, education and addressing the prejudices of the past.

“I’d promised myself that I wouldn’t do any mansplaining today but I can’t help it when it comes to explaining what I’ve learned from the process of doing this exhibition, because I’ve learned a lot,” he told journalists on Monday morning.

“The first thing I learned from this exhibition – and which I think the public will also learn – was so many new names; so many fantastic artists I’d had no idea about and had never heard of. Of course, we knew about Artemisia Gentileschi and Frida Kahlo or Paula Modersohn-Becker, but how many important artists have got away – or been taken from us?”

Frida Kahlo, Portrait of Lucha María, A Girl from Tehuacán, 1942. Photograph: akg-images/© Rafael Doniz @ 2023 Banco de México Diego Rivera Frida Kahlo Museums Trust, México, D.F./VEGAP

De la Villa agreed. “The public is going to ask, ‘How can it be that we didn’t know about these female artists?’” she said.

“How is it that their works were in storerooms until recently? Maestras is a feminist exhibition that seeks to emphatically correct the prejudices that have come about as a result of the patriarchy – prejudices that have meant that works by female artists have remained in museum storerooms during the 20th century.”

She said the male-dominated artistic system had always sought to defend itself by denigrating female artists. Equally damaging, she added, was how historians had played down the achievements of women until their voices were silenced and their creations overlooked and then hidden from view.

“When women are hidden, or robbed of their past, they are robbed of their identity,” said De la Villa. “The power of culture is very important. It just can’t be separated from the social conditions we enjoy, or which we suffer.”

 Maestras is at the Thyssen-Bornemisza museum from 31 October to 4 February 2024

#Spain #Madrid #the Thyssen-Bornemisza #Maestras (Women Masters) #Elizabeth Sparhawk-Jones #mary cassatt #frida kahlo #October 31st to February 4th 2024

[canesenzafissadimora]

Trovato nella discarica, in un pomeriggio freddo e piovoso del 2021, malato e abbandonato, questo piccolo cagnolino nella foto, è stato salvato dai nobili spazzini. Fatto salire a bordo della cabina del camion e portato in una clinica. È stato curato gratuitamente da un veterinario e oggi è la mascotte della compagnia. Ogni volta che il gruppo che lo ha salvato usciva per il servizio quotidiano, il cagnolino iniziava ad abbaiare, insistendo per andare con loro. Hanno avuto l'idea di far fare un giubbotto anche per lui, e da quel momento in poi, è diventato parte della compagnia, felice insieme ai suoi eroi ed amici fedeli. Uomini nobili con mani dure che raccolgono rifiuti, ma anime pulite si sono trasformate in vita.

[beevean]

Anyway I think I should watch Hazbin Hotel in Italian because I listened to some of the songs and holy shit what is this level of dubbing and adaptation???????? like?? it's actually really damn good???????? bro i am shook

I thought to translate some parts of my fave songs that made me go 👀 the most lol

(the videos have English subs up to Hell's Greatest Dad if you're interested)

Veleno (Poison)

Questa è la vita che mi piace Un altro amante e tante telecamere E l’illusione di scegliere

Translation:

This is the life I like Another lover and so many cameras And the illusion of choice

The last verse coupled with the visual of the actors hits much harder, IMO. I also like how we already start with Angel's denial that no, really, he loves this life!

Tu sei il mio veleno Dammi il tuo veleno Non posso farne a meno Mi scivola in gola e va giù Veleno, ne sono pieno Anche questa notte per me forse è l’ultima

Translation:

You are my poison Give me your poison I can't give up on it It goes down my throat Poison, I'm full of it This night as well might be the last one for me

In English, Angel is just saying that Valentino feeds him poison and he's addicted to it. In Italian, he's outright asking for it. Also, Angel is afraid every night that he might die for the abuse?????

Mentire è il mio mestiere So sempre quando quel che dico ti piacerà Rinuncio alla mia identità

E l’orgoglio che io ho Fino infondo ingoierò

Translation:

Lying is my job I always know when you'll like what I say I renounce to my identity

And I will swallow My own pride

It's one thing to get good at lying, and another to do it for a living.

