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#sisters: a jaws au addendum
inkblot-inc · 1 year
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Sisters
Summary: [JAWS AU] Simply a little addendum I have around Jaws meeting Yelena (timeline wise, also known as the Black Widow Alternate). The brain's whirring right now aight- (first arc)
Pairing(s): Natasha Romanoff x Mutant!TigerShark!Reader, Mutant!TigerShark!Reader x Yelena Belova (platonic)
[JAWS AU Masterlist]
Warning(s): none that I can think of, maybe a language warning? Yeah we'll put that just in case
Note(s): There isn't any real dialogue here since this is more of my stream of consciousness to fill in some timeline details. Not really proofread cuz I'm really just talkin through text to speech and skimming for spelling errors💀. Hopefully it makes sense/is coherent at least, but since I was thinkin about this stuff, I’ll just add it to my list of dissertations o7
Word Count: more than 700, I know that much
*squints* I give NO ONE permission to repost or translate my work. Make your own shit
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Alright lets' go Black Widow Alternate!
(That really just means I'm talkin about how the events of Black Widow go down in the JAWS AU....at least the pertinent details. i.e What happens when we deviate from canon blah blah blah)
Because Civil War doesn't happen in the JAWS AU, The Avengers are still together as a team and are able to take down the Red Room in the original way Yelena intended (“I kept checking the news, expecting to see Captain America bringing down the Red Room” but that actually happens here). This still serves as Natasha and Yelena's reunion as they get in contact with each other via the pictures Yelena sent.
Because Natasha isn't on the run (again, no CW = no accords...atm, and no Ross), she's not really stressed in that way. Natasha more so has to grapple with her own guilt at leaving her sister behind to go through life in the Red Room without her to look after her and even not trying hard enough to look for Yelena after getting out.
Natasha tried not to look back after Budapest, remember now.
Natasha tries to deflect and justify this in her own mind by trying to detach herself and saying that she and Yelena were never really sisters, just like how they were never really a part of a family with Melina and Alexei.
It was just a mission.
Natasha continues trying to push the narrative that her years in Ohio are in her past and that she couldn't wait to put them behind her to forget them when she got out. Natasha doesn't actually believe any of this. Those years spent with Yelena, Melina, and Alexei were very real to Natasha and she looks back on those times with fondness and regret they couldn't have lasted longer. However, Natasha is of the school of thought that if you say something enough times, maybe you'll start to believe it. Maybe.
Yelena immediately calls bullshit on Natasha's "I'm allergic to you" attitude, but it doesn't make Natasha's attempts hurt any less. To be so close again but treated like something other. Natasha's continued trying to push her out of her life is what gets to Yelena, that paired with seeing the people in Natasha's "present" makes Yelena self-conscious in ways that make her uncomfortable and that she usually deflects with humor and sarcasm.
It's Jaws that continues to reach out to Yelena. Not in the traditional sense, but they've taken to including Yelena and going out of their comfort zone to get to know Yelena during the red room mission (very similar scene to the Yelena and Nat beer scene talking about their lives). Yelena was protective and just a bit teasing when she found out that Jaws was Natasha's partner for sure. The ice breaker between Jaws and Yelena boiled down to Yelena doing a trick shot off of Jaws' teeth into a vodka bottle....with a bullet.
Whether or not Yelena thought she would kill Jaws by shooting them in the mouth is up for discussion...
Part of Jaws' interest in Yelena is because she is in some way part of Natasha's life, and even they can tell that Yelena is important to her without a doubt. The other part of Jaws cultivates this relationship with Yelena because she passes the vibe check, and not once has she referred to Jaws as a freak or a monster, which is what usually happens when people meet Jaws for the first time. Yelena couldn't care less about it. Wildly intrigued for both the right and the wrong reasons, but still-
Natasha seeing her "past" and "present" coexisting together pushes her to face her own feelings of guilt and even inadequacy head on (thinking of the " It was real to me too" scene) to repair and rebuild her bond with her little sister. Natasha also apologizes for not looking for her after she escaped the Red Room and trying to reduce her time with Yelena to a bad memory she kept trying to forget.
Yelena's focus afterward is freeing the remaining widows, of which she knows she can ask for her sisters and the avengers help. She is undecided whether or not she wants to officially become an avenger, but it is not off the table. Yelena and Jaws have become close over the course of the red room mission and even after, which makes Natasha very happy.
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luwupercal · 1 year
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this post got five likes so i'm posting this vignette. it's part of an au i discussed w @horuslupercal a while ago i might've posted about it? anyway here's a little under 1000 words written at 5 AM. very funny i guarantee!! if you can guess when it's set and/or what's going on you win an internet cookie <3. but with no more addendums here is:
PUNCH.
They would be known as "cameras", to you, the flock of glass-eyed artefacts that descend upon the occasion. Recording footage for a—now perhaps not-so-glorious—posterity, these clockwork vultures are the emotionless wandering eye of an empire that’s not so much in mourning as it is in doubt: how can the mighty fall? How many lies have they promised? How mad should they be? The remembrancers manning the swarm will provide, hopefully, part of the answer to these questions; the rest of it, tonight at 8, on every planet unlucky enough to have figured out 24-hour media circuses.
One of these cameras seems unremarkable. Its model isn't even gold-plated and engraved like the fashion demands nowadays, shy in its bare steel shell—but it is, actually, a very lucky camera. In fact, it might be the luckiest. (Its contents will soon propel its wielder into non-literal Sainthood for the next century, and if possible, literal Sainthood for two after that—no small task, dare I say).
