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#youth talent discovery camp
elijones94 · 11 months
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🇵🇷 For the last day of our youth camp at Union Church, Bomba dancers taught us how to dance the Bomba. Parents were invited to participate and check out what their kids made during the week. The day concluded with pizza, and a wrap party. This is something neither I,my mom, Ángel Carrión, the kids, nor Pastor Marc will never, ever forget. It’s been awesome hearing the positive reception of the camp from not just the kids, but from their parents too. Hopefully, we can do another talent discovery camp at Union Church next summer. From music to art, everyone displayed their highest potential. 🎨🎭🎼🎶🎵
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youth camps near me
youth camps near me 
Title: Exploring Youth Camps: Finding Adventure Near You
Are you seeking an adventure-packed summer for your child? Look no further! Youth camps offer an exciting array of activities designed to engage, educate, and entertain young minds. From outdoor exploration to creative arts, there's a camp for every interest. Let's dive into the world of youth camps and discover what awaits your child right in your local area.
1. Outdoor Adventure Camps:
For the nature-loving child, outdoor adventure camps provide an unparalleled experience. These camps often include activities such as hiking, camping, kayaking, and rock climbing. With expert guides and instructors, campers learn valuable outdoor skills while forging lifelong friendships. Whether it's navigating a forest trail or conquering a rock wall, these camps foster confidence and a deep appreciation for the natural world.
2. Sports Camps:
Is your child passionate about sports? Youth sports camps offer intensive training in a variety of disciplines, including basketball, soccer, tennis, and more. Led by experienced coaches, campers enhance their skills, learn teamwork, and cultivate a love for physical activity. Sports camps cater to all skill levels, from beginners to competitive athletes, ensuring every child has the opportunity to thrive and succeed.
3. Arts and Creativity Camps:
Unleash your child's imagination with arts and creativity camps. From painting and pottery to drama and dance, these camps provide a platform for self-expression and exploration. Campers discover new talents, hone their artistic abilities, and collaborate on exciting projects. With supportive mentors and a vibrant atmosphere, arts camps inspire creativity and instill a lifelong passion for the arts.
4. STEM Camps:
Fuel your child's curiosity with STEM (Science, Technology, Engineering, and Mathematics) camps. These innovative programs offer hands-on learning experiences in robotics, coding, engineering challenges, and scientific experiments. Through interactive workshops and engaging activities, campers develop critical thinking skills and a deeper understanding of the world around them. STEM camps foster a love for inquiry and discovery, preparing children for future success in STEM-related fields.
5. Leadership and Service Camps:
Empower your child to make a difference with leadership and service camps. These programs focus on character development, teamwork, and community service. Campers participate in leadership training sessions, team-building exercises, and volunteer projects that make a positive impact on society. By fostering empathy and social responsibility, leadership camps cultivate confident, compassionate leaders who strive to create a better world.
Finding Youth Camps Near You:
With a little research and exploration, you can find the perfect youth camp to ignite your child's passion, nurture their interests, and create unforgettable memories. Get ready for a summer of adventure, learning, and fun right in your local community!
Camp North Star is situated in beautiful Poland Spring, Maine, surrounded by many beautiful and natural landscapes that we get to share and enjoy with our campers. Trips are offered every session and happen on the days we are not on our normal activity schedule. Trip days are a time to relax and enjoy time with friends and bunkmates.
Camp North Star is the top premier Maine sleepaway camp for boys & girls. We offer the best overnight summer camps for kids & teens in New England. Call Now: (207) 998-4777.
We give Different types of camp north star like-
Sleep away Camp
 Summer Camp
 Sport Camp
 Boys & Girl Camp
Thank You, For More Service’s Please Visit Our Websites.
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summercampforkids · 2 months
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The Impact of After-School Programs in San Francisco
In the vibrant city of San Francisco, after-school programs play a pivotal role in shaping the future of our youth. These programs offer a myriad of benefits beyond academic enrichment, providing students with opportunities to explore their passions, develop essential skills, and cultivate lifelong friendships.
One such program making waves in the San Francisco after-school scene is Kidizens. With its innovative approach to learning through LEGO-based city-building, Kidizens offers a unique blend of fun and education. Aspiring architects, city planners, and future leaders come together in Kidizens' engaging environment to explore concepts of civic responsibility, leadership, and teamwork. Through hands-on activities, collaborative projects, and immersive role-playing, children not only build intricate LEGO structures but also develop essential 21st-century skills such as problem-solving, communication, and critical thinking.
Another standout option for after-school enrichment in San Francisco is the Bay Area Discovery Museum (BADM). Situated at the foot of the Golden Gate Bridge, BADM provides a stimulating environment where children can unleash their creativity and curiosity. From interactive exhibits and art studios to outdoor exploration zones, BADM offers a diverse range of activities designed to spark imagination and ignite a love for learning. With a focus on STEAM (science, technology, engineering, arts, and math) education, BADM's after-school programs inspire young minds to explore, experiment, and innovate.
For families seeking a holistic approach to after-school care, the San Francisco Recreation and Park Department (SFRPD) offers a variety of programs designed to promote physical activity, socialization, and personal growth. From sports leagues and outdoor adventures to arts and cultural activities, SFRPD's after-school programs provide a safe and supportive environment where children can thrive. With locations throughout the city and a commitment to accessibility and inclusion, SFRPD ensures that all children have the opportunity to participate and excel.
In addition to these organizations, San Francisco is home to numerous community-based after-school programs that cater to specific interests and needs. Whether your child is passionate about coding, robotics, dance, or environmental stewardship, there's a program tailored to their unique talents and aspirations. By engaging in after-school activities, children not only expand their knowledge and skills but also build confidence, resilience, and a sense of belonging.
As you explore the diverse landscape of after-school programs in San Francisco, consider what matters most to your child and your family. Whether it's hands-on learning, creative expression, or social interaction, finding the right program can make all the difference in your child's educational journey. With the support of dedicated educators, inspiring mentors, and a vibrant community, San Francisco's after-school programs empower children to discover their passions, pursue their dreams, and become the leaders of tomorrow.
Kidizens
About Us
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LEGO Fall/Winter Camps
LEGO Spring Camps
LEGO Summer Camps
Classes
Kidizens Classes
Workshops
Kids Night Out
Birthday Parties
Contact Us
Young Kidizens
Belmont Kidizens
Los Altos Kidizens
Contact Kidizens today to learn more about our after-school programs in Belmont and Los Altos. Together, let's unlock the potential of every child in San Francisco and beyond.
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jasonp01 · 3 months
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Yang Fan Dublin Summer Camp : Top Summer Camps & Activities
Welcome to Yang Fan Academy Summer Camp!
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The warmth of summer week brings with it the promise of new adventures, and we at Yang Fan Academy are excited to embark on this seasonal journey of discovery and camaraderie with your child. Our summer camp isn’t just another summer hangout; it’s a thriving hub where the thrill of adventure pairs with impactful learning, and where enjoyment is woven into every educational opportunity during these eventful weeks.
Only The Best: Summer Camps Awaits!
Yang Fan Summer Camp is ideal for kids in their break – not only does our summer camp offer exceptional value, but also provides first-rate break education at a budget-friendly cost! We put forth great effort to make sure that students receive the best possible tuition price and quality
Balance Of Fun Academics & More
At Yang Fan, kids can embrace both academic learning sessions and exciting camps activities simultaneously. For 18 years, we have created memorable experience where kids can engage in meaningful and exhilarating activities.
Wide Number Of Activities
Yang Fan Specialty Camps are the perfect opportunities for kids to explore interests and cultivate talents, offering a wide variety of camp activities like arts, science, math, culture, gardening, sports like soccer, coding, cooking, and public speaking classes, etc.
Parents Friendly
Schedule
Our summer camps is designed with family vacation schedules in mind, ensuring that these times together are truly memorable. Our flexible camp enrollment options allow families to pick the start and end dates that best fit into their vacation plans. We offer choices between morning, afternoon or full-day camp for maximum flexibility.
Get ready for a summer brimming with creativity, learning, and laughter, right here in Dublin. Let the summer joy begin!
Our Summer Camp In Dublin.
Youth Activities
We are excited to announce the Yang Fan Academy Summer Program! This summer, we warmly invite children of all ages and their parents to embark on a journey filled with educational exploration, exciting adventures, and memories that will last a lifetime. For more detailed information, please feel free to contact us.
Our summer camp program is thoughtfully crafted to meet the varied interests of our young campers participants. Throughout the camp activity, we will delve into a range of themes designed to spark both curiosity and creativity. Your little ones will have the opportunity to engage in a multitude of activities including hands-on science experiments, creative art projects, dynamic sports activities, and adventurous outdoor explorations. There’s a fun and enriching weekly experience awaiting every child.
At Yang Fan Academy, we deeply value our role within the home community. Our Summer Camp Dublin program will integrate a host of community-focused activities, such as field trips to local city landmarks, interactive sessions with guest speakers from our dynamic Dublin community, and group projects that promote teamwork and instill a sense of social responsibility.
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campnetimus123 · 4 months
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Overnight summer camps in Maryland
Nestled within the vibrant landscapes of Maryland lies a haven for youthful adventures and lifelong memories—overnight summer camps. Among these, Camp Netimus stands tall as a beacon of camaraderie, growth, and boundless experiences for children seeking a summer of fun and self-discovery.
A Wilderness Oasis
Camp Netimus isn't just a camp; it's a sprawling oasis enveloped by Maryland's natural beauty. Situated amid lush forests and serene lakes, the camp offers an escape from the hustle and bustle of everyday life. It's a place where kids can immerse themselves in the wonders of the outdoors, breathe in the fresh air, and explore the untamed wilderness.
Unforgettable Experiences
At Camp Netimus, every day is an opportunity for adventure. From archery and horseback riding to arts and crafts, the plethora of activities ensures that every camper discovers their passion. With experienced instructors guiding them, campers build skills, confidence, and lasting friendships.
The Power of Community
One of the most remarkable aspects of overnight camps like Camp Netimus is the sense of community they foster. Campers form bonds that transcend geographical boundaries and last a lifetime. Through shared experiences and group activities, they learn the value of teamwork, empathy, and cooperation.
Growth and Self-Discovery
Summer camp isn't just about having fun; it's also a transformative journey. Camp Netimus encourages personal growth by providing a supportive environment for campers to step out of their comfort zones. Whether it's conquering a fear of heights on the ropes course or performing in a talent show, every challenge is an opportunity for self-discovery and development.
Nurturing Independence
For many campers, overnight camps serve as their first taste of independence. Away from home, they learn valuable life skills, from making new friends to taking responsibility for their belongings. Camp Netimus empowers children to make decisions, solve problems, and embrace their individuality in a safe and nurturing environment.
Lifelong Memories
Ask anyone about their summer camp experiences, and you'll likely be met with a flood of cherished memories. Campfires under the stars, late-night chats in cabins, and the thrill of conquering a new activity—these moments become the cornerstone of unforgettable memories that campers carry with them throughout their lives.
Safety First
In today's world, safety is a top priority. Camp Netimus upholds stringent safety protocols to ensure the well-being of every camper. From qualified staff trained in first aid to maintaining a secure environment, parents can rest assured that their children are in good hands.
Enriching Maryland Summers
Maryland's charm extends far beyond its cities and landmarks. Overnight summer camps in Maryland like Camp Netimus add an extra layer of enrichment to the state's summers. They invite children from diverse backgrounds to come together, learn from each other, and create a tapestry of shared experiences against the backdrop of Maryland's natural splendour.
Embracing the Future
The impact of overnight summer camps goes far beyond the summer months. Camp Netimus instils values that shape future leaders, fostering resilience, adaptability, and a love for exploration. Campers leave not just with newfound skills but also with a broader perspective and a deep appreciation for nature and community.
Join the Adventure
In the heart of Maryland, Camp Netimus beckons young adventurers to embark on a summer journey unlike any other. It's more than a camp—it's a gateway to a world of friendships, exploration, and self-discovery. With every summer, Camp Netimus continues to be a beacon of joy, growth, and cherished memories for campers seeking the quintessential summer experience.
As Maryland embraces the warmth of summer, Camp Netimus stands ready to welcome a new generation of campers into its fold, promising a season filled with laughter, learning, and lifelong connections amidst the beauty of the great outdoors.
Conclusion
Maryland's overnight summer camps like Camp Netimus weave a tapestry of experiences that blend adventure, growth, and community. They provide a sanctuary for children to flourish, explore, and create memories that last a lifetime. In the heart of this beautiful state, Camp Netimus remains a shining example of the magic that unfolds when kids come together to embrace the spirit of summer camp. To join this unforgettable experience, contact us and embark on a journey filled with laughter, learning, and lifelong connections amidst the beauty of the great outdoors.
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acquariusgb · 3 years
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The Clinton Tapes extracts of Bill as a father
Since tomorrow is Father’s Day in the US, here are some cute extracts from the book the Clinton Tapes by Taylor Branch about Bill being a wonderful father to Chelsea.  
-  Chelsea stopped by, neat as a pin, talking about an exam on Spanish verbs. She said good night and a preliminary goodbye for his long trip. When she was gone, Clinton said former president Bush had been encouraging him to spend more time at Camp David. Bush was hearing of low morale in its vast, attentive support staff, which remained isolated and idle because the Clintons almost never visited. The president said that while he appreciated such concerns, he saw few opportunities to change soon. Chelsea was fourteen years old. The last thing she wished for was a weekend at Camp David, which to her was the middle of nowhere. She stayed home, and her parents wanted to be apart from her as little as possible. So Camp David must wait. May 1994
- When Chelsea stopped by, the president tried to set a time to play cards, or just to talk. He said he had not seen her for a while, but she excused herself to get up early. Clinton looked a bit forlorn, telling me she had a summer job at the National Institutes of Health. July 1994
- Chelsea came in fretting about homework. In an exercise to hone succinct composition, she was writing an essay of no more than one page on the best and worst qualities in the legendary character Dr. Frankenstein, with illustrative passages from the Mary Shelley novel. Chelsea said her draft spilled stubbornly onto a second page, which was unacceptable, and she expressed doubt about her choice of quotations. The president paused to give counsel, and I left the recorders on as he read most of her essay out loud. He liked its cited images of Frankenstein’s passion for learning, enthralled in his lab, cheeks sallow with intense discovery, but he thought Chelsea was slightly ambiguous about whether his best quality was curiosity or ambition. On the negative side, where she wisely pinpointed an overbearing pride as the chief fault, he said she might find shorter, more precise quotes. We both complimented her language about the progressive blindness of Frankenstein’s zeal. Instead of creating life, Chelsea concluded, the mad doctor faced a “monster who had become his bane.” She went off to make revisions, and Clinton promised to consult her again before saying good night. May 1995
-   A festering wound could damage sensitive U.S.-Japanese relations for years, Gore warned. Clinton must visit Japan quickly to make amends. Just today, the president told me, he and Gore had tramped back and forth over a crowded calendar. December was out because of nightly Christmas parties, and so on, until Clinton circled dates next April. Horrified, Gore said that would be months too late, especially since the White House was announcing a peace trip to Europe for next week. Why not substitute Japan for Northern Ireland? Alternatively, Gore zeroed in on three lightly committed January days, but the president pronounced them vital to Chelsea’s schoolwork. Gore blinked. So what? He stared through Clinton’s halting explanation why this would be a bad time—because Hillary must join him in Japan, and junior-year midterms are the most pressure-packed events in all of high school. Mutual exasperation spiked. “Al,” Clinton told him, “I am not going to Japan and leave Chelsea by herself to take these exams.” Gore erupted. He thought Clinton had lost his bearings. They had a big fight, said the president, and were still wrangling about dates for Japan. November 1995
- During this preview of the campaign, Chelsea popped in the doorway to say she was sorry she may have disturbed us. She had been singing to herself in the hall, and did not realize we were here. Before he could reply, she vanished, and while I was rewinding the tapes shortly afterward, the president rummaged around the big Ulysses Grant desk. A decade ago, when she was about six, he said Chelsea had skipped into a ceremony at the governor’s office with a briefcase, which he was obliged to open in front of everyone. He showed me a photograph of little Chelsea doubled over in laughter as Clinton squeamishly displayed a boa constrictor inside. His daughter was cheerful and courteous, he said, but she was mischievous, too. May 1996
-  His voice surprised me again on Sunday, July 7. He had just finished testifying by videotape for one of the Whitewater criminal trials, in which Ken Starr’s deputy prosecutors were trying to tar him with far-fetched charges against Arkansas bankers. The president was tired, and really needed to spend time with Chelsea. So we must cancel our session tonight. He vowed to catch up soon. Of course, I replied. His staff always handled such logistics, but for some reason he delivered this notice himself. July 1996
-   Clinton told stories about Chelsea on our way down the hall. He and Hillary had just returned from her ballet recital. “She’s not an ideal body for a ballerina,” he reflected. “Far from it.” Chelsea was bigger than most of the other girls, who were flat-chested and tiny. She had big bones. Her feet had bled after practice ever since she was a little girl. Nevertheless, she pursued ballet above other arts or sports for which she was more naturally suited. “I’ve always admired that,” he said. “I’ve wondered whether I could ever stick with something for its own sake.” He was inclined to obsess about competitive standing and talent, he said, whereas Chelsea, though smartly aware of her limits, loved everything about ballet including the hard work. August 1996
-  Then he lingered on Chelsea’s seventeenth birthday. Because Hillary had been late to dinner at Washington’s Bombay Club, Clinton found himself the delighted sole host to a dozen high school girls in raucous discussions of love and the world. [...] The president glided into stories wholly off my list. Chelsea’s Sidwell Friends School had welcomed seniors to make two-minute spontaneous remarks at a gathering of fathers. On a theme of candid revelation, one girl told the assembly why she and her dad communicated by letter in the same house. Chelsea almost knocked Clinton over, he said, with raw eloquence cutting through the inhibitions of youth and the public eye. She confessed setting her heart all year on tryouts for a part in The Nutcracker, which she did not get. Life’s first major disappointment, as she called it, left her depressed and sleepless, consumed by failure. She could think of nothing but wasted sacrifice. Both parents talked with her late many nights, but she was inconsolable until she woke up fitfully to a letter only an hour old, headed “3am” on her father’s White House stationery. It said he could not sleep, either, being upset because she was upset. He loved her, was proud of her, and believed one day she would find new value in her years of ballet. Somehow these words dispelled a cloud of absorption, she told Sidwell. She still read the note every day. As for his work, she admired what he did in the face of so much invective, but it had not always been so. In preschool, she had cringed as the other children stood proudly to declare their parents’ jobs—doctor, fireman, teacher. Not even she had a clue about governor, and so Chelsea in turn said her mom was a lawyer and her dad cooked the French fries at McDonald’s. She became an instant hit, with by far the coolest dad, but of course the grownups made her promise not to tell lies. Apologizing later to the class, she thought her father just talked on the phone and made speeches, which got the kids briefly excited again because they thought she said he made peaches. February 1997
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And I feel Zhao x HappinessInAnyForm in this Chili’s tonight
I borrowed the ship name @guiltyportfolio chose. It’s perfect!
