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#sxsw 2021
literarysiren · 1 year
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Woodlands Dark and Days Bewitched has a hefty runtime, but you won't even feel it slipping by with as much knowledge packed into this sprawling documentary on folk horror. You can find it on Shudder!
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peachymetimmy · 1 month
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Timothée Chalamet
Credit by @timotheechalamet_fann1 via TikTok
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meraki-yao · 1 month
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TN Candies Part 5
Part 1 / Part 2 / Part 3/Part 4
And as promised, I’m back with more candies! And a quick preface, at the request of OP, I’ve removed all mentions and links to OP’s account, but please bear in mind that this is a translation/summary
Usual Disclaimers:
This post contains content regarding real-person shipping. If you’re uncomfortable with the subject, again, please don’t read under the post
This is a translation and summary of a post on Weibo, not my original findings or thoughts. I am just the translator and messenger
Please remember that the people who do this do it in good nature.They don’t mean any harm, and they don’t cause any harm because China is physically and digitally too far away for them to actually fuck shit up, and they understand the lines of parasocial relationships: those who met with Taylor during his China trip in December know to, and didn’t bring up this in front of him. They know where to draw the line, and whoever doesn’t and starts becoming a problem gets kicked out of the community. This is meant for fun.
Per OP's request, please DO NOT repost my translations to Twitter.
Today’s post is about the overlaps in Taylor and Nick’s social circles
Taylor’s Family and Friends:
As mentioned in part 1, after the Academy Museum Gala, Taylor’s sister Ash (who has a public Instagram account) reposted three photos from Taylor’s post of the night to her Instagram stories: Two of Taylor’s portraits, and the photo of Taylor and Nick. Interestingly, she posted the photo with both boys twice.
A close friend of Taylor’s started following Nick on social media on 5th December last year, and liked a couple of his posts. He was the one who revealed that Taylor was attending several different parties on Oscars night (Governor Ball and Vanity Fair). Interestingly, he never revealed Taylor’s schedule/plans before, but did so the one time Taylor was heading to an event that Nick was already attending.
Taylor’s uncle follows @/nicktaylor, the Taylor and Nick updates fan account on Instagram
Taylor’s nephew only liked two of Taylor’s posts on Instagram, which happened to be the ones that Nick liked
Taylor’s cousin and another sister follow Nick on Instagram and liked a couple of his posts.
Taylor’s good friends with the producer of TIOY, Gabrielle Union, they were at the Burberry show together. Funnily enough Gabrielle first posted the new of TIOY trailer breaking record on her story, then it was followed by a photo of her and Taylor at the Oscar After party
@/thisjenna was both Taylor’ stylist for the SAG Awards and Nick’s stylist from SXSW
Nick’s Family and Friends:
As mentioned in part 2, Nick’s sister and only sibling, Lexi started following Taylor on Instagram starting from last December during the Christmas holidays and liked a couple of Taylor’s photoshoot posts that has nothing to do with Nick.
Camila Cabello, Nick’s close friend and co-star from Cinderella 2021 likes to tease Nick (as close friends would): After the GQ MOTY event where both Nick and Taylor were in attendance, Nick said “My Taylor” instead of “My Taylor impression”, wore the Cartier watch mentioned in part 1 and 4 for the first time in public, and left early, Camila commented “somebody is Gua Sha’ing” Gua Sha 刮痧 is a Traditional Chinese healing method that uses a smooth stone to stroke and press on the patient’s skin, which leaves the skin red (Meraki: my mom did it for me yesterday and God it hurt like a bitch) so TL DR she’s teasing him about his blushing, and he replied “you’re out of control” And under Taylor’s post from the Oscar After Party with the photo of the three of them, she straight up commented “Throuple alert”
One of the actresses from Cinderella who’s close with Nick, whose Instagram account is followed by both Nick and Lexi liked a RWRB post from Prime’s main Instagram account
Tony Curran, King James from M&G, as mentioned in part 3 liked a bunch of RWRB/Firstprince and Taylor posts on Twitter (Meraki: which, what the fuck Sir) as well as liking posts from Twitter account that have Taylor as their profile pic
The official Instagram account for August Moon, the boyband in TIOY reposts a story from a Taylor Nick fan account
Members of Nick’s PR team liked both RWRB post from prime/official rwrb account and a few posts of Taylor that’s just him and has nothing to do with Nick
An actress from TIOY (who wears a blue dress in the trailer) and Jaiden Anthony, another member of August Moon (character name Adrian, but also guys please don’t go bother him over this), M&G’s costume designer, Purple Heart’s songwriter, a TIOY crew member, even Anne Hatheway’s stylist  liked RWRB posts from either the official rwrb account or prime’s main account
That’s it for part 5 and today’s update! See you in the next one on Sunday :D
Tagging a couple of folks (Lemme know if you wanna be tagged for the next one!):
@lfg1986-2 @tal-vez-o-quizas @na-18dia @mylucayathoughts @androgynoustriumphclown @hopefulblizzardsublime @whattfisausername @leimons @ghostwithatophat @badhimboi88 @pippin-katz
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People love Pedro Pascal
2023 - Gabriel Luna tells the story of the rafting trip - SXSW - Mar 10
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2021 - Rafting in Calgary - BTS TLOU crew bonding - Nico Parkers IG deleted - July 11
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wildcmbcrshunts · 8 months
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HAVANA ROSE LIU GIF HUNTS
                  Masterlist
↳ Under the cut is a masterlist of Havana Rose Liu GIF Hunts. All of these gifs are roleplayable and not all of them belong to me so all credit goes to the rightful owners; please be sure to like/reblog the original posts.
