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#thinking on back then damn younger me really needed a hug T_T
noxtivagus · 2 years
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HSJFKDKSK I MISS PLAYING FFXIV
#— says me when i literally just played it two days ago#fr tho listening to stormblood ost feels just especially nostalgic#it reminds me of all the things of ffxiv that i used to love (and still do!) so much#and all the things i miss :(#like doing ivalice raids was such a treasure#and beast tribes ! i used to be so consistent w them i have nearly all my beast tribes maxed out !#i've been slacking on arr (i did max out the ixali tho) + i haven't even started on endwalker#pls ameliance is the only custom delivery i haven't maxed out. i haven't even unlocked her T_T#before endwalker came out i was nearly maxed on a lot of classes and stuff despite only playing for half a year#in summer months i remember playing so consistently. i spent a lot of time actually having fun w my friends iirc#school started more stress combined#thinking on back then damn younger me really needed a hug T_T#wtf does that say about me now when i'm struggling w very similar things as back then 🤨#my notes from back then are just as sad as now hhhhh#'social life sucks' 'bottling my emotions' 'too little time' 'missing out' 'no motivation' 'i cant write anymore'#'so many possibilities paths and regrets' 'curiosity breaks me' 'yearning for the past'#huh reading the ff quotes i also have written here are so embarrassing#anyways more from me back in november 'my mood seings are on a whole other level these days huh' haha#'finding that inspo to write again but i still cant find the words' 'when i can write again ill know that my im fines arent lies anymore'#'i want to be a pillar for those around me but how can i be when i can't even support myself properly?'#'you want to be there for others but... god you dont even have yourself put together. but it makes you smile so much when you help others.'#'its alright to be selfish sometimes you know? to admit that you feel overwhelmed'#'caught up in the past. catching up in the present. thinking about the future'#i have a lot written down here ah reading the old things i write feels so comforting. i still feel the same way as i do from ages ago#'just lose yourself to music and to the silence... you're in that moment all alone and it feels so nice'#no wtf i'm reading all this rn and even when i'm in pain i write in a somewhat poetic way ouch it hurts me and leaves me vulnerable?#NOOO I WAS GNA DO SMTH AN HOUR AHO BJT I FORGOT oops#time to pull myself out of this daydream i can mull over my thoughts again later. now it's time to move and be fucking productive#my muscles ache actually can i just go back to sleep T_T#my arm actually rlly hurts rn idk why but my sleepy ass has the urge to do smth stupid instead of rest
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janiedean · 4 years
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Hi! I'm the Plato anon for before. First of, thank you so much for your offer, but I think I managed on me own. Second, could you elaborate on the "analysing as YA" vs "analysing as an adult" approach? I assumed that "discourse people" on this website generally don't go beyond "antagonist is bad because they are against the hero!" out of ignorance/lack of interest except to score Internet Fame Points, not that it was due a specific mindest. I also don't really read YA (except Tiffany Aching)
TIFFANY ACHING!! T_T ANON LET ME HUG YOU it’s like the only YA I actually liked in my entire life apart from nick hornby’s one book but that wasn’t typical lmao
THAT SAID, well your discourse people point is pretty much part of it but since I’m here and I can rant have the entire thing I was too tired to hash yesterday ;) so, in order:
first thing, we need to establish that ya books and **adult** books generally have different target audiences which is fine and good because obviously if you want to write a thing you’ll do that for An Audience That You Have In Mind; this doesn’t mean that adults can’t read ya or that teenagers can’t read **adult books** because everyone can read what they want (and personally for one I never cared for ya in my entire life not even when I was the target audience), but it simply means that some books are meant to be liked by one category first and eventual others later and they need to be talked about in that specific context first and everything else later - then there might be books that are aimed for kids/young readers or sold like that or that can be read on more than one level which can be appreciated for different things later in time (for example I read huck finn at sixteen and I absolutely loved it but it was a book that here is seen as good reading material also for eight year olds, and at eight I wouldn’t have liked it for the reasons I did at sixteen, and if I read it now I would still like it, while a bunch of the books for kids I read when I was seven is stuff I enjoyed then but forgot now and probably was good for that age but didn’t stick with me);
second thing, that means that when I discuss a young adult book aimed at teenagers I will never hold it to the standards I would hold a book aimed at a general adult audience, especially if it’s the kind of ya like dunno as stated the vampire diaries aimed at teenage girls which is obviously the kind where you have the fantasy world with the hot dark guy who swoons the high schooler protagonist off her feet etc because that stuff is basic teenage girl fantasy 101 and like... I’ll expect a bunch of romance tropes, the usual push and pull, the guy eventually being into her, the protagonist being someone a fourteen year-old can see herself in, probably a few sexual elements thrown here and there and so on, because that’s the shit marketed at fourteen year-olds who want to read that and like... it’s really not that deep. I can’t ask the vampire diaries to be moby dick because it’s not meant to be. or, if I read percy j/ackson - which is another thing I have zero interest in but I know about because I see tweets from the author - I expect to have a bunch of teens coming into their own coming from different backgrounds because the author wants to represent properly a lot of categories so most of his readers can have someone they can see themselves in and like if a thirteen year-old who suspects being lgbt or whatever sees themselves in the gay kid from per/cy jackson guess what that’s what that book is for, so I won’t judge it on like... being a faithful representation of greek myths or how good the style is or whatever, because even if to me it’s not top notch writing or has a plot idc about it has to be for teenagers and pre-teens, not for me, a thirty year old who again didn’t even like pre-teen aimed literature when she was a pre-teen;