(3.9k and many weeks late...) A young Zhao doped up on seratonin meets unapologetic Pianjeong fluff. But I rake it through the mud before it’s earned. A lot.
It took longer than he would like to admit in later years, nursing a strong, bitter liquid instead of scalding tea while revisiting memories with none the will to pocket them out of sight and mind... to realize he had sharpened a broken tool to the snapping point. That in his militant head, damaged things were only fixed by pressuring them to spring back into service, for some miracle of self-discovery to take hold after the umpteenth squat that burned through the soft muscle in the legs, the last haggard, gasping mile on unforgiving terrain. That such was the nation he served, one that made good youth into disposable markers, on maps with charred-out territories that had already been taken... the dead buried, the soldiers burying a part of themselves deeper in the low croon of drinking songs that stretched into twilight.
Then there was him: that impish boy of gawky height and thin wrists, scraps of techniques off the battle charts of famed commanders, designs for tanks and warships familiarized down to the bolts, oaths of loyalty to the Firelord and vibrant praises burned verbatim on the tongue... shelved away in a mental compendium. Eager adrenaline when he was first placed under Jeong Jeong’s charge. And underneath it, anger.
Anger at everything, the battle charts with weak points that had needlessly prolonged the fighting, the ships and tanks that were on the losing side and cost them precious resources, the Firelord himself for wronging him, anything at all for crossing him... Enraged at an invisible injustice whenever Jeong Jeong glimpsed the heart of Zhao: the fire below the soldier. The fire that ruled a soldier.
The only catch was that a heart existed. His master had failed him in that regard. Jeong Jeong couldn’t identify the source, for the life of him, of whatever bred the anger that tunneled into those bronzed eyes, into the thoughts lit behind them like sparks off a fuse. When the only notion he’d had to bend his mind around was glancing at the wrists Zhao kept hidden under tied sleeves and sturdy braces, ever since the earliest of his battles - a gruesome enemy on equal footing.
He showed him now, by candlelight in the commander’s tent, as the rest of the camp dozed or caroled in a discordant slur.
“I... he was...” Zhao’s tone had deflated from the similar, loose pitch of a tooling young man. He sounded sober now - much too sober.
A curse escaped on Jeong Jeong’s next breath. If breath escaped him at all. His pupil was by no means shy about crowing - he was the type to parade around the stump of a limb, butt into any conversation, ‘Want to hear - want to see?’, sit himself down, and embellish to the extreme. Yet the most glaring scars were ones most soldiers acknowledged, and none shared.
This was neither.
Faded circlets, seared into either wrist, often in place of a traditional ceremony, more often a last act of desperation. A bond of significance that ran deeper than flesh, worn proudly in spite of the decree it defied.
“... a close friend.” Jeong Jeong finished, amending carefully so as not to oust the criminal crouched in front of him.
Zhao sniggered, reclaiming his sleeves. He tipped the cup to his lips. “Yeah. A friend I kissed regularly.”
The commander made a tch sound, his worry spiking. The boy looked up to catch his gaze, then laughed brightly, imitating a suggestive charade to the act. Jeong Jeong was left to bear witness with thinned lips.
“Last words- he said... and get this,” Zhao shook himself with another fit, further from the hole the memory had burrowed - closer to the fiction he’d tried to entangle around it, like dressing a wolf in koala sheepskin, “He made me promise, ‘Win the war for me.’ It was a joke between us... If one of us knew we were first to go, we’d dare the other to do anything. Anything.”
“Except, it was gonna be some stupid shit. Like, kissing a girl.” Move on, make her a wife. “Like setting your hair on fire. I told him I’d set your hair on fire. Bastard left with... ‘Win the war for me.’” Zhao set down the drink, blinking hard.
Answers that drifted at arm’s length, all this time: the bundled, hot knot of grief the soldier hadn’t learned to swallow around. And how could he? He was bound to a lover’s final will.
The commander abruptly reached across, wrested him forward by a bruising grip. The empty cup clinked aside - Zhao nearly shouted in alarm, the mild upset in his stomach lurching in march with a lolling pulse. His arms looped firmly around him, merciless strength still grasping his head by the palm. His master probably wasn’t aware of it, or worse, it was as weak as he’d ever come off. Zhao sensed quaking; his own or his teacher’s, his eyes were heavy, and the line had blurred.
“Master Jeong Jeong...” He huffed in difficulty. Ribs tightening, “Sir...”
As soon as he was released, Zhao scooted back within his bounds, rubbing the dizzied, interrupted train of thought from his face. He was awake, wasn’t he? Last he remembered, his commander was shrouded in smoke and stood over decimated ruins, unmoving, planted like an idol to their vicious occupation. Were they the same men?
When he looked down, a pair of hands were facing him, knuckles down, fists curled. At least the look his superior gave him retained the sternness of command,
See.
Feeling strange and guiltless, moreover entrusted, he reached under the other’s arm - the rough cloth felt like something thatched, ash singed permanently into the cuffs. Zhao pushed back one sleeve, a wave of numbness crashing over him in its wake. He repeated with the left, finding the same, uneven band of skin that had poorly healed... though the marks left weren’t quite the same as a firebender’s, pinching a forefinger and thumb before a circle of light hissed to life. It looked manual in a different way, as if burned by a nonbender - a clever one, handier with the tools of a forge.
His throat had gone dry. It was harmless; Zhao didn’t need a voice to ask.
You...?
Jeong Jeong raised a name, and an offer. Finally bowing to his pupil’s unyielding persistence. It overwhelmed Zhao in the moment, a blind over the realization that it was at once an answer to the question. He leapt for the commander with a cry, a string of thank you’s and I won’t fail him - or you’s buried in the loose embrace, followed by a grunt of displeasure as the old master shrugged free. Discipline tended to scrape out such displays in the Fire Army - his pupil had talent for a lack, more so when drunk. An unseen smile only tugged his lip after Zhao had picked himself up, dusted off, and staggered outside with the first hum he’d heard of the boy in ages.
. . .
“Don’t fidget.”
Before he could dismiss the tic in his fingers, his master, or both - the door slid open.
His eyes bugged of their own accord. And they didn’t dare blink and miss an instant in front of him.
How the hell could he? The swordsman of the century welcomed the commander with open arms and decorum the rest of nobility could only emulate. As genteel in appearance as a time-honored, decorated sheath that hid the steel he was known to steer like a fifth element. Before even gathering the thoughts that were doomed to somersault as soon as he opened his mouth, Zhao glimpsed them lean in, and deepen their embrace. Quickly turning a cheek that flashed red and a heart that raced, doubled.
Then he was in front of Zhao - his bow was low and graceful for his height - he held out a hand, burned circlets visible just over the sleeve - his commander cleared his throat as if to remind him, you’re meant to bow and shake it.
Zhao damn nearly folded at the waist. His arm shot out. “Master... Master Piandao. I’ve heard all about you. This is, it’s- a tremendous honor.” His eyes were starstruck, carrying a faraway twinkle. “You wouldn’t believe- I asked to learn under you almost every day since I discovered you were a close contact of Master Jeong Jeong’s.”
“Oh, if we’ve heard as much as we have of each other, I think I can believe it.” Inevitably, his voice conjured the image of warm, fluffy milk bread. How cake made the young soldier feel, in human form. Im-fucking-possible. “Sit.” He nodded for the commander and his charge, smiling. “I’ll pour the tea.”
The hour was whiled away. There wasn’t a moment that denied years of familiarity between the two, from how often he tallied his master’s laugh, to every occasion their hands came together, rubbing absent circles or just to draw one’s attention - cement a warm and long look into the other’s face. Envy hardly occurred to a third-wheeling Zhao, which was an honest first. Soon after, he was kneeling in the shadows of the branches that rustled outside the terrace. Nape pricked with sweat, despite the calm he leveled on the master - likely Jeong Jeong’s senior by a few years. Trifling details and their such conclusions immersed Zhao’s senses, tensing a high-strung concentration as it was.
“You came all this way. I couldn’t possibly turn you down.” The warmth had, temporarily, been withheld, to a surreal effect. Zhao felt cornered, felt that each answer was colored in more defiance than what was allowed. “Did you think my manners in serving tea to my guests applied to training?”
His stomach vaulted. “No, sir.”
“Then why? You think you deserve to be here, is that it?”
In any case, answer as yourself seemed to be the worst possible advice from Master Jeong Jeong’s end - yet he’d said nothing else. Zhao had no clue whether his prying ears and eyes bored through a blind spot in the windows, or were pressed against the wall as he smothered another chuckle. None of the outcomes struck him as upside.
“I have a war to win.” He resisted sinking a tooth into his lip, any sign of recoil. “And if you’d like to keep the life that I couldn’t, you have a war to win, too. I know you’re happy with the commander, sir. But as long as there’s fighting...”
“Ah, I see.” More strangely, Master Piandao didn’t miss a beat. His slow pace traveled underneath the floor, inching closer. “So you dream of vengeance?”
That seemed to tick him. “They won’t be dreams when I leave this place.”
“You came here knowing you were a bender of remarkable strength and skill. But you wanted the skill to slip a blade between their ribs, to watch them die at a close distance. You wanted your revenge to be cold and personal.”
A tremble stole into him. And I shouldn’t?
“I...” He was transparent. There was no lie to spin.
“Don’t think I’m unimpressed.” Piandao mused, now directly over him. “These are all brave things to admit to fighting for. But what else? What wakes you up at night? What makes you vulnerable, soldier? What haunts your every step?”
Vulnerable? Haunted? “I... don’t...” Answer as himself? The old swordsman turned, seemingly resigned, when Zhao rushed to finish as the words took definite shape,
“I don’t want to die a nobody.” He ripped the weight off his chest, bared for all of half a minute. “I want to be more than - than what they made me. I want them to remember, that when they shipped me off to never come home, I returned... I made history. Not for them. For me.”
For him.
A pause. “Them?”
His frayed nerves broke the surface - more fear than rage, at least. “The... all of them. The nation. The Fire Nation!” Zhao cried, pressed his forehead to the floor, as low as possible. Pride gave, and still, he only half-believed he’d really said it. “... please.”
Anger reeled, flared in the small breath that lit the space between his lips and the ground.
A foot connected under his ribs, turned him over with only so much effort. Zhao started, facing the ceiling... and the tip of a sword beneath his chin.
“Your temper unbalances you. Good for fire, maybe, but not mastery of the blade. I’ve been told you lack a clear head, pupil Zhao.” Piandao arched a brow, his head tilted in doubt. “You’re bound to lose fingers.”
Jeong Jeong had to have been rolling over by now. The soldier twitched, wary of the cold pinch of metal. “I won’t - lose.”
He couldn’t again. Serving an invisible legacy was one thing, lives laid down by the thousands to reap a tomorrow they wouldn’t see; but the war he fought hadn’t been so lonely or beyond fathom. Zhao had seen a clear future when there was someone to share it with. The drone of marching in and out of sleepy towns and provinces flocked with fleeing commoners by day, turned to the darkness when they climbed into treetops and plotted which stars to follow to the edge of the earth. The sunrise wasn’t the same as when their arms tangled and lips pressed together, keeping out of sight as the flush left their cheeks while idling, talking. Their sun had never felt as pale and small as his did now.
Zhao was sick of loss. He’d made a promise.
The sword slid away. An arm reached out for his. Piandao’s mouth was upturned.
“I will train you.”
There was a thud outside the door, as if an elbow had slipped and a body crashed.
. . .
He was well aware his partner had tried, on many occasions, to regret all things but the pupil they taught together.
Even then, Piandao had been the foil to Jeong Jeong’s cynical heart, urging him to find the sunlight dappled between grey clouds - run a hand under the few rays of light, and avoid dwelling on memories that would embitter the rest. Admitting that he’d partly acquiesced to the boy that walked circles in his own grief to spite the commander’s expectations had earned quite the laugh. A source of rib ache only for as long as it took the edge off. Piandao had wanted the challenge that he couldn’t surmount.
He took quickly to a variety of weapons, but the gifted swordsman was soon faced with the same plight: discipline. An unorthodox series of lessons and several precise, deliberate blows to the ego later, Zhao’s head had cooled long enough to comprehend the soul of the art. After that threshold in his instruction, it was a test of how well the student embraced it.
“Shall we, commander?”
The afternoon was hot, but not unpleasant. They watched a solitary spar from the steps to the dueling grounds. Smart, surefooted, well accomplished - the root of his motivation had been inexhaustible, dangerously so. The rhythm of Jeong Jeong’s palm cracking a line of knuckles was more than telling of his answer.
Jumped from behind, and in front. Mid-form when a sword came down in a whistling arc, and another sailed straight for his neck.
Zhao nearly careened out of the way, dual swords meeting either steel with a resounding clash. He threw his head up in surprise, arms straining with the effort of bearing two men’s strength, a bemused twitch in his lip. “What are you doing?”
“Pass,” Jeong Jeong sounded enlivened - difficult to think he hadn’t been waiting for this, “and I’ll allow you to set my hair on fire.”
That cocked the edge of his mouth. Abruptly, the opposing swords left, striking the ground in the same spot. His teachers shared astonishing harmony, to the point where seeing it again and again hadn’t taken his awe. The metal points raked forwards in unison, a cloud of dust flung into Zhao’s sight. “Hey!”
“Fire does little to weather the elements.” He was forced to hear footsteps, place voices, a Piandao shifting to the right. “Air may carry it, but only until it’s overcome. Water extinguishes it immediately. Earth can stamp out its path.”
“This is dirty fighting!” Zhao bit down a cough in fear of missing crucial information, narrowly vacating the empty air where they sliced. Just parrying in the nick of time.
“So why then, does it triumph in today’s world?” He blinked out the last, burning traces. Their student veered on a heel and made quick distance, still tailed closely. His reply was a stammer, resetting his own armed grip and stance.
“The... the bender makes the element.”
“So he does. Fire is wielded as fear, and suddenly, it owns the others. It shapes history.” Piandao feinted, jolted upwards to overthrow him. The soldier jumped, catching the steel on his crossguard. Zhao’s fist shook. Jeong Jeong lingered menacingly behind.
“Think of this as the same. You may feel outmatched - but you’re not outsmarted. Not yet.”
And the resulting chaos was ordered into dance. Deception, directness, three minds of cunning that happened to cross blades. The fight wasn’t the focus as much as it was the boy’s dexterity, his footwork which leaped to and from the garden wall and moss-capped stones, the occasional puff of flame that his commander averted with a tch. Smoke and dust were tossed into lazy spirals. Their techniques were a language, and the match, poetry.
Zhao very nearly slipped into the mindset that compelled one to search for meaning outside of war.
Outsmart them? His arm swerved to meet with a clang. Piandao dove for his exposed side, one, two leather straps snapped like kite string. Zhao fumbled over his guard when Jeong Jeong hacked the others, turning too late as it slid free - the commander’s cut was less clean, grazing the skin under his shirt. Blood welled, and his mind raced. But they were extraordinary! People he looked up to since he’d first met them. Before he even met them!
Then there was him, stupid, emotional - without a chest guard - hair and brows flecked with sand.
“Focus, you oaf!” That wasn’t Piandao. “Are you trying to think? That has never been your strength!”
Credit to the nerve of him, Zhao started to laugh. He redoubled his attack, broadswords running into one silver blur. Jeong Jeong was barking something about humor belonging to children, Piandao tried to usher his lover’s infuriated spiel back into the moment, and Zhao’s grin only grew wider, whiter - seeing his first out. Discipline was more or less hung on the laundry line, offense oozing with the arrogance that caught even the upper hand of insurmountable odds by surprise. His entire waist twisted, a sword shot skywards before he kicked out at their feet, rolled under, and caught it unerringly by the handle. Zhao ripped the serrated tip upwards, backed with a sneer. Piandao was forced to halt - step back - glance down at the split front of his robes, navel to collar.
Jeong Jeong paused, grabbed at the other’s arm, staring, uncomprehending, at the sight. Before color could even occur to rise in his face,
“I’m sorry. Nothing’s hurt, right? This reminds me-” Zhao swallowed another bout of laughter. His head tilted, making direct eye contact, “The commander has, on certain nights, provided enlightening commentary in his sleep. My partner and I would overhear how earthbenders couldn’t hold a candle to the sword master’s expert physical condition. Namely,” he damned himself for a win, “how they could only dream of rock as firm as his abdomen. Well, my master certainly could.”
Jeong Jeong purpled - crimson’d, maybe, was the shade - lifting with an arm that had already turned to butter. Zhao lashed out, knocking the other blade loose with learned technique. A square kick sucked the air from the firebender’s lungs, broke his balance, sent him crashing on top of the nonbender. Piandao hit the ground with an oof. Taking in the cool shadow that shielded him and his darling, he craned his neck as the soldier beamed down at him. “Don’t worry about it. I’ll let your hair be.”
Piandao was stalled, a little agape. Then he gave into beating the ground with a fist, howling.
“Ongi!” He clutched at his stomach with a shout. The commander shot to his feet, rose a finger to begin a rapid rebuttal. “I had no idea!”
The boy’s shoulder was taken, steered around to face his instructor. Mostly to prevent Jeong Jeong dislocating the one closer to his reach. Piandao ruffled a dusting of grass, twigs, and sand out of his hair. “You certainly live up to your master’s word. Every one.”
He bowed. His - their - student hurried to mirror the motion, trembling with excitement. As sharp as the first day he’d knelt, and they began.
Back then, the name Zhao held promise. It was their asinine hope that they guided a potential successor to the White Lotus onto the road few traveled.
Few.
. . .
They toasted in private. Zhao was set to the task of keeping the forge, accompanied only by firelight, scorching coal, the sweat and grit of the final leg of his teachings. It was justice, at least.
The commander had been teased until he shut up his other by seizing him around the neck, jerking him down, and sealing the gap. Separated for air, scented breath stirred the chin opposite, eyes meeting across a sea of thoughts. Hopes, doubts, fears - they’d bared much of their souls during their years together, entangled wisdom, sought comfort where it was infinite.
“You didn’t tell him of your plans, did you?”
Jeong Jeong sighed. “I received the promotion. The madness ends before it consumes me as admiral.”
“Be patient. These things require the perfect opportunity. Rarely anyone who deserts so far into their career live.” Piandao sipped carefully, set the glass back down. “Of course, I have complete faith that you will be the first. A hope for any dying cries of fealty in the Fire Army.”
“If only that were the kind of death I’d witnessed.” His voice was low, morose. A heavy palm pressed on his shoulder, thumb rubbing circles.
“Seems to me that you neglect to share a lot with other people. I’ll take a wild stab and guess that the kid still thinks I’m a hero hailed far and wide.” Jeong Jeong made some sullen remark about a wild stab being far from his skill. Piandao chuckled. “At the rate I’m losing face, a battalion is bound to come to my doorstep to collect me.”