LAST UPDATED: 09.12.2023.
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Girls Will Be (2018);
04+ in 268x150 dimensions via axolotlgifs. (Note: This hunt also includes GIF's from other projects for a total of 330+.)
Mayday (2021);
50+ in 268x150 dimensions via axolotlgifs. (Note: This hunt also includes GIF's from other projects for a total of 330+.)
The Chair (2021);
35+ in 268x150 dimensions via axolotlgifs. (Note: This hunt also includes GIF's from other projects for a total of 330+.) 40+ in 268x161 dimensions via jofridapettersen. (Note: This hunt also includes GIF's from The Sky Is Everywhere.)
Wake (2022);
Under construction...
The Sky Is Everywhere (2022);
20+ in 268x150 dimensions via axolotlgifs. (Note: This hunt also includes GIF's from other projects for a total of 330+.) 40+ in 268x161 dimensions via havanaroseliuu. (Note: This hunt also includes GIF's from The Chair.)
No Exit (2022);
70+ in 268x150 dimensions via wegif. 220+ in 268x150 dimensions via axolotlgifs. (Note: This hunt also includes GIF's from other projects for a total of 330+.) 400+ in 268x151 dimensions via keeitka.
Bottoms (2023);
90+ in 268x150 dimensions via malboraslihan. 170+ in 268x150 dimensions via axolotlgifs. 190+ in 268x150 dimensions via wegif. 260+ in 268x151 dimensions via lomapacks. 260+ in 268x151 dimensions via keeitka.
American Horror Stories (2023);
60+ in 268x161 dimensions via jofridapettersen. 70+ in 268x151 dimensions via lomapacks.
Miscellaneous;
40+ in 268x151 dimensions via angelstorage. (Note: This hunt contains GIF's from interviews at SXSW 2023. For access to these GIF’s, you must join the Discord server by following the link.) 215+ in 80x80 dimensions via petutunias. (Note: This hunt contains GIF's from various interviews.) 270+ in 268x161 dimensions via wildcmbcrshunts. (Note: This hunt contains GIF's from miscellaneous Instagram & Youtube videos.)
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princebecker · 8 days
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Fixer Upper | Yard Act at SXSW Online 2021
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dweemeister · 2 months
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Best Documentary Short Film Nominees for the 96th Academy Awards (2024, listed in order of appearance in the shorts package)
This blog, since 2013, has been the site of my write-ups to the Oscar-nominated short film packages – a personal tradition for myself and for this blog. This omnibus write-up goes with my thanks to the Regency South Coast Village in Santa Ana, California for providing all three Oscar-nominated short film packages. 
If you are an American or Canadian resident interested in supporting the short film filmmakers in theaters (and you should, as very few of those who work in short films are as affluent as your big-name directors and actors), check your local participating theaters here.
Without further ado, here are the nominees for the Best Documentary Short Film at this year’s Oscars. The write-ups for the Live Action and Animated Short categories are coming soon. Non-American films predominantly in a language other than English are listed with their nation(s) of origin.
Năi Nai & Wài Pó (2023)
Rarely do both sides of one’s family ever meet. You might expect them to mingle at weddings and funerals. But cohabitation? Such is the case with Taiwanese American director Sean Wang’s two grandmothers in Năi Nai & Wài Pó (paternal and maternal grandmother, respectively), available worldwide on Disney+ and Hulu. Wishing to live closer to family, Wang moved in with his grandmothers Yi Yan Fuei (Năi Nai) and Chang Li Hua (Wài Pó) in their California household during the height of the COVID-19 pandemic. His grandmothers rarely leave the house, even for groceries, and keep their heavy curtains drawn at all hours. As thin beams of sunlight barely stream through the interior’s earthy colors, both grandmothers continue to read the newspaper, sing traditional Chinese music, do their own cooking (I assume someone drops off groceries for them), tease each other about farting in bed, and reflect on their families and their pasts. They know that there are fewer tomorrows remaining, but that will not stop them from living joyously and with love for their grandson, who, though off-screen, they converse with throughout the shoot.
