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#that's just the vegaspete effect
lu-sn · 11 months
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Rank the VegasPete kisses 😈
suz i stg this ask is gonna get me super mega cancelled. when you find my mangled body in a decrepit alleyway tell my family i loved them
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6. i love you, pete.
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listen, no okay, LISTEN, put down your pitchforks, this is an s-tier kiss okay, i know!!!!! I KNOW BUT EVERY VEGASPETE KISS IS INSANE!!!! SOMETHING HAS TO BE AT THE BOTTOM
i did and still do think it's a lil cray cray of vegas to say he's in love with pete like ten days after dicking him down, but the blood-streaked mouths and vegas's devastated face as he pushes pete away afterwards sure do make up for it
5. you must suffer until i'm satisfied
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the thing that gets me about this one is the total lack of artifice on vegas's part. despite every touch of his before this having been part of a long, cruel, twisted performance, this one is so gentle. so unassuming. a gift, more than anything else.
the conversation after is critical to their relationship, and i'm not sure pete would have wanted to open himself up like that without this kiss as proof of vegas's... sincerity? vegas isn't playing a game anymore — and pete can finally stop playing too.
4. psycho
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head in hands!!! i can't believe this isn't in the top 3 someone send me to jail rn
i don't need to talk about this yall Know. third eye opened brain chemistry rewired brainrot permanently acquired "you like me like this" "i know exactly what i want" the way their hands paw at each other the way vegas smiles the way pete's KNEES GO WEAK I'M FOREVER SCREAMING
3. you're the most important person in my life
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ugly sobbing in the gutter they trust each other they cherish each other they're going to work so hard to stay together they're coming together as EQUALS in the LIGHT AFTER THE STORM I'M—
it's the way they cradle each other's faces in their hands, okay. it's the unbearable tenderness, and it's the promises they're making to each other!!! that shit just gets me real bad 😭
2. (we only kiss people we like)
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their entire sex scene is characterized by an unexpected, intense tenderness, and this last kiss is really the nail in the coffin for me. the way pete is leaning up into this, chasing vegas's mouth — the way vegas is so unbelievably soft as he presses himself into pete — the space they've carved out together in the darkness for this moment of startling intimacy — something has changed here, in both of them. and it's going to be their undoing.
1. i need you, pete.
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I DON'T CARE IF YOU DISAGREE WITH ME I WILL DIE ON MY LITTLE HILL THIS IS THE BEST KISS IN THE ENTIRE SHOW. SCREENSHOTS DO NOT DO IT JUSTICE. vegas is TREMBLING into this kiss he is TERRIFIED he's made an awful awful mistake and he's about to lose the best thing he's ever had he is CLINGING TO PETE trying to press all of his monstrous love into pete's skin i'm so sorry i didn't mean it i need you i will worship you look at how gentle i can be with you? look at how desperately i want to cherish you please please pete don't leave me MY GOD I AM CHEWING ON THE WALLS IT HURTS SO GOOD
and pete is so vulnerable to this kind of touch. he's shaking too, he's gasping and sobbing and almost can't believe what he's about to do in return. pete intends for this to be their last kiss — and vegas has no idea.