“You’ll defeat them all,” was his forecast. “And perhaps, stand a chance of passing into a legend like mine.”
Their hands brushed, scratching the twin scars adorning either wrist. “Oh, we’ll see.”
The doors burst. A servant gestured frantically, piecing together enough information for a gist. Stables, raided - forge, cold - gates, open.
They flew on foot, as if there were a point to the mad dash. Jeong Jeong arrived first, sifting through the soot, kicking aside the abandoned bellows and a shovel dug into the earth. Gone.
“Where-” Piandao’s gaze held his, moonlit in white, unreadable. “Will he be safe?”
Glazed, ghostly. Jeong Jeong’s eyes fell closed. “There has been an error in our judgement.”
“He needs to win the war... not end it.”
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letterboxd · 3 years
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Best of SXSW 2021.
From properly good Covid comedies to an epic folk-horror doc and an Indigenous feminist Western, the Letterboxd Festiville team reveals their ten best of SXSW Online.
We dug out old lanyards to wear around the house, and imagined ourselves queuing up the block from The Ritz (RIP). We dialled into screenings and panels, and did our level best to channel that manic “South By” energy from our living rooms.
The SXSW festival atmosphere was muted, and that’s to be expected. But the films themselves? Gems, so many gems, whether shot in a fortnight on the smell of an oily stimulus check, or painstakingly rotoscoped over seven years.
When we asked SXSW Film director Janet Pierson what she and her team were looking for this year, she told us: “We’re always looking for films that do a lot with little, that are ingenious, and pure talent, and discovery, and being surprised. We’re just looking for really good stories with good emotional resonance.” If there was one common denominator we noticed across this year’s SXSW picks, it was a smart, tender injection of comedy into stories about trauma, grief, unwanted pregnancy, chronic health conditions, homelessness, homophobia and, yes, Covid.
It’s hard to pick favorites, but here are the ten SXSW features and two short films we haven’t stopped thinking about, in no particular order.
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Recovery Directed by Mallory Everton and Stephen Meek, written by Everton and Whitney Call
“Covid 19 is in charge now” might be the most hauntingly funny line in a SXSW film. In Recovery, two sisters set out on a haywire road trip to rescue their grandmother from her nursing home in the wake of a severe Covid 19 outbreak. There’s no random villain or threat, because isn’t being forced to exist during a pandemic enough of a threat in itself? If ever we were worried about “Covid comedies”, SXSW managed to flush out the good ones. (Read about the Festiville team’s other favorite Covid-inflected comedies, including an interview with the directors of I’m Fine (Thanks for Asking).)
Alex Marzona praises the “off-the-charts chemistry” between leads Mallory Everton and Whitney Call. Best friends since they were nine, the pair also wrote the film, with Everton co-directing with Stephen Meek. Every laugh comes from your gut and feels like something only the cast and crew would usually be privy to. “You can tell a lot of the content is improvised, which just attests to their talent,” writes Emma. Recovery doesn’t make you laugh awkwardly about how awful the last year has been—rather, it reminds you that even in such times there are still laughs to be had, trips to be taken, family worth uprooting everything for. Just make sure you’ve packed enough wet wipes for the road, and think long and hard about who should babysit your mice. —EK
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The Spine of Night Written and directed by Morgan Galen King and Philip Gelatt
Don’t get too attached to any characters from its star-studded cast—nobody is safe (or fully-clothed) in The Spine of Night’s raw, ultra-violent and cynical world. Conjured over the last seven years, directors Philip Gelatt and Morgan Galen King’s rotoscoped epic recaptures the dazzling imagination and scope of their influences Ralph Bakshi and Heavy Metal. Approaching an anthology-style structure to explore how ‘absolute power corrupts absolutely’—a proverb more potent now than when Gelatt and King began their project—the film packs a franchise’s worth of ideas in its 90-minute runtime. Though the storytelling justifiably proves itself overly dense for some, it will find the audience it’s after, as other Letterboxd members have declared it “a rare treat” and “a breath of fresh air in the feature-length animation scene”. For sure, The Spine of Night can join Sundance premieres Flee and Cryptozoo in what’s already a compelling year for unique two-dimensional animation. —JM
Kambole Campbell caught up with Gelatt and King (who are also Letterboxd members!) during SXSW to talk about animation inspirations and rotoscoping techniques.
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The Drover’s Wife: The Legend of Molly Johnson Written and directed by Leah Purcell
Snakes, steers and scoundrels beware! Writer-director-star Leah Purcell ably repurposes the Western genre for Aboriginal and female voices in The Drover’s Wife. Molly Johnson is a crack-shot anti-heroine for the ages, in this decolonized reimagining of a classic 1892 short story by Henry Lawson. And by reimagining, we mean a seismic shift in the narrative: Purcell has fleshed out a full story of a mother-of-four, pregnant with her fifth, a missing husband, predatory neighbors, a mysterious runaway and a young English couple on different paths to progress in this remote Southern land. Purcell first adapted this story for the stage, then as published fiction; she rightly takes the leading role in the screen version, too.
As a debut feature director, Purcell (Goa-Gunggari-Wakka Wakka Murri) already has a firm grip on the macabre and the menacing, not shying away from violence, but making very careful decisions about what needs to be depicted, given all that Molly Johnson and her family are subjected to. She also sneaks in mystic touches, and a hint of romance (local heartthrob Rob Collins can take us on a walk to where the Snowy widens to see blooming wildflowers anytime). Judging by early Letterboxd reviews, it’s not for everyone, but this is Australian colonization through an Indigenous feminist’s eyes, with a fierce, intersectional pay-off. “Extremely similar to a vast majority of the issues and themes explored in The Nightingale,” writes Claira. “I’m slowly realizing that my favorite type of Westerns are Australian.” —LK, GG
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Swan Song Written and directed by Todd Stephens
Udo Kier is often the bridesmaid, rarely the bride. Now, after a lifetime of supporting roles ranging from vampires and villains to art-house muse, he finally gets to shine center-stage in Swan Song. Kier dazzles as a coiffure soothsayer in this lyrical pageant to the passage of queer times in backwater Sandusky, Ohio. “He is absolutely wonderful here,” writes Adrianna, “digging deep and pulling out a mesmerizing, deeply affecting and emotionally textured performance, proving that he’s an actor with much more range than people give him credit for.”
A strong supporting cast all have melancholy moments to shine, with Linda Evans (Dynasty), Michael Urie (Ugly Betty) and Jennifer Coolidge (Legally Blonde) along for the stroll. Surreal camp touches add joy (that chandelier, the needle drop!) but by the end, the tears roll (both of joy and sadness). Writer-director Todd Stephens ties up his Sandusky trilogy in this hometown homage, a career peak for both him and Kier. Robert Daniels puts it well, writing that Swan Song is “campy as hell, but it’s also a heartfelt LGBTQ story about lost lovers and friends, vibrant memories and the final passage of a colorful life.” —LK
Leo Koziol spoke with Todd Stephens and Udo Kier during SXSW about Grace Jones, David Bowie and dancing with yourself.
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Islands Written and directed by Martin Edralin
Islands is a Mike Leigh-esque story that presents a Canadian Filipino immigrant family full of quirk and character, centered around Joshua, a reticent 50-year-old homebody son. The story drifts in and out of a deep well of sadness. Moments of lightness and familial love make the journey worthwhile. “A film so Filipino a main plot device is line-dancing,” writes Karl. “Islands is an incredibly empathetic film about what it’s like to feel unmoored from comfort. It’s distinctly Filipino and deals with the psychology of Asian culture in a way that feels both profound and oddly comforting.” In a year in which we’ve all been forced to physically slow down, Islands “shows us how slow life can be,” writes Justin, “and how important it is to be okay with that.” Rogelio Balagtas’s performance as Joshua—a first-time leading role—won him the SXSW Grand Jury Award for Breakthrough Performance. —LK
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Ninjababy Directed by Yngvild Sve Flikke, written by Flikke with Johan Fasting and Inga H. Sætre
Ninjababy is as ridiculous as its title. When 23-year-old Rakel finds herself accidentally pregnant, scheduling an abortion is a no-brainer. But she’s way too far along, she’s informed, so she’s going to have to have the baby. The ensuing meltdown might have been heartbreaking if the film wasn’t so damn funny. Ninjababy draws on the comforting and familiar (“Lizzie McGuire if she was a pregnant young adult,” writes Nick), while mixing shock with originality (Erica Richards notices “a few aggressive and vulgar moments [but] somehow none of it seemed misplaced”).
An animated fetus in the style of Rakel’s own drawings appears to beg and shame Rakel into motherhood while she fights to hold onto her confidence that not wanting to be a mother doesn’t make her a bad person. Ninjababy’s greatest feat is its willingness to delve into that complication: yes, it’s righteous and feminist and 21st-century to claim your own body and life, but that doesn’t mean it’s easy to turn away from something growing inside of you. It’s a comedy about shame, art, finding care in unlikely places—and there’s something in it for the gents, too. The titular ninjababy wouldn’t leave Rakel alone, and it’s unlikely to leave you either. Winner of the SXSW Global Audience Award. —SH
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The Fallout Written and directed by Megan Park
Canadian actress Megan Park brought the youthful wisdom of her days on the teen drama series The Secret Life of the American Teenager to her first project behind the camera, and it paid off. Following the scattered after-effects of a school shooting, The Fallout may be the most acute, empathetic depiction of childhood trauma on screen in recent memory. “It sneaks up on you with its honesty and how it spends time with its lead, carried so beautifully by Jenna Ortega. Even the more conventional moments are poignant because of context,” writes Kevin L. Lee. Much of that “sneaky” honesty emerges as humor—despite the heavy premise, moments of hilarity hang on the edges of almost every scene. And Ortega’s portrayal of sweet-but-angsty Vada brings self-awareness to that humor, like when Vada’s avoidant, inappropriate jokes with her therapist reveal her desperation, but they garner genuine laughs nonetheless.
In this debut, Park shows an unmatched understanding of non-linear ways that young people process their pain. Sometimes kids try drugs! Sometimes they scream at their parents! But more often than not, they really do know what they want, who loves them, and how much time they need to grieve (see also: Jessie Barr’s Sophie Jones, starring her cousin Jessica Barr, out now on VOD and in theaters). The Fallout forsakes melodrama to embrace confusion, ambiguity and joy. Winner of both the SXSW Grand Jury and Audience Narrative Feature Awards, and the Brightcove Illumination Award. —SH
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Ludi Directed by Edson Jean, written by Jean and Joshua Jean-Baptiste
When Ludi begins, it’s quiet and dreamy. The film’s opening moments conjure the simple pleasures of the titular character’s Haitian heritage: the music, the colors, the people. Ludi (Shein Monpremier) smiles to herself as she starts her morning with a tape recording her cousin mailed from Haiti to Miami, and listens as her family members laugh through their troubles before recording an upbeat tape of her own. But that’s where the dreaminess ends—Ludi is an overworked, underpaid nurse picking up every shift she possibly can in order to send money home. Writer-director Edson Jean fixates on the pains and consequences of Ludi’s relentless determination, which comes to a head when she moonlights as a private nurse for an old man who doesn’t want her there.
Ashton Kinley notes how the film “doesn’t overly dramatize or pull at false emotional strings to make its weight felt. The second half of the feature really allows all of that to shine, as the film becomes a tender and empathetic two-hander.” George’s (Alan Myles Heyman) resentment of his own aging body steps in as Ludi’s antagonist. Jean throws together jarring contrasts: George throwing Ludi out of the bathroom, followed by Ludi’s memories of home, followed by another lashing out, followed by a shared prayer. The tension is unsustainable. By interspersing the back-breaking predicament of a working-class immigrant with the sights and sounds of the Caribbean, Ludi elegantly, painfully reveals what the cost of a dream can be. —SH
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Woodlands Dark and Days Bewitched: A History of Folk Horror Written and directed by Kier-La Janisse
Building on the folk horror resurgence of films like The Witch and Midsommar, Kier-La Janisse’s 193-minute documentary Woodlands Dark and Days Bewitched is a colossal, staggering undertaking that should school even the most seasoned of horror buffs. “Thorough is an understatement,” says Claira.
Combining a historian’s studied, holistic patience with a cinephile’s rabid, insatiable thirst, the film, through the course of six chapters, broadens textbook British definitions, draws trenchant socio-political and thematic connections, debunks myths and transports viewers to far-flung parts of the globe in a way that almost feels anthropological. As Jordan writes, “Three hours later and my mind is racing between philosophical questions about the state of hauntology we generationally entrap ourselves in, wanting to buy every single one of the 100+ films referenced here, and being just a bit in awe of Janisse’s truly breathless work.” An encyclopedic forest worth losing yourself in—get ready for those watchlists to balloon. Winner of the SXSW Midnighters Audience Award. —AY
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Introducing, Selma Blair Directed by Rachel Fleit
There’ll likely be some level of hype when this intimate collaboration between actress Selma Blair and filmmaker Rachel Fleit comes out later in the year on Discovery+, and that’s okay, because that is Blair’s intention in sharing the details of her stem-cell transplant for multiple sclerosis. There’d be little point in going there if you are not prepared to really go there, and Introducing, Selma Blair is a tics-and-all journey not just into what life is like with a chronic condition, a young son, and a career that relies on one’s ability to keep a straight face. It’s also an examination of the scar tissue of childhood, the things we are told by our parents, the ideas we come to believe about ourselves. “I almost felt like I shouldn’t have such intimate access to some of the footage in this documentary,” writes Andy Yen. “Bravo to Selma for allowing the filmmakers to show some truly raw and soul-bearing videos about her battle with multiple sclerosis that make us feel as if we are as close to her as family.” —GG
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Femme Directed by Sam H. Freeman and Ng Choon Ping
I May Destroy You fans, rejoice: Paapa Essiedu, who played Arabella’s fascinating best friend Kwame, takes center stage in Sam H. Freeman and Ng Choon Ping’s intoxicating short film Femme. It’s a simple premise—Jordan, a femme gay man, follows his drug dealer (Harris Dickinson, mastering the sexually repressed brusque young man like no one else) home to pick up some goods on a night out. Except, of course, it’s not that simple. The co-directors build a world of danger, tension and electricity, with lusciously lensed scenes that lose focus as the threat rises. Frankie calls it “hypnotizing and brutal and gorgeous” and we couldn’t agree more. A crime thriller wrestling with hyper-masculinity seen through the eyes of an LGBTQ+ character, with a sucker-punch ending to boot, the world needs more than twenty minutes of this story. —EK
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Play It Safe Directed by Mitch Kalisa
If you (unwisely) thought that the vulnerable, progressive environment of drama school would be a safe space for Black students, Play It Safe confirms that even a liberal bunch of actors (and their teacher) are capable of being blind to their own egregiously racist microagressions. Mitch Kalisa’s excellent short film explores structural prejudice head-on, in an electric acting exercise that rests on where the kinetic, gritty 16mm camera is pointing at every pivotal turn. At first, we’re with Black drama student Jonathan Ajayi as he receives the assignment; then we are with the rest of the class, exactly where we need to be. “Literally in your face and absolutely breathtaking,” writes Nia. A deserving winner of the SXSW Grand Jury and Audience narrative shorts prizes. —GG
Follow the Festiville team on Letterboxd
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loveafterthefact · 4 years
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Love After the Fact Chapter 43: Lost and Found Part 1
Shiro and his team are sent to retrieve a high-profile individual. They don't exactly get what they came for.
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They’ve been riding all day, Shiro and his team. The pine forest isn’t at all one of the roughest places to be, though it isn’t the easiest either. Wild wolves roam the ground and kronil loom in the trees. Not to mention vakalt, grinongins, and riesmekts.
“Remind me again what Zarkon wants with this traitor,” one of his men grumbles. Haxus, as usual. Patience yields focus.
“He wants to see his littermate, so he has asked us to summon him to the Imperial Compound. Akira hasn’t seen the Emperor since before Prince Lotor was born, and he reportedly has a kit of his own now.”
“A kit? As in one, single kit?” Ulaz asks, confused. “Are he and Emperor Zarkon far apart in age?”
“His mate’s been serving nearly twenty decaphoebs, so no. Just one, nearly grown.” Shiro frowns. “Odd, but maybe there's a reason. We’re nearly there.”
“We should be out killing Alteans, not inviting traitors over for dinner,” Haxus bites.
Shiro suppresses a sigh. All Haxus cares about is killing. He himself has begun to grow tired of it, suspects that perhaps his liege has as well. Zarkon’s marriage to an Altean managed to settle their disputes for a while, but the citizens were still finding each other a… ‘nuisance’.
With the invention of prolonged space travel, both peoples were struggling to be kind to their closest neighbor. So different from one another, Daibazaal’s first visit from Alteans had led to misunderstandings. The discovery that they were not alone had rapidly shifted from a relief to an inconvenience, then on into war.
“What the-” Drama turns, peering with keen eyes into a particular stand of trees.
Shiro twists to look. “What is it?”
The lieutenant frowns, suspicious as she inspects the forest. “I thought I saw something.”
“A kronil, sir?” Firn draws his sword. “Should we form up?”
Sniffing the air, Shiro rotates his ears, surveying the forest. “... I don’t smell anything, but yes. Drama, take point. Entri, take her left. Firn and Grat, take her right. Stagger yourselves. Sendak, Haxus, flank on either side and just behind us. Make sure nothing comes up on us from the back.”
“Yes, sir!” The squad rearranges their elk, keeping the disturbance and their firepower on their right. Shiro remains in the middle, where he can more easily monitor everyone.
“Sir? What if-”
“Don’t worry, Entri.” Shiro turns back to smile at the young soldier. The Galra has very little experience. Shiro's taken the youth on more as a favor than anything else, but she has talent. She’s just a little more timid than Shiro would prefer.
“Kronil are dangerous, but if it was a kronil, we’d likely smell it by now. It’s probably just a primate.” To Shiro’s relief, that seems to set Entri at ease.
“It was bigger than a primate,” Drama whispers. “But I agree it wasn’t a kronil. Thank the gods. I’m not in the mood to get turned inside out today.”
“Maybe tomorrow?” Grat teases.
“Alteans?” Sendak murmurs, gaze piercing the trees.
“Doubtful. If it was an Altean, we’d have seen white or nothing at all.” Shiro scans the edge of the forest for- there it is. A small trail cut into the trees. He frowns, eyeing the-
“A bit overgrown, isn’t it?” Drama murmurs. “Looks pretty unused.”
Sendak grunts in agreement. “What respectable bearer would want to live in the woods like a hermit?”
“General Krolia,” Grat whispers in awe.
“No fuckin’ way,” Sendak counters.
“Way. She ran off with Akira several decaphoebs before her first season!”
“So a traitor and a runt. Sounds like a perfect match,” Sendak grunts.
Shiro rolls his eyes. Haxus and Sendak sound like an equally perfect match.