Qualifying for the Academy Awards by wining Best Documentary Short at SXSW in 2023 (in addition to the equivalent prize at AFI Fest), Năi Nai & Wài Pó freely admits that its subjects are playing up their act for their grandson. Observational cinema this is not. But in their sense of exaggerated play there exists a twofold acknowledgement. First, as Năi Nai states, “the days we spend feeling pain and the days we spend feeling joy are the same days spent. So, I’m going to choose joy.” And perhaps most meaningfully to Wang, their playing for the camera is one of many ways they express their love for their grandson. It is an elevated home video, a loving portrait, and a reminder to cherish those who loved us into being.
My rating: 7.5/10
The Barber of Little Rock (2023)
People Trust in Little Rock, Arkansas is a Community Development Financial Institution (CDFI). In other words, it is a non-profit – partially funded by the American federal government – to address issues in creating economic growth and opportunities in some of the most underserved communities in the nation through loans, emergency financial assistance, and housing subsidies. People Trust and its President, Arlo Washington, are the subjects of The Barber of Little Rock (available for free online through The New Yorker), directed by John Hoffman (2021’s Fauci) and Christine Turner (2021’s Lynching Postcards: 'Token of A Great Day'). The film, Oscar-qualified by winning the Grand Prize for Documentary Short at Indy Shorts International Film Festival (Indiana), requires a wealth of context to the issues that it raises, but does not always provide enough – especially how municipal, state, and regional history impacts racism in banking, and vice versa.
Arlo Washington is a fascinating, wonderfully-intentioned person, but the movie spends too much time with him directly stating the piece’s thesis about financial equality and generational poverty to the camera. Most compelling of all were some of the individual appointments at People Trust of regular people simply looking for financial relief or a loan to kickstart a business or make their rent payments. So too Washington's barbering training school – especially a scene when two students are asked to look intently at the other’s faces, to understand the other’s struggles simply through quiet observation. Arlo Washington figures in many of these scenes as well, and those scenes reveal as much, if not more, about the lives of People Trust’s clients than any of his brief lectures can accomplish. Hoffman and Turner clearly had deeply cinematic material to work with that could empower their messaging, and it is a shame they are unable to fully utilize it.
My rating: 7/10
Island in Between (2023, Taiwan)
Ten kilometers away from the Chinese city of Xiamen lies Kinmen, a group of islands under control of Taiwan (the island of Taiwan is 187 kilometers away). Directed and narrated by S. Leo Chiang and distributed by The New York Times, Island in Between is Chiang’s meditation on not only Kinmen’s precarious geography and its political status, but his own identity of being American, Chinese, and Taiwanese – three separate identities that interconnect, but are forever distinct. Like many viewers, I was unaware of Kinmen’s existence before viewing Island in Between. This film is most valuable in introducing audiences to a place in some ways frozen in the mid-twentieth century, not so much capturing the spirit of the place and understanding its history.
During visits to mainland China in the late 2000s, Chiang, Taiwanese-born and American-raised, was struck by how vibrant the mainland was – something unrecognizable from “the communist wasteland [he] learned about in school.” In the years since, the crackdown on Hong Kong’s democracy, the COVID-19 pandemic, and increased political tensions between China and Taiwan have complicated his feelings towards the mainland. As a Vietnamese American, I easily saw parallels between how the younger diaspora views our so-called “motherland”, what we are taught, and how older generations perceive their original home. Even among generations, there are divisions in how we feel about the motherland. But Chiang has the additional complication of being caught between three nations important to his being. If anything, his mentions about his parents and their views feels far too cursory, as they are the ones most responsible for shaping his views about American/Chinese/Taiwanese tensions. One hopes this film is not a harbinger of things to come, as beached tanks rust on the placid Kinmen shore.
My rating: 7/10
The ABCs of Book Banning (2023)
As of the publication of this omnibus write-up, bans and challenges to books in libraries and schools have spiked since 2021. These book challenges, often taken up by parents and certain religious organizations, have disproportionately targeted books by and/or about LGBTQ+ and non-white (especially black) people. Stepping into the debate is MTV Documentary Films’ The ABCs of Book Banning (available on Paramount+), directed by Sheila Nevins, Trish Adlesic, and Nazenet Habtezgh. Unfortunately, the film advocates against book challenges in the most stultifyingly artless way. Early on, a title card reveals that the filmmakers will ask about book banning and restrictions from a group that we have heard little from: children. An honorable approach, but the interview snippets found in The ABCs of Book Banning are repetitive and seem rehearsed – children, aghast at the notion that a selected book is a target, offer reasons why book banning is a terrible idea. Nothing Americans have not heard before. Breaking up their interviews are images of book covers, followed by a brief quotation from said book, and an amateurish “BANNED” or “CHALLENGED” banner in red over the book. Sometimes, cheap animation depicting that book’s passage appears; the placement of these animated sequences has no rhyme or reason.
