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#rickie lee jones
davidhudson · 6 months
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Happy 69th, Rickie Lee Jones.
1979.
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joeinct · 6 months
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Rickie Lee Jones in New York City, Photo by George Rose, 1979
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britinthepnw · 10 months
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Tom Waits & Rickie Lee Jones
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rolloroberson · 8 days
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Rickie Lee Jones - It’s All in the Game
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lisamarie-vee · 6 months
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jnjo · 9 months
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Annie Leibovitz, Rickie Lee Jones and Sal Bernandi 1981
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petiteclover · 1 month
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Rickie Lee Jones photographed by Waring Abbott during the taping of SNL in 1979.
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krispyweiss · 2 months
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Song Review: Keith Richards - “I’m Waiting for the Man”
If there’s anyone unkempt and druggy enough to convincingly cover “I’m Waiting for the Man,” it’s Keith Richards.
And so it shall be.
The Rolling Stone re-recorded the Velvet Underground & Nico track for the forthcoming various-artists collection The Power of the Heart: A Tribute to Lou Reed. It’s also the lead single.
With a short a capella intro and higher fidelity than the original, Richards nevertheless stays close to Reed and the Velvet’s arrangement while transforming it into the quintessential Keef Riff Hard cut. Not small feat, that, but Richards knows of which he sings on “I’m Waiting for the Man.”
“To me, Lou stood out,” Richards said in a statement. “The real deal! Something important to American music and to all music. I miss him and his dog.”
Arriving on 4/20 - natch - The Power of the Heart includes contributions from a motley array of admirers including Joan Jett & the Blackhearts, Rufus Wainwright, Lucinda Williams, Maxim Ludwig and Angel Olsen, Rickie Lee Jones, Mary Gauthier, Bobby Rush, Automatic, the Afghan Whigs, Rosanne Cash and Brogan Bentley.
Grade card: Keith Richards - “I’m Waiting for the Man” - B+
3/4/24
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mixamorphosis · 3 months
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Blog post and linked up tracklist [HERE]
Tracklist
01. Slow Meadow - Palemote (Self Released) 02. Fumio Miyashita - See The Light (Abridged) (Light In The Attic) 03. A conversation with Rickie Lee Jones (Youtube) 04. Umber - All The Ships (Oxide Tones) 05. Birds Of Passage - On Our Hands (Dronarivm) - Proceeds go to Warchild 06. Caught In The Wake Of Forever - Faultless Youth Declined (Dronarivm) - Proceeds go to National Suicide Prevention Helpline 07. Weyes Blood - Everybody's Talking (Mexican Summer) 08. The Green Kingdom - Bell Garden (ambimix) (Rusted Tone Recordings) 09. candysomething - Sellotape (Self Released) 10. Levi Patel - Her Angled Beauty (Self Released) 11. Evan Bartholomew - Medicine / Healing (Newlands Music) 12. Good Weather For An Airstrike - Breathing (ft Inachus) (Hawkmoon Records) 13. William S. Fischer - Chains (Late Night Tales) 14. The Cinematic Orchestra - To Believe (Ninja Tune) 15. Hampshire & Foat - The Solitude Of Certitudes (Parts 1 & 2) (Athens Of The North) 16. Man Watching The Stars - Fields (Self Released) 17. Charles Bukowski on life 18. Agnes Obel - Poem About Death (Late Night Tales) 19. Endless Melancholy - In Transition From Anxiety To Acceptance (Dronarivm) 20. Jonathan Fitoussi - Aquarius (Further Records) 21. Katarzyna Borek - Uranus for Craig Armstrong (Weather Storm) (BITTT)
Download available via [Hearthis]
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myimaginaryradio · 1 year
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Chuck E's In Love - Rickie Lee Jones - 1979
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blogbog710 · 5 months
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So hold on to your special friend
Here, you'll need something to keep her in:
"Now you stay inside this foolish grin"
Though any day your secrets end
Then again
Years may go by
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rolloroberson · 2 months
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Rickie Lee Jones
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lisamarie-vee · 9 months
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davidhudson · 1 year
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Happy 68th, Rickie Lee Jones.