“She’s advanced faster than you, sergeant. She’ll be a commander before long,” Ulaz murmurs. “Took over Akira’s required service. Better for the kit, I suppose. Or perhaps Akira refused to fight. He left in protest of the empire.”
With a hum, Shiro pushes to the front, black cloak falling over his elk’s back. “We’ll have to go through in a file formation. Haxus, right behind me. Sendak at the back. Everyone stay close and watch the trees.”
A short ride into the trees, and they come across a den. It’s simple, traditional, three connected domes, stones sealed together with clay, a sun- and weather-beaten cloth covering the entrance. The top of one of the small domes has crumbled inward. The oven in front, a collection of stones, seems long since crumbled to pieces, the fire pit charred.
“Sir, are you sure there’s someone living here?” Firn whispers. “It seems abandoned.”
Firn is right. Frowning, Shiro dismounts his elk, passes the reins to Haxus. It looks like no one’s cared for this den in a centaphoeb. Everything is quiet and still. Ulaz dismounts, coming up behind him as he crouches in front of the fire pit.
“It’s warm.” Someone is here, but something is very clearly not right. He turns to Ulaz, whispers quietly. “Watch my back.”
Creeping toward the den, Shiro readies his blade, keeping it loose in its sheath. Ears pricked, he pushes the tattered cloth aside. He notices that someone attempted to mend a hole in it, tried with an unsteady hand to reinforce the fraying edges.
Inside, the furniture stands still among scattered earth, leaves and twigs. Ulaz whistles softly, points to scrapes trailing from the legs of a small stool. In another, larger chair, is a threadbare blanket. Careful not to touch it, Shiro sniffs the fabric. The scent is strong. Fresh.
Ulaz comes after him, sniffing the blanket. “Sir.”
Shiro nods. It doesn’t smell at all like a Galra of breeding age. It’s soft, sweet, young. In need of protection. The kit. He offers the sire of one, about to be four, a communicative look. Ulaz nods. He can handle this.
They’ve both experienced this before, and it doesn’t get easier.
A rustle to their left, and Shiro keeps point, Ulaz watching his back in case it’s a diversion.
This room is for sleeping, a tattered bed still hanging from the ceiling. A sense of dread begins to simmer in Shiro’s chest as he eyes the single indentation in the thinly stuffed bed.
“Sir.”
“I know. I see it.”
A commotion outside has them running, Sendak’s shout raising alarm. Shiro skids to a stop, notices one of their elk is down, his soldiers glaring up into a tree. Entri has her sword drawn, Firn and Grat have their bows, and Drama is seething. Sendak throws a rock and-
A yowl in response. Shiro runs up, stares up into the branches of a nearby pine. His jaw drops, heart falling with it.
In the tree is a scrawny, naked kit, hissing, snarling, glaring down, ears pressed flat against their skull. Feral. Kits always go feral left alone like this. It happens too often, and there's not always anything they can do for them. One this old? Shiro doesn't like their chances.
“Hey, it’s okay. What’s your name?” Entri asks. Trying, but lacking the needed experience.
“Fuck that shit.” Sendak surges forward. “You! Get your ass down from that tree right now, or we will shoot you down!”
The kit hisses, shrinking as small as they can in the tree. The strip of longer, thicker fur down their back stands straight on end. It’s clearly been a while since they saw another person. They're timid, not eager for a fight. It's a good sign. It suggests they recognize their own kind.
“Sendak, stand down. Everyone get back.” Everyone steps back as Shiro steps forward, Drama still grumbling about her dead elk. “Right.”
The kit shifts, eyeing him as he approaches.
“Well, well, well. Intersex. Not every day you see one of those, eh Shiro?” Haxus snickers. “Oh, and a tail. Weren’t for their size, they’ll be downright pretty when they grow up.”
It’s true. The kit has to be around seventeen to fit the timeline, and yet they are indeed small, still on the slender side. Their tail is wrapped tightly around the branch as they lean forward, hissing fiercely, claws extended, digging into the bark of the branch. A tangled braid hangs down their back.
“Hey. It’s alright.” Shiro sets his blade down on the ground, holds his hands up in surrender. The kit growls, huddles against the trunk of their tree. “Do you have a name?”
They only hiss, eyes narrowed to slits.
“Okay, it’s okay. Um.” Shiro hesitates. “Do you- Do you know a man by the name of Akira?”
The kit blinks, softening enough to reveal large, violet eyes.
“Is- Is he your sire? Do you know him?”
Curling against the trunk of the tree, the kit’s ears droop. Seems they can understand what Shiro’s saying, but he has a sickening suspicion that they haven’t had someone to speak to in some time.
“Where’s your sire, kitten?” Shiro murmurs. “What happened here, hm?” After a long pause, the kit relaxes a bit.
“Hey.” Shiro reaches up to try and touch them, but they flinch, curling tighter against the tree. The sun is going down, cold starting to creep in. Shiro cuts the cloak from his armor, hangs it on a branch just below the skittish stray. They stare at it for a second, glancing between him and the cloak, then slowly reach down, lifting it up to their own branch.
“You can have it. It’s nice and warm. And don’t worry about the elk. It’ll taste good, and we can get another one when we get back to the compound. Nobody’s mad-” Please keep your fucking mouths shut, guys. “-and we’re all good, okay?”
Sniffing the cloak suspiciously, they seem to find it satisfactory, wrapping it around their shoulders, still curling into the tree trunk. Now that their alarm has dissipated, all that’s left is a trembling kit sitting mostly naked on a tree branch.
“Okay.” Shiro breaths out soft and slow, takes careful steps back, his squad following his lead. “When- When you’re ready, maybe you can come down?”
The kit stares at him for a long moment, then ties the cloak so it hangs off one shoulder. They sit quietly in the tree, watching. Shiro turns away. “Alright, soldiers. Let’s set up camp. We need to figure out what happened here.”
Up in the tree, a pair of violet eyes doesn’t waver for an instant, following the captain wherever he goes as night sets in.
8 notes · View notes
elijones94 · 11 months
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Darth Vader, Kylo Ren, and two Mandalorian bounty hunters made a surprise visit to our youth camp!!
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luvneedsnosyt · 4 years
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My Favorite Albums of 2019
Here is my list of my personal top albums of 2019 You can find my separate list for top EPs of 2019 here.
My Previous monthly lists from 2019: January, February, March, April, May, June, July, August, September, October, November, December
My list last year for my top albums of 2018 can be found here.
*Indicates someone I saw live in 2019
Honorable Mentions:
Anderson .Paak - Ventura Genre: Hip Hop / R&B/ Soul
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Recorded at the same time as last year’s Oxnard, Ventura is the more tender and unassuming brother of the two. Despite the vulnerability this seems to be Anderson’s more comfortable persona. Focusing on love and feelings and other mushy stuff. The experimenting on this album between R&B, jazz, electronic music creates a glossy and elaborate form of hip hop. At times Anderson’s versatility can get a bit in the way on long form projects, here that creativity is perhaps the most channeled of his career.
Proof: Reachin’ 2 Much (Feat. Lelah Hathaway) / Chosen One (Feat. Sonyae)
Anna of the North - Dream Girl Genre: Synth-Pop
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The tender and delicate music of Oslo singer Anna of the North is back following up her touching 2017 debut album. Anna’s music is not totally unassuming but is very subtle and reserved. You can take a moment to stop and feel the soothing vibes or you can pass it by and not notice. The synth based production is meant to provide a basis to get hips moving but also not to reach out and demand your attention in a needy way. Anna’s vocals are always warm and bouncy even when singing about sad subject matters.
Proof: My Love / Playing Games
Billie Eilish - WHEN WE ALL FALL ASLEEP, WHERE DO WE GO? Genre: Synth-Pop
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I stumbled on Billie Eilish’s “ocean eyes” single early on and instantly became a fan of her dark and brooding sound. It reminded me of the first time I heard The Weeknd. Even being an early subscriber it did surprise me a bit the vice grip the 18 year old would put on 2019. I knew she would find an audience with the undeniable talent for songwriting and impacting voice beyond her years. I did not foresee this low lit and frankly weird music hitting the mainstream with such a force, but I sure am glad it did. This is where I would say I can’t wait to see how she follows up this monster of debut album, but honestly she deserves to revel in the influence it is having and enjoy this moment. She will be around for however long she wishes to in the industry; that I am certain of.
Proof: bad guy / you should see me in a crown
BJ The Chicago Kid - 1123 Genre: R&B / Soul
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It was a long time coming for hook provider BJ The Chicago Kid’s 2016 debut album In My Mind. He showed he can carry a solo project just fine. Now in 2019 he’s back for his victory lap with another soulful and sexy album that follows up his debut quite nicely. BJ is a bit of a throw back to the late 90’s/early 2000’s soul music which is right up my alley so you already know I ride for it with no qualms.
Proof: Rather Be With You / Reach (Feat. Afrojack)
Bon Iver - i,i Genre: Indie Pop / Folk
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Justin Vernon’s band Bon Iver has created quite a robust cult following that’s very impressive off of four albums spanning over 12 years and in non-uniform song structures and themes. i,i might be the band’s most straightforward record, but that doesn’t mean there’s any downgrade in creativity and innovation. As always the case with Bon Iver albums your senses are confronted with multiple instruments and production tools used in traditional ways and used in ways you wouldn’t think of. Grooves are created then shifted and the only real constant is you don’t know what direction the music will go next. But that’s part of the joy and you know Justin Vernon is a trustworthy navigator on this expansive journey.
Proof: Hey, Ma / U (Man Like)
Bring Me the Horizon - amo Genre: Rock / Alternative
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On their sixth album, the English rock group took experimentation and expansion seriously broadening their rock sound to new horizons (ok, that was bad). amo isn’t as much a departure for the alt-Metal group but more increasing their pallet to include more cross genre influences dipping into punk, pop, electronic and hip hop. There’s definitely risk with lofty exploration so suddenly in a band’s discography but BMTH pull it off rather elegantly here creating a unique blend that sounds a bit like a harder hitting Muse record. I am one to applaud audacious creative efforts to expand on ones sound if the motives seem pure; even when those attempts don’t quite work (Mumford & Sons - Babel, Jack White - Boarding House Reach, Coldplay - Everyday Life this year for instance). When they do stick the landing you can bet I am in awe.
Proof: in the dark / medicine
Circa Waves - What’s It Like Over There? Genre: Alternative / Rock
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I will admit the English band hasn’t really been on my radar before this album, so I can’t ascribe how this album is different than their previous two albums (from what I've read it is very different though). What I do know if this is some of the best rock music to come out of 2019 in a year that wasn’t too kind to the genre. There are many emotional moments of this record that really bring levity to the glossy and cinematic music backdrops. There are two albums already announced in early 2020 from the group; they are definitely on my radar now.
Proof: Sorry, I’m Yours / Be Somebody Good
Chance The Rapper - Big Day Genre: Hip Hop / R&B
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With how long he’s been around and how many Mixtapes and side projects Chance has dropped it’s pretty surprising this is his first ever official LP. When you wait that long and build (to his credit) the anticipation he has, a lot of weight gets put on that first album; unfortunately I feel that weight affected the product and swallowed it up a bit once released. Chance, I think, felt a responsibility to speak to his vast diversity we’ve seen over the years in sounds and flows. That resulted in a bit of a bloated and disjointed project. Something Chance projects always seem to have is a continuity despite their variety that seems to be absent here. Once the short coming are acknowledged there is some really great songs here with few missteps (although there are a few). Some more quality control, restraint and a concept to follow there are the makings of a possible top 10 of the year album here. My favorite moments are the nostalgic and 90’s R&B influences moments that sprinkle the album, a whole project with those as more a driving force could really be something special.
Proof: All Day Long (Feat. John Legend) / Zanies and Fools (Feat. Darius Scott & Nicki Minaj)
Dabin* - Wild Youth // Wild Youth (The Remixes) Genre: Electronic / Future Bass / Dance
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Toronto multi-instrumentalist and electronic DJ Dabin returns with a sophomore album of more emotional and evocative electronic soundscapes. The melodic album flows smoothly through inspirational tracks of finding oneself coming to a climactic crescendo with the cinematic closer “Alive”. 
Proof: In Flames (Feat. Lexi Norton) / Alive (Feat. RUNN) // Part-Time Lover (Crystal Skies Remix) Feat. Claire Ridgely / Alive (Trvecta Remix) Feat. RUNN
Dermot Kennedy* - Without Fear Genre: Pop / Soul
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Irish singer Dermot Kennedy’s voice comes in like a freight train straight for your ear drum. He sings with such evocative passion and force it is quite a sound to behold. That’s not to say Without Fear is all potent bellowing. Dermot on his soulful debut here has plenty of softer, tender moments as well.
Proof: Moment’s Passed / Redemption
Foals - Part 2: Everything Not Saved Will Be Lost Genre: Rock / Alternative
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The second part of the English Rock bands 2-part album project this year is the louder and more aggressive sibling. The music is a bit less glossy and more gritty then it predecessor but still is quite refined in its ferociousness. I do prefer the more melodic first offering of the two but that doesn’t need to take away from how exhilarating this album is as well. 
Proof: The Runner / Neptune
GoldLink - Diaspora Genre: Hip Hop / R&B
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With his second album, DMV rapper GoldLink dove deeper into his African roots with increased Afro-inspired production and themes. Diaspora is a fusion dish of of East coast Hip Hop base, with 90’s R&B notes, a sprinkle of Jazz, a dash of DC house and intermixing of traditional African qualities. It’s quite a vibrant and varied plateful!
Proof: Zulu Screams (Feat. Feat. Maleek Berry & Babi Bourelly) / More (Feat. Lola Rae)
Goldroom - Plunge /\ Surface Genre: Electronic / House / Dance
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Returning from a brief hiatus after his debut album, 2016’s West of the West, Goldroom sneaked in at the end of November with one of the years most fun house records. The wait was definitely worth it for Goldroom fans. Plunge /\ Surface has a sense of wonder, discovery and joy that I think was quite well timed.
Proof: Do You Feel It Now (Feat. Love & Alexa) / Just Like A Dream (Feat. Nikki Segal)
Georgia Maq - Pleaser Genre: Synth-Pop / Alternative
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My late addition to my already completed list is this surprising and electrifying debut solo project from the lead singer of Melbourne punk/Alternative group Camp Cope. Just slipping in with an early release right before my cut off date (for my own sanity). This album is nothing like the sound of her band though. Instead Georgia Maq looked to artists like Robyn, LCD Soundsystem and Cut Copy for her solo venture with some delightfully delicious 80′s synth vibes. Pleaser is dark and atmospheric but not devoid of brittle emotion and angst. 
Proof: Pleaser / Big Embarrassing Heart
Hozier* - Wasteland, Baby! Genre: Indie Pop / Soul / Folk
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Years later, when looking back on Hozier’s career, we may look back at this album as a sort of turning point. The Irish singer through early EP’s and his debut album has always had a powerful form of soulful Folk music that moves people to many emotional states. But on this sophomore album Hozier seemed to figure something out. Incorporating a Motown feel into his music has unleashed it and his strong voice to a new level. Wasteland, Baby! Is a sentimental excursion through love, empowerment and hope.
Proof: Movement / Would That I
James Blake - Assume Form Genre: Progressive Pop / Electronic / Indie Pop
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English producer and singer James Blake returns with his artful progressive form of pop music that only he can produce. Assume Form continues in his tradition of bending song structure and genres to his will to create powerful evocative landscapes to explore. The experimental artist keeps finding ways to push the boundaries while still making beautiful lush music to get lost in.
Proof: Barefoot in the Park (Feat. ROSALÍA) / Where’s The Catch? (Feat. Andre 3000)
Kevin Abstract - ARIZONA BABY Genre: Hip Hop
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BROCKHAMPTON founding member drops off his third solo album which is a tender and impacting affair through the life of a figure in hip hop with a lot of hate sent to him, but a lot of love to send out. The openly gay rapper using this as a form of empowerment to let others who may be struggling know they have the power within themselves to make their life something of fulfillment.
Proof: Joyride / Mississippi
Kim Petras - TURN OFF THE LIGHT [Mixtape] Genre: Synth-Pop / House / Dance
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Only a few months after dropping her debut album the new, exciting singer wants to keep us all guessing and elaborated on her Halloween EP from last year with this full mixtape. Her debut album is more Synth-Pop with some targeted EDM moments. This is a burst of haunting house music meant to get your heart rate pulsating and feet moving.
Proof: There Will Be Blood / Close Your Eyes
Mabel - High Expectations Genre: R&B / neo-Soul
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British female R&B artists are having quite a moment right now. With the success of Jorja Smith, Ella Mai and RAYE last year to Sinead Harnett, Mahalia (it was seriously hard to take her off my list) and Mabel this year. Mabel has already had some hits from her 2017 mixtape Ivy to Roses, so this debute is quite a confident strut with tales of love, love lost and overcoming. The glossy production establishes a bouncy, beach vibe, probably influenced from her origins on the Mediterranean coast of Spain. Her stellar song writing is really what takes the attention throughout as every track has an ability to establish a connection with the listener quite effortlessly. 
Proof: Don’t Call Me Up / Mad Love
Maverick Sabre - When I Wake Up Genre: Pop / Soul
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English/Irish singer Maverick Sabre returns with his third album that’s a unique and soulful jaunt. The 29 year old’s deep voice has a commanding and captivating effect on the listener throughout. The somewhat minimalist backing lets the potent voice and piercing song lyrics be the emotional driving force to great effect.
Proof: Slow Down (Feat. Jorja Smith) / Weakness
Rapsody - Eve Genre: Hip Hop
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For her third album, Grammy nominated rapper Rapsody drops off quite a Tour de force of inspiration and empowerment. Every track is named after a black female icon that has influenced Rapsody. The North Carolina rapper’s lyrics flow and dense lyrics are top notch as always. The production has an increased levity to match the themes. Rapsody has gotten where she is from sheer will and strength within, now she's looking outward to inspirations to find her next step up the ladder.
Proof: Nina / Iman (Feat. SiR & JID)
The List:
Last One Out: Kim Petras - Clarity Genre: Synth-Pop / Electronic
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The debut album from German singer Kim Petras was a long time coming and the build up was quite a slow burn. Since 2017 the 27 year old singer started one by one dropping pretty exciting one-off singles (none of which show up here). To our surprise her first official project was a surprised-dropped Halloween themed EP in 2018 (that, as seen in my Honorable Mentions above, was released this year as a full mixtape). Finally in early 2019 we get Kim’s first full length album and the wait was well worth it. Clarity is an electric and glossy affair of lust, self love and female empowerment. Kim is on quite a tear right now from this to her features on other artists projects that I don’t see slowing down anytime soon.
Proof: Icy / Got My Number / Do Me / Another One
35. 88rising - Head in the Clouds II Genre: R&B / Hip Hop
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LA based collective 88rising began as mostly Asian-American rap artists. As they went in a more serious direction with their music and label they began acquiring production and R&B talent that has elevated the output to something to really admire. In the early stages I was a bit dismissive of the artists but the last three years I have increasingly been won over. With the success of Joji’s 2018 solo album the collective chose to lean heavier into the electro-R&B sound on their second compilation album that is paying great dividends here. Head in the Clouds II is filled with spacey tender songs that inspire and captivate. The lessons and progressions everyone in the collective are making adds to my excitement with each release. 
