How does Rook feel about being a grandad? Has he met any of the smeets? Check in on his kin lately? Has he ever thought about taking in an apprentice from any of them? You know cuz he’s very old and his time won’t last very long with them.
If the sage were to die, how and where would he like to have his funeral?
Oooh... Um. Rook did not live long enough to meet any of his grandchildren. There was no funeral arranged for him either. Mem donated his PAK to Zim for his personal research. His flesh body was butchered, cooked and fed to her adopted Vortian bleeties (To be fair, they desperately needed the natural protein. Otherwise, she would have hung his body on her tree of woe in a sack of silk and burned it like she did the 7 smeets she lost from her first swarm.)
Rook really only interacted with Mem's smeets if she asked him for medical help of some kind. He had no interest or intentions of being a father figure. Mem hoped eventually Rook would warm up to the idea of joining the hive/ warming up to her first swarm.
By the time Mem's first swarm were cadet age, Rook was beginning to suffer from an Irken equivalent of dementia. Paranoia and flashbacks twisted his perception of reality in a way where everyone and everything seemed like a threat on his life ordered by Lich or the tallest in charge... even Mem and her swarm. His final centuries were agonizing.
He was rather hostile to Mem's smeets; verbally when she was looking, verbally and physically when she wasn't. He would lash out unexpectedly, usually with his pyrokinesis, on which he was rapidly losing his grip.
The smeets never spoke up about it in fear Rook would retaliate by burning Mem or worse. They were terrified of Rook. That, and they knew Mem worried enough about them and a universe of other problems already.
When Mem formed her arrangement with the Resisty, Rook refused to have any contact with Mem, her first swarm or the second swarm he sired. He feared the Resisty would just attract the armada and ruin their safe haven on the mystery planet. His smeets barely remember him, only that he made their older swarmmates anxious.
Rook's ending, unfortunately is not a happy one. Mem eventually found out just how much suffering some of her smeets went through which were her real motive for sending Zim to retrieve Rook for her.
Death has given him a new sense of clarity though. His sanity is more or less restored and he regrets most of his actions towards the end. Rook intends to make right by his smeets eventually.
Rook “WAIT!”
Mem “Away with you, Sage! I have an important message to deliver! If it's vengeance you seek, you can--"
Rook “SILENCE!! I-I mean… Mem, I beg of you, let ME apologize-"
Mem “Apologize to Ikka! Apologize to the swarms you rejected out of cowardice!”
Rook “You're right. I owe them the biggest apology. I'm sincerely sorry for hurting them and for hurting you. I should have trusted you; supported you and the Resisty cause. Instead I lost all hope for change or a brighter future. Shameful; I had potential to make a difference… My body, mind and PAK were deteriorating; I wasn't myself towards the end.”
Mem “I was aware. For a while, I sympathized, but a threat to my smeets gives me no room for mercy or hesitation. I would have gutted you again. Not for a moment do I regret ridding you of our hive! Never will I apologize!”
Rook “You did the right thing. No vengeance will be sought on you. Maybe I didn’t “love" you, but I considered you my dearest friend; I respected you. You deserved no lashing out from me. Neither did your-- our smeets. Not physical nor verbal. Great Glord, You must hate me. The terms are yours to set. I'll do anything, just PLEASE forgive me. I will know no form of peace until-"
Mem “Rook… you saved me and most of my swarm that one, horrible, HORRIBLE winter. You taught me how to survive and ensure my hive’s survival in a merciless alien wilderness… I have so much to thank you for. I don't hate you. I haven't the spare attention to think of a fitting word to describe how you twisted my emotions… so I will forgive you, provided you MOVE ASIDE.
But, I cannot stress this enough; I will not extend my apology on behalf of our smeets. You must make right with THEM, if a way even exists. Those are my terms.”
Rook “Of course…But you do accept my apology?”
Mem “Yes. Yes I do. Now, GET OUT OF MY WAY!!"
Rook *salutes as she blazes past him*
[In reference to this https://www.tumblr.com/messinwitheddie/720935797525823488/once-mem-passes-away-what-would-her-relationship?source=share
Sorry if this was a bummer. I don't tend to post about the sadder/ darker details about this au, but they're there.]
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Okay, I'll admit that I relate to Leona's hobby of playing chess. Particularly, I’m very fascinated by chess and its battle-like aesthetic while you’re playing… and finally after a lot of years, my parents could buy me a cheap chess board so I could play!