third, I can extra clarify it using the damned hp discourse, as in: when I say I’m tired of people not reading anything else or reading everything like hp, it means that they read it when they were growing up/were teens and it was aimed at them which is fine, but then twenty fucking years later when the people in question are way beyond their twenties (guys I’m almost 32 and I remember when the first one came out come on) when talking about any single piece of media in existence (movies, comics, other books) use hp characters/situations as the terms of paragon - like guys I had to read sn/ape comparisons with theon and ky/lo ren on the basis that THEY’RE GREY CHARACTERS as if sn/ape is the only grey character that ever existed, people keep on talking about vold/emort as the only bad guy that ever existed and so on, and like... you can’t talk about, idk, asoiaf or any book aimed at an adult audience like you’d talk about hp, because at this point I wouldn’t be surprised if I read comparisons between sn/ape and ivan karamazov and I think I don’t need to specify how completely nonsensical that would be;
now, with all of this explained, what I mean is: ya in general - which is not a fault per se of the genre since it’s aimed at teens and pre-teens - tends to have... very fixed narrative schemes depending on which teens it’s addressing - like, stuff like tvd or twilight is obviously the romance teenage girl fantasy where you have the girl fighting to be with the dark beautiful supernatural creature in question, per/cy jackson is more like I’ll give you a bunch of relatable characters having cool adventures against bad guys with the occasional redemption so we can see that people are redeemable but you still have right vs wrong, hp is sort of like that in the sense you get relatable-ish protagonist with relatable friends growing up throughout the entire thing and fighting on the good side vs the evil side including the usual death of the mentor plus people who seemed bad actually not being bad™ except that PJ has more povs and better rep from what I gather but that’s not the point so it’s basically the growing up journey for the young protagonist(s) the kid sees themselves in, then there’s stuff like hunger games where you actually have the dystopian worldbuilding just written to be enjoyable by younger people who don’t want to get too depressed (and ngl I haven’t read the books but I’ve seen the first two movies and guys the way everyone ignores the classist commentary in thg to discuss the love triangle is... a staple of the problem tbh) but still try to introduce deeper themes and have more nuanced characters and at the same time are still written to be enjoyed maybe by the more adult side of the target, and at the same time I can’t say that thg is the same as 1984 when it comes to target audience because 1984 doesn’t make the ugly dystopian themes more accessible using the love story/teenage protagonist etc;
at this point the problem is: if you only ever read ya and nothing else in your life (which is what a lot of people here do - guys again when I got here in 2011 if people didn’t discuss hp they discussed john gr/een, the only *adult*-aimed book I see discussed on tumblr is asoiaf... because of got X°DDD) then you end up seeing every other piece of literature expecting what you do out of a young adult and then you expect adult literature out of young adults/ya to approach certain implications the way an adult novel would, which is... frankly ridiculous;
specific examples: I see blogs which are principally about like ya fantasy books ie acotar or shadow/hunters or whatever shitting on grrm because AAAAH HE’S PROBLEMATIC/MISOGYNIST/HE HAS VIOLENCE AND RAPE IN THE BOOKS BLAH BLAH and like... spoilers: if I wrote a fantasy series aimed at fourteen year-olds who want their fantasy romance with the hot dark guy who is maybe a tiny bit problematic but turns their leaf for them I would hold back on blood and violence, if I wrote a fantasy for adults where I want to be realistic about misogyny I will not, and the fact that grrm gets judged on what happens and not how he writes it (and again, saying that a guy who has 1/3rd of his pov characters female except that it’s actually 50/50 because there are no throwaway povs except for mel while guys have a lot more of them and all the female povs have narrative weight [and mel has it before she gets one] and all of them have a different personality and he also has the same trope [brienne and arya] in two people with wildly different personalities and needs which is basically a goddamned miracle is a misogynist because there’s misogyny in his fantasy world is ridiculous imvho) which is.... exactly expecting of asoiaf what you’d expect out of acotar, when grrm and acotar’s writer write for wildly different audiences. now, if I had read acotar at 15 and asoiaf at 15 I’d have had no doubt re asoiaf being more my thing because again the subgenre acotar goes for is not my thing because I never related to that fantasy while brienne is my rep, but in general a 14yo girl who likes the acotar-like stuff will not care for grrm.... which is normal because grrm writes for adults of both genders, not teenage girls (I mean teenage boys also have their own subgenres for which the same rules are valid), and someone who likes percy jackson (aimed at both genders but like... pre-teens early teens) who doesn’t gaf for grrm won’t because it’s not aimed at them unless they like grrm for other reasons ie idk they realize that they relate to jon snow idk but you see my point, so like tldr that’s what I mean with if you only read ya you’ll expect adult writers to handle their themes like ya writers would and like... sorry but if I write stuff for adults I won’t feel the need to specify that the bad guy is B A D with neon lights because an adult should grasp that from the narrative, I don’t need to make sure it’s obvious bc it’s aimed at kids;
reverse: when I see people saying ‘the vampire diaries is problematic because it’s about people who are a hundred years old preying on teenage girls so we need to stop teenage girls from reading that kind of thing because it makes them think it’s okay to go with someone that much older than them’, we’re at the opposite problem in the sense that you’re asking a young adult novel what you would ask of AN ADULT NOVEL when there’s no point in it. like, a teenage girl knows perfectly that damon salvatore doesn’t exist and vampires don’t exist and werewolves don’t exist - the entire point of tvd is that she gets to fawn over the hot supernatural dude who changes for the better thanks to the female protagonist she most likely sees herself in and she gets to have a few nice fantasies about that which is like... normal for people who are developing their sexualities, most people wouldn’t actually want damon salvatore the way he’s exactly in canon irl because they know it’s a fantasy and so it should stay. like, sorry but as someone who watched the show because ian somerhalder is hot in her twenties and tried the first book and gave it up at page 30 because I couldn’t do it, I can 100% assure anyone that the biggest issues with tvd books are that the writing is really fucking bad (for my standards at least), with the tvd show that from S4 the writing spiraled downwards and no one wanted the magical vampire pregnancy witch twins ridiculousness, but none of the content actually was shit that anyone would take seriously like that and I wouldn’t expect tvd to approach that subject realistically. if I read a vampire book aimed at adults who actually wants to write such a relationship as creepy WELL YES OF COURSE I’D EXPECT IT TO BE OBVIOUS ABOUT IT BEING CREEPY, but if it’s aimed at freaking teenagers... it’s a fantasy and not really that deep, take it for what it is and let teenage girls enjoy thinking about smooching damon salvatore (or stefan or whoever) without assuming they need to be protected from Horrible Vampire Fiction™, same as no one goes bitching about unrealistic sex scenes in serialized romance books because people read them because they’re unrealistic and escapism, not because they expect nobel prize worthy exploration of themes from them;
