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#martin roumagnac
darlingbandit · 3 months
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Just watched Martin Roumagnac and
1) How have I never seen this movie before?
2) Jean Gabin and Marlene Dietrich have amazing chemistry. I would go so far as to say that their final scene together is electrifying, and some of the best acting I’ve seen from Gabin.
3) Man, to have lived as a mail carrier in the post-war French countryside. Amazing views, and you’re a functioning alcoholic.
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byneddiedingo · 2 years
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Marlene Dietrich and Jean Gabin in Martin Roumagnac (Georges Lacombe, 1946) Cast: Marlene Dietrich, Jean Gabin, Jean d'Yd, Daniel Gélin, Jean Darcante, Margo Lion, Marcel Herrand. Screenplay: Pierre Véry, Georges Lacombe, based on a novel by Pierre-René Wolf. Cinematography: Roger Hubert. Production design: Georges Wakhévitch. Film editing: Germaine Artus. Music: Marcel Mirouze This overheated and forgettable melodrama should have been better, given that Marlene Dietrich and Jean Gabin were lovers and were both making their postwar returns to European filmmaking. It's watchable but mainly for Dietrich, who was trying to overcome her old image as a Hollywood diva and allows herself to be filmed in natural light for once, and for a mad courtroom scene featuring a defense lawyer who behaves like a Daumier caricature. Gabin grumps about in a role that would have been better if he and Dietrich had the kind of on-screen chemistry that they supposedly had off-screen.
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Marlene Dietrich in Martin Roumagnac, 1946
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Tag Game
Thank you @risingsoleil for the tag!
Last song: Florida!!! It's giving me Lin Beifong grinding through Republic City, following in her mom's footsteps after Tenzin gets married.
Last Book: The Midnight Library by Matt Haig
Last Movie: Martin Roumagnac- I needed some Marlene Beifong.
Last TV Show: I'm going back and forth between Bojack Horseman, Modern Family, and Pretty Little Liars. It's a precarious balance.
Sweet/Spicy/Savory: A combination of savory and spicy!
Relationship status: In a relationship.
Last thing I googled: CD103 marker expression in T-cells. (I'm sorry).
Current obsession(s): Lin Beifong, Tortured Poet's Department and Street Jazz.
Looking Forward : May! We've got Dua Lipa's new album, Bridgerton season 3 and a warmer spring!
I'm gonna tag @ilovelin @orangepanic @myargalargan @badlucksav @wishingforatypewriter and anyone else who wants to!
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gatutor · 2 years
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Marlene Dietrich-Jean Gabin "La bella extranjera" (Martin Roumagnac) 1946, de Georges Lacombe.
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fourstarvideocoop · 1 year
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4/18
Aftersun (Blu Ray only) Cocaine Bear Eclipse Series 27: Raffaello Matarazzo's Runaway Melodramas (Chains, Tormento, Nobody's Children, The White Angel) (Criterion, 4 discs rented separately) Emily Flaming Ears (Blu Ray) Kids Vs. Aliens Left Behind: Rise Of The Antichrist Magic Mike's Last Dance Marlowe Martin Roumagnac The Story Of The Last Chrysanthemum (Criterion)
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julietsha · 2 years
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Martin Roumagnac de Georges Lacombe (1946)
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laurent-bigot · 2 years
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MARTIN ROUMAGNAC - Georges Lacombe (1946)
MARTIN ROUMAGNAC – Georges Lacombe (1946)
Projet un peu à part dans la filmographie de Jean Gabin, Martin Roumagnac intéresse aujourd’hui à plus d’un titre. D’une part, par son mélange de thèmes indissociables du “mythe Gabin” : amours sublimes et fatales ; simplicité du monde ouvrier face au cynisme de la bourgeoisie ; rencontre de la comédie et du film noir à la française… D’un point de vue historique, le film est également celui sur…
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rachelmygod · 3 years
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Martin Roumagnac (Georges Lacombe, 1946)
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jeanne-art · 4 years
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Marlene Dietrich dans le film de Georges Lacombe "Martin Roumagnac", 1946
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insideahumanhead · 5 years
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sala66 · 5 years
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Jean Gabin y Marlene Dietrich en “La Bella Extranjera” (Martin Roumagnac), 1946
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byneddiedingo · 2 years
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Nathalie Nattier, Yves Montand, and Jean Vilar in Les Portes de la Nuit (Marcel Carné, 1945) Cast: Yves Montand, Nathalie Nattier, Pierre Brasseur, Jean Vilar, Serge Reggiani, Saturnin Fabre, Raymond Bussières, Sylvia Bataille, Christian Simon, Julien Carette, Dany Robin, Jean Maxime. Screenplay: Jacques Prévert. Cinematography: Philippe Agostini, Production design: Alexandre Trauner. Film editing: Jean Feyte, Marthe Gottié. Music: Joseph Kosma. Marcel Carné's Les Portes de la Nuit was a flop in postwar France, and its poetically vague title may indicate some of the reasons why. The film attempts to walk a line between whimsy and tragedy, its vision of life in postwar Paris a little too suffused with romantic melancholy for audiences grappling with the day-to-day uncertainties of existence. The setting is February 1945, after the liberation of Paris but before the end of the war, a period that feels like a kind of limbo. A homeless man (Jean Vilar) with the gift of foreseeing other people's fates walks through the streets, first encountering our protagonist, Jean Diego (Yves Montand), a former member of the Resistance, on the Métro, Jean is going to see the wife of Raymond Lécuyer, a fellow Resistance fighter, to tell her that her husband is dead. But when he breaks the news, she bursts out laughing, whereupon the door opens to reveal a very much alive Lécuyer (Raymond Bussières), who wants to know what's so funny. Jean, it turns out, had been captured along with Lécuyer and had overheard the orders sending him to the firing squad, but the execution didn't take place. Eventually, the plot will reveal who ratted on Lécuyer, and the homeless man will predict the rat's fate. But this story of the clash of Resistance and collaboration takes a secondary place in the film to the romance that develops between Jean and the beautiful Malou (Nathalie Nattier), the wife of Georges (Pierre Brasseur), who made his fortune in armaments during the war, as the film turns into a muddle of coincidences. Carné was a great director, and even this weakling among his films gives us something to watch, including a performance by the 25-year-old Yves Montand. He's a bit too young for the role, given that Jean was supposed to be a soldier of fortune before the war, but he was Carné's second choice after Jean Gabin, whom the director wanted to co-star with Marlene Dietrich as Malou. After starting to work with Carné, Gabin and Dietrich bowed out and went on to make Martin Roumagnac with Georges Lacombe instead -- not the most felicitous of choices. The other major distinction of Les Portes de la Nuit is the score by Joseph Kosma, which introduced his song "Les Feuilles Mortes," better known in the States as "Autumn Leaves," with lyrics by Johnny Mercer replacing the original ones by Jacques Prévert.
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aspicasso-blog1 · 5 years
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Marché couvert, entre autre hôte du film Martin Roumagnac avec Marlène Dietrich et Jean Gabin, menacé de destruction.
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ryansposters · 6 years
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A West German poster for the 1946 Marlene Dietrich crime film MARTIN ROUMAGNAC.
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gatutor · 2 years
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Cartel película "La bella extranjera" (Martin Roumagnac) 1946, de Georges Lacombe.
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