Also I prefer the bridge in this version to the English one. We know he's swallowing poison by this point. It's more poignant to add that he's also swallowing his own pride and dignity.

(related to this, during his breakdown with Husk in the hotel, I adore that they translated "Do you know how much I'm worth?" with "Ma lo sai quanto costo?". To be worth in English could also refer to his general status, but in Italian, it can only be intended as his price as a prostitute. Man.)

Muoio, è troppo il veleno Anche se tu mi riempi non sono pieno Del veleno, così mi avveleno Questa notte spero soltanto che sia l’ultima

Translation:

I'm dying, the poison is too much Even if you fill me up I'm not full Of poison, I'm going to get poisoned I only wish this night will be my last one

... do I need to say anything? :( Riccardo Suarez is just. man. He's the perfect counterpart to Blake Roman.

Not much to point out about Fai Schifo, Baby, except that Husk says "Baby, I like you this way" and Angel Dust calls him "love" :) a bit more seriously, "fare schifo" sounds much harsher to me than "you suck", which would be the closer translation - it more literally means "to be disgusting". I really hope the Italian fandom is not as discourse-happy as the English one :^)

(also "passivello da bordello" cracks me up just as much as "power bottom at rock bottom" dhsjfhsdk it literally means "a little bottom from a brothel" but it sounds good 😭)

Il Papà Migliore Dell'Inferno (Hell's Greatest Dad)

Lucifer calls Alastor "sguattero" which is a pretty dispregiative word for "busboy" lmao, more like "scullion".

Chi è che da sempre c'è? Chi da sempre ha fede in te? Chi trasforma tutto in cabaret? L'assistente alla regia? Proprio io, il demone Che ha dato il nome all'Hazbin Hotel Inoltre ti ho sturato la toilette Proprio oggi, grazie tante

Translation:

Who has always been here? Who has always believed in you? Who turns everything into a cabaret? The assistant director? That's right, it's me, the demon Who named the Hazbin Hotel Also I unclogged your toilet Just today, thank you so much

Very interesting that now Alastor's nun cosplay directly refers to his faith in Charlie, and not just his loyalty to the hotel :)

Also nice touch that he once again gives himself credit for the name of the hotel lol, he really hated that Lucifer didn't like it

And personally I love the effect of his voice - it's different from the og dub, and it reminds me of the earliest Disney movies Italian dubs, it's nostalgic <3

Quindi Non Sai (You Didn't Know)

Tutto qui, Sera? Charlie, non esagerare No! Vuoi di più, Sera? Non vedi che un demone può amare? Se è così salvate un'anima Che altrimenti sempre brucerà

Translation:

Is that all, Sera? Charlie, don't go overboard No! Do you want more, Sera? Don't you see that a demon can love? If that's so save a soul That otherwise will burn forever

I just like a lot more how this comes across :) it's more accusatory and also it straight up says that a demon can not only improve, but love.

Another miscellaneous lines that I prefer are "Ora la bimba lo sa!" ("Now the girlie knows!") over "Now the cat's out of the bag", because Lute is an asshole; "È questo quello che mi disgusta!" ("This is what disgusts me!") over "That's what the fuck I've been saying!" because it's a more elegant emphasis; and "Come mai nascondi che tu hai le ali come noi?" ("Why do you hide that you have wings just like us?") because it's more evocative and even more cruel since Vaggie actually got her wings ripped out.

Finale

Trascino fin qui Quel resta di me Ma la morte so che Mi voleva per se Se pensano che sarei morto da eroe Mi dispiace, ma no, sono tutte bugie Io bramo soltanto la mia libertà Dal contratto che storpia la mia volontà E quando le ali io dispiegherò Finalmente il mondo piegherò

translation:

I drag here What's left of me But I know that death Wanted me for itself If they think I would die as a hero I'm sorry but they're all lies I only long for my freedom From the contract that distorts my will And when I'll unfold my wings Finally I will bend the world

First of all, Nanni Baldini is slaying just as much as Riccardo Suez in the emotional department bro what is that voice. But most importantly, "From the contract that distorts my will". This is much more poignant than the English version, and it paints Alastor as not only a puppet, but really as if part of him is acting against his own will. man.