Proof: Joji & GENERATIONS from EXILE TRIBE - Need Your Love / Jackson Wang & Higher Brother’s - Tequila Sunrise (Feat. AUGUST 08 & GoldLink) / RHYME SO - Just Used Music Again / NIKI - La La Lost You
34. Karen O* & Danger Mouse - Lux Prima Genre: Alternative / Indie Rock
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Two of today’s icons collide on this collaboration album that probably should have happened years ago. Yeah Yeah Yeahs front singer Karen O has influenced so many of today’s alternative artists (especially women led ones), and it’s always a solid veteran karaoke bar move to put in “MAPS”. Meanwhile Danger Mouse has been a go-to producer in both hip hop and alternative and formed a few emblematic pairings on albums with MF Doom (as Danger Mask), CeeLo (as Gnarles Barkley) and James Mercer of The Shins (as Broken Bells). Together Karen and DM are a perfect pair. Karen is as potent as ever singing over a lush and intricate backdrops by the paws of Danger Mouse. 
Proof: Lux Prima / Turn the Light / Woman / Redeemer
33. Little Simz - GREY Area Genre: Hip Hop
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London rapper comes in swinging with her powerful third full length album. Her flow is so measured and confident and firing on all cylinders here with no wasted syllables or breaths on any verse along the project. The song subject matters dive into some pretty personal and touching territory letting the listener into some intimate thoughts. At 25, we are witnessing an artist really come into their own and it is an inspirational and beautiful thing.
Proof: Offense / Boss / Venom / Pressure (Feat. Little Dragon)
32. Shura* - forevher Genre: Synth-Pop
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For her second album, Shura used the same 80’s nostalgic electronic pallet of her debut but this time a bit more slowed tempo with a layer of added sensuality. While her marvelous 2016 debut, Nothing’s Real, focused on the angst of growing into young adulthood, finding ones self and feeling comfortable in your own skin (as she initially struggled coming out publicly as a lesbian artist). On forevher, Shura focuses more intimately on her own relationship. Many of the songs being inspired by precise moments in the relationship with her current girlfriend, there is a noticeable narrowing of the scope. The result is an incredibly tender offering that allows us a glimpse into the UK Singer’s warm heart. 
Proof: religion (u can lay your hands on me) / the stage / flyin’ / forever
31. A R I Z O N A - ASYLUM Genre: Synth-Pop
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The New Jersey electro-pop band A R I Z O N A follows up their 2017 debut album nicely here. Maintaining their knack for writing catchy as hell hooks along enticing dance inducing electronic production. With features on both Don Diablo’s 2018 album Future and Avicii’s posthumous release, TIM, this year, the band’s notoriety seems to be on a steady incline. 
Proof: Nostalgic / Find Someone / Freaking Out / Still Alive
30. VÉRITÉ - new skin Genre: Pop
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Brooklyn based singer VÉRITÉ returns with her sophomore album aimed right for all of your feels at once. VÉRITÉ’s sound is understated and delicate, yet packed with raw and identifiable emotions. There is a progression as well from Somewhere in Between with a noticeable bit more comfort in moments where she can let loose. new skin, doesn’t reach out and scream for your attention, but it is a rewarding and sentimental ride for those that give it.
Proof: good for it / body in my bed / think of me / gone
29. Vampire Weekend - Father of the Bride Genre: Indie Rock / Alternative
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Ezra Koenig and Vampire Weekend took their sweet time for their fifth album. Six years to be exact from 2013’s Modern Vampires of the City. Also in that time founding member Rostam left the group as a full time member (though still contributing to this album on a few songs). The time lapse and shifting of collaborators led to their most sprawling and experimental album to date. There are some swings that don’t quite connect but for the most part this is an exhilarating and unpredictable exploration by the band that is definitely worth the journey. 
Proof: Harmony Hall / This Life / How Long? / Sympathy
28. LÉON - LÉON Genre: Pop / Soul
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When I saw this was Swedish singer LÉON’s debut I had to google to make sure. It’s been awhile since LÉON first popped on my radar with her beautiful and sultry tunes, but those have been from three EPs. The wait was well worth it for this angelic record of pleasant pop bops, one after another. These tracks make themselves right at home in your subconscious; taking their shoes off and checking what’s in your fridge. LÉON’s voice itself has a gentle nature to it coupled with a raspy, sensuality that is enduring and soothing. 
Proof: Lost Time / Falling / Hope Is A Heartache / You and I
27. MUNA - Save The World Genre: Synth-Pop
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No sophomore slump for the American trio, MUNA here. Save The World is quite a refreshing progression from their tender 2017 debut. There’s a little more of a free feeling on this album that comes with increased confidence in their craft. The tracks are all incredibly catchy and easily stick with you well after first listen. “Stayway” is the shining jewel on the album and one of my most favorite tracks of 2019. 
Proof: Number One Fan / Stayaway / Never / Hands Off
26. Foals - Part 1: Everything Not Saved Will Be Lost / Part 1: Everything Not Saved Will Be Lost (Remixes) Genre: Rock / Alternative
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The 1st part of English rock band’s 2-album project comes in like a Indy Car full speed for subconcious. The unique melding if Synth based beats and guitar driven grooves creates an enticing energetic sound you can get lost in. Part 2 was a big more reaching and aggressive, where Part 1 had more of a basis track to track that I felt made it the stronger outputting of the two. 
Proof: Exits / White Onions / In Degrees / On The Luna // In Degrees (Purple Disco Machine Remix) / Syrups (Vincent Taurelle Remix) / Exits (Lawrence Hart and Little Clubs Remix) / Exits (George FitzGerald Remix)
25. Denzel Curry - ZUU Genre: Hip Hop
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Denzel Curry has always had promise to me with his frantic delivery. There were meaningful lyrics there and more focused passion than most of his peers his age in hip hop. The trick was channeling that boiling emotion for the rapper, that he struggled with early. Last year’s TA13OO was the first hint the 24 year old was starting to get this balance in his music. Only ten months later we see a fully formed Denzel with the directed missile that is ZUU. There aren’t many wasted moments here as Denzel focuses on what he needs to say and the most effective way to say it. All the while also making track after track meant to be played at the loudest decibel possible; that all smack the concrete with aggression and no remorse. 
Proof: ZUU / RICKY / BIRDZ (Feat. Rick Ross) / CAROLMART (Feat. Ice Billion Berg)
24. Tei Shi - La Linda Genre: R&B / Soul
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For those of us following Tei Shi’s career since her early EP days there is a definite increase in her confidence as an artist on this sophomore album. The Argentina-born Colombian artist’s beautiful melodies flow at their own pace with a delicate precision and grace. Tei Shi’s low lit sounds lives in a mellow and assured range making the pockets where she lifts her voice that much more impacting. There’s both a layer of innocence and care as well as a level of empowerment and self-assured sex appeal in her vocals that are impossible to not get enthralled with.
Proof: Alone in the Universe / Even If It Hurts (Feat. Blood Orange) / When He’s Done / A Kiss Goodbye
23. Sigrid - Sucker Punch Genre: Pop
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23 year old Norwegian singer Sigrid burst on the scene with her successful debut EP in 2017, and it’s been an effective upward trajectory since. Another EP came out in 2018 before this marvelous debut album. Sucker Punch packs quite a punch of delightfully infectious and identifiable jams. There is an ease to the charismatic mood of this album that shows how genuine Sigrid is with every song written. This young singer has some definite longevity ahead of her in the pop world.
Proof: Basic / Strangers / Don’t Feel Like Crying / Don’t Kill My Vibe
22. Charli XCX - Charli Genre: Synth-Pop / Electronic
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After her sophomore album, 2014’s Sucker, English singer Charli XCX stated she felt a bit restricted in her solo career and decided to break out of the standard production method. A whole album was made but leaked online and Charli decided to scrap the project and began tinkering with her music more. During this period first came the 2016 collaboration EP with the producer SOPHIE, Vroom Vroom. Then in 2017 came two mixtapes. It was these two mixtapes Charli started realizing how she can warp and bend music to her will. Her production became more of a unique melding of dancey Synth-Pop with abrasive Electronic sounds. Her hooks were still top notch but the song structure began to become more of a free flowing organism then a structured framework. Taking what she learned from SOPHIE, and the two mixtapes into her third album, Charli is a project of abundance and unfiltered passion. The feelings are real and human but are focused into a diamond and refracted out into numerous directions. The description sounds chaotic but there still is a very controlled nature to the chaos of this vibrant pop. Charli has found a way to manipulate pop music to contort like a complicated yoga stance. She's Neo from The Matrix. I suggest just plugging in and letting the complex machine she built take you away.
Proof: Gone (w/ Christine and the Queens) / Blame It On Your Love (Feat. Lizzo) / Silver Cross / February 2017 (Feat. Clairo & Yaeji)
21. Bishop Briggs - CHAMPION Genre: R&B / Pop / Soul
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Less than 18 months after her roaring debut album, British singer Bishop Briggs is back with her sophomore effort. CHAMPION is a bit more subdued than last year’s Church of Scars, but still the centerpiece is the powerful vocals. My only critique is that I feel the short timeline of this project when I listen. I don’t know the reason for such a short turn around, but some of the songs don’t feel as fleshed out as its predecessor that was years in the making. Despite that critique, this is still a beautiful and authoritative collection of power ballads meant to inspire and embolden.
Proof: CAN YOU HEAR ME NOW? / CHAMPION (Feat. Tom Morello)  / LONELY / WILD
20. Lizzo - Cuz I Love You Genre: R&B / Hip Hop
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Detroit singer/rapper Lizzo has been around a few years now, but her third album was definitely her break out to insurmountable success and admiration. Songs like “Coconut Oil”, “Good As Hell” and “Water Me” (added on the deluxe version of this album) would get some attention, especially after featured on television shows. But in 2019 the stars aligned for Lizzo’s take over. Despite the increase in notoriety (to now include the backlash from people tired of her) let’s not overshadow that this music and its message is worthy of the attention. Lizzo’s dramatic and vibrant mixture of R&B, Hip Hop, Soul, Jazz, Funk and Gospel wrapped in a fast paced train with the breaks cut is quite the exhilarating experience. This coupled with her unapologetic message of self love and respect created quite the energetic Molotov cocktail for her to throw in our ears and get our bodies up and moving. Those that may be tired of her, well either learn to ignore or deal with it, because Lizzo is not going anywhere anytime soon.
Proof: Cuz I Love You / Jerome / Tempo (Feat. Missy Elliott) / Water Me
19. Tory Lanez - Chixtape 5 [Mixtape] Genre: R&B / Hip Hop
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Having now established himself in the industry with three albums. Tory decided to take a trip back to his beginnings with this album/mixtape drop. Early in his career, Tory had four Chixtape mixtapes that were all influenced by the late 90’s/early 2000’s R&B Tory was raised on. For the fifth entry, and first since he has become established, Tory took this to a whole new level not only directly sampling classics from that timeline but also featuring the artists themselves. The result is a blast of nostalgia and sexy-ass grooves that I dare your hips to stay still the whole hour. I haven’t heard a lot of Tory’s early catalog but since his debut album this is solidly my favorite project by the Canadian Singer. The nostalgia is a bit of a crutch but that doesn’t make this project any less successful or enjoyable. I am squarely in the wheelhouse of who this is made for so there is a bias here but this was probably my most fun first listening experience of the year. 
Proof: The Trade (Feat. Jagged Edge & Jermaine Dupri) / Beauty in the Benz (Feat. Snoop Dogg) / Still Waiting (Feat. Trey Songz) / If You Gotta… (Feat. Fabolous)
18. Mark Ronson - Late Night Feelings Genre: R&B / Pop
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2015’s Uptown Special with the mega-hit “Uptown Funk” was a whirlwind for Mark Ronson’s career as a solo artist. Already a prolific producer behind the boards of some of the most important albums over the last 15 years, Ronson’s solo career has been a bit under the radar until 2015. Which is why the about-face from glitz and abundance to a tender collection of songs about heartbreak is a bit of a surprise. But not a surprise I am mad about. The infectious, dancey funk we know from Ronson is still very much present on Late Night Feelings, but wrapped in a blanket of anguish only broken love can bring. Despite it’s more subtle and depressing themes, Ronson has stated this is the solo album he has spent the most time creating and that level of care is very apparent. 
Proof: Late Night Feelings (Feat Lykke Li) / Find U Again (Feat. Camila Cabello) / Pieces Of Us (Feat. King Princess) / Why Hide (Feat. Diana Gordon)
17. Lana Del Rey - Norman Fucking Rockwell! Genre: Pop / Soul
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My long time admiration for Lana’s artistry and craft are well documented on here. Happening on her homemade “Video Games” video on YouTube was one of the catalysts to creating this blog. A memory I will always cherish is seeing her in 2011 at the Troubadour in Hollywood when she only had about 6 songs on YouTube to sing. Now, six albums later her music still is some of the most moving and affecting out there for me. Norman Fucking Rockwell! Is probably Lana’s most consistent and assured record since Ultraviolence. Lyrics wise this may be her most crisp ever. 
Proof: Venice Bitch / Fuck it I love you / The greatest / Hope is a dangerous thing for a woman like me to have - but I have it
16. Seven Lions* - Ophelia Volume 1 Genre: Electronic / Trance / Dance
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Prolific electronic producer Seven Lions has long been one of my favorite artists. 2018 and 2019 have been excitingly very busy years for the Californian DJ/Producer. Starting his own label Ophelia Records in 2018, 7L has used it as an opportunity to seek out great up and coming electronic artists like Crystal Skies, Jason Ross, MitiS, Trivecta, Wooli and others as well as collaborate with other greats in the game such as Above and Beyond, Dabin, SLANDER, NGHTMRE and Gryffin. Ophelia Volume 1 is a collection of many of the singles released by 7L over the last two years and is quite the gripping burst of excitement and emotions. This compilation album shows off what is 7L’s best musical attributes. His diversity in sound, effortlessly switching between many subgenres, including Trance, Future Bass, Dubstep, Drum and Bass, from song to song, sometimes making a switch within a single song. The other aspect is 7L’s deliberate and effective use of dead space to create a moment of floating before a bellowing drops knocks your ass back down to earth. His pockets of tranquility make these tracks more living and breathing forms of passion and sentiment than normally associated with the mechanical genre.
Proof: Start Again (Feat. Fiora) / Ocean (w/ Jason Foss Feat. Jonathan Mendelsohn) / First Time (w/ SLANDER & Dabin Feat. Dylan Matthew) / Dreamin’ (Feat. Fiora) // Bonus: See The End (w/ Above & Beyond Feat. Opposite The Other)
15. Gallant - Sweet Insomnia Genre: alt-R&B / Soul
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The soulful and sultry vocals of Gallant return with another steamy alt-R&B soiree. The overall vibe is a bit more mellow than his thunderous 2016 debut Ology. The main driving force is still the forceful emotion driven vocals from the American singer. R&B has been a genre pulled into various directions over the last 8 or so years, sometimes for good, sometimes at it’s detriment. Gallant and his potent falsetto is a nostalgic artist in 2019 pointing to the late 90’s, early 2000’s neo-soul movement. Fans of artists like Musiq Soulchild, Maxwell, Raheem Devaughn and of course D’Angelo will get some warm feelings from Gallant’s seductive grooves. 
Proof: Crimes / Hurt / Compromise (Feat. Sabrina Claudio) / Céline
14. G Flip - About Us Genre: Pop
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Melbourne multi-instrumentalist and singer Georgia Flipo, or G-Flip, introduces herself with this tender and moving debut. About Us is sort of an autobiographical story about Georgia and her girlfriend over a five year span that includes a break up and eventually make up. Georgia’s vocals are both commanding and approachable. The song writing is effortlessly relatable and potent in the life of love. Georgia would write most of the instrument riffs and have others play it during recording but the most unsung hero is her command of the instrument she first learn and played herself; the drums. The emotional impact and intensity of these songs all get magnified in the later stages when Georgia grabs the sticks and begins going to town. About Us is both a subtle piece of pop yet also a cinematic and emotionally captivating one. 
Proof: Lover / I Am Not Afraid / Morning / About You
13. Becky Hill - Get To Know Genre: Synth-Pop / Electronic / Dance
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After being a semi-finalist on The Voice UK, the potent and soulful vocals of UK singer Becky Hill has become a go-to feature in the European house world. Becky’s commanding voice is a perfect compliment to house production to not be overpowered and bring a level of vivacity and vitality to the composition. Get To Know is a compilation of those features and one-off singles from the last three years to get more people familiar with Becky as she takes more creative control of her solo career. I’m expecting much more to come from the singer in 2020; so keep an eye and both ears out.
Proof: I Could Get Used To This (w/ Weiss) / Piece of Me (w/ MK) / Sunrise in the East / False Alarm (w/ Matoma)
12. BANKS - III Genre: alt-R&B / Pop
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On her third album, singer BANKS is showing off an impressive increase in prowess and courage in her music. Although, I still really enjoyed BANKS sophomore album The Altar, there were some growing pains visible in it. III on the other hand comes out much more competent, coherent and confident. The noticeable addition of Hudson Mohawke’s production and influence is one of the most noticeable additions. His powerful distorted synthed-out drums gives quite a thunderous backdrop for BANKS sultry vocals to sway back and forth through. The song writing has notably continued to get even better for someone that already had quite the skill at. I’ve followed BANKS since she only had a couple songs out on SoundCloud and the journey has been quite a rewarding one for us fans. 
Proof: Gimme / Look What You’re Doing To Me (Feat. Francis & The Lights) / Propaganda / The Fall
11. Gryffin* - Gravity Genre: Electronic / Dance
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Success has come rapidly for Gryffin, releasing his first original song only four years ago. Despite that short time, there is a level of sophistication to Gryffin’s blending of house and pop music that feels like the work of a veteran. It helps he has really filled up his phone contacts with some of today’s top Electronic producers and rising pop singers to collaborate with. Gryffin’s debut is quite a reflective and illuminating galaxy of deep emotions and expression. Every song on Gravity has identifiable passion and sentiments while enclosed in a glitzy exterior; feelings with strobe lights. It’s been over two years since the first song from this album “Nobody Compares to You” was released showing Gryffin has the ability to make us really feel emotions while also bust out dancing. Now if you excuse me, I'm going to go have a good cry in the club.