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guzhufuren · 1 year
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VegasPete + text posts for @sapphicblight (pt. 31/35)
bonus:
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magicaldreamfox1 · 8 months
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pete & his masks (for @kissporsche)
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forursmiles · 2 years
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AND THEY’LL NEVER WAKE UP -K.S
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thepetesimp · 3 months
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A little while ago, I told @wretchedamaranth that I was almost certain Pete never says "I'm sorry" in the show, sharing my thoughts about it and what it means for his character. I was super confident in my belief that he hadn't. But then, I rewatched one of the best VegasPete FMV that exist on YouTube, and realized what an utter FOOL I was when I said it, because this happened:
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We were both extremely normal over forgetting this CRUCIAL detail to this scene. But then, we obviously started analyzing it immediately: Y: ISN'T IT INCREDIBLE? THAT HE'S SHOWING REGRET HERE SO MUCH THAT HE FUCKING SAYS IT? A: I'm sorry. I'm sorry I'm choosing myself. I'm sorry I'm a person. I'm sorry but you made me realise I'm a person. You made me realise I want to be treated like a person. I have to leave. I'm sorry. You're the reason I know I have to leave ---- *gunshot noises* Y: Also, to me it's "I'm sorry I am leaving you when I know that might destroy you. I am sorry I'm denying your attempts at making amends" [...] Y: THEY'RE TALKING SO MUCH PAST EACH OTHER. THEY HAVE TWO DIFFERENT CONVERSATIONS, ISN'T IT INSANE? A: God, yes, the way Vegas is desperately trying to say its not too late, we can try again, we can leave. And Pete is crumbling before him, every single defence laid bare, he actually cannot meet Vegas where he is. And Vegas can't acknowledge that, so he's just trying trying trying, for that impossible hope. Y: Vegas doesn't understand what he did, HE DOESN'T UNDERSTAND WHAT HE DID A: Nope, he doesn't or he can't let himself otherwise it'd break him fully. To have hope, he must lie to himself. The brainrot lives on, and will continue to live on, for a long long time ahead. KPTS the show that you are.
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thequeenofsastiel · 2 years
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I really hope that Build and Bible did some version of aftercare, because even though they weren't actually doing S&M play to the extent that was shown between Pete and Vegas, they were still going through the motions of a BDSM scene. Bible did still pull Build's hair on multiple occasions, shoved his face into a bowl of congee, kept him chained up, and tied his wrists and chained his feet before they simulated sex. Doing things like that with each other is intense and intimate, regardless of whether or not they have a kink or romantic relationship outside of the scene, and it's generally important to have some sort of aftercare(though not everyone feels that way). I remember reading once that Iwan Rheon and Alfie Allen found it important to spend time together and have a relaxed relationship outside of filming because of how intense their scenes were together in Game of Thrones.
So yeah. I hope they felt comfortable enough to do some kind of aftercare.
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asexualannoyance · 1 year
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i very desperately want some good pete angst
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boysbeloving · 2 years
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So...i sat in my FEELS the entire weekend...
And now that today is Monday and I have to work, ofc i will sit on this site and reblog every fucking set of my fav fav fav series: KinnPorsche
Don't know about you but fangirling on busy weekdays is how i roll
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itsanidiom · 2 years
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and i be like…why are you so obsessed with me?
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chawarin-panich · 2 years
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I am LOSING MY SHIT at the VegasPete defense post that’s like there are people like Vegas and Pete who find this to be perfect and I’m like MA’AM PLEASE torturing someone is a crime 😭😭😭
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williamrikers · 11 months
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On the subject of consent in recent BLs
In this analysis, I will take a look at several love scenes in recent Thai BLs, how they frame consent and the sexual agency of the characters, and why those matter.
(KinnPorsche deserves its own post: I’m sure people have already written in detail about how much emphasis is placed on issues of consent/non-consent throughout the show and how fundamental consent is to the relationship arcs of both KinnPorsche and VegasPete, and I won’t belabor the point here. Also, special shout-out to The Warp Effect for what it brought to the conversation about gay sex, but TWE isn’t technically a BL so I decided not to include it in this analysis.)
I am going to take a closer look at the following shows in this essay: Not Me, The Eclipse, A Boss And A Babe, Step By Step, and La Pluie.
Not Me and The Eclipse predate the other shows by two years/one year respectively, but I feel it is valuable to include them here because both show very explicit negotiations of consent that I feel are spiritual successors to the wonderful scenes we’ve been getting in the other three shows.
Why am I even writing this? There used to be an unfortunate tendency in the genre to have a power imbalance between the “seme” and the “uke” character, which translated into the seme deciding when to have sex and what kind of sex to have—and even though recently, several shows have done good work in dismantling the seme/uke dynamic and questioning the associated stereotypes, it cannot be denied that the archetypes are still an important part of most BLs, and even in cases where the tropes are played with and questioned, understanding those subversions still requires a knowledge of and familiarity with the original tropes on the part of the audience.
