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#vlaakith
eurodynamic · 8 months
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BALDUR'S GATE 3 (2023) dev. Larian Studios
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scarila · 5 months
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"I followed your path. What good, this heart of stone, for it to be shattered?"
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neonbutchery · 5 months
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noticed something with villain designs in this game. did someone at larian have a grudge towards people with this hairstyle??? do they all go to the same evil hairdresser?????????????????????????
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telumendils · 7 months
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my chaotic neutral tav after learning one (1) thing about vlaakith, shar, mizora, zariel, cazador, mystra, etc:
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bbybirdo · 5 months
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vlaakith's will be done
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baldurians · 7 months
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Draw a new face onto the portrait.
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ayrennaranaaldmeri · 5 months
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Live fast, die young, anger the lich queen enough for her to waste a Wish spell on you.
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jeeaark · 4 months
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i'm curious about your tav's first reaction seeing vlaakith? and seeing how lae'zel easily bowed to her and how slightly enamored she was with her.
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It was disdain at first screech <3
But seriously though, kudos to Vlaakith's VA! Immediately gave me a definitive opinion about Lae'zel's queen. The need to defy Vlaakith became stronger than the need for Lae'zel's approval
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wuhuha · 2 months
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Just drawing the gith girlies
Part 2
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fiendpact · 5 months
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show of hands, who else got obliterated by vlaakith because they're a smartass who likes to fight
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syngularitysyn · 4 months
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scarila · 5 months
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children of the stars
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a2zillustration · 4 months
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This happened the first night Yenna stayed at camp, sorry kid buckle up
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certifieddilfenjoyer · 2 months
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Astral Prism, Orpheus & Raphael Theory
So you know how most people in Baldur's Gate 3 fandom make the Raphael joke?
I'm here to tell you that it's extremely hurtful, because his character has a lot more depth than some of you are willing to see.
Behold, my Baldur's Gate 3 theory:
Right before we enter Act 3, we are jumped by githyanki who want to retrieve our Astral Prism. We are summoned to the Dream Visitor - The Emperor, to help him in the fight.
We find out then that our supposed ally is an illithid but there is one more guy, The Gith, the Orpheus, The Prince of the Comet.
You can ask the Emperor what the heck is a githyanki doing there and he will tell you the brief story about the War of The Comet*.
He is going to mention, that he is bound by INFERNAL chains. Hold on? How come?
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After we are done with the Royal Guard, we can go to the upper left side from Orpheus's prison and find an ancient Githyanki disc. It will tell us, that Vlaakith had some infernal business conducted with a devil with wry charm. Of course Raphael isn't the only devil capable of being charming, but it feels natural for it to be him when he is already a very important character in game.
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Baldur's Gate 3 Wiki says that it is indeed Vlaakith and Raphael.
OK, but why would they exchange the Astral Prism and is it Vlaakith getting it or Raphael receiving the relic?
He is giving it to Vlaakith. But how would he be in possession of such an artifact?
My theory: He is the one who had it created for that trade. (Commissioned from someone else)
Explanation:
If you look at Hope's and Orpheus's prison, you will notice a striking resemblance at the crystals that can be only shattered by the Orphic Hammer. A Hammer, that Raphael is in possession of! How convenient!
(Even Hope's and Orpheus' eyes are glowing in the same way when they are enslaved.**)
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The runes and the design of both Astral Prism and Orpheus' shackles are also strikingly similar. It does not look like anything of Githyanki creation, it screams infernal.
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But that still doesn't really add up, does it? Who would possibly create such a powerful object which plays such a major role in the plot?
Here, we have to familiarise ourselves with the wonderful post by Bearhugsandshrugs
Em explains above who the people visiting House of Hope are***.
One of them is a crazy, extremely knowledgeable wizard who specialises in creating copies of himself which prevents him from dying in battle.