Proof: All You Need To Know (w/ SLANDER Feat. Calle Lehmann) / Baggage (w/ Gorgon City & AlunaGeorge) / Hurt People (w/ Aloe Blacc) / Nothing Compares To You (Feat. Katie Pearlman)
10. Maggie Rogers - Heard It In A Past Life Genre: Pop
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A chance encounter with Pharrell that went viral was what started Maggie’s career, but she took her time with this debut to make sure that one video wasn’t all that defines it. Heard It In A Past Life is a subtle flex of the new singer’s musical dexterity. On the surface the tracks all flow at a mellow cohesive pace. Maggie’s soft and sensual vocals are the first thing you appreciate when listening. When you give a little deeper of a dive you realize the strong themes Maggie is conveying as well as a sophisticated diversity in her sound that’s more than originally meets the ear.
Proof: Give A Little / The Knife / Alaska / Say It / On + Off // Bonus: Love You For A Long Time
9. Nick Murphy - Run Fast Sleep Naked Genre: Indie Pop / Electronic
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On his second release (first full length album) since changing his name from Chet Faker to his real name Nick Murphy, the Australian artist has some new tricks up his sleeve. Run Fast Sleep Naked is a more expansive sound then his Chet Faker beginnings and we are all quite rewarded by it. The subtle Synth-Indie pop melding is still present. But there always was a form of restraint in his early work that Nick has seemed to let go more of here allowing his emotion to burst out at key moments a bit unfiltered and untethered. 
Proof: Harry Takes Drugs On The Weekend / Sanity / Yeah I Care / Never No / Dangerous
8. Madeon - Good Faith Genre: Electronic / Synth-Pop / Dance
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2019 has been an interesting year of growth for EDM. With artists like Big Wild, ILLENIUM, Goldroom, GRiZ, Flux Pavilion and others showing some added depth, discovery and diversity in their sounds. That is continued here with Madeon’s four years in the making follow up to his 2015 debut album Adventure. His first album was quite a glorious introduction but very steeped in the bold and at times lumbering mechanical nature of Electronic music, but with this follow up there is a dramatic divergence. Good Faith is quite a romp through R&B, Gospel and Funk influenced synth wonderlands meant to inspire souls and entice movement. The French producer created a lush world to wonder around, despite being Electronic music, that is devoid of any plasticity for organic and visual expression. The closing two minutes are completely devoid of vocals, yet still packs a powerful emotional punch, leaving you wanting to instantly hit replay.
Proof: Dreams Dreams Dreams / All My Friends / Nirvana / No Fear No More / Borealis
7. Tyler, The Creator - IGOR Genre: alt-R&B / Hip Hop
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After a frustrating start to his career I saw some of the promise in Tyler, The Creator come to life on his 2015 third album Cherry Bomb. By 2017 Tyler had found his sweet spot with the marvelous Flower Boy. Being someone always eager to learn and grow on his craft, Tyler didn’t remain in that sweet spot, instead abruptly left it in his rearview mirror for his follow up in the daring IGOR. Long gone are the low-fi, abrasive hip hop vernacular of Bastard, Goblin and Wolf here. Instead, Tyler created a unique and colliding world of R&B, Hip Hop, Funk and Synth-Pop. Further showing his evolution Tyler tells a heartfelt story across the album of a man, Tyler, dating another man, who’s also dating his ex-girlfriend. When Tyler tells his feelings for his lover,  which results in him starting to drift back to his ex-girlfriend, leading to heartbreak for Tyler. The character Igor represents the negative tendencies of Tyler, as his heart is broken and begins to take over throughout the album’s duration. Coming out the other side the album ends with sadness, but still with a level of hope that I’m sure anybody can relate to who’s had their heart broken.
Proof: IGOR’S THEME (Feat. Lil Uzi Vert) / EARFQUAKE (Feat. Playboy Carti & Charli Wilson) / I THINK (Feat. Solange & Ryan Betty) / A BOY IS A GUN* / WHAT’S GOOD (Feat. Slowthai)
6. SebastiAn - Thirst Genre: Electronic / Synth-Pop
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8 years after his debut album, the French producer is ready to step out from the background again with this thrilling collection of bold electronic pop. Known best to the general for working with Frank Ocean on his Endless album (and being the voice on “Facebook Story” on Blonde), SebastiAn has also worked extensively with Daft Punk, Kavinsky, Charlotte Gainsbourg, Beastie Boys, Block Party and others over the years. Thirst is a wild ride in a dark dystopian pop landscape that has a tough exterior but a tender interior. The features from pop and R&B are expertly placed among the distorted and thunderous production. The industrial feel may seem a bit artificial at first, but there is an organic heartbeat under the mechanical exoskeleton worth exploring.
Proof: Doorman (Feat. Syd) / Better Now (Feat. Mayer Hawthorne) / Pleasant (Feat. Charlotte Gainsbourg) / Sober (Feat. Bakar) / Run for Me (Feat. Gallant)
5. Khalid - Free Spirit Genre: Pop / R&B / Soul
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I gushed on both my last two year lists about Khalid with his debut album and last year’s EP; all that is still very much relevant in 2019. Khalid is one of today’s top young talents. His evocative voice can fit into so many different environments. Straight Pop, R&B, Hip Hop, Country, EDM, Rock, Khalid’s voice is quite the emotive chameleon. His own albums are a bit more straightforward pop and R&B that with every release keeps getting more polished and evolved with his songwriting. Already at 21 the singer has become a go-to for album features and movie soundtracks; I don’t expect this to change for quite some time.
Proof: Better / Talk / Right Back / Outta My Head (w/ John Mayer) / Twenty One
4. Big Wild - Superdream Genre: Synth-Pop / Electronic / Dance
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To many fans of the EDM scene Big Wild has been well known before his debut album dropped. The producer was one the first signees to ODESZA’s label after dropping multiple great remixes. His debut EP last year only increased his notoriety. What we didn’t know if he had a different plan for his sound that would be introduced to the world on this sneaky debut full length. Superdream still has plenty of his EDM beginnings throughout but interwoven in a much more complex package then we anticipated. Notes of 70’s/80’s pop to 90’s R&B make a surprisingly profound presence dancing through the intersecting synths and drums. Big Wild sings more than he ever has in a soft hushed tone that glides his bold production so smoothly. The Electronic genre is in the middle of quite a renaissance currently and yet more creative artists like Big Wild keep showing up and taking the sound to new directions we haven’t seen before.
Proof: Joypunks / 6’s to 9’s (Feat. Rationale) / No Words / Maker / She Makes Magic
3. ILLENIUM* - ASCEND Genre: Electronic / Future Bass / Dance
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Denver DJ ILLENIUM found quite a sweet spot on his 2017 sophomore album, Awake, with his euphoric electronic music. Anybody who claims EDM is all plasticity without emotion that other music genres can evoke, I dare you to listen to Awake and not feel the raw human emotion bursting with every dramatic drop. However, Nicolas Miller was not complacent and has expanded his sound in 2019. Taking some inspiration no doubt from the late great Avicii, there’s plenty of experimenting with genres both externally and internally to the EDM landscape. With great ease, effort care and skill the tracks maneuver from Pop/Future Bass to House to Trance, to R&B to Country/Rock to Dubstep. The emotions continue to be the driver with tracks about love, heartbreak, feeling lost and even Miller’s opening up about his past issues with drug abuse. The Jon Bellion assisted “Good Things Fall Apart” and Chainsmokers partnered “Takeaway” are the tracks most people go in knowing, but powerful tracks like the lightning bolt opener “Hold On” to the Rock/Dubstep powerhouse of “Pray” to the R&B Ear drum slapper that's “Gorgeous” steal the listeners attention through this whirlwind of melodic feels.
Proof: Hold On (w/ Georgia Ku) / Good Things Fall Apart (w/ Jon Bellion) / Pray (Feat. Kameron Alexander) / Gorgeous (w/ Bipolar Sunshine & Blanke) / Lonely (w/ Chandler Leighton) // Bonus: Ekali & ILLENIUM - Hard To Say Goodbye (Feat. Chloe Angelides)
2. Nilüfer Yanya* - Miss Universe Genre: Indie Rock / Alternative / R&B
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It could be too easy to take Nilüfer Yanya’s sensual music for granted, but those that pay close attention are very much rewarded. Her subtle and mellow melodies can slip into the background but by the time her infectious choruses hit you may find your shoulders swaying and feet tapping without thinking about it. The UK Born new artist has such an effortless feel to her genre melding sound of soul and indie pop. Her unique, raspy voice among the groovy, plucky guitar riffs has an ability to relay emotions while also keeping a veil of mystery. Miss Universe is probably 2019’s most consistent record, no song is out of place in this whole strong debut album. 
Proof: In Your Head / Paralysed / Angels / Tears / Heavyweight Champion of the Year
1. Labrinth - Imagination & the Misfit Kid Genre: Pop / alt-R&B
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Sometimes it takes some time to find your comfortably and inspiration. English singer Labrinth’s debut album was released over seven years ago. In the time since the powerful voice, proficient productions or potent pen of the singer would pop up here and there with one-off singles, song features ("Losers” with The Weeknd off Beauty Behind The Madness was one great one), production or writer credits. 2019 though was quite the change in pace. The marathon of a year started with forming the supergroup and dropping the debut album of LSD with Sia and Diplo. Labrinth then was the lead composer on the music score for one of the year's best new shows on HBO’s “Euphoria”. This all was cultivated with this magnificent and expressive sophomore effort. Imagination & the Misfit Kid is a layered project of the many influences Labrinth has picked up over his lifetime packaged together in something innovative yet also familiar. On the surface the music is pretty crowd pleasing pop but when dissected more there's rich notes of music genres colliding including R&B, Gospel, Blues, UK Hip Hop and Electronic ingredients. The production is its own cunning beast, at times it is muted and let’s the great voice of Labrinth take the reins, only to come thundering in to smack you in the temple. There’s an obvious cinematic theme carried through in the songs that is driven home with the song titles and short skits. Labrinth is tapping into your ears while making a visual art piece. One you’re meant to close your eyes and let the melodies and lyrics help you visualize. “Can’t tell me the world don’t mind, a miracle.”
Proof: Miracle / Dotted Line / All For Us (w/ Zendaya) / Something’s Got To Give / Where The Wild Things Are / Oblivion (Feat. Sia) // Bonus: Don’t Fence Me In
Others:
Good: Aaron Aye - F.E.A.R., Ada Lea - what we say in private, Africa Express - EGOL, AJ Tracey - AJ Tracey, AKON - Akonda, The Alchemist - Yacht Rock 2, Aldous Harding - Designer, Alex Cameron - Miami Memory, Algee Smith - atl, Alice Merton - Mint, Allen Stone - Building Balance, Allie X - Super Sunset (Analog), The Amazons - Future Dust, Andrew Combs - Ideal Man, Angel Olsen - All Mirrors, Angie Stone - Full Circle, Ann Marie - Pretty Psycho, Anna Wise - As If It Were Forever, Ardalan - Mr. Good, Ari Lennox - Shea Butter Baby, Ariana Grande - thank u, next, Armin van Buuren - Balance, A$AP Ferg - Floor Seats, Asiahn - Love Train 2, Audien - Escapism, AURORA - A Different Kind of Human, avery r. young - tubman., Avicii - TIM, A1 - Turbulence, Baby Rose - To Myself, Bad Bunny - X 100PRE, Barrie - Happy to Be Here, Bastille - Doom Days, Bat For Lashes - Lost Girls, Bazzi - Soul Searching, Beast Coast - Escape from New York, Beck - Hyperspace, Becky G. - MALA SANTA, Beirut - Gallipoli, Berhana - HAN, Better Oblivion Community Center - Better Oblivion Community Center, Betty Who - Betty, Beyoncé - The Lion King: The Gift [Music Inspired by the Motion Picture], Big K.R.I.T. - K.R.I.T. IZ HERE, Big K.R.I.T. - TDT, Big Thief - Two Hands, Big Thief - U.F.O.F., Black Belt Eagle Scout - At The Party With My Brown Friends, The Black Keys - “Let’s Rock”, Black Milk - DiVE, bLAck pARty - Endless Summer, blackbear - ANONYMOUS, Blaq Tuxedo - Blaq Tuxedo, Blaqk Audio - Only Things We Love, Blasterjaxx - Perspective, Bleached - Don’t You Think You’ve Had Enough?, Blood Orange - Angel’s Pulse [Mixtape], Blu & Oh No - A Long Red Hot Los Angeles Summer Night, Boogie - Everything’s for Sale, Boy Harsher - Careful, Boy Harsher - Country Girl Uncut, Boy Scouts - Free Company, Brittany Howard - Jaime, BROCKHAMPTON - GINGER, Broods - Don’t Feed The Pop Monster, Brother Ali - Secrets & Escape, Bun B & Statik Selektah - TrillStatik [Mixtape], Burna Boy - African Giant, Busy Signal - Parts of the Puzzle, Caamp - By and By, Cage The Elephant - Social Cues, Camila Cabello - Romance, Carly Rae Jepsen - Dedicated, Caroline Polacheck - PANG, Casey Veggies - Organic, Casey Veggies & Rockie Fresh - Fresh Veggies [Mixtape], Cashmere Cat - PRINCESS CATGIRL, Cassius - Dreems, Catching Flies - Silver Linings, Cehryl - Slow Motion, The Chainsmokers - World War Joy, Charly Bliss - Young Enough, Chase & Status - RTRN II JUNGLE, Chelsea Wolfe - Birth of Violence, The Chemical Brothers - No Geography, Cherry Glazer - Stuffed & Ready, Childish Major - Dirt Road Diamond, Chinatown Slalom - Who Wants To Be A Millionaire?, Choosey & Exile - Black Beans, Chris Brown - Indigo, Chris Lorenzo - Late Checkout, Chris Staples - Holy Moly, Chromatics - Closer To Grey, Ciara - Beauty Marks, Cigarettes After Sex - Cry, City and Colour - A Pill for Loneliness, Citizen Cope - Heroin and Helicopters, Clairmont The Second - The Second’s Do You Drive?, Clairo - Immunity, clipping. - There Existed an Addiction to Blood, Cold War Kids - New Age Norms 1, Coldplay - Everyday Life, Collie Buddz - Hybrid, Common - Let Love, Cross Record - Cross Record, Crumb - Jinx, Crystal Fighters - Gaia & Friends, Cuco - Para Mi, Curren$y & Statik Selektah - Gran Turismo, CZARFACE & Ghostface Killa - Czarface Meets Ghostface, DaBaby - KIRK, Damar Jackson - U2, Dame D.O.L.L.A. - Big D.O.L.L.A., Danny Brown - uknowhatimsaying¿, Dave East - Survival, David B - BLEU, Dawn Richard - New Breed, Deadmau5 - here’s the drop, Deadmau5 - Polar (Music from the Netflix Film), Deaton Chris Anthony - BO Y, Deerhunter - Why Hasn’t Everything Already Disappeared?, Delta Heavy - Only In My Dreams, Dermot Kennedy* - Dermot Kennedy, Devin Morrison - Bussin’, DIIV - Deceiver, Dillon Francis - Magic Is Real [Mixtape], Dizzy Fae - NO GMO [Mixtape], DJ Khaled - Father of Asahd, DJ Shadow - Our Pathetic Age, DJ Snake - Carte Blanche, Doja Cat - Hot Pink, Dope Lemon - Smooth Big Cat, Dounia - THE SCANDAL, Drake - Care Package, Drax Project - Drax Project, Dreamville & J. Cole - Return of the Dreamers III, Dreezy - Big Dreez, DROELOE* - A Promise Is Made, The Drums - Brutalism, DUCKWRTH - THE FALLING MAN, Earl Sweatshirt - FEET OF CLAY, EARTHGANG - Mirrorland, Ed Sheeran - No. 6 Collaborations Project, Electric Guest - KIN, Electric Youth - Memory Emotion, ELHAE - Trouble In Paradise, Elle Varner - Ellevation, Emeli Sandé - REAL LIFE, Emmavie - Honeymoon, Emily Wells - The World Is Too ___ For You, Eric Bellinger - Cuffing Season 3, Eric Bellinger - Saved by the Bellinger [Mixtape], Eric Bellinger - The Rebirth 2, E-40 - Practice Makes Paper, Fabolous - Summertime Shoot 3: Coldest Summer Ever [Mixtape], The Faint - Egowerk, Fantasia - Sketchbook, FEELS - Post Earth, FIDLAR - Almost Free, Fitz & The Tantrums - All The Feels, FKA twigs - MAGDALENE, The Flaming Lips - The King’s Mouth: Music and Songs, Flume - Hi This Is Flume [Mixtape], Flying Lotus - Flamagra, Frances Cone - Late Riser, Frankie Cosmos - Close It Quietly, Freddie Gibbs & Madlib - Bandana, FRENSHIP* - Vacation, Freya Ridings - Freya Ridings, Friendly Fires - Inflorescent, Froth - Duress, The Game - Born 2 Rap, Gang Starr - One of the Best Yet, GASHI - GASHI, Gary Clark Jr. - This Land, Gena Rose Bruce - Can’t Make You Love Me, Gesaffelstein - Hyperion, The Get Up Kids - Problems, Giggs - BIG BAD…, girlpool - What Chaos Is Imaginary, The Glorious Sons - A War on Everything, gnash - we, Goo Goo Dolls - Miracle Pill, grandson - a modern tragedy vol. 3, GRiZ - Ride Waves, GTA - La Nueva Clásica (Remixes), Gus Dapperton - Where Polly People Go to Read, HÆLOS - Any Random Kindness, half●alive - Now, Not Yet, , Hatchie - Keepsake, Hayden James - Between Us, Hayden James - Between Us (Remixes), The Head and the Heart - Living Mirage, Headie One - Music x Road [Mixtape], Helado Negro - This