It’s very cheap plastic, the forms aren’t very refined, the pieces are tiny… but it’s honest and it’s enough. Being happy with that, some headcanons for Leona playing chess came to mind~
(posting this at Leona's birthday bc I didn't knew what day could be best to show this to the world... idk why I'm that complicated)
♚ 〉Leona never felt like he could ask for more than he deserved. Since ever the servants of the palace always meddled or murmured on everything he did or didn’t, just like other family relatives (not that anyone would let the King or Farena know). Silently suffering, Leona didn’t bother asking for gifts and just accepted anything the family would throw at him on holidays or birthdays… but not with chess. No. Leona always asked for those;
♚ 〉He doesn’t want to bother remembering it but Farena was the one that taught him how to play. Little Leona just saw his big brother playing this strange board game with funny pieces and, with all the patience and love, Farena told him about every detail of the game as like telling him a story;
♟〉Deep down, both of them miss those good old days. When Farena was not old enough to keep with the regent prince responsibilities and Leona was young enough to maintain a certain innocence;
♚ 〉Leona always picked up the black pieces (or red, depending on the chess collection). At first, it was for the color. Leona’s hair is darker than his brother so it was a conscious decision choosing the pieces he most identified with himself. Later on, picking him black pieces meant accepting that he will always be the number two. Never the first to move. As for today, Leona carries both ways of thinking with the addition of knowing that “making the first move” does not necessarily mean victory. Who knows what your enemy does in the shadows? The vantage is his;
♚ 〉Leona only lost against Farena. When he plays with other people, he always win;
♚ 〉Malleus tried to ask for them to play chess once but Leona refused, saying that he “doesn’t want to waste his time like that” in a sarcastic way. The real motive though is Leona fearing that Malleus can win at another thing he enjoy and really puts effort into;
♟〉Rook also tried to ask him for playing chess and Leona lightly threatned to throw a chess board at him (Ruggie stopped it on time);
♚ 〉Probably has dozens of chess collections that he takes good care of. His favorite is one that’s celebratory of the anniversary of Sunset Savannah that it’s animal themed. The King and Queen were replaced by a Lion and his Lioness, the Bishop was a mandrill (like Rafiki), the Horse became a warthog and the Tower became a meerkat. The Pawns are Hyenas;
♚ 〉He doesn’t know about this but Cheka is secretly trying to learn chess so they can play together. But the current results are: “why old people like this game so much?” ("Cheka, my son, Uncle Leona isn't that old...")
♟〉not me getting obsessed with this chess design lol no not me
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written on RELIGIOUS PERCEPTIONS in relation to my portrayal of brooke .
A . ) parental influence played a considerable role in brooke’s views & alignments in regards to the aforementioned .
– quinn subscribed somewhat silently to christianity , only occasionally attending masses for christmas ( & easter , sometimes ) in order to maintain a stronger public image & appeal to a broader audience when the time came to run for mayor ; while he ran as a republican candidate , he was aware that there were always a handful of more radical people who were likely to hold what he did in public against him if he didn’t make a point to show any form of ��religious faith .
– monica , however , with her long - repressed wanderlust & recurrent need for something new , found her form(s) of solace through gradually increasing absences & vagrancy , the latter both in a literal & religious sense . she was brought up by catholic parents –– her mother on the more devout end with her father more untraceable due to his absences , which overshadowed his wife’s desire to make spirituality more of a method of family bonding –– but fell into the common currents of her father’s absences come the later end of her sophomore year in high school . she didn’t ‘fall’ into partying , necessarily , but slowly realized that she could manipulate herself into a sense of belonging somewhere with the help of more open - minded friends & a less restrictive environment . she then fully adopted the more open - minded outlook that she had never been allowed to embrace due to a sense of obligation . this newfound freedom led to her looking into different belief systems with unparalleled alacrity . she was both in search of with which she felt most connected to & , perhaps more importantly , which could be used to help her to achieve the furthest distance from her mother’s looking - over - her - shoulder nature of imposing .
+ this also serves as an example of a subconscious imitation of her father –– not being around the house , not being direct in whether or not she parallels with her mother’s ( rather filmsy ) set of rules or not .
in regards to the afterlife specifically , quinn feigns whole - hearted belief in heaven & hell , when , in reality , he is too reluctant to accept anything so abstract as a stone cold truth . monica appears with the family in church when they go ( until her substance abuse worsens ) to help promote the maddox image , but is more into the idea of reincarnation than anything else –– at least, that has been the most sticking of the many .
SO WHERE DOES THIS LEAVE BROOKE ?
B . ) confused , perhaps , if she cared a bit more about it as a child . when once asked by a classmate in primary school , brooke told them that the family was catholic without giving the matter much thought –– it was hardly discussed in the house , & they went to a catholic church to celebrate christmas mass . that must be it , then . but monica , who had jumped at the first opportunity to break away from that mold , made a point to tell her that they weren’t a part of that particular denomination , leaving her with no solid answers .
so brooke didn’t ask.
she simply assumed her family to reside somewhere on the spectrum of christianity , not opposing to mass until she reached the fifth grade ( & only because she dreaded the great lull of the service ) . she assumed the same beliefs that her father projected for a while –– life after death –– but rapidly began to question them with the influence of online information & conversations heard & had among / with peers. ( not much was really questioned or challenged , as the image of the family’s spirituality was fabricated & rarely touched upon as a family –– monica stuck to her own on her wavering beliefs for a while.) this went on through until brooke’s junior year of high school –– an idly lying belief canceled out by latent skepticism was forced to its crux with the string of murders beginning with nina patterson .
this –– nina’s murder standing alone –– was not what brought the question to its pinnacle. brooke thought nina’s murder to be a totally freak, one-time thing . so , what was it ?