This camera is not trained on the procession: its larger and better sister has that job, and the lucky little camera's operator instead is swerving around the crowd, trying to capture this energy. She wants to do her own documentary filmmaking, you see, but she's stuck apprenticing; but this is such a powerful moment in the history of Humanity, she gathers, that, even if nothing happens, any footage she captures—on this humble silver creature—of the unnameable emotion currently permeating the air is something that can, and will, be used for millennia to come.
But remember: this camera is lucky, and so her operator—her name would translate to Daisy, with some liberties—notices a break in a vital part of those gathered, in a half-shadowed corner.
Two relatives, both tall and long haired; one steps aside, the other follows on cue, invited. They separate somewhat from the crowd, and Daisy's lucky, lucky camera zooms closer. As the view inches forward, the shorter figure's body language changes; he steps back, away from the other. Then his—limbs, so to speak, his whole body, the soft enormity of it, raises its hackles. He steps closer to the taller one, who looks unphased, surprised maybe, annoyed at the surprise. And then, right after the camera jerks forward one last time, the action comes.
The lucky, lucky camera is the only one who records any footage of Sanguinius punching the everloving shit out of Lion El'Jonson's jaw at the late Warmaster's funeral. 
It remains its homeworld's most prized possession, even today.
The Lion, of course, has an approximate shit-tonne of metric force directed to his face by a man who flies with those back muscles. So, yes, he stumbles. It is in fact a testament to his strength that he doesn't fucking crashland on his derrière. He doesn't get the last word in the argument; Sanguinius rejoins the funeral procession, now fuming at the audacity. New warmaster. New warmaster! A proposal to fill the post! At their brother's funeral—Sanguinius never believed the Lion to be so thoughtless, but this is something else. At their brother's—when they should be—his eyes well up once more. Sanguinius thought grief was an old friend, for those who raised him, for his sons, for—for unnameable people. He didn't expect the suddenness—he likes the Baalite word, súbito—of this loss. It feels like an old and loveable neighbour is pummeling him across the chest with a hammer; these are not, necessarily, tears he wants to turn into a fashion statement.
The Lion rejoins his family after a minute, pride wounded in more ways than one. Fulgrim shoots him an unabashed look, then makes a maddened grin of disbelief that the Lion actually growls at. Fulgrim ignores that, shooting a wide-eyed glance and a head-tilt at Ferrus—who's been occasionally side-eyeing Fulgrim's thicker-than-usual makeup for the funeral with confusion, and Lion has noticed that, thank you very much—to indicate to him Lion's new angel-given bruise. Ferrus doesn't have the willpower to hold back a snort, and the Lion swears vengeance on both of them—failing to notice, of course, how his appearance has been the first thing to produce such a reaction out of an unusually quiet Fulgrim in the whole day.
Next to Ferrus is Guilliman—Angron is absent, as is Curze, for perhaps the obvious reasons that they're technically-at-large-Terra has it covered do not even worry; Roboute notices Ferrus's double-take and steels his expression, still trying to will away with determination alone the ugly redness that creeps over his patrician features when he's recently cried in fear. Mortarion, next over, doesn't see any of it, his face under the hood a terrifyingly blank mask; Magnus, fresh from colloquial house arrest and with his hair tamed perhaps for the first time since the Lion met him, has already turned to Sanguinius, sensing a new emotion in the maelstrom of his grief. (It isn't so much anger or offence as it is wrath). Besides Fulgrim, Perturabo peers at him so discreetly the Lion almost doesn't notice and then looks back at Horus's grave, dissociated; Jaghatai Khan not so much sees as perceives a disturbance and crosses something off a mental bingo with genuine bitterness. Slowly, the information trickles, Rogal Dorn blatantly ignoring them, Vulkan frowning in obvious concern, Leman's disappointment a surprise to the both of them, Corax an enigma as he always is.
But it's Lorgar's reaction that sticks with Lion—he struggles to read faces at the best of times (misses Luther's assistance when he sees it, regrets leaving him back with his Legion). But he remembers it—and he will ignore it at first, but later, when things come to light, he won't be able to help but think that what his paranoid mind saw now makes for a sickening picture.
The pure, unadulterated guilt that knits together Lorgar's face is unmistakable, even to him.
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inkblot-inc · 2 years
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JAWS AU Masterlist
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Pairing: Natasha Romanoff x Mutant!TigerShark!Reader
Summary: Reader is a mutant with the abilities and characteristics of a tiger shark. You’ve grown up in the hands of HYDRA to be a killer. Nothing more, nothing less. When the Avengers come upon you at the HYDRA base, Natasha is the one to help you adjust to life among other people
Jaws' Themes (wip)
Main Parts:
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First Arc: Coming Up For Air
PT.1: Fish Are Friends Not Food
PT.2: You're Gonna Need A Bigger Boat...
PT.3: You Touched The Butt
Vignette: It's Just a Kiss
Aside: Sisters (A BW Addendum)
Aside: Jaws' First Christmas (HCs)
Vignette: One Step Forward, Two Steps Back
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Second Arc: The Isle of Enoka
PT.1: Cruisin' For A Bruisin'
PT.2: Surf and Turf
PT.3: Where's Don Lino?
Installments Still in Developmnent....
General Info:
Jaws' Eating Habits
Jaws Around People in General
Jaws' Intelligence
"The Hand Thing"
Everything Else JAWS:
j.headcanons
j.blurbs
j.oneshots
j.aesthetics
THE EVERYTHING BUTTON (every post marked for the JAWS AU Note: this button unfortunately only works for desktop, for mobile you'll have to go to the "jaws au" hashtag marked in my blog's search engine)
ALSO: *squints* I give NO ONE permission to repost or translate my work. Make your own shit
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