now, ^^^^^^ would not happen if people actually read variedly and studied some decent lit analysis in school - but like, after I had to read I think at some point that of mice and men is ableist... THAT’S the damned point - with ya you can take a lot of the plot at face value, with adult lit you can’t and you have to see motivation beyond the action of the characters and you can’t do that if you only read books aimed at pre-teens/teenagers where obviously that’s... more spelled out than it would be in a book aimed at an adult audience;
that by the way also means wildly missing actual adult themes discussion in ya, because again, I haven’t read thg but from the two movies I’ve seen it’s fucking obvious that the whole thing is an anti us-classism commentary from how the districts are built to how the games are rigged to pretty much everything in the worldbuilding, but all the discourse I see on tumblr is about either the love triangle or katniss being miscast or president snow being a jerk and whatever else, but I never once saw anyone saying ‘heeeeey the people in katniss’ district are an in your face metaphor of poor people in the us of a belonging to certain categories while the first few districts are absolutely the 1% and the entire point of it is that she wants to tell you A CLASSIST SOCIETY IS BAD AND WILL LEAD TO REVOLUTIONS’, which to me was... like, glaring, it was literally what 90% of the entire thing was about and no one ever discusses it in a fandom-wide sense (I mean... I saw a bunch of hg posts back when the movies came out, I never saw this brought out), which... is a problem because it means that the moment people are put in front of a ya product that actually tackles that kind of issue.... they go and worry about the love triangle (which seemed to me the excuse to draw the people in the story) not about the social commentary, and like, maybe a twelve year-old won’t catch on the social commentary, a twenty-year old especially from the us should, and I don’t see that happening;
and sorry but that is because if you only engage with content aimed at a younger audience than your target first you assume that every piece of literature should be consumable/readable/enjoyable by a younger audience (and sorry but no, some of us don’t want to write stuff making sure teenagers like it) and then ask of actual ya media to cater to their *adult* needs and not to the needs of the target audience because wow obviously if you’re 25 you won’t want out of literature what you wanted at fourteen;
and this also is valid for children’s media because again, I’m cutting it short, but adults watching st/even universe and sending people death threats because they don’t agree with their opinion of a cartoon aimed at an audience that’s at moooostttt eight years old is a thing that shouldn’t even fucking exist, and if you think steven/universe is that important at an adult age you need to re-assess your priorities;
tldr: adults should not expect media aimed at kids/teens to cater to their interests and shouldn’t analyze it the way they’d analyze a piece of media aimed at an adult audience and should not presume that every piece of media should have the scope/schemes of medias aimed at kids/teens because some of us don’t want to read that.
now, I’ll leave you with a nice short anecdote which hopefully will further clarify what I mean and add to another point which would be, kids and teens don’t give a fuck about what you, an adult, do: when everyone was in a frenzy about my little pony back in 2013 or so I had to see a ton of posts like ‘AAAAAH MEN/BOYS WHO ARE INTO MLP ARE STEALING THE SHOW FROM YOUNG GIRLS HOW DARE THEY ENJOY IT WE NEED TO KICK THEM OUT’ with added people saying that a ten year old male kid who tried to kill himself bc his friends bullied him bc he liked mlp deserved it and the likes, my only thought was that... when I was 8-10 in elementary school and was actually the target for cartoons and stuff, sailor moon was the rage between all girls my age me included, we’d spend recess playing pretend (and I’d get stuck playing sailor mars bc no one wanted her, sad) and our hugest first world problem in existence was that we needed technically a mamoru and of course no self-respecting boy in elementary school would have admitted under death threats to watching sailor moon because it was a girls’ thing (aaaaah gender roles in the early-mid 90s, how fun) so everyone despaired because ofc no one wanted to play mamoru... and the few times any guy actually showed up like HEEEEY I WANNA DO IT BUT PLEASE DON’T TELL MY FRIENDS I LIKE SAILOR MOON we’d all be like OMG YOU’RE OUR NEW FAVORITE PERSON PLEASE YOUR SECRET IS SAFE because we couldn’t believe we found the magical boy™ who wanted to do it, and if anyone had told us that the kid in question was stealing sailor moon from us we’d have laughed in their face.
like.
kids don’t ask of media what you, an adult do, and it’s unfair of you, an adult, to ask children’s/ya media to cater to your damned interests, which are amply catered to by the tons of adult literature around which also forces you to push on your views and read more challenging things and to not read/watch stuff at face value, which is why I would really appreciate it if the amount of 20yo people on here who I consider adults engaged with more adult media and let themselves be challenged instead of just going back to ya/kids’ things, which are good for teens and kids and can be enjoyed by everyone but should not be the only goddamned genre you measure all other literature against because then you get people saying that lolita is pro-pedo when it’s exactly the goddamned contrary, but if you think that pov character = protagonist = good guy (which is... staple kids/ya stuff for obvious reasons) then you decide that humbert humbert is someone you’re supposed to root for. too bad that you’re not and the author was an actual csa victim so it’s a completely ridiculous reading that wouldn’t happen if you didn’t read lolita the way you read hp.
... okay, I’m done, sorry for how long this was, I hope it cleared things for good xD
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nodesiretogrowup · 4 years
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alrighty, let’s recap this bitch!
LAUNCHPAD! I’VE MISSED YOU SO MUCH! PLEASE COME BACK!
I looked up when National S’mores Day is (because I’m a nerd) and it is August 10. So either the photo later was mislabeled or, more likely, Launchpad got the wrong info
Huey with the little baby scouts is TOO CUTE!!
I wonder if Violet’s there. Probably not because she would have been hanging out with Huey if she was. Or this episode was meant to come before Challenge
It’s a baby beagle boy! I wonder if he’s there of his own will or if it is part of some plan
He scared away most of the kids! Now they won’t get to enjoy s’more-y goodness
His s’more sounds DOPE AF, though it probably would give you INSTANT DIABETES
“Aw, not even a modern robot.” MY SWEET SON!