When we kill Raphael, we kill him in HoH, in his own domain. He should be gone, for good! But yet, upon interacting with the Orb of Infernal Envisioning, we see that he is soon to be devoured by his father. Hells do not split into separate planes - so either Mephisto snatched his soul somehow (which seems impossible because his body is still there and devil's souls are their bodies) or Raphael respawned and his father took one of his clones or something like that. (He's just so cool I had to put it in here, but let me return to my theory now)
Another name on the list points out to Raphael's interest in different planes (even the ones which don't seem to be reachable) but also, magical puzzle boxes capable of holding items inside. As you can see, the name on the list is under the uninvited visitors section, which most likely means that they either fuel his soul pillars or have been turned into a soul coin. So it didn't have to be that particular person helping Raphael with the creation of the Astral Prism, but it points out to his interest in that topic.
Now, when would that even happen?
Karsus Folly took place in -339 DR, BG3 takes place in 1492 DR, around 2000 years later.
The enslavement of Orpheus - so also the Vlaakith trade - happened at around -4000 DR.
It is not impossible that Raphael was already around and scheming at that time. Why? Because Mephistopheles gifted Haarlep to Raphael most likely when Raphael was about to get the Crown before his father snatched it. Comparing their visual age, it seems that Raphael was already a young adult cambion at around the War of The Comet age.
Another thing is the fact that, Kith'rak Voss, the badass Githyanki Red Dragon rider, the sword of Vlaakith, found out about Raphael and contacted him and told us to get our ass inside Sharess Caress. Raphael doesn't mention him having an 'office' there, it's Voss who does it. Only upon entering the place, we can interact with Korrilla who's like, hey girl go upstairs Raphael rented a room hoping you'd drop by. HE KNOWS WE SPOKE TO VOSS, he has to! And also, Voss was around when Orpheus got enslaved! According to Wiki he was inside the Astral Plane when that happened. And Raphael has absolutely 0 interest in trading with Voss, yet the githyanki managed to reach him somehow. In my opinion, when he finally realised the lies of Vlaakith, he was looking for a specific devil, for Raphael, because he might remember him from back then.
(* Justice to my poor Githyanki, the most based and cool race in BG3. Imagine how painful it has to be to realize over centuries of time that you helped the self-proclaimed queen establish her tyranny over your own people because you've been brainwashed to believe that Orpheus is a traitor and Vlaakith the rightful heir of the throne)
(** The eyes, the chains, the crystals. The top of the Orphic Hammer is literally partially built from that same gem/crystal and on top of that, if you use Examine on it, it clearly states that it has been built in Infernal forges.)
(*** headcanon warning: The Amulet of Vigor that is present in the Archive is actually proven to have some... Other invigorating capabilities ☠️☠️☠️ and the old, ancient, crazy wizard has the boudoir privileges. Coincidence? ☠️☠️)
Anyways, to sum up:
• Githyanki disc shows us a deal between Vlaakith and Raphael where the devil gives her the Astral Prism.
• Raphael orders creation of the Orphic Hammer (the name itself, come on, it's such a mockery just like House of Hope) to make sure that he has the means to free him if it will benefit him in any way.
• In exchange for the Hammer, he receives some kind of knowledge of ascension to godhood. (Lae'Zel tells us during the game that ascension is the githyanki's greatest honour but it turns out it is nothing else but ensuring that Vlaakith remains alive and a god, because she just consumes the life force of her greatest warriors)
• Hope's and Orpheus's chains are strikingly similar and the part of the Orphic Hammer is built from the same gem/crystal that seems to be enslaving both of them.
So yea, my humble request is that you start fully appreciating the incredible writing of the game, instead of just focusing on the shallow 'haha bottom' jokes. I could make another post about that itself, but it's pointless. I hope you enjoyed!
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when people ask "why is Mystra bland and Shar and Vlaakith are MASSIVE AND SLAYING HARD?" i want to screem
Ugh if i see that post criticizing Mystra for looking average compared to Shar or vlaakith reblogged one more time Im gonna scream fchgcg do you guys not understand the difference ?