However, gone are the days of Until We Meet Again and Dean’s “I’ve waited long enough, make sure you’re ready.” (I enjoyed UWMA a lot but that was. Yeah. Not Great.) Now, we see characters actually talking about and negotiating their limits, and doing what feels good to them.
Let’s start from the very beginning. Not Me was an absolute trailblazer in this regard, and not mentioning it here would be a gross oversight. The first time Sean and White have sex, it happens in their version of the beach episode. (Which, in Not Me, is the two characters briefly living in a tent inside an abandoned building. This show is the best.) Sean and White are removed from their usual environment and protected from the outside world by two barriers: the walls of the old house and the tent that’s literally enveloping them and giving them a space that is unequivocally theirs, shared, in which neither one of the characters has any sort of power over the other. And what happens in that space when they’re about to have sex is extremely interesting: the first thing Sean asks is whether White is afraid of him, which White denies. The following exchange goes like this: White: "So, what are we doing?" Sean: "What should I do to you?" White: "That’s up to you." (Watch the whole scene here.)
I find this exchange incredibly meaningful because this already turns the seme/uke dynamic that can be found in a lot of other shows on its head. OffGun as a branded pair can easily be stereotyped into the seme/uke dynamic just because of their physical appearances, and clearly spelling out that both characters have agency in this scene is incredibly important.
And then it gets better! Sean assumes that White is sexually inexperienced (which is not true but the fact that White was actually in a relationship with a woman back in Russia never comes up again after the pilot episode, so maybe the show expects us to assume this, too), and suggests they try different things and White can tell him what he likes and doesn’t like. Compared to the stuff we’re getting now, this scene isn’t very high heat at all, but it’s one of my favorite intimate scenes ever because them asking each other “Do you like this?” after every kiss, every touch, is so incredibly unique and transports a wonderful sense of figuring out sexual pleasure together, as a couple.
Sex in Not Me is not something one character does to another, it is something that is discovered and shared together, and we even get an afterglow scene in which they gently tease each other about their fast beating hearts. (And don’t get me started on the importance of White choosing to ask Sean whether Sean is okay with White not being like Black in that moment right before they have sex, because he doesn’t actually want to have sex with Sean as Black! He wants to discover and share intimacy with Sean as White, as himself, not as his brother! The layers!)
Anyway, I think that scene paved the way for a lot of the conversations around consent we’re now getting in BL, just because it is so explicitly, unashamedly putting forward a definition of sexuality that has nothing to do with one character actively giving and the other passively receiving, but frames intimacy as something that is built together. (More on giving and receiving later!)
Now, moving on to The Eclipse. I decided to include the first time Akk and Aye have sex for a different reason: while we don’t really see them actually talking about consent, we see them practicing non-verbal consent. Let me explain. Akk’s and Aye’s whole thing is teasing each other. At first, Aye is usually the one doing the teasing, but Akk gets the hang of it towards the end of the show and teases his boyfriend right back. When they’re in Akk’s childhood bedroom together, Aye clearly alludes to the fact that he thought they might use this opportunity to have sex for the first time, which Akk pretends not to understand, all while alluding to it himself. I love this guy. (Watch the whole scene here.) Anyway, Akk says he wants to sleep, lies down and once again, tells Aye jokingly he just wants to sleep, clearly expecting Aye to do what other BL protagonists do at that point and not take no for an answer (sidenote: I HATE the “saying no as foreplay” trope with a passion and as far as I’m concerned it should die already).
However, Aye is not like other BL love interests, and he backs off. He stops touching Akk, lies down with his back to Akk, showing Akk that he takes him by his word: if Akk says he wants to sleep, Aye is going to let him do just that. So now, it’s on Akk to say that, no, that’s not what he meant, can Aye please come back to cuddle. And then Akk is the one to escalate from cuddling to kissing, which is extremely important: we know that Aye has been ready to have sex with Akk since forever, it’s Akk who’s been having hangups about intimacy this whole time.
They don’t put consent into so many words on this show, but Aye shows Akk that he respects his limits and that Akk only has to tell him he doesn’t want to do something and Aye will take him at his word.