Is How You Smile, Hermitude - Pollyanarchy, Hibou - Haive, Higher Brothers - Five Stars, Hobo Johnson - The Fall of Hobo Johnson, Holly Herndon - PROTO, Hoodie Allen - Whatever USA, Hot Chip - A Bath Full of Ecstasy, Ida Mae - Chasing Light, IDER - Emotional Education, IDK - Is He Real?, Iggy Azalea - In My Defense, India.Arie - Worthy, Ingrid Michaelson - Stranger Songs, Injury Reserve - Injury Reserve, Intellexual - Intellexual, Isaac Dunbar - balloons don’t float here, Isabella - 12 Angels, J Balvin & Bad Bunny - OASIS, Jack & Jack - A Good Friend Is Nice, JackLNDN - Thoughts, Jacob Latimore - Connection2, Jacquees - King of R&B, Jacques Greene - Dawn Chorus, Jade Bird - Jade Bird, Jai Wolf - The Cure To Loneliness, Jamie Cullum - Taller, James Blunt - Once Upon A Mind, Jamila Woods - LEGACY! LEGACY!, The Japanese House - Good At Falling, Jax Jones - Snacks, Jay Som - Anak Ko, Jayda G - Significant Changes, Jaden - ERYS, JAY1 - One Wave, Jenny Hval - The Practice of Love, Jenny Lewis - On The Line, J-E-T-S - Zoospa, Jidenna - 85 to Africa, Joell Ortiz - Monday, Johnny Gill - Game Changer II, JOHNNYSWIM - Moonlight, JOHKOY - 404, Jonas Brothers - Happiness Begins, Jordan Rakei - Origin, Joseph - Good Luck, Kid, Josephine Wiggs - We Fall, JPEGMAFIA - All My Heroes Are Cornballs, The Juan MacLean - The Brighter Light, Judah & The Lion - Pep Talks, Juice WRLD - Death Race for Love, Julian - Sydney, Juls - Colour, KAINA - Next to the Sun, Kanye West - JESUS IS KING, Karnaval Blues - You Come With the Rain, Kash Doll - Stacked, Kaskade - Redux 003, KÁRYYN - The Quanta Series, Kayzo - Unleashed, Keane - Cause and Effect, Kelsey Lu - Blood, Kemba - Gilda, Kembe X - I Was Depressed Until I Made This, Kerli - Shadow Works, Kevin Gates - I’m Him, Kevin George - My Darlings a Demon, Kevin Morby - Oh My God, K.Flay - Solutions, Kindness* - Something Like a War, King Princess - Cheap Queen, Kishi Bashi - Omoiyari, Ladytron - Ladytron, Lafawndah - Ancestor Boy, Larry June - Out the Trunk [Mixtape], The Lemonheads - Varshons 2, Lexie Liu - 2030, Liam Gallagher - Why Me? Why Not, LICK - Dark Vibe Order, Lil Skies - Shelby, Lissie - When I’m Alone: The Piano Retrospective, Little Brother - May The Lord Watch, Local Natives - Violet Street, Logic - Confessions of a Dangerous Mind, Lolo Zouaï - High Highs to Low Lows, Lost Frequencies - Alive and Feeling Fine, Louis Futon - Way Back When, Loyle Carner - Not Waving, But Drowning, LSD - Labrinth, Sia & Diplo Presents… LSD, Lucky Daye - Painted, Lucy Rose - No Words Left, Luh Kel - Mixed Emotions, The Lumineers - III, LV - Xcited, Lyfe Jennings - 777, Mac Ayers - Juicebox, Mac DeMarco - Here Comes the Cowboy, Mahalia - Love and Compromise, Malibu Ken (Aesop Rock & TOBACCO) - Malibu Ken, Manatee Commune* - PDA, Mansionair - Shadowboxer, Marc E. Bassy - PMD, Maren Morris - GIRL, Maribou State - Kingdoms in Color Remixed, Marika Hackman - Any Human Friend, MARINA - LOVE + FEAR, MarMar Oso - Oso Different, Marshmello - Joytime III, Matt Maeson - Bank on the Funeral, MED & Guilty Simpson - Child of the Jungle, Meg Mac - Hope, Megan Thee Stallion - Fever, Melii - phAses, Men I Trust - Oncle Jazz, Mereba - The Jungle Is The Only Way Out, Mermaidens - Look Me in the Eye, Michael Kiwanuka - KIWANUKA, MIKA  - My Name Is Michael Holbrook, MIKE - Tears of Joy, Mike Posner - Keep Going [Mixtape], Mike Posner - A Real Good Kid, Milky Chance - Mind the Moon, Mr. Carmack - Demolish [Mixtape], Mr. Carmack - Viista, Mr Hudson - WHEN THE MACHINE STOP, Mndsgn - Snaxx, Moksi - The Return of House Music, Montell Jordan - Masterpiece, Moon Boots - Bimini Road, Moon Duo - Stars Are the Light, Moonchild - Little Ghost, Murs & 9th Wonder - Brighter Daze, Murs, 9th Wonder & The Soul Collective - The Iliad is Dead and the Odyssey is Over, Mustard - Perfect Ten, Nao Yoshioka - Undeniable, Nas - The Lost Tapes 2, Nathan Bajar - playroom, The National - I Am Easy to Find, Necking - Cut Your Teeth, The New Pornographers - In the Morse Code of Brake Lights, NF - The Search, Nick Catchdubs - Ufo, Nicole Bus - Kairos, Nina Nesbitt - The Sun Will Come Up, The Seasons Will Change, Noah Kahan - Busyhead, Norah Jones - Begin Again, Obie Trice - The Fifth, Octavian - Endorphins, Of Monsters and Men - FEVER DREAM, Offset -  Father of Four, Oliver Dion - Exposed, Olivia O’Brien - Was It Even Real?, Panda Bear - Buoys, Patoranking - Wilmer, Pete Tong & HERO - Chilled Classics, Pete Yorn - Caretakers, Petit Biscuit* - We Were Young (The Playlist), P!nk - Hurts 2B Human, Pixies - Beneath the Eyrie, PJ Morton - PAUL, Plaid - Polymer, P-LO - SHINE, PnB Rock - TrapStar Turnt PopStar, Pond - Tasmania, Post Malone - Hollywood’s Bleeding, Priests - The Seduction of Kansas, Prince - Originals, PUP - Morbid Stuff, Quelled Chris - Guns, R.LUM.R. - Surfacing, Ra Ra Riot - Superbloom, The Raconteurs - Help Us Stranger, Raphael Saadiq - Jimmy Lee, Ras Kass - Soul on Ice 2, Rat Boy - International Unknown, Raveena - Lucid, Reese LaFlare - Final Fantasy, The Regrettes - How Do You Love?, Reptaliens - VALIS, Rex Orange County - Pony, Rich Brian - The Sailor, Rich The Kid - The World Is Yours 2, Rico Nasty & Kenny Beats - Anger Management, Rhi - The Pale Queen, Rhye - Spirit, Rockie Fresh - Destination, Rudimental - Test Our Differences, RÜFÜS DU SOL - Solace Remixes, RY X - Unfurl, Sabrina Carpenter - Singular Act II, SAFE - STAY, Said The Whale - Cascadia, SAINt JHN - Ghetto Lenny’s Love Songs, St. Lucia - Remixed, Sammie - Everlasting, Sampa The Great - The Return, San Fermin - The Cormorant I, (Sandy) Alex G - House of Sugar, Santana - Africa Speaks, Santi - Mandy & The Jungle, Sara Bareilles - Amidst the Chaos, SASAMI - SASAMI, ScHoolboy Q - CrasH Talk, Seasons - American Authors, Set It Off - Midnight, Set Mo - Surrender, Shafiq Husayn - The Loop, Shari Marie - Reflection LP, Sharon Van Etten - Remind Me Tomorrow, Sheer Mag - A Distant Call, Shlohmo - The End, Shy Girls - Bird on the Wing, Silversun Pickups - Widow’s Weeds, Sinead Harnett - Lessons in Love, SiR - Chasing Summer, sir Was - Holding On To A Dream, Skepta - Ignorance Is Bliss, The Script - Sunset & Full Moons, Sleater-Kinney - The Center Won’t Hold, Sleeping With Sirens - How It Feels to Be Lost, slowthai - Nothing Great About Britain, Slum Village - The Source, Smif-N-Wessun - The All, Snail Mail - Habit, Snake City - Hurts, SNBRN - Solé, Snoh Aalgra - Ugh, those feels again, Snoop Dogg - I Wanna Thank Me, Snow Patrol - Reworked, SOAK - Grim Town, SOB X RBE & Hit-Boy - Family Not a Group, Solange - When I Get Home, Somos - Prison On A Hill, SonReal - The Aaron LP, StayLoose - The City, Stef Chura - Midnight, Steve Lacy - Apollo XXI, Stirgull Simpson - SOUND & FURY, Styles P - S.P. The Goat: Ghost of All Time, Sudan Archives - Athena, Sui Zhen - Losing Linda, Summer Walker - Over It, SYML - SYML, The Tallest Man On Earth - I Love You, Talos - Far Out Dust, Tank - ELEVATION, Tank and the Bangas - Green Balloon, Tayla Parx - We Need To Talk, Taylor Swift - Lover, Tech N9ne - N9na, Tegan and Sara - Hey, I’m Just Like You, TENDER - Fear of Falling Asleep, Terri Lyne Carrington & Social Science - Waiting Game, Terror Jr - Unfortunately, Terror Jr, Tiësto - Together, Tinashe - Songs For You, Tink - Voicemails, The-Dream - Menage a Trois: Sextape Vol. 1,2&3, Thees Handz (The Grouch & Murs) - Thees Handz, Thom Yorke - ANIMA, T-Pain - 1UP, TOBi - STILL, Tom Walker - What A Time To Be Alive, Tora - Can’t Buy the Mood, Toro y Moi - Outer Peace, Tory Lanez - International Fargo [Mixtape], Tourist - Wild, Tove Lo - Sunshine Kitty, Trae tha Truth - Exhale, Travis Thompson - Reckless Endangerment, Trevor Jackson - Rough Draft 2, Trina - The One, Tritonal - U & Me, Tropical Fuck Storm - Braindrops, Tuxedo - Tuxedo III, Two Door Cinema Club - False Alarm, Tycho - Weather, Tyla Yaweh - Heart Full of Rage, Vagabon - Vagabon, Vancouver Sleep Clinic - Onward to Zion, Various Artists - DEATH STRANDING: Timefall (Original Music from the World of Death Stranding), Various Artists - For The Throne (Music Inspired by the HBO Series Game of Thrones), Various Artists - Music Inspired by the Film Roma, Various Artists - 13 Reasons Why (Season 3) [Music Inspired by the Netflix Series], Velvet Negroni - NEON BROWN, Wale - Wow... That’s Crazy, Walk Off The Earth - HERE WE GO!, Wallows - Nothing Happens, Walshy Fire - Walshy Fire Presents: ABENG, Wand - Laughing Matter, Weezer - Weezer (The Teal Album), Weyes Blood - Titanic Rising, Wilco - Ode to Joy, Wild Belle - Everybody One of a Kind, William Black* - Pages, Willow - Willow, Whitney - Forever Turned Around, Wretch 32 - Upon Reflection, X Ambassadors - ORION, Xavier Omär & Sango - Moments Spent Loving You, YACHT - Chain Tipping, YBN Cordae - The Lost Boy, Yeasayer - Erotic Reruns, Yeek - IDK WHERE, YG - 4REAL 4REAL, Yhung T.O. - On My Momma 2, Yuna - Rouge, Zilo - Gorgeous, Zo! - FourFront, 2 Chainz - Rap or Go to the League, 93PUNX - 93PUNX, !!! - Wallop
Meh: A Boogie wit da Hoodie - Hoodie SZN, Above & Beyond - Flow State, The Avett Brothers - Closer Than Together, Belle & Sebatian - Days of the Bangold, Berner - El Chivo, Birdman & Juvenile - Just Another Gangsta, Blank Mass - Animated Violence Mild, Calboy - Wildboy, Casanova - Behind These Scars, Conway The Machine - Look What I Became, Cousin Stizz - Trying to Find My Next Thrill, DREAMERS - LAUNCH FLY LAND, DJ Muggs & Mach - Hommy: Tuez-Les Tous, Future - Future Hndrexx Presents: The WZRD, G&D - Black Love & War, Ghostface Killah - Ghostface Killahs, Gucci Mane - Delusions of Grandeur, HTRK - Venus in Leo, Jezzy - TM104: The Legend of the Snowman, Kenny Garrett - Hoax, Lighthouse Family - Blue Sky in Your Head, Lil Peep - EVERYBODY’S EVERYTHING, Lillie Mae - Other Girls, Logic - Supermarket, Lower Dens - The Competition, Machine Gun Kelly - Hotel Diablo, Night Lovell - GOODNIGHT LOVELL, Pi’erre Bourne & Cardo Got Wings - Pi’erre & Cardo’s WIld Adventure [Mixtape], Quality Control - Control The Streets Volume 2, Rick Ross - Port of Miami 2, Rod Wave - PTSD, Shy Glizzy - Covered N Blood, Spellling - Mazy Fly, Tee Grizzley - Scriptures, Twin Peaks - Lookout Low, Tyga - Legendary, Wifisfuneral - Ethernet 2, Wiz Khalifa & Curren$y - 2009, 03 Greedo - Still Summer in the Projects
Naw: Black midi - Schlagenheim, KEY! - SO EMOTIONAL, Microwave - Death is a Warm Blanket, Nef The Pharaoh - Mushrooms & Coloring Books, Scarlxrd - INFINITY, Ugly God - Bumps & Bruises, Weezer - Weezer (The Black Album), Westside Gunn - Flygod is an Awesome God, Yung Gravy - Sensational, Zheani - The Line Censored
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usfwspacific · 5 years
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National Volunteer Week: Berk Moss’ Legacy Lives on at Tualatin NWR
Our 9,382 dedicated U.S. Fish and Wildlife Service volunteers in the Pacific Region gave an incredible 198,914 hours of their time to conservation in 2018. That is the equivalent of 24,864 eight-hour work days and 95 full-time staff members! These incredible folks deserve a huge thank you and during National Volunteer Week (April 7-13) we are aiming to do just that. This is the first in a series of blogs about U.S. Fish and Wildlife Service volunteers and projects. Share your story of service or honor an outstanding volunteer by telling us about it with #iServeBecause, #volunteer and #NationalVolunteerWeek on Facebook or Twitter.
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By Kim Strassburg, Urban Refuge Coordinator for Portland-Vancouver National Wildlife Refuges 
Tualatin River National Wildlife Refuge is a special place that has attracted, welcomed and included special people. U.S. Fish and Wildlife Service staff, the Friends of Tualatin River NWR, volunteers, advocates, and the community at-large have made significant contributions to what this place has been, is, and will always be. 
It’s a place that represents visions and dedication to create and sustain a place for people and wildlife, learning for children and adults alike, but especially a place to foster sustainability of our collective future. Perhaps nobody understood this better that Berk Moss. He often quoted Thoreau: “In wildness is the preservation of life.”
It started back in 2003 when Berk was driving past the old refuge headquarters and noticed the new Tualatin River NWR sign. Always looking for opportunities for students and youth, Berk wondered if somehow the refuge could be a resource for science and nature education. So, he popped in and sought out Ralph Webber, Tualatin’s first refuge manager.
“Berk was a very passionate, caring man who I admired and respected for his ethic and caring for the natural world, one who wanted to share these qualities with our youth. A story that still resonates in my mind is my first acquaintance with Berk before any facilities had been built on the refuge for the public. He was chomping at the bit to bring classes out onto the refuge with few staff, no facilities and/or refuge materials, or any plans for how to manage logistics for such a task. After a long discussion, Berk took a deep breath and said, ‘Well, I guess we have a monumental job ahead of us.’”
That day, Berk left his business card and eagerly awaited the refuge’s first Outdoor Recreation Planner. It only took a couple of meetings with Berk to get the ball rolling. As a Science Director for Beaverton School District, Berk understood the needs of schools, teachers and the nuances that made them tick. He knew we needed more educators to make a team that would be the vital link with the community that would lead to success. So Berk helped plan and host a free pizza night for teachers, which, in turn, attracted the inaugural education committee. Led by Berk, the teacher team created the refuge’s environmental education program. June Poling, who was one of those educators, recalled:
“Berk was a man of many talents. At one moment he could be discussing the inner workings of epigenetics, and at the next moment writing a song about the beaver in his back yard. Berk’s we-can-do-anything attitude influenced everyone around him. He had a gentle way of encouraging me and others to think outside the box to find solutions to what seemed like insurmountable problems. I remember how palpable his excitement was about new discoveries.”
Berk certainly was not afraid to get dirty. One rainy, mucky winter he helped plant trees at the site that became the wetland observation deck. He could only laugh at himself for getting stuck up the knees in mud and having to be pulled out by fellow volunteers. Then there was the day I was figuring out the path the new trail would take. I was so excited to show him where the education study sites were going to be located, so I called him. He was on his way to a business meeting in Portland, but stopped by anyhow, dressed in business attire. He was a good sport as I drug him through the poison oak and the blackberries in his dress shoes and slacks to the spot that became the Rock Creek study site. He was dirty and wrinkled after that, but I am pretty sure he forgave me.
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Berk gave so much of himself. Early on, we did not have a consistent and suitable place for working together. So in true Berk fashion, he opened his home and that is where most of the real work took place. So much was created in the hundreds of hours together at his kitchen table. As we were planning the Wildlife Center, I recall showing up at his house in Newberg at 5:30 a.m. to pick him up on the way to all day architectural design meetings up in Tacoma. He was always cheerful, even on those 16 hour days, providing the insight that guided what the classroom looks like today.
But it was more than planning; we knew we had to implement. Berk worked side-by-side with the refuge to write grants, plan budgets and evaluation plans and, ultimately through a Friends group and refuge partnership, help bring in several hundred thousand dollars to deliver the program. It was never easy. We always stuck together with a shared vision in mind, and Berk always brought wisdom and kindness.
Berk played a significant role in so much, including the first teacher workshop, the education curriculum, naturalist training, summer camp, Puddle Stompers, Friends group board member, advocacy when the refuge needed it, being a resource for other refuges and much more.  
But it only takes a trip to the Discovery Classroom to see and feel Berk’s presence and impact. Take a look at the pictures on the wall and you can sense his joy of helping thousands of youth connect with nature in very real and meaningful ways.
That classroom may be Berk’s lasting gift to conservation. He passed away June 1, 2018.
I visited with Berk several times in his final weeks. The last time he reached out to hold my hand and said: “We did it.” It wasn’t just the two of us that Berk was talking about. It was the staff, friends, teachers, students, and volunteers. All of us together.
Perhaps most telling is that Berk was cremated in his refuge volunteer vest. He also took with him his field notebook, a pencil, and the wooden coffee stir sticks he always carried to poke around in and explore nature.
I am honored to have worked with Berk Moss and know that we stand on strong shoulders as we continue his legacy into the future. He is missed.