#hazbin hotel #long post #angel dust #alastor hazbin hotel #charlie morningstar #hints of huskerdust and charlastor if you squint #i really urge you guys to check all songs because the voice actors are all wonderful #fabrizio vidale as lucifer in particular is destroying me #as well as riccardo suarez ofc he's the best one #also yeah you can tell that i still adore poison

[leggerezza-dell-essere]

Voglio sapere se riesci a stare con la gioia,

la mia o la tua,

se riesci a ballare selvaggiamente

lasciando che l’estasi ti riempia fino alle estremità delle dita delle mani e dei piedi

senza ricordarci di stare attenti,

o di essere realistici,

né per rammentarci i limiti dell’essere umano.

Non mi interessa se la storia che mi stai raccontando è vera.

Voglio sapere se riesci a deludere un altro

pur di essere sincera con te stessa.

Se riesci a sopportare l’accusa di

tradimento senza tradire la tua anima.

Se riesci a essere senza fede e perciò degna di fede.

Voglio sapere se riesci a vedere ogni giorno la

bellezza anche quando non è pittorica;

e se riesci a far scaturire la tua vita dalla sua presenza.

Voglio sapere se riesci a vivere col fallimento,

il tuo e il mio, e tuttavia, sul bordo del lago,

a gridare al plenilunio d’argento il tuo «Sì!».

Non mi interessa sapere dove vivi o quanti soldi hai.

Voglio sapere se riesci ad alzarti dopo una notte di dolore e di disperazione

stanca e con le ossa a pezzi

e a fare ciò che va fatto per dar da mangiare ai bambini.

Non mi interessa ciò che sai né come sei giunta qui.

Voglio sapere se starai nel centro del fuoco con me senza tirarti indietro.

Non mi interessa dove o che cosa o con chi hai studiato.

Voglio sapere che cosa ti sostiene da dentro

quando tutto il resto crolla.

Voglio sapere se riesci a stare sola con te stessa

e se ti piace davvero la compagnia che ti fai nei momenti vuoti.

Oriah Mountain Dreamer

_______ Antonio Palmerini

#Oriah Mountain Dreamer #citazioni #libri #quote #photography #art #b&n #photo #apollinares 2.0 #black & white #she #train #antonio palmerini

[scogito]

Chi si affida a un'altra persona per un supporto, un suggerimento, un servizio, compie un piccolo o grande atto di fede.

Tale atto viene definito su questo pianeta nei modi più disparati: amicizia, genitorialità, professionismo, ma la sua origine anche se non sempre riconosciuta, è più profonda.

L'affidarsi a qualcuno è mettersi nelle mani di qualcun altro.

Poichè la maggioranza di questo Sistema è corrotta, abusa del suo ruolo sfruttando la difficoltà di colui che chiede.

Per questo la fede se ne va a quel paese, non perché sia un concetto religioso a cui credere o meno, o perché la divinità sia chissà dove nel cosmo.

La fede è disintegrata dalle persone perché le persone hanno disintegrato l'umanità.

E non servono a niente gli atti di contrizione pubblica fatti a gran voce riguardo qualche tragedia sociale, se poi ci si scanna in fila al supermercato.

#zombie #società #società malata #svegliatevi #aprite gli occhi #sistema #manipolazioni #fede #fiducia #onestà #lavoro su di sè #responsabilità #consapevolezza #discernimento #umanità #crescita interiore #crescita personale #spiritualità #paraguri #religioni #ipocrisia

[justisco]

not saying i saw it coming when i chose my shirt number this year but..