RILEY’S.
C . ) riley’s death is what confirmed brooke’s original theory –– that an attack on the second generation after the brandon james attacks would just be too lifetime movie esque to come true –– to be fallacious .
brooke finding out that ghostface’s texts put her & riley as the choose-between would absolutely have the fault / responsibility-inducing effect on brooke, but from a smaller, more basic & emotion-desiccated viewpoint, the event & choice could be seen as something of a miracle . don’t misinterpret–– brooke is nowhere near grateful that the victim was riley, & she would have rathered it be herself, but having fate twist in her favor in that way ( beyond what money or her family is able to provide ) would feel surreal for anyone. she often finds herself consumed in the butterfly effect regarding this tragedy more than any other in her life, leading to dreams in which she was the one murdered, in which she was the one who actually killed riley, & in which she feels the link on the handcuffs attaching her to the bedpost gradually growing white-hot until the pain is too much to bear. (the beginnings of survivor’s guilt.)
brooke has never been one to look for the paranormal elements in her day to day life, nor is it something that she’s into at all, but after riley’s death, there occasionally seemed to be a sort of unspoken presence in brooke’s house in her bedroom & living room (a cooler draft, the creaking of floorboards under prodding feet). there also seemed to be more starless nights –– even though louisiana offers no stunning view to begin with –– after riley’s death, & things as simple as light refracted off of a glass & thrown into crystalline patterns on the walls brought back broken memories of better days .
basis : riley’s murder simultaneously heightened brooke’s belief in a god ( without her even being that aware of it ) & made her internal denial of god’s existence even stronger .
D . ) the second influential event on brooke’s faith was jake being stabbed in the chest in 1.07. she tells noah in the beginning of 1.08 how the doctors described the knife missing jake’s organs as a MIRACLE, & to a logistical extent, is inclined to label his survival the same way.
this was even after she did the inadvisable out of panic –– pulling the knife out. once again, some bizarre, too-good-to-be-true outward thing has righted one of her committed wrongs, & she does not at all feel deserving.
so one miracle kills while another saves .
with her mother’s well being dangling in midair at this point in canon, she almost feels the twisted luck to point more towards the wanchancy of further familial corruption gone unseen –– it gives her a reason to be more suspicious that quinn might have done off with monica.
in her childhood, she was fairly used to getting what she wanted –– perhaps, she thinks, her mother’s fate being the opposite of what she hopes it to be would serve as another example of the universe putting her in the balance’s sternum, if only to see the next move she’ll make. it may also serve as some twisted form of karma ––– a way for the world to reinforce the mantra of “you can’t always get what you want”.
basis : jake surviving the bowling alley attack throws her for a serious loop in the attempt to determine exactly where she stands on the existence of a god. here , she begins to lean more towards belief.
E . ) closely following the description of jake’s survival, however, arrived the news of will’s death. this marked the loss of four of brooke’s closest acquaintances at the start of the series. while it didn’t have as distinctive or lasting of an impact as some of the other losses suffered in brooke’s life, the timing of it offered a wall for the gaining momentum of her blossoming belief to crash full-force into. it seriously challenged any form of optimism that came with the ‘miraculous’ survival. here is where she is forced to come to terms with agnosticism, & it only continues to sprout from this event & the conflicting viewpoints that came with the real-life contrast .
F . ) the deciding event in terms of her view on the afterlife occurred in 1.10, when she was locked into the freezer & stabbed at. this event is later referenced in her carnival speech in 2.08 :
“ i almost died. & you know what i saw ? nothing. no white light. just big, black, empty nothing. ”
in a world where near death experiences are so often exalted & then used as fuel for intense cultural involvement ( books , movies , constant news interviews –––––– think of colton burpo’s experience & how it was made into something for everyone to know every detail about ––––– brooke not only felt for some time as though she had gotten the short end of the stick, but also thought this even more of a reason to keep her own experience to herself. she didn’t open up to anyone about how the freezer incident felt ( in the heat of it or the aftermath ) until intoxication blended with fury on the stage at lakewood’s carnival .
in the future, brooke will not find spirituality as a stronghold in difficult times or when memories trigger pain. the concept makes her feel too vulnerable, & the slope has proven itself to be far too slippery to place any trust in.
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