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soccernetghana · 2 years
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Ghana's Vice president Bawumia woos American Football to establish NFL Africa Academy in Ghana
Ghana's Vice President Dr. Mahamudu Bawumia has made a strong case to the National Football League (NFL), the global governing body in charge of American Professional Football, to establish an NFL Africa Academy in Ghana to unearth and develop talents from Ghana and neighboring countries.Dr. Bawumia, who hosted a delegation of the NFL at the Jubilee House on Friday, stressed that Ghana, with a multi-talented youth, as well as being a peaceful and business-friendly nation, is well-suited for an NFL Africa Academy to help unearth and develop talents for professional American and also create opportunities for the youth.The visit by the American NFL delegation, follows a meeting in New York earlier this year between the Office of the Vice President and the NFL, which discussed potential d opportunities in the NFL expanding its operations in Ghana for talent discovery and development.Subsequent to the meeting, the NFL has selected Ghana to host an NFL Africa Camp in June this year, to identify talents for development.Dr. Bawumia expressed gratitude to the NFL for choosing Ghana to host the talent discovery NFL Africa Camp, adding that the platform will create opportunities for the youth of Ghana."I am happy that you have decided to make the NFL Africa Camp happen here in Ghana. It is an opportunity for young people in this country," Dr. Bawumia said."We have a very strong, athletic and intelligent youth who are waiting for such opportunities and I am sure once this comes and awareness grows, are going to take advantage of what is on offer to open doors for our young people"On the long-term promotion and development of NFL in Ghana and the African continent, Dr. Bawumia noted that establishing an academy, in the model of a football academy, will be a great way developing NFL talents and also providing the youth alternative career paths through education and sports.In this regard, Dr. Bawumia urged the NFL to consider establishing the academy in Ghana, because the country offers many opportunities."Establishing the NFL Africa Academy here in the mold of a football academy like Right to Dream, will go a long way to help in the unearthing and development of talents, as well as providing alternative career pathways to the youth," Dr. Bawumia said."The talent is here across all sports. We have a very strong, athletic and intelligent youth who are waiting for such opportunities.""I am sure once this comes (establishing the academy) and awareness grows, we are going to take advantage of what is on offer, that is development of NFL talents and opening of doors for our youth."The Vice President assured the NFL delegation of government's commitment to sports development, as well as its willingness to support positive sports initiatives, which open doors to the youth of the country."Our government is committed to supporting the promotion and development of sports, and we will support initiatives which will open up our sports and give our youth opportunities.""You can count on my support for such sports initiatives. I am sports enthusiast, but I am also an economist and I see the potential of sports contributing to the growth of the economy and offering opportunities to the youth."The NFL delegation, led by its Chief Operating Officer, International commended Dr. Bawumia for showing keen interest in pushing for the presence of the NFL in Ghana to open new opportunities to Ghanaian youth.They delegation also thanked him for the meeting with his office in New York, as well as welcome them to his office for further discussions.The NFL delegation also included Ghanaian NFL star, Jeremy Owusu-Koramoah and two time Super Bowl winner, Nigerian Osi Umenyiora.   source: https://ghanasoccernet.com/
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Hopkinsville Community College will hold Pathfinder’s Discovery Camps in July
“Older: Marsha Blackburn, Bill Hagerty, Chuck Fleischmann Request Briefing After Reports of Abuse at Chattanooga Migrant Facility Newer: Nashville Sounds win 6-2 against Gwinnett Stripers” June 20, 2021 |
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Each week is designed for specific grade levels and offers an interactive and engaging learning experience with talented educators.
Students will take field trips to high-tech campus learning labs to meet college professors, see demonstrations, try out some of the exercise equipment, and find out what it takes to work in manufacturing, healthcare, or transportation.
This fall 2021 fifth and sixth grade camp is taught by Amanda Baxter and Brett Pritchett from 8:30 a.m. to 11:30 a.m. Tuesday through Thursday July 13-15.
Third and fourth graders work in teams to set up their own lemonade stand. Participants choose a company name, design a logo and determine the cost. They develop a marketing plan, set up their booth on campus, and compete against the other team for top sales that will benefit the charity of their choice.
This fall 2021 third and fourth grade camp is taught by Courtney Bourne and Sydney Harper Tuesday through Thursday, July 20-22, from 8:30 a.m. to 11:30 a.m.
“We are excited to offer these new camp options this summer,” said Lanita Wilson, HCC Director of Program Facilitation. “We missed having our young friends and their families on campus and look forward to bringing youth programs like Kids in College Can Soar (KICCS) back on campus in 2022.”
Courses and snacks are mainly offered outside. The current CDC COVID-19 coronavirus guidelines for K-12 students are followed. From today there is no mask requirement outside, but inside. Each student should bring their own mask. Classes are limited to 15 students each with two teachers.
Tuition fees are $ 79.00 per student and include class materials, daily snacks, and a camp t-shirt. Register online at rebrand.ly/PathfindersCamp.
Contact HCC Workforce Solutions office staff at 270.707.3750 for more information.
Via Hopkinsville Community College
For many residents of the Pennyrile Kentucky and Fort Campbell areas, college begins at Hopkinsville Community College (HCC). The college serves thousands of residents each year as a comprehensive regional learning center offering academic and technical associate degrees; Diploma and certificate programs in professional fields; Training before graduation; Adult, advanced and advanced training; tailor-made training for business and industry; and distance learning.
As part of the Kentucky Community and Technical College System, the HCC is a critical component in transforming the region’s economy by providing citizens with the education and training necessary for high-growth, high-deserving careers. For more information, see Hopkinsville.kctcs.edu.
HCC is an equal opportunity employer and educational institution.
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HCC, Hopkinsville Community College, Hopkinsville KY
source https://collegeeducationnewsllc.com/hopkinsville-community-college-will-hold-pathfinders-discovery-camps-in-july/
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heightkeener · 4 years
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Your Personal Guide to Hawaii and Things to Do
HAWAII VACATION IN JANUARY
The Hula Bowl maybe your faculty Allstar football match. This can be the opportunity to observe the greatest players play with their final playoff match. The NFL Pro Bowl brings with all of the top-rated expert football gamers to get head to head contests. Held in the well-known Banzai Pipeline around Ehukai Beach Park, body-board surfers from across the globe have come to flaunt their own talents. It is interesting to its loving followers and anybody who loves good external contest.
Annually close to, January 2-1 you may delight in this yearlong party of early Aztec sports contests. It has traditional music, games, hula dance, arts & crafts, and crafts.
If you're planning a trip to Hawaii in January, listed below are a couple annual regional events for you to think about contributing to your own itinerary.
For More than Five Decades, Honolulu has repeatedly held that the Narcissus Festival. From mid-January, its own aim is always to conserve and encourage culture and customs. Honolulu's China Town jumps with parties like conventional lion dances dance at the roads. There's that the Narcissus Queen Pageant, Coronation Ball, China Town Open-house, Folks dances plus a Style Show.
Late January is the beginning of Honolulu's Cherry Blossom Festival, among the longest-running cultural parties Within the Country of Hawaii. Lasting via March there is certainly far to watch. Some high lights would be japan tea service, Heritage honest in the Western Center of Hawaiiblossom arranging demonstrations.
BEST THINGS FOR FAMILIES TO DO IN HAWAII
On every one of those islands, you'll find lots of pursuits and experiences for you and your family members to have.
Kauai is just among the better islands to see in the event that you're planning a trip into Hawaii together with kiddies. However, the island of Kauai, kiddies are recognized and welcomed since the culture and tradition of Kauai facilities round ohana or loved ones.
Some matters you and your Family Members can perform collectively around the island of Kauai are:
Crafts and ethnic tasks usually sold in the hotels of Kauai.
FISH-ing
Beach Front matches
Naturel walks
Browsing Classes
Sand sculpture competitions
Coco-Nut frond weaving
Tide-pool researching
Excursions
The island of Kauai additionally includes two amazing museums for kiddies. Even the Kauai Children's Discovery Museum at Kapaa includes lots of interactive displays which individuals may relish as well as also the Starlight Planetarium that informs the way Egyptian voyagers utilized the celebrities, winds, and sea to browse their own canoes across the Pacific. This system occurs on Saturdays.
Oahu additionally includes a few amazing family experiences out there.
Submarine rides that take one by underwater boats, airliners and reef constructions.
House to Hawaiian Waters Adventure Park
sea-life Park at which you are able to match swimmers, sea turtles, stingrays, sharks, and moray eels.
The island of Molokai has a special picture to provide family members. Molokai is ideal for your household who likes to learn more about the spacious jungle, explore tide pools and cruising across fauna shores. You may also rope cows in the actual island ranch which makes the own home on Molokai.
Molokai can also be ideal for budding astrologers because its cloudless evenings make it possible for one to observe the constellations absolutely!
Lanai could be your least crowded of each of the Hawaiian islands helping to make it popular with families such as basic safety. There continue to be a lot of matters for households to perform the island of Lanai.
Investigate the whole 141-square shuttle in the world by 4X4.
View the dolphins and humpback whales which play with
Create a lei
Discover how to hula dancing.
Though Maui has turned into really the hottest island for honeymooners you'll find lots of matters for family members to accomplish.
Research a bamboo woods and search for infrequent tropical
Hiking
Volcano researching
Glass-bottom vessel rides
The Maui Ocean Center features a 750,000-gallon open-ocean tank along with walkthrough glass tubing
The hotels of Maui additionally offer you lots of tasks to his or her younger company.
That really is actually the biggest of Hawaii's islands also it has got the most significant spouse and children. Family adopts family members and you can find a number of intriguing matters for people to perform with all the Big Island of Hawaii.
Research the Kona shore which boasts jungle such as lava plains
House towards the rainiest town in the USA -- hi-lo
Investigate the planet's greatest mountain, Mauna Kea that will be 13,796 ft. above sea level.
See the volcano
View black lava stone
The huge island now offers camping for many families who appreciate the outside so that they wish to maneuver too!
No matter your loved one loves undertaking, you are going to have the ability to detect it using 1, or even some, of those Hawaiian Islands.
HAWAII GUIDE
Honolulu is currently among the absolute most well-known locations in Hawaii and it is just a big town, is found in the front end of Waikiki. The most important tourist destination popular places in Honolulu would be the Caribbean area - that the Pacific location's chief economic and company center, also Waikiki, one's core of Honolulu. Waikiki is popularly famous because of the narrow coastal shore region, that has turned into one among earth's most prominent shores, lined with lots of exceptional stores, lodging, and restaurants.
Dominated by the imposing Diamond Head volcano, and it's currently extinct, Honolulu is popularly famous because of the tropical scenery, palm-trees, refuge, neighboring islands and also the Mamala Bay, by which a selection of watersports will be available in the offer you.
Honolulu journey:
Having huge people and most dispersing metropolitan locations, site visitors in Honolulu could come to be busy, especially because of this bunch of oneway roads. Additionally, there really are a lot of vehicle parts and also on-street parking spots within fundamental Honolulu, and automobile leasing is extensively offered. Leasing a vehicle in Honolulu is still perhaps one of the handiest tactics to learn more about the island of Oahu, but some other favorite techniques of transportation comprise buses, coaches, taxis and possibly even bikes.
Honolulu International Airport (HNL) stands approximately 4 kilometers / 6 kilometers in the middle of this metropolis and has been a significant transport hub. Most travelers arrive every day in Honolulu airport terminal from southern America, London along with different neighboring Islands. Together with 3 terminals and also a wide selection of amenities, the airport is no more than a brief excursion from fundamental Honolulu, using numerous hotels near.
Hotel premiums at Honolulu in many cases are substantial, even though an assortment of price range options usually exists, specifically bed and breakfast lodging, and that is typically well offered. The Youth Hostel at Honolulu presents exceptionally cheap rooms also has been consistently popular with funding travelers going to the town.
On the other end of this climb, Honolulu houses a wealth of luxurious motels, frequently using only magnificent coastal perspectives along with suitable destinations. A number of Honolulu's initial motels are one of the very best on earth.
Honolulu Tourism:
attractions in Honolulu are all excellent and besides your countless stretches of golden sands, you will find lots of what to visit, which makes Honolulu that the perfect getaway location. Facilities comprise monuments and landmarks, historic monuments, modern galleries, cinema sights, and also a wide assortment of leisure pursuits.
Honolulu eateries:
there's an unbelievable array of pubs and eateries through the duration of Honolulu, representing the cultural communities along with sailors. Start looking for your restaurants at which individuals in Honolulu opt to try to eat, like those throughout the college of Hawaii in Manoa, in which you may locate various cheap food and cafes retailers. In addition, the food court at the Ala Moana Center is specially properly stocked.
Honolulu weather conditions:
the current weather Honolulu may differ just marginally throughout the calendar year, together with continual temperatures hitting 70s and 80s. Honolulu includes two chief seasons - April into November, and it is marginally warmer compared to the span December to March. The neighboring ocean stays warm over summer and winter and can be just one of Honolulu's primary points of interest.
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nevofthewilds · 4 years
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Session 12: Into The Nest
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As the otyugh’s corpse settled into the bubbling mud, Taerus, Shakan, Vax, Rucker, and Gusten reconnected on the other side of the field. Kijiwan, the leader of the Wevir who’d been waylaid by the slithering monsters behind them, again thanked the warriors for their aid. She reiterated her invitation to have them accompany her company to the Rattlesnakes Nest, if that was their destination. The group quickly accepted the offer.
This charismatic warrior woman, whose eye each of our heroes tried to catch, was equally impressed with what she saw. Asking what tribe they hailed from, the usually stoic Shakan was not quite sure of how to answer. Quickly thumbing through one of his mud-bound compendiums, the genasi improvised under the intense gaze of the tribal leader, claiming they to be of the “Mudwang” tribe, of the Alphem delta. Kijiwan, after a moment of uncertainty, shrugged her shoulders and again praised the bravery of the Mudwang. With a knowing smirk, she went back to again check on her own troops. The newly christened Mudwangs watched her go, and then gathered amongst themselves to discuss their current state.
In a way, they knew how lucky they were to have decided to help: Kijiwan could vouch for them and lead them straight to Halehaig’s base of operations. Once they’d entered the Nest, however, they were unsure of what to expect. After some further thought, it was agreed that any sort of cover story or disguises would prove tough to maintain, and each would more or less use their own identities, if not entirely forthcoming on their reasons for joining. As they likely could not march straight up to the Wild Wevir commander, they also resolved to learn more about the perceived conflict between the natives and the Kjollden, and what exactly the Rattlesnake might have planned. Rucker offered to be a spokesperson for the group, hoping that his stature might lend weight to a society who seemingly valued shows of strength. Taerus, knew that his history as a soldier might prove valuable, while Vax prepared to again operate surreptitiously. 
After a short rest, Kijiwan finally beckoned the men forward, as they had time to make up in order to make it to the Nest before the Tribunal commenced. With a series of sharp YIPs, they began their swift ascent into the mountains. Maybe it was the clear air, or the thrill of adventure, but Shakan felt compelled to burst into a rousing tavern jingle that soon had Mudwang and Wevir alike singing jovially of fearless adventurers and their phallic prowess. Spirits were high.
---
Over the next two days, the Mudwangs and Kijiwan’s covered a good deal of ground. Rucker and Shakan each fared well, considering each was protected against the cold. Taerus, not quite the youthful soldier he once was, was fortified against the altitude by his Boots of the Winterlands. Vax struggled the most, as he was more of a natural sprinter, dangerous over short distances. Nonetheless, he carried on even though his talents were wasted on cross-country. Gusten, youthful as he was, did everything he could to keep up and was usually asleep within minutes of making camp.
They all made an effort to ingratiate themselves further with their fellow warriors, assisting with hunting, maintaining the fire, and camp duties. In turn, the Mudwangs were trusted and they learned one of the reasons the company had left their lands in the Northern expanses: roaming frost giants. By answering Halehaig’s call for unity, they were hoping he would in turn support them in defending their home from the icy brutes. When Taerus asked what they were willing to do if Halehaig asked, they admitted to not having many personal prejudice, as the Kjollden in the northern Stag Lands had partially integrated with the Wevir there.
Capt. Galva spent some time conversing with his hylgee, Aeyeres. Despite being one in the same, they spoke as partners about their feelings on this mission, and whether the bonds beginning to grow between them and the others were something to be guarded against or embraced. Rucker spent every spare moment preparing for the tournament, conspicuously in the middle of camp where Kijiwan might catch a glance. Shakan tirelessly researched tribes of the Alphelm region, building a backstory for the fictitious Mudwangs. Vax briefly experienced a sort of black-out, though whether it was from exhaustion from altitude sickness or something else, he couldn’t quite tell.
--
On the morning of the third day, they were guided to an alpine lake, around which hundreds, if not thousands, of tent had been erected around the water. Passing through close-quartered camps, the hustle and bustle of this large unplanned community assailed their senses- mothers called out to children, vendors invited passerby to view their wares, singers and music hummed above it all. After finally reaching their assigned campsite on the Western edge of the lake, Kijiwan departed with a small guard to attend a meeting. Without any immediate task, the Mudwangs split up and further investigate the Nest.
Vax, Rucker, and Gusten returned to the general area where they came in, as Vax had spotted an armorer. As Vax approached the booth, Rucker and Gusten went off to rub shoulders with the common folk, gathering some mixed impressions of the Kjollden and of Halehaig. Vax bartered with a tattooed half-orc, eventually trading his crossbow bolts for 25 arrows. The half-elf further inquired about specialty items, leaving a deposit of 5 gold pieces for a personalized arm shield, as well as his heavy crossbow for the chance of a customized rapier. Happy with the transaction, Vax found his goliath companion trying to teach the aghast Gusten on the fineries of flirtation.
Shakan and Taerus ventured further into the camp, heading along the lakeshore. Taerus caught sight of what looked like a larger military encampment higher along a ridge and made note of it. Shakan caught sight of a market front that might have scholarly supplies, and was disappointed by the shoddy quality of the paper he found. Aghast at being accused of negligence in his business dealings, the vendor quickly proffered an untarnished leather journal. Suitably impressed, Shakan haggled the price down and acquired the book.
Meanwhile, Taerus happened upon a haggardly woman with a table full of knick knacks and other odd items. Striking a conversation with Bodeeka, Taerus politely declined to purchase any of her wares until she showed him a seemingly silent hunting horn. The Captain was unimpressed, until after shaking hands with her and becoming “friends,” he could suddenly hear the horns blast! After purchasing it from the wildly pleased woman, Taerus then attempted to ask about her thoughts on the Kjollden. Bodeeka’s mood immediately soured, as she recalled the grave injustices her family incurred in the lands around Fort Indominus, the seat of Duchess Ullans. Closer to the Kjollden capital, the laws were strictly enforced and prejudiced against Wevir traditions. 
Refusing to say any more, Bodeeka bid Taerus so long and turned away. Processing his unintended affront to the woman, Taerus bumped into a stranger who steadied the knight from tripping. Dressed in a dusty grey robe, the man had long grey hair and a beard. Calling Taerus by name, the stranger advised him not to fret too much over the ills of either the Wevir or the Kjollden, as both were like so many groups who had come and gone before. Before he can question the man further, Taerus is distracted by the calls of Shakan, holding his spellbook out in excitement. By the time the eldritch knight turns back, the grey stranger is gone. 
After several hours of exploration, the heroes gather again near their new encampment. As they discuss their discoveries and learnings, they see a snarling Kijiwan charge past into her tent without a word. When asked about their leader, the guards mention that a meeting amongst high-level tribes leaders did not go as planned and her leadership was displeased. Before anyone thinks to try and comfort the tribal leader, the calls of a herald rise above the crowds. They make their way over to a large bellied orator, advertising for the upcoming Tournament of Champions, Republic Division, or something or other. Any warriors looking for glory or favor were encouraged to drop their name into a cauldron. 
After learning there are to be different divisions and events, the group decides to split it’s forces- with Rucker entering as a solo combatant, Taerus and Vax teaming up, and Shakan acting as eyes from the outside and potential magical support. Excited at the prospect of gaining fame and notoriety, perhaps attracting the attention of the Rattlesnake himself, Rucker, Vax, and Taerus submit their names. As their new companions from Kijiwan’s tribe slap their backs and cry out in support, the Mudwangs hear what sounds like a great and weary sigh upon the winds.
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