So, these are, to me, two foundational scenes of establishing consent: one that shows consent as something that is established verbally, as an ongoing conversation, and one that shows consent as something that is established physically, by showing your partner that you respect their choices and limits by way of simply acting accordingly.
Now, let’s get into the fun part: scenes we got so far in 2023. I’m writing this post on the 13th of June, and I’m sure this year still has some great things in store for us, especially because Step By Step and La Pluie are both ongoing and neither of the main couples are actually together yet at time of writing. However, they’ve both already given us AMAZING scenes on the topic of consent, so I feel it is worthwhile to write about those already.
I want to start off by talking about A Boss And A Babe.
Let me just preface this by saying that the intimate scenes in ABAAB are some of my all time favorites in BL ever, because in them, sex is something that is just so normal. When Gun and Cher have sex, we don’t see them very passionate, excited, reluctant or wide-eyed innocent (which are some of the emotions traditionally associated with sex in BL). On the contrary, in every single scene that shows them being intimate, both characters are incredibly calm. They’re certainly happy to be with each other, but in a subdued way. Someone described their second intimate scene as them seeming like they’ve been married for a few years. They’re both just… incredibly normal about having sex with each other. It’s simply something they like to do together. It’s a part of their romance but it’s not more or less important than any other aspects of their lives.
And consent is at the very heart of it.
When Gun and Cher have their first time, we see Gun explicitly asking for consent two times: first, “Can I kiss you?”, then, “Can I do more?” The second one even comes with the promise that if Cher says no, Gun will immediately go to sleep without mentioning it again. And then it is on Cher to say yes, to pull Gun close and kiss him to show him that he is comfortable with taking things further. (In the show, these two questions were shown apart from each other, I cut together a version of the whole First Time Scene in its entirety, watch it here.)
Now, things get more interesting: the second intimate scene shows Cher initiating the encounter (watch the whole scene here). Cher pretty consistently falls into the uke category, both physically and as far as characterization is concerned, but he’s certainly not shy in the bedroom. And this time, he’s the one who asks for consent from Gun: Gun asks “You’re starting it?” and Cher’s response is “Can I?” Despite him being framed physically lower than Gun, basically at Gun’s mercy, he still seeks confirmation that Gun is okay with the way things are going. Not to overstate it, but to me, this feels revolutionary. Once again, we’re being shown that sex is something two people do together, as a shared activity, and that the “seme” character isn’t expected to just be up for it. He, too, has the right to say no.
On this show, sexual agency is taken extremely seriously, and it is clear that both Gun and Cher give each other space to decide what they’re comfortable doing. This is shown in non-intimate scenes as well: there are so many moments on ABAAB in which the characters negotiate physical touch and closeness, asking each other for hugs before actually hugging each other, Cher leaning on Gun’s shoulder in the car but not allowing Gun to touch him because that’s not what he’s comfortable with in that moment, and so on. (The only exception to this otherwise pretty consistent rule is the kiss in the car scene, which I’m still extremely confused about because it seems to go completely against Gun’s character. Who knows what happened there.)
Of course, the fact that so much emphasis is placed on negotiation and consent isn’t surprising on a show that has such obvious kink undertones and whose Our Skyy 2 entry basically consisted entirely of Dom/sub roleplay at work—I’m just saying, I think someone on the writing team is way into BDSM and knows all about the importance of enthusiastic consent from all parties involved, and I would like to send them flowers.
Step By Step hasn’t really reached the point where we can analyse the dynamic between the main couple (although we can take some educated guesses based on the interactions we’ve seen so far). However, last week’s episode had an extremely important scene between Pat and Put: Pat wanting to have sex with Put, then changing his mind mid make-out (watch the whole scene here). I really like the way this scene was done. No matter how shitty Put treats Pat at times, in this instance, he immediately understood and respected Pat’s change of mind without Pat even saying or explaining anything—at the end of the episode, Put says to Pat that Pat should tell Put when he feels ready to have sex. (We already know this will never happen because of course, Pat and Put are not endgame, but I do appreciate the sentiment.)