I know it was the bully saying it, but Huey should chill a bit when it comes to doing things EXACTLY and PERFECTLY. It’s just gonna cause stress
 BOYD IS BABY AND I LOVE HIM
“Would you like to be friends?” “Sure. Wow, that was easy.” If only it was always that easy
I don’t know if Huey has the JWG as memorized as he thinks, going by Challenge and Quack Pack
“We’re just kids.” “Definitely!” *uses laser eyes to light fire*
This episode does a good job showing what a trigger word/phrase is like, though I’m not sure if that was the intention
I like that a squirrel with a burnt tail scurries out of one of the trees. It’s the attention to detail that helps elevate this show
Instead of jumping out of the way or hiding Huey jumps straight onto Boyd to try and help him. Huey already sees Boyd as someone worth protecting
The kid that just runs across the screen while his hat is on fire is great
Not sure why they took the time to change before going to Gyro but whatever
BOYD IS ADORABLE AND I LOVE HIM
“I’m more than an intern, I’m a scientist.” I feel like this might be hinting at Fenton’s arc for the season, possibly wanting to be seen more as a scientist than a superhero
I’m gonna pretend that using sunglasses on someone who is shooting lasers out of their eyes is a Cyclops reference. And they look pretty dope too
At least Fenton knows when he is in over his head...this time
Gyro trying to climb up on the table to avoid Boyd was kind of funny. And then him protecting himself with Lil Bulb
“Which one?” Manny is DONE with this shit
“Boyd? What idiot called it that?” Even when he’s not there, Gyro can still burn Mark lol
I figured 2-BO was a reference to something but wasn’t sure what. Apparently it’s a bit of a play on the name of Astro Boy’s in-universe creator’s son. Neat
 Huey stays in between Gyro and Boyd to protect Boyd
Fenton’s face cracks me up. There are NO THOUGHTS in this man’s head lol
“You were an intern like me?” “Nothing like you.” Damn Gyro, why so salty?
I don’t know why Fenton is so surprised that Gyro was an intern. I feel like that’s a pretty standard thing
LOVE IS STORED IN THE BOYD
It make me sad when Gyro mentions how many times Boyd’s core programing was altered. Poor baby doesn’t really get a say in what happens to him
“ROAD TRIP!” Huey, you do these kinds of things ALL THE TIME. I feel like he should be used to this by now
“YOU’RE not going. GIZMODUCK is.” Does Gyro see Fenton and Gizmoduck as separate entities or is this just a no, but yes type of joke?
Huey standing up for Boyd is so sweet. They barely know each other but Huey trusts him
When the episode doesn’t have the theme song you KNOW shit’s ‘bout to go down
I wonder who’s flying the plane. My guess is Launchpad because Della would have been cooing over Huey making a new friend and go into embarrassing mom mode. He probably went of on his own adventure or did tourist things like buying collectables. Or maybe Gyro flew them there. Who knows
As many people have said, the art direction and animation for this episode are BEAUTIFUL. I love the pink tint the lighting has in most of the episode
SAILOR MOON CONFIRMED CANON
I bet Mark Beaks is a Sailor Moon fan
I like that the in-universe Sailor Moon is a bunny because Usagi is Japanese for rabbit
I love that going incognito nowadays means you wear a hat, a hoodie, and sunglasses. Boyd looks good in red (though red is my favorite color so I might be biased)
Gyro-takes one step and the fuzz shows up. NOICE
I like detective lady. She has a cool design
Huey and Fenton are awful at acting casual
“Crimes?” Oh my sweet Hubert. I’m pretty sure most if not all of Scrooge’s employees have had run ins w/ The Law
Gyro is like, move I’m gay
“I’m here on a very important...field trip.” ALL THE KIDS NEED A GYRO FIELD TRIP LIKE HOW THE GAANG GOT ZUKO FIELD TRIPS
Lil Bulb said FUCK THE POLICE
I wonder what it actually says
Fenton just watches as the inspector chases Lil Bulb
Seriously though, Fenton does a bunch of silly stuff in the background and this episode warrants a rewatch SOLELY for him
How did Lil Bulb know where to find them? And how did he shake off the inspector? I want to see his little adventure
FOR SCIENCE!
“Blah!” *arm armor attaches* I want this joke to come back
Fenton and Huey INSTANTLY nerd out. I love them
Fenton being a Gyro fanboy is ADORABLE
“AH, DUST IN MY EYE! The dust of GENIUS!” What a dweeb lol
I like that Fenton keeps the arm on for the whole scene
Poor Boyd, he looks so scared
Huey going into protective big brother mode
Doofus continues to be equal parts hilarious and disturbing
Where are their parents? Like, someone should be looking after these kids! ESPECIALLY DOOFUS!
“Do you need a hug?” I SURE FUCKING DO
Mark is such a prick lol
“NO WAY, A ROBOT BOY! DREAMS DO COME TRUE!” YOU DON’T DESERVE THAT DREAM YOU COCKWAFFLE
SOMEONE HUG THIS CHILD! BECAUSE I CANNOT!
“Seems like the little guy’s had it tough.” MY POOR BABY
Lil Bulb gets SO PISSED he blew a fuse
You really shouldn’t have left them alone, Gyro
Why does Fenton automatically jump to superhero for Boyd? I mean the theme of the episode is letting Boyd choose who he wants to be so of course Fenton would have his own idea of what Boyd should be, but why go straight to superhero? Do you want superbros, Fenton?
Huey already realises this might be a bad idea, because he’s more concerned about Boyd as a person rather than Boyd as a machine
“IN RETROSPECT WE PROBABLY SHOULD HAVE USED THE FIRST HOLE” Fenton, you dumbass genius
Dr. Akita’s setup made me laugh. I DIED when he “enhanced” the image
I recognized the character on the chips though I don’t know their name. I’m more of a western animation fan, so many of the references probably flew pass me
BOOP
I also have a key on my laptop that flies off (it’s the u key)
I LOVE BABY GYRO! It’s so cool they went with his og look (minus the red hair) to show him younger
I LOVE THE OUTLAW COUPLE! SO COOL! SO HOT!