I didn't expect to wake up today and be a Mystra defense attorney but yall need your perspective to be ripped wide open
disclaimer: this only goes as deep as the game lore the actual lore the game is based on is much more expansive and goes into detail about everything im about to quickly explain so i recommend reading it.
So first off all lets redefine your understanding of what Mystra is ,
She is magic, she is the weave, the very fabric of the weave is Mystra, when gale reached out to the purple light and said he can feel her he was not kidding he was literally holding a tiny fraction of her in his hand
All of the scenes that include the astral sea? all the flashes of magic all the outer planes scenes ? All the colors and twinkling? the setting itself? all of it is Mystra
its not made by her it IS her
when my guy Gale said we stand in the palm of Mystra he wasn't being poetic he was being literal the very fabric of the illusion he conjures is Mystra not from her but is her
(on a side note Gale is pretty much very literal in his words and what he tells you but people always brush that off as some scholarly exaggeration for some reason which is another post tbh)
What did you guys think the meaning of magic dying with Mystra's death and her having be reborn 3 times to bring it back to stability?? Its not only because she controls it but because she *is* it.
When you look at Scene that have her or the weave do not only recognize Mystra as the face you see but include the background, the lights, the colors, the magic, everything, if its hard to visualize just imagine the weave and the weave plane as an extension of her dress all of it just the fabric of her dress going on and on and on making everything around her and Gale.
like notice how Mystra physically is not in these pics but she still is because every flash of purple is a thread of her being
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here when you look at her you probably only see her "human form" but expand your understanding to see her as the weave behind her the sparkles, and stars, the weave rain around her, the very floor she is standing on, the sky she is floating around in
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Now onto the second point:
Why do Shar and Vlaakith present as these all powerful terrifying massive beautiful entities when needing to converse with their followers and Mystra presents as a regular woman ?
There are alot of points i can touch on that will explain there are a 100 reasons
But the main ones are Shar and Vlaakith NEED to intimidate their followers into recognizing them (in other words put the fear of god and anime into the hearts of people that look to them) because without this fear that they inspire they have no influence, they need to convince anyone that lays eyes on them that they are powerful from the very first glance, their power and influence depend on how much people fear them into submission.along side looking ethereal and menacing Shar uses pain and Vlaakith uses false godhood and rewritten gith history to achieve that . that's why they are beautiful and fearsome and massive and their temples/creche's are massive and grand Vlaakith's being on the highest mountain in the tallest building and Shar's gauntlet and house of pain being the deepest underground Structure to exist to the point that its a bit unbelievable (to the point that i had to pan with my camera outside around the mountain to see if its even plausible fhdjd) all of this is supposed to inspire absolute fear and submission into anyone that walks in makes them feel small and dominated by the goddesses power in a single instant so they can instantly gain control over them.
What about Mystra? What do we see she has in comparison?
We see Mystra only has her alter where its used for communication because that's all she needs... She doesn't need to prove her power she doesn't need to make people fear her she doesn't need submission and domination she doesn't need to be recognized because any magic wielding entity can just look into themselves and feel her threads inside of them can look around and feel her presence that's all she needs. And when she communicates with her weave users (what would be considered as her followers but not really) she needs to present an equal footing to them not a dominant one because she needs to discuss things, to reason, to convince them, not only because they are smart and powerful with or without her but because she has no say in what they do with the weave (as long as it doesn't ruin the balance) she cannot stop them or take it from them but she can persuade them to go a certain direction that's the extent of it. And that's why her alignment is neutral instead of evil even though we know she doesn't have the best actions and methods but she doesn't need to hurt people to gain power she simply... Is... And that gives her her power. (another side note this is also gale cant simply stop believing in her or abandon her worship or take of his earnings etc its not that simple as she is in the air he breathes yk)
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typhonserpent · 8 months
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In which several cats discover the same slightly elevated flat thing and claim it as their own while pretending the other cats don't exist.
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