BLs rarely include a whole storyline in which the protagonist is in an actual, serious romantic relationship with someone other than his endgame love interest (hi Moonlight Chicken!), or if they do then just to up the angst factor. In this case, however, I feel that this scene raises our expectations for Jeng even further: if the guy who is definitely not a romantic match for Pat treats Pat with this much respect in the bedroom, then Jeng has to do at least that and then some. I do feel confident that Jeng won’t disappoint in this regard, but it’s fascinating to see a show frame this kind of respect as the absolute baseline minimum, with the endgame love interest expected to do even better.
Now, the one you’ve all been waiting for. The one that made me write this whole essay in the first place: La Pluie.
Oh boy. Where to start.
A week ago, we got an incredible make-out scene on Saengtai’s floor, which ended in Patts stopping the encounter because he could tell Tai wasn’t really comfortable taking things further—@bengiyo talked about that scene in detail here. And then, three days ago, La Pluie gave us the most unique, trope-defying, timeline-changing blowjob scene of all time, and I want to talk about it.
Tai and Patts are making out on their bed, Tai is not ready to go “all the way” and stops Patts from undressing him. We see a very realistic frustrated reaction from Patts, who nevertheless immediately stops and accepts Tai’s wishes—it is clear that Patts does not expect things to go any further at this point, and that he won’t pressure Tai into anything.
And then, Tai offers to blow him.
(Unfortunately, this show is only on iQiyi so I can't link to it, but you can get a good impression of the scene here.)
I mentioned the concepts of giving and receiving earlier: other people have said this more eloquently than me, but there is a tendency not only in BL but also in wider society to view sex in terms of giving and receiving, with a lot of expectations and stereotypes attached to the roles during different sexual acts. On other shows, that blowjob might be framed as a consolidation or an apology, something that the giver does out of a sense of obligation without enjoying it much. Not so on La Pluie! Tai is shown incredibly happy and satisfied afterwards, both when they’re sleeping next to each other, as well as on the morning after (see also @ginnymoonbeam's post about that here). Tai offered to blow Patts because he simply wanted to, not motivated by guilt or anything of that sort. And he genuinely enjoyed it! In the post I linked above, @bengiyo points out that La Pluie consistently centers queer desire, or more specifically in this case, male desire for a male body; much in the same way that the camera fucking loves Force’s body on ABAAB: the sensuality of the skin, the hands, the abs, the flat chests, the broad backs and shoulders of these men is explicitly emphasized, and Tai’s desire for a dick in his mouth is made absolutely crystal-clear. Of course, since this is a TV show and not a porno, we only see Patts’s thumb in Tai’s mouth instead of his dick, but the imagery, the implications, are clear as day.
And it is such a gentle framing, too: Patts caresses Tai’s lip lovingly, Tai opens his mouth slowly, seductively, then faces Patts’s crotch with a soft look on his face. We do get a clear sense of this encounter as tender, and gentle, and most of all, desired. Tai’s queer desire is at the heart of this scene, and at the heart of the afterglow scene as well. He wanted this man’s dick in his mouth, openly suggested it, showed Patts he was sure about his decision after Patts asked him whether he was, and ended up clearly happy and satisfied with the sex they had. This post, also by @bengiyo, goes into more detail on that.
This, once again, shows us sex as a conversation rather than a series of predetermined acts, shows us sex as a shared activity, as something that can be wonderful and intimate and make people happy without following what society views as “the correct steps”. I think this is extremely important because one part of queer identity is figuring out one’s own relationship to sexuality, one’s own desires and needs, and BLs that ignore this aspect fall a little short in my opinion. Sure, those men are kissing, but do they experience queer desire? Do they experience joy in their queer desire?
For me personally, a show that does not shy away from these questions is a lot more meaningful than a show that does, and consent is at the heart of it all. By framing sex as a conversation, as something that is built and shared together, the shows I looked at here are actively positioning themselves against the idea that there should be predetermined roles for partners during sex, and instead suggest that queer joy can be found in communication and consent. Understanding sex and intimacy as something that is built together, with both partners as equals in conversation, is just as radically queer as a man waking up with a smile on his face after giving his soulmate a blowjob the previous night.