Huey is so DONE with Fenton
I love the stupid G pose he does. PLEASE HAVE HIM DO IT AGAIN. PREFERABLY WHEN DW IS NEARBY
Such a polite boy
“My bones are metal!” This line and Boyd’s catchphrase of “Hi, I’m Boyd/2-BO, a definitely real boy!” reminded me of Olaf. The end of the episode gives Boyd even MORE Olaf parallels
Gizmoduck sliding by those boxes was cool
How did Gizmoduck get himself unstuck from that alley?
I loved the double take the female outlaw does
Huey is TRAUMATIZED
I legit thought Boyd was gonna light the oil on fire the first time I watched and I was like that won’t help
“So, what do we do now?” “I...don’t know.” This is why you don’t leave babies alone to fight criminals
Boyd reminded me of Calculester from Monster Prom when he asked the lady to return the money
STOP LEAVING THE CHILDREN ALONE! THEY ARE BABIES! THEY AREN’T EVEN TEENS!
“Why do we always fight when we’re on vacation?” Because this is Ducktales and there is no such thing as a normal vacation
Lil Bulb just kicking his lil feet
The “lab” safety poster made me chuckle. Then I remembered Akita is also a dog and I laughed more
LITTLE BABY GYRO GRADUATING! My guess is his professor/dean/principal influenced him on a personal level and is partially the reason Boyd is a parrot
Lil Helper blueprints. Nice reference to the og series
Has anyone talked about the poster with the cogs and the dogman in old-timey clothes that says GIZMOS on it? I think it’s a Dr. Who reference
IDEALISTIC GYRO AND BOYD IS TOO CUTE!
How did he NOT notice the second hole in the wall?
That is a surplus of handcuffs. Do you think she uses them for...fun times?
“I’m just a guy! With very bruisable skin!”
Poor misunderstood Gyro inventions
Boyd just politely waves at everyone
Huey is WAY calmer than I would be if I got lost in an unfamiliar city
Boyd says FUCK WORK
 I love Huey stimming. Really hope Disney will let them confirm in words that Huey is autistic
Is it more common for two kids to wonder around by themselves in Tokyo? Because as an American I find it super stressful and would want to find their parents so they could be safer
THE BUNNY! AND THEN THE KITTIES!
Do cats just take buses on their own in Tokyo?
CHERRY BLOSSOM TIME BITCHES
“And I know what you’re thinking, what about ninjas?” I am ALWAYS wondering about ninjas
I like that Huey finally has a friend who shares the same interests and doesn’t mind info dumps
“Boyd, I don’t think you’re a killer robot. You’re just a kid.” “Aw, that’s the nicest thing anyone has ever said to me.” T_T
I CAN SHOW YOU THE WORLD
I like Boyd’s motief
Akita is us after the quarantine
When he complained about being stiff I was like mood
I like his Green Goblin disc thingy
The other people don’t give a shit about Boyd just FLYING DOWN WITH HIS ROCKET FEET!
Gyro shows up *dramatic wind*
His tablet has a duckie on it. I wounder if they have a Mac/PC thing going on with Waddle and what brand the duckie represents
When the adults argue and Boyd gets all sad and scared I FELT THAT
Huey doing his best to keep Boyd calm and defend him SO PURE
OH GOD HELP THIS POOR CHILD!
HUEY IS A GOOD BOY AND A GOOD FRIEND
“Because of you I’ve become an outcast.” I feel like you did that to yourself
ANIME HAIR POOF
ngl, that shit was TERRIFYING
“You don’t have to do what Akita tells you. Do what I tell you.” So close
“INTERN! FIGHT BETTER!”
Huey must weigh NOTHING if Gyro can pick him up
Akita’s tail looks like a cinnamon roll
Huey always finding that hidden info
The gibberish Gyro says is great
BOYD SAYS IT BECAUSE GYRO TOLD HIM THAT!
THAT HUG!!!
HOW DARE AKITA HURT BABY GYRO AND SWEET BABY BOYD?!
PROTECTIVE PAPA GYRO
NEEEEERRRRRRRD FIIIIIIIIIIIIIGHT
“You’ll never invent anything worthwhile.” LIL BULB HAS ENTERED THE FIGHT
Are doggos recyclable?
HUUUUUUUUUUUUUGS
Blue eyes=good robot
ANOTHER HUG
Be Only Yourself, Dude
I like that basically Gyro admitted that he was like Fenton if Fenton hadn’t had support
“That’s not technically how doctorites work, BUT I DON’T CARE!” Do you think Gyro doesn’t have his doctorate or do you think he assumed Fenton already had one?
“The hugging is a ‘just for today’ thing.” YOU CANNOT STOP THE HUG TRAIN!
“Leave. Now.”
Are they gonna go to the plane?
This season has been consistently knocking it out of the park! I’m a SLUT for backstory episodes, so I enjoyed this one a lot. I loved seeing Gyro when he had hope and faith in the world. It SUCKS that Akita took that away from him. Hopefully Gyro will see things slightly less cynical now. Fenton was a dweeb the whole episode and I love him for it. Boyd is SO SWEET AND PRECIOUS and in NO WAY deserved the treatment he got. I have a feeling there is more to Boyd’s creation/Dr.Akita that we’ll get later on. Huey was ADORABLE this episode. It’s really sweet to see him hangout with someone who gets him. Everyone deserves to have at least one friend like that. The fight scene was GORGEOUS! SO FLUID! I really loved this one and I hope we get more Team Science episodes because these characters play really well off each other. 
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miss-pearlescent · 4 years
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Tag Team (II)
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Chapter: I II IIIᴹ IV V VI VII VIII IX Xᴹ
You eyed the island from above, your stomach doing flips as you calculated the distance.
Too high.
You stared at the ceiling of the helicopter as you sat in your husband’s lap, his arm adjusting the straps that attached you to him.
It was a good thing he was talking with Joori, who was flying the helicopter, via headpiece because you weren’t sure if you would be able to make coherent words at this altitude.
Of course the leader of the gang needed to host a private party where guests had to literally drop in through a plane. Of freaking course.