#i’ll get fede next season yeah? #nah i’m getting toni #how many copa del reys do we have? #i’ll work with that

[crazy-so-na-sega]

È provato dall’esperienza che, con i non credenti, l'approccio fondato sui "credi" e "devi accettare" non dà buoni frutti. Meglio portarli gradualmente a capovolgere l'ordine logico che seguono abitualmente: quindi non partire dalla verità per arrivare alla fede...

(l’agostinano "nisi credideritis non intelligetis", “se (prima) non avrete creduto, non comprenderete”) ma da una loro fede per arrivare alla loro verità. Infatti, il non credente non parte da una assenza di fede, ma da una fede cieca in qualcosa che crede essere "verità", a causa dell’influenza incontrastata della mentalità dominante. È una credenza totalmente irrazionale, basata su postulati indimostrati, accettati non solo per conformismo e per abitudine, ma in forza di una educazione di base oggi divenuta totalitaria. In poche parole,

i presunti “non credenti”, fanno esattamente quello che rimproverano ai “credenti”. D’altra parte, se non fossero rosi dal dubbio sulla fondatezza delle “verità” che sbandierano, non si darebbero tanta pena per discutere sempre sulla religione altrui e per osteggiarla

con un’animosità talvolta al limite della furia ossessiva. Se hanno questo dubbio è perché si sentono infelici e insoddisfatti. Ed è allora sulla loro infelicità e insoddisfazione che bisogna battere. Occorrono però cautela e moderazione, perché, per quanto insoddisfatti e infelici, sono tuttavia terribilmente orgogliosi, tronfi delle certezze a cui vivono abbarbicati. E dunque per nulla disposti a riconoscere i propri errori, e pronti anzi ad arroccarsi a difesa della loro irrazionale “razionalità”. Difficile dunque

scalfirli ribattendo punto su punto l’elenco delle loro apodittiche affermazioni. Occorre, invece una sapiente opera di “coltivazione” del loro dubbio inconfessato, reiterando logica dimostrazione di come le "verità" presuntamente razionali sono invece da loro adottate

ciecamente e del tutto irrazionalmente. Non sarà facile ottenere una resipiscenza: non cederanno se non per un miracolo. Ma in fondo ogni conversione è un miracolo. E noi crediamo fermamente ai miracoli: non per fede cieca, ma esperienza nella pratica quotidiana. Non siamo che poveri strumenti nelle mani della Provvidenza. Quindi continuiamo fiduciosi a testimoniare e a pregare – gutta cavat lapidem – e lasciamo che sia Lui a fare il resto. Quando e come crede.

-(sill)OGE_RIUS(cita)

#pensieri

[b4sorex1a]

https://www.tumblr.com/b4sorex1a/745530777558810624/do-you-have-any-gangbang-scenarios-with-gavi-ive

I wrote what I think about this scenario with the Madrid players x Gavi

TW:nsfw, gangbang, creampie

In this scenario, Gavi is a slut. He has taken dick from many men because he is a cockslut, but he has a fetish about wanting to be fucked by some Madrid players. It's a combo of things that make Gavi horny, the fact that they are his rivals, he is degraded and treated like an object and because he is dangerous since he doesn't know them well.

But as I said, he's a cockslut, so he seduces Vini, Jude, Camavinga, Tchouameni, Rodrygo, Rudiger, Joselu and Fede. They couldn't resist Gavi being such a good slut, an object of pleasure and a cumdump for them. It's rough sex with a lot of degradation, Gavi's holes are filled with cum, leaking sperm and leaving his entire small body full. In the end he feels satisfied since he fulfilled his fetish

!!!

we all love slutty! Pablo Gavi here,,

Also ooo Rodrygo….with Gavi…

#anon 🔥‼️ #fc barcelona smut #pablo gavi prompt #pablo gavi x jude bellingham #pablo gavi x pedri gonzalez #bottom pablo gavi #pablo gavi smut #pedri x gavi #football rpf imagines #football rpf smut #rpf smut #football rpf #rpf #top vini jr #Vini jr x Pablo Gavi #top rodrygo goes #rodrygo goes x pablo gavi #real madrid smut #Real Madrid players x Pablo Gavi