And quite honestly, a male character who clearly, passionately, unquestioningly communicates that he wants a dick inside of him—that is incredibly sexy. But maybe that’s just me.
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jenyifer · 7 months
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I love Boston and he deserves Nick.
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I get a lot of flack for having the chaos boys as my favorite duo of only friends. Sooo allow me to rant about my reasoning here. I get a lot of ‘ohhh you must like the sex scenes bet you like VegasPete’. No… actually… Sex is just a part of adult life. Im personally not interested in dick but I do like my characters to be realistic. Being promiscuous doesn’t make you an evil person. That isn’t my lifestyle but I can respect people who live that way. What I love about Boston is his confident persona that clashed with his smart cunning underbelly. I don’t think he’s malicious or narcissistic. Boston is a confident gay man who is loyal to his friends only. Now you might say wtf to that understandable but in Boston’s head he has done nothing wrong except let Nick get too close. Top is like him and in his logic Boston called dibs. He knew he’d be there for Mew when things went down but he didn’t expect everyone to find out about him and top. Boston probably thought he was accelerating to the end to protect his friend. I think this is also why he tells Sand Ray’s ass is fully owned by Mew. In Bostons mind he was helping Ray cut the bullshit. Boston is honest 90% of the time which makes him our most reliable character. AND YET WE HAVE YET TO REALLY GET HIS POV we know so much about him without being in his chaos mind. Do you know how impressive that is? We can also see Boston change from the start of the series being heavily effected by his fights with Top Mew Nick and Ray. He isn’t a 2d boy who falls in love and magically is fixed. While I think he knows what his feelings for Nick mean He intellectually has made the decision to reject him which makes me want their relationship to work out even more.
As far as Nick his oversteps are pretty normal for someone with too much tech knowledge on his hands. Yes it’s wrong. But terribly tempting when you have access to it and see how the world regards privacy as a fiction. I like how Nick tries his best to not fall for Boston it’s extremely endearing. Nicks heart wins out every time. I’ve been in have relationships with people that others say “hey that person is trash” but to me I like to look beyond the surface. Everyone has their own motivation. Everyone has their own struggle with social things so… it’s not fair to judge someone too quickly. Sometimes you click with someone forever changed with the touch of a hand. It’s not some fairytale. Nick wants to see Boston be happy and for him to actually see Nick is at his side. No matter what Boston does. Because regardless of other people their spark remains. Unfinished and true. Honest and Nasty. Chaos.
Together Boston and Nick make eachother better. Boston looks outside himself more often and Nick gains confidence. They do balance eachother out. I don’t feel like one is really the hunter and the other is the prey. They are both Savage it’s just Nick is quieter than Boston so gets out in the shadow. I’m excited to get to the point where they are both chasing eachother and hit into one another again.
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vegasandhishedgehog · 11 months
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Okay, the whole question of how Pete was roommateless before Porsche came along being discussed got my brain making rotisserie chicken and besties it's pollo a la brasa. Like many, we can assume that his previous roomie just died, but honey that boy was waaayyy too comfortable with his bits hanging out. That's single-person-who-hasn't- shared-space-in-ages behavior número uno.
Just paraphrasing my tags on that post, I believe somehow Pete has just always managed to live alone regardless of how many new hires there have been throughout his time with the major family. How isn't the important part (although it's speculated between clerical error, other guards just sensing him as a weirdo and leaving him alone, or my own thought that he engineered it himself). But I like to think that the reason Porsche became his roommate is because he was getting bored in his career working for Tankhun and only having Arm and Pol (who also worked for Khun) for companionship. So he finally allowed sharing his space to happen, accepting that his naked workout sessions would certainly become less frequent.
This is just leading up to the point of my post, actually. Because what I'm getting at is that without Porsche and Pete becoming roommates and clicking so well, VegasPete couldn't have happened. But more importantly, if Pete hadn't allowed that change to happen for himself. He simply got lucky in the fact that he liked Porsche.
