rian johnson took all that time, put in all that effort to make glass onion a fantastic period piece to the first four months of pandemic, a prescient narrative that anticipates the stupidity of rich billionaires, and then pulled the rug from under us because the world of benoit blanc just straight up doesn't have the mona lisa anymore
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Those new friendship dialogue options. Man. This game, continuing the tradition of giving us one way to be nice to Halsin and an endless array of ways to be really mean to him while he's too tactful/kind/autistically oblivious to stand up for himself. "Honored to be your beast of burden" indeed.
Considering I firmly believe that Halsin was in the "bullied as a kid/teenager" and is currently in the "consistently imposed upon as an adult who does not fit within the 'norm' of society to the point that he's internalized and normalized being inherently disregarded as anything other than his physical appearance even when he has multiple times proven himself beyond it" camp, it does very much swim of: at this point what is really the point of standing up for myself/getting upset when I've already clearly indicated that I don't really like when people disregard my feelings? It's a coping mechanism - almost like he has been the bigger person his entire life (...literally and figuratively).
Wonder if he disapproves with that one, too. Unless at that point it's meant to be implied that since he's friends with the player character, he's okay with the animal association now, but like...I don't know, I genuinely don't think Halsin likes that regardless of who it's coming from or whether it's meant as a playful jab or not.
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There is a reason im being hesitant to refer to Aphmau as 'Lord Avra of Phoenix Drop' in my rewrite.
But honestly the second reason is just the idea of her being lord is so outrageous because if this bitch can do it, so can anyone
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wait also the catiline conspiracy by john maddox roberts. it says a lot that he has a whole series of mystery novels set in 1st century bcs rome and i haven’t bothered to read the rest of them because of their aura of Terrible
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again you can acknowledge how fucked up and hypocritical the recent blacklisting wave in hollywood is, while also actually looking into what some of those people said so you don't rally yourself behind antisemites
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this is so funny to me like I GUESSSSS but also they are quite literally for fashion purposes as is most clothing. because when you’re making that vest you’re still thinking about whether or not it looks good. at least i hope you are.
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when at the library today i picked up a book abt typography to pick up some more theoretical skills there and to no one's surprise it pretended that european languages were the only languages in the world which like whatever i'll still learn what principles it has to teach and then try to reverse-engineer applications to cn font design based on what i know.
despite not trusting the english-language resources available online to be as in-depth or technical as i desire, i got curious and googled "chinese typographic design" anyway n scrolling through the introduction to the first result, you can kind of tell it's not written with a chinese-speaking audience in mind, or at the very least an audience with some semblance of chinese cultural sensitivities bc its section headed by the words "navigating the simplified and traditional divide" goes on to basically say it's an Aesthetic Decision which. well. is certainly a way to pretend you're avoiding politics.
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relatedly. it does genuinely bother me that the mcu never deals with the sociopolitical and economic implications of both the snap and the unsnappening
GIRL YOU SUDDENLY HAVE A DRAMATIC DECREASE IN WORKFORCE WYD vs GIRL YOU SUDDENLY HAVE A DRAMATIC INCREASE IN NEED FOR RESOURCES WYD
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god i know that complaining abt fic which most of you haven't read, and which i won't, for politeness' sake, identify in this post, is a great way to come across as both dickish and boring—
but i've been rereading a very long, very satisfyingly plotty series that's a fandom darling and the thing is, when you read like 400k of an author's work at once it really starts to become painfully apparent what their priorities are, by which i mean two things:
holy shit they're obsessed with 'what if strong powerful men who could hurt you didn't (but did hurt Bad Guys) (and it was sexy of them),' which leads into
holy shit they do not appear to have thought through the implications of saying 'i will have my heroes take over the same power structures that have enabled abuse, make no real changes to those structures other than swapping out the leadership, and then claim that everything is wonderful now bc Good Men Are In Charge'??
like. i don't necessarily need every passing fantasy to present me with a coherent, revolutionary system of politics and ethics—sometimes things are just fun and sexy and not especially Examined and that's fine!—but by the time someone's written literally almost half a million words, and done a lot of worldbuilding while they were at it, i am going to start squinting if they seem to think a Good Man can e.g. become an emperor by killing off the leadership of multiple countries and installing puppet kings loyal to him and still remain a Good Man, even if the justification was that the original leadership was maltreating its citizens and deserved to be extrajudicially executed. like. this shit was a bad, autocratic move when the US did it in real life and it's still bad now that you're having our mutual blorbo do it in fiction!
and that's not even getting into the whole thing where like. they've got servants who the Good Man and his friends ""treat well"" but who very much remain second-class citizens in terms of how the story actually frames them and their concerns. [this was also a huge issue i had with foz m*adows' most recent book—everyone wants to write about fantasy nobles but they also want to make them good people and it's like. honestly i think it might be better to get comfortable writing about flawed people, but also—if your aristos aren't treating their servants like equals and your text isn't either, you haven't actually cracked the Moral Aristo paradox, sorry!] like, there's nothing that says your story has to depict a fully Healed World, nor should there be! but it's troubling if you seem to be convinced you've written one (and have your wide-eyed love interests constantly marveling at it!) when you very patently haven't.
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