You heard your name in the distance and turned, only to see your husband watching you with a worried gaze.
You gave him a faulty smile that didn’t even convince yourself.
“It’s okay if we go back,” he said.
You shook your head because you knew it wasn’t okay. He was just trying to reassure you. “I’m fine,” you replied through clenched teeth.
You loved that he knew about your fear of heights because he would always volunteer to do the parachuting missions. But you hated him knowing your fear of heights for times like this.
You wanted to look strong but it was hard when you were a million feet off the ground.
You gulped as he shifted forward, bringing the two of you closer to the edge.
It was now or never.
A warm hand cupped your cheek and you turned to look at Jongin. “I have you,” he said. “You are going to kill it tonight, and when we go home tomorrow morning, I’ll…” he trailed off, his gaze falling to your lips.
You licked your lips in anticipation. “You’ll what?”
He gave a slow grin. “I’ll tuck you in for bed.” Jongin flipped the visor of his helmet down, tilted your chin up, and suddenly, you were freefalling.
-
It was a long night of watching rich people flaunt their money and their status. Jongin yawned from his spot behind the bushes, checking his watch for the umpteenth time tonight. The sun was about to rise, and his wife was still in there.
He really married a strong one, he thought as his eyes glazed over watching her by the window. She still looked as good as she did in the beginning of the night, her silky black dress falling over her curves as she walked the room like a pro in her stilettos .The high slit up her thigh still made him salivate like a dog as she trailed behind the leader’s entourage.
Only a few hours left until Jongin would be able to tear that slit and salivate between her legs.
Jongin snorted. She really made him a horny motherfucker, didn’t she?
Just the other day, she had woken him up with a blowjob. Her excuse was that nothing else was working, and they were going to be late for a meeting.
He made them late for the meeting anyway by pinning her to the bed and licking her until she nearly passed out.
He shook his head, knowing he needed to concentrate on his work and stop fantasizing.
But damn, it was hard when his wife bit her cherry-red lip, pretending to be the innocent socialite that he knew she wasn’t.
Jongin’s brain was just starting to trail off again, thinking about his wife’s lips, when a hand clapped over his mouth.
Alarms went off his in head and he reached for his weapons, but something hard came down on the back of his head.
Then all was black.
-
You grasped Joori’s hand in your own. “Please. Please, Joori, I’m begging you.” Your voice was hoarse and your eyes were almost swollen to the point of being shut with how much crying you had done. Top that with the lack of sleep you’d had in the last 36 hours, you were probably starting to become a little delirious. “Please say you’ll come with me, Joori.”
The girl looked at you with wide eyes. Her mouth fell open but it seemed a frog was caught in her throat.
Joori had always been quiet ever since she joined the team two years ago. Her strength was codes and computers, not fighting and action. But at this moment, you needed her.
Mr. Lee cleared his throat. “I can bring in other agents from other branches to aid in the rescue.”
You shook your head. “That would take too long. Joori is my best bet.” She would be invaluable in breaking in the system and mapping out the laboratories where Jongin was being held.
“I-I…” the girl stammered.
Mr. Lee patted your shoulder, urging you to let go of the poor girl. “You need some rest,” he said. “And Joori will make her decision when she is ready. We will make sure we get Jongin out of there.”
You wanted to scream. How could Mr. Lee be so calm? Was Jongin not like a son to him?
Jongin was your husband, and he said he would always be there for you. You had never uttered the words but ever since the day the two of you were partnered up, you knew you would always be there for him too.
You hoped that he was aware of that fact.
You sniffled as you dragged your feet to the door, knowing you needed to sleep, but also unable to turn off your frantic brain.
The bastards had found Jongin waiting in the bushes—something that was so stupid of him to do! You had sent him off with Joori after you had landed on the island. You didn’t realize when he said he had your back, that he would literally be watching your back all night!
So when you arrived back at headquarters and found out that Jongin had never came back with Joori, you were terrified and furious at the same time. Joori managed to track Jongin down to a laboratory in the desert off the highway, except something was off. Her tracker could usually tell if the user was still alive.
According to the tracker, Jongin was neither alive nor dead.
You had gotten what you wanted from the leader—the codes to his labs—but now the man knew both your face and your husband’s. It was dangerous to go back, but you’d do anything for your husband.
You jammed your hand into the door pad to open it.
“I’ll go.”
The sentence was so quiet, you almost missed it.
You turned around, honestly surprised that Joori had walked all the way up to you with her silent steps.
“I’ll go help you save Jongin.”
You pulled the girl into a hug as you let out a huge sob.
-
“Is he in there?” you whispered.
Joori put a finger to her glasses and peered at the door behind the guard. Silently, she nodded.
“Okay, I’m going in.” You were just about to jumped out of your hiding spot when a hand grabbed your wrist.
Big eyes stared up at you with fear. “By yourself?”
It was Joori’s first mission so you understood her fear. Kneeling back down, you patted her hand. “I’ll be okay. I’ve done this a thousand times.”
The younger girl looked around at the towers of boxes surrounding the two of you. “Do I just stay here?”
You didn’t know how safe this place was, but you had an idea. “You have new technology to change your clothes, right?”
She nodded.
“Then change to look like him.” You pointed at the guard standing at the door. “Pretend you’re one of them and change shifts with him.”
You watched Joori go absolutely pale.
“Or not,” you added quickly. You didn’t want the poor girl to faint from fear.
But she took a deep breath and pressed a couple buttons on her watch. The next moment, you were crouching beside what looked like one of the guards.
Joori pushed up the black visor that hid her face. “Do I look like them?”
You nodded in amazement. “That was so cool. You have to fit us with that stuff later.”
“Of course.” Joori smiled back. “I think I’m happy with this prototype so I should be able to get it to you guys soon.”
You patted her on the shoulder in gratitude. “You’re a great asset to our team. I know you can do this, Joori.”
With a new wave of confidence, Joori flipped down her visor and stood, walking around the boxes so she looked like she had come from down the hall as she approached the guard.
The guard only looked confused for a second before he saluted Joori and then walked away.
That was easy.
When the guard was completely out of sight, you stood from your hiding spot. “Great job.”