On SNL in 1982.
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krispyweiss · 7 months
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Hardly Strictly Bluegrass Day No. 2, Golden Gate Park, San Francisco, Sept. 30, 2023
Leyla McCalla controls the weather.
An overcast day in San Francisco’s Golden Gate Park suddenly turned sun-soaked when the former Carolina Chocolate Drop sang: My face to the sun as she performed Our Native Daughters’ “I Knew I Could Fly” during her Sept. 30 Hardly Strictly Bluegrass set on the Towers of Gold Stage.
“That’s awesome,” she said mid-verse as the Earth’s star emerged from the afternoon clouds.
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Following the electric and steel guitar instrumentals of Hermanos Gutiérrez on the adjacent Swan stage and playing cello, banjo and electric guitar, backed with rhythm section and electric guitar, McCalla covered Kendrick Lamar’s “Crown” and offered a gumbo of New Orleanian, Haitian and American music delivered in English and Haitian Creole while showcasing her the Capitalist Blues and Breaking the Thermometer LPs.
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The Sound Biteses’ day had begun in the pre-noon fog with the down-in-the-holler, old-time string music of Dry Branch Fire Squad playing the songs of Gillian Welch, Doc Watson and Bill Monroe on the Banjo stage. Later, it was gospel from the McCrary Sisters, who sung Stevie Wonder’s “Higher Ground,” “Amazing Grace” and other numbers backed by a full band during short, five- to 15-minute sets on the Rooster stage, where Brennan Leigh offered a lunchtime menu of traditional country music.
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It was also on the Rooster that Emmylou Harris previewed her Sunday appearance by guesting with Shawn Camp and Verlon Thompson and closing their Doc Watson tribute set with Guy Clark’s “Old Friends.”
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Shortly afterward, Bettye LaVette sauntered onstage to deliver her grinding version of Bob Dylan’s “Things Have Changed.” From here, it was an impassioned reading of songs from the Randall Bramblett-written LaVette! album as the singer prowled the stage and proved her 77 years have cost her nothing in vocal prowess and stage presence.
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“If I could write, this is what I would have said,” LaVette said in introducing the new songs, which worked better on stage than on wax.
Rickie Lee Jones attracted a ginormous crowd to Banjo - “I haven’t seen so many people in front of me for so long,” she said, soaking it in - and their enthusiasm rubbed off. Jones, whose band included Vilray on guitar and vocals, plus accordion and bass, was animated as she danced around the stage and crooned like a lounge singer when she wasn’t playing guitar, banjo or piano.
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Opening with a radically rearranged “Danny’s All-Star Joint” more suited for the streets of New Orleans than the fields of Golden Gate, Jones went on to perform “I Won’t Grow Up” - for the first time, she said - “Last Chance Texaco,” “We Belong Together” and a sinewy rendition of Steely Dan’s “Show Biz Kids” that found Jones lifting her orange sweater to sing of the Rickie Lee T-shirt beneath.
Give RLJ the MVP for turning in HSB No. 2’s No. 1 gig.
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Faced with the quintessential festivalgoers’ dilemma, Mr. and Mrs. Sound Bites split the last hour between Steve Earle’s uncharacteristically sleepy solo-acoustic set on the Banjo and Irma Thomas’ barnburner R&B/soul revival at the Rooster.
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At 82, Thomas played the day’s most rambunctious set, ripping into “Time is on My Side” and getting the audience bouncing and waving their handkerchiefs on her mashup of “I Done Got Over It” -> “Iko Iko” -> “Hey Pocky Way” -> “I Done Got Over It.” That one might be ringing through Golden Gate’s trees along with the birdsong for some time to come.
Read Sound Bites’ coverage of HSB Day One here.
10/1/23
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