From here it's essentially just the domino effects of events:
Porsche begins working at the compound
He becomes roomies (and besties) with Pete
Gun tells Vegas to watch Porsche
Vegas internalizes this as "flirt with Porsche" while continuing to enact his plans with Tawan and the Yakuza
Pete is assigned to follow Vegas on multiple occasions, which Vegas picks up on and takes advantage of the many opportunities to make him squirm deliciously
The Tawan Shit Goes Down
Pete trusts Porsche's innocence and risks his life unveiling Vegas's plans, which gets him captured
Vegas is blacklisted, he tortures Pete and the goes to the safehouse with him
Ensue pressure cooker of The Most Insane Romance In History plot goes down
The rest of canon as follows
The key thing to me is that if Pete hadn't made that one minor change, he likely would never have ended up in that safehouse. The moment he let Porsche in, he was always going to end up there eventually. But the thing that makes his and Vegas's story even better is that he still had to choose Vegas. He had chances to turn away and say no the whole way, and he even does so when he escapes the safehouse! A chain of events may have dictated how he fell for Vegas, but ultimately he chose him anyway.
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chalkrevelations · 2 years
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HOW WE FEELING VEGASPETE NATION? Because I don’t know about the rest of y’all, but I personally am feeling like I’ve done AN ENTIRE FUCKING KILO of that cocaine from the warehouse in Ep 7.
So, LISTEN. I can kind of see now why they’ve been so stingy about doling out VP material, because if they did, it would have immediately eclipsed the actual Kinn and Porsche material. If this is the electricity Build and Bible generate on-screen (no pun intended) when Vegas and Pete are at loggerheads, I cannot even imagine what their sex scene is going to be like. I am going to need some supplemental oxygen.
Although, let’s be honest. Pete dominated this scene. Build owns it. I don’t know if Bible consciously stepped back or if Build is actually just this fucking magnetic when they let him off the leash, but I literally couldn’t take my eyes off of him. I kept forgetting to look at Bible – at Bible – because I couldn’t look away from Build and his perfect beautiful feral face. His smile when Vegas accuses Pete of foiling his plan, Pete’s so pleased with himself for outsmarting Vegas. The way he leans forward into what’s happening. And the sheer fucking determination that sets in at 40:00, when Vegas starts sparking his jumper cables at him, the way the smile falls away, but it’s not replaced by fear, OH NO. Wait, let me go dig out a thing I posted during my breakdown of the “consume you” trailer, what was it, oh yeah, when Vegas gets his hand around Pete’s throat: “You think you’ve got the upper hand? Are you sure? Am I reacting like you thought I would? Did you want to see fear? Tough shit, you’re not getting that from me.” AND HERE WE ARE. NO TURNING BACK.
And then Pete’s utter refusal to look away, the way he stares down Vegas from 40:25 to 40:30, I just. I CAN’T. I CANNOT, Y’ALL. I’m fucking feral over this shot, and this is what I’ve been saying since the beginning, for weeks now, and it’s finally happening – you’re gonna lose this one, Vegas, you’re going to lose so completely and utterly and thoroughly, he’s going to get inside your head and inside your skin, and he’s going to crack you open and tear you apart, and then he’s going to stitch you back together, and he’s going to do it all so so so unexpectedly, with his unflinching gaze and his vulnerable wrists and that shroud of grey that he’s got wrapped around him, no villains and no heroes, and it’s going to be the best thing that’s ever happened to you in your miserable life, your entire world is going to be re-made, you’re going to be re-born when you lose this confrontation, the way you’re already losing in this scene, the way he’s dominating what’s going on, naked, defenseless, tied to a post and staring down your paltry little power play.
And Vegas. Oh my god, my dude. You are so angry that it’s making you stupid. It’s like you’ve never met Pete. It’s like he’s never ridden shotgun for you on an op. It’s like he’s never stared you down while you tortured a guy. You’re looking at him, and all you’re seeing is that guy who you freaked out by leaning against his car roof like a working girl offering a BJ, and you’re completely forgetting that Pete is perfectly comfortable with violence. He’d be 100x more freaked out if you tried to kiss him right now, but this? This is the reality he swims in. This is where he fucking shines. Which they’ve actually made literal, because can I also mention how beautifully they filmed this precise shot? The lighting in this scene, the LIGHTING. I don’t have the technical knowledge to know exactly what they’re doing, but they’ve managed the same effect during this staredown that they did with Porsche at the window of Tawan’s room in Ep 9, where it doesn’t even look real, it looks like an anime.