Joori gave you a thumbs up and then punched the code that she had deciphered during the car ride to the lab. The pin pad sang a little song before the door clicked open.
You gave her a high five. “I’ll be out soon. If you feel threatened in any way, abort the mission. We will be fine.”
Joori nodded as you slid through the door.
---
I googled parachuting and skydiving ONE TIME for this chapter and suddenly all my ads involve parachuting or skydiving :))) Thank you guys for reading!! I know the chapters are short, but I like to drag it out because it feels so long when I write it that I want to savour every morsel that I put out if that makes sense (ahem in other words, it gives me more time before I realize I should start writing/posting another story luuuuuul). You guys are so kind with your likes and messages though T_T THANK YOU THANK YOU.
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tumblunni · 6 years
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okay HOLY SHIT
I just remembered that show Gargoyles that I loved as a kid, and I decided to rewatch it, and its SOMEHOW EVEN BETTER THAN I THOUGHT IT WAS?? Like holy fuck?? It has one of the best introductions to any show ever! Did I just never see the first episode as a kid, or did all the implications fly over my head when I watched it??
Okay so.. like.. I knew the PREMISE but I didnt expect it all happened in the least expected way! The friggin theme tune tells us that blablabla ancient magical guardian creatures fell under some sort of curse and now they’re revived in modern times, such and such, there you go a one sentence plot. BUT HOW IT HAPPENED HOW it happened oh GOD And like the show starts with a whole hour long flashback to the gargoyles back in olden times?? like thats a really bold move! usually in kids shows theyre like ‘you MUST establish the status quo/episode formula right away’. here we literally only saw two minutes of modern times america. TWO MINUTES! some person we dont know finds some mysterious monster. now lets throw that all away and spend a whole glorious hour establishing how much of an upstanding man that damn monster is, and how the universe treats him like shit. like weirdly enough it raises hype for the modern day episode formula even as it shows none of it?? it makes the audience think ‘WAIT WTF THEYRE NOT EVIL, OH NO WE ALREADY KNOW THE MODERN POLICE IS GONNA ATTACK THEM’ :< And then also we get ANOTHER HOUR AND A HALF of establishing the modern day status quo too?? theyre labelled on dvds and stuff as the first five episodes, but really this was just one big 2 and half hour movie premiere! i wish i could have seen it in its original form back when it first aired, i just remember that it was really hard to catch reruns of the multi part stuff cos toon disney had a lot of airing issues
anyway WHY IS THIS THE MOST AMAZING THING EVER?
okay
OKAY OKAY
Here’s our premise! We start off in some ambiguously set medieval kingdom where everyone dresses like a mashup of vikings and englishmen yet have scottish accents ok seriously thats kinda distracting And we’re introduced to this small castle kingdom that’s protected by mysterious guardian creatures of amazing character design. Like seriously i wish they didnt focus so much on this ‘all the main gargoyles have to look more human’ thing, the comic relief teenagers trio was my favourite and also THE COOL GRANDPA EYEPATCH GARGOYLE ok ok im getting offtopic So in this universe gargoyles are a sentient species of winged noble warrior doods, who just happen to have a problem of turning to stone in sunlight. And they protect these humans but the humans are all assholes who’re like WAH BUT THEY LOOK LIKE CHRISTIAN DEMONS THEY MUST BE EVIL even as theyre like.. mid-being-saved. Absolute dumbasses. And seriously YOU BUILT YOUR CITY ON THE GARGOYLES’S LAND! You should count yourself lucky their leader is Niceman Mc Patience who agreed to a peace treaty instead of kicking your ass. Seriously Goliath you kinda comprimised too much! It really fuckin sucks!! The gargoyles are like.. employed by the humans for no form of pay?? They get literally nothing out of it! Except less room to live in their own home, and constant degredation.
Okay so THE HUMAN CHARACTERS AND THEIR CONSTANT DEGREDATION
We’re introduced to the princess and royal vizier dude when the kindly knight captain is like ‘hey you should say thank you to the gargoyles, not me’, and she’s like HOW DARE YOU LET THE BEASTS INSIDE THE HOUSE! Like seriouslt the gargoyles arent even allowed to be seen by humans?? Theyre supposed to protect them every damn day but also should never speak and never have any form of rights as sentient beings. WHAT THE FUCK IS YOUR DAMAGE, MEDIEVAL DOODS?? So yeah here’s our brief summary of the everyone here: * Fucking asshole princess who acts like you let your dog shit on the floor if you give a friggin sentient being and king of another civilization the basic courtesy of being allowed to STAND INSIDE THE HOUSE * Cliche evil vizier lookin dood who doesnt really have much personality shown yet except being a sycophant to her anti gargoyle shit, and like.. from his character design you totally expect he’s gonna be evil. *shrug* * Niceman mc guardman who treats Goliath like a friend and is being all activist for gargoyle rights amoung the court. But also he’s really low ranking apparantly, and doesnt have any power to affect change. It seems that he’s been treated like shit by these royals for a long time... * One innocent nice kiddo who wants to hug the gargoyles for saving him, but his jerkass mum is all OMG HOW DARE YOU TOUCH HIM HEY EVERYONE YOU SAW THEY TOTALLY ATTACKED US RIGHT Like seriously he just fuckin tries to start a conversation with the younger gargoyles, and is all ‘youre my hero!’ and they have a nice talk that establishes a load of worldbuilding like how gargoyle culture doesnt have any form of names and Goliath only has one cos the humans gave it to him. Screw you, worldbuilding interruption predjudice mom!
Okay so now we have our premise, and we see some mysterious guy in a hood sneaking out of the castle to ally with some raiders who wanna overthrow the country and steal all its riches. Also a minor scene of the teen and kid gargoyle group being sent to their room for 'causing trouble’ even though seriously the humans started it >_> So like.. we all know where this is going, right? Its a pretty big omen when you give us a contrived circumstance for the children to be the only ones who can be safe from this impending catastrophe... And the voice was very gruff and deep so its probably not the princess doing this shit, plus duh she already has all the power so why would she need to stage a coup? Really, the question now is just what vizier man’s motives are for wanting to betray her!
... EXCEPT
This is where the story gets fuckin great, and also where My Soul Is Pained
hey guess who was really the traitor? its.... nice guard man! fffffuck its sooo creepy when the princess is running for help and she’s like HEY THANK GOD YOURE HERE and then he has this big slasher smile and reveals his plan T_T And like.. he’s still.. not really evil?? Nobody here is evil, except the personalityless plot device raider guys who just exist to set up this circumstance. The princess is an ungrateful predjudiced asshole, but she’s beloved by her human subjects and i mean., she never actually does anything evil, she’s just rude and nasty. And the vizier was a complete red herring and actually all his mysterious shit was just him hiding a crush on the princess, so he breaks down when he thinks she’s dead :( And then guard guy also wasnt lying about caring about the gargoyles. he tried to get them to leave so that only the humans would die, but then like.. his ambition overtook that one shred of loyalty he had to his friends. He thought he could get through all this without having to kill them, but when the raider guy insists upon it he ends up agreeing rather than lose his chance at stealing the throne. And then its really slimy how he’s all ‘BUT I DIDNT INTEND THIS ORIGINALLY, ITS ALL RAIDER GUY’S FAULT’ after goliath shows up and cries over the corpses of his family, like seriously what the fuck dude dont try and weasel out of consequences for your actions. But still it feels like he was once a genuinely good guy who just gave in to his selfishness and abandoned his morals?? And i mean its super justified for him to be angry at how he was treated by the princess, and to want to affect change in this society. WE WERE ALL ROOTING FOR YOU!! Seriously its so fuckin surprisingly deep to have some guy who’s a fakeout hero in the first damn episode. And some guy who’s a villain just because he stooped to any means necessary to carry out his once-heroic ambitions. Instead of changing society for the sake of the people, he’s sacrificing all the people just to gain the throne, and forgetting why he ever wanted it! SERIOUSLY HOW DID YOU MANAGE TO BE EVEN WORSE THAN ASSHOLE PRINCESS
so yeah then the plot just goes in SO MANY UNEXPECTED DIRECTIONS to get to the same expected conclusion! Instead of just being cursed by the bad guys, the gargoyles were betrayed by the one closest to them, while those bad guys all died innefectually offscreen. And the curse wasnt even an evil act! It happens because of a REALLY COMPLEX GREY MORALITY SITUATION, where the princess and vizier were gonna be sold off for cash, but then because the gargoyles tried to save them the guard guy decided to just execute them instead. So after their triumphant rescue of all the villagers, they find the vizier man sobbing over his dead love, and then he tells them its THEIR FAULT IT HAPPENED. And he doesnt want to live without her, so he makes a really stupid reckless decision and decides to attack the last few living gargoyles. And like RIGHT AFTER he casts the spell on them, he finds out the princess is still alive and its all oh Fuck What The Fuck Have I Done So vizier man tries to undo the curse, but his book of spells got damaged in the fight and (OF COURSE) coincidentally the page about curse lifting is gone. Cue fuckin Everyone Crying. SO FEW EVIL PEOPLE IN THIS STORY SO MANY EVIL ACTS DONE BY THOSE WHO THOUGHT THEY WERE THE HERO like even the vizier and princess realize they were wrong about their anti gargoyle bigotry after they have to see the consequences of it here but its just WAY TOO LATE FOR THAT
and then yo the EVEN MORE UNEXPECTED AND SAD BIT cos our protagonist gargoyle was the only one who didnt get cursed thats unexpected and he basically COMMITS SUICIDE TO BE WITH HIS FAMILY THATS KINDA MORE UNEXPECTED Well its more like a g-rated suicide metaphor?? Everyone thinks the curse will never be broken, so he curses himself too cos he cant live without them. And its really depressing cos even though we know they all eventually get uncursed, so many others just straight up died and also theyll never see their human friends again and also the castle is all destroyed so the fate of the kingdom is really ambiguous too?? we just know that the now-redeemed princess and vizier are gonna do anything they can to protect their citizens and atone for what happened. and they take the last few gargoyle eggs that werent destroyed, and promise to raise them with all of the love and respect they nevr gave poor goliath... and seriously they never say whose children those eggs were but he’s like the only person left who could have given them a proper gargoyle childhood. So like its morally grey that goliath is choosing death together with the people he knows, rather than living and trying to ressurect his dying civilization. i absolutely wouldnt blame him for it though, its not like suicide is an active choice, he wasnt exactly in his right mind at the time! But its just REALLY NICE AND COMPLEX! And raises a lot of questions about what will happen to these new gargoyles who’re raised by humans, how different would they be if goliath and co met them someday? i really hope thats actually a plot thats gonna happen, i cant rememebr ANYTHING about this show lol...
so yeah theres all the FUCKIN COMPLEX DARK MORAL AMBIGUITY IN ANCIENT ENGLANDSCOTLANDGERMANYKINDA and it is AMAZING and it absolutely baffles me how they ahve such great plots when other parts of the writing are kinda awful standard disney cliches?? like seriously they wasted so much screentime on Comic Relief: A Fat Guy Exists. Seriously he just.. exists. They show these really slow and overanimated scenes of him just.. eating things. not even exaggerated or comedic. he ate one pie, lets all make fun of him for twenty minutes but man, no show in the 90s was perfect, lol! this is still pretty damn great! AND VERY EMOTIONAL
oh oh oh and i didnt mention THE OTHER CRYING BIT cos the guard guy gets a cliche disney villain death, the whole accidentally falling off a cliff due to his own actions, so the protagonist isnt morally responsible for killing a man but then what makes it a really unique scene is that THATS NOT THE MORAL STANCE THE SHOW TAKES goliath WANTED to kill that damn man or, at the very least, give him some sort of punishment for what he’d done goliath has a fucking huge despair moment over the fact this villain man died and he wasnt the one who did it “you took everything from me, even my chance at revenge” cue ugly sobbing as this buff ass demon man screams at the heavens and cradles the stone dust that was once his damn wife what the fuck show why are you doing this to me
ITS REALLY GOOD
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