I’m dying, I’m dead, they’ve killed me.
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boozles · 4 months
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10 QL Characters I Desire Carnally
Okay, I wasn't exactly tagged, but a bunch of you have said you weren't tagging anyone and just to do it if we wanted, and I want to XD Also, shout out to @firstkanaphans because everyone else is doing BL and she did QL, so I'm kinda copying her ;)
I apologise for being horny on main
Numbers are just for organisation, this isn't ranked
Mollie (The Warp Effect) This was my introduction to Silvy, and honestly, I haven't been the same since.
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Kuafah (Star and Sky: Sky in your Heart) Listen, I know this show sucked, but it was my introduction to my husband Mek and you do not even want to know the things I would do to this man. The fact Fah is a bit of a wild party boy but also a responsible doctor just does something for me, okay?!
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Prapai (Love in the Air) I know I'm not alone in this, right? Like, we know he fucks. We know he fucks good.
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Top (Only Friends) Listen, I am a Top defender. He is my precious boy that was so poorly misunderstood and mistreated. He also knows exactly what he is doing in the bedroom and I support that.
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Ai Di (Kiseki: Dear to Me) This is a weird one for me because I find Ai Di's personality really relatable, but I am a sucker for a little hot head with bleached hair (see also: Mollie from The Warp Effect). Throw in the fact we know he'd love some BDSM, and he is a ride an a half.
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Nim (The Warp Effect) I love Jan in general, I've had a crush on her since Tonhon Chonlatee, but Nim is just another little hothead that I just...ooft. She's a boxer. Of course I'm gonna want her.
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Ken (KinnPorsche) The funny thing about this is I don't even like KinnPorsche. (Okay, that's a lie, I hate the way the fandom behaved and I REALLY despised the whole VegasPete thing, which more or less put me off the show.) However, this was probably the genesis of my crush on Perth. The swim race? *dies*
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Uncle Jim (Moonlight Chicken) You know, I'd never overly fancied Earth until Moonlight Chicken. He's so handsome, but not my type right, but then Uncle Jim dropped and something just happened to me.
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Oh-Aew (I Told Sunset About You/I Promised You The Moon) This is another odd one for me, and also a new one. I don't know how to explain this completely. He's just so beautiful, and the sleeping dom inside me has feelings.
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Barry (Oh, Mando!) (Do you know how hard it was to find this gif? It's all RWRB that comes up when you Google Alex Diaz >.<) I loved how complicated Barry's character was in OM and come on, Alex is to die for.
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No tags, but feel free to take part!
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three--rings · 1 year
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Something I really like about Vegaspete and Vegas in general is that....Vegas isn't really REDEEMED.
Like, he definitely IS, in a way, in my opinion. He goes on to live a much calmer, happier, less violent and destructive life.
But not because he decided to change his ways or because he had a face-turn or turned on the bad guys.
No, he was just....LOVED. One person decided to love him, and that was enough to make him 1)want to live and 2)changed his circumstances enough so that he was effectively redeemed despite himself.
Vegas doesn't really change fundamentally, I don't think. The way he is treated changed, the way he is seen, first by Pete and then by others as a result of Pete.
And somehow he gets basically the happiest ending of anyone in Kinnporsche: he gets to walk away from the mafia drama and focus on his little family, protect and defend his brother and his lover and (if you go with book canon) his child. He's still entirely capable (and probably willing) to do every morally wrong to questionable thing he ever did, but he doesn't need to anymore. (This is making assumptions about post-canon, but I'm somewhat using the novel stuff as a guide.)
He still has all the flaws and tendencies that lead to the awful things he did, but his ENVIRONMENT has changed. His context has changed.
This is what rehabilitation should mean. It's not about changing someone's SOUL it's about removing the forces making them act antisocially.
And I think that's neat.
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