Damningly, this is a film in search of a structure. A handful of authors whose books have been banned from libraries or schools show up to introduce themselves over what appears to be an interview over Zoom. They say a few sentences about why book banning is terrible and we never hear from them again in the film – a complete waste. I suspect these authors recorded longer interviews, but there is almost nothing that remains of those interviews in the final product. This is a film for those who agree with its premise, have no cinematic taste, and are tediously self-satisfied in how they express their political views.
My rating: 4/10
The Last Repair Shop (2023)
The Los Angeles Unified School District (LAUSD) is the last major city school district in the United States to offer free musical instrument repair to its students. From the Los Angeles Times and Searchlight Pictures comes Ben Proudfoot and Kris Bowers’ The Last Repair Shop (also available on Disney+ and Hulu), which takes us to LAUSD’s repair shop. Just short of the 40-minute limit for short films, The Last Repair Shop curiously tells the viewer preciously little about the shop itself (what are the challenges it is facing, and why is the last of its kind?). Proudfoot and Bowers – both previously nominated in this category for A Concerto Is a Conversation (2021; also available online thanks to The New York Times) – adopt much of the same style as their previous nominee. Both films share talking heads in shallow focus and snappy editing. These aspects sometimes made A Concerto Is a Conversation incohesive, but they work immensely better for The Last Repair Shop. It also helps that The Last Repair Shop, which slowly reveals itself to also be a portrait of a rarely-seen side to L.A., has a clear structure that the viewer can discern early on.
What carries The Last Repair Shop are the life-affirming conversations we have with the four principal interview subjects, all of whom work in a different department at the shop – Dana Atkinson (strings), Paty Moreno (brass), Duane Michaels (woodwinds), and Steve Bagmanyan (pianos; also the shop supervisor, and who inspired the film as he tuned pianos at Bowers’ high school). Whether they play an instrument or not, all four recognize music’s ability to better understand ourselves and others, and as “one of the best things that humans do.” The addition of student voices to the film – especially when one realizes that the repair shop employees almost never hear back from the children whose instruments they repair – strengthens a connection, however distant, through music. The Last Repair Shop’s final minutes provide it that final cinematic touch you might have anticipated, an affirmation of why those who speak the language of music hold it so dear.
My rating: 8.5/10
^ Based on my personal imdb rating. My interpretation of that ratings system can be found in the “Ratings system” page on my blog. Half-points are always rounded down.
From previous years: 88th Academy Awards (2016) 89th (2017) 90th (2018) 91st (2019) 92nd (2020) 93rd (2021) 94th (2022) 95th (2023)
For more of my reviews tagged “My Movie Odyssey”, check out the tag of the same name on my blog.
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empresstrash-art · 2 years
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~ Welcome ~
Empress Trash (Drea Jay) is a multi versatile visual artist & nomad with her rottweiler Glitch. A lifelong artist, she earned her BFA in Painting, Drawing, and Animation/Design from the University of Iowa in 2014. Shortly after, she moved to the Bay Area which she assisted and worked alongside a multitude of local and international artists and shows including Ai Wei Wei's show on Alcatraz, being a member of the Firehouse Art Collective run by Tom Franco, and running her own underground shows from her house. She started in crypto art in 2021 and since has been exhibited internationally including Paris, Palm Springs, Miami Art Basel, NYC, LA, SXSW and Ted Talks Conference in Vancouver. 
The Empress portion of her name represents her ongoing search for sovereignty and elevated autonomy since she left home and emancipated herself from her extremely physically, mentally, sexually and spiritually abusive Schizophrenic, addict mother at the age of 13, while Trash stands for her aesthetic and her roots as "trailer trash". Art for her is the only constant in a tumultuous life and a safe space to confront demons from a highly isolated, oppressive and chaotic upbringing while still appreciating the beauty in herself and the world. 
As a process orientated artist, Empress embraces abstraction, surrealism, trash, glitch art, and AI. She utilizes radical expressionism and self-acceptance to further her journey of self discovery. She believes in peeling back the veneer of reality to allow for exploration of the subconscious meta connections between the emotional, physical, mental, sexual and spiritual realms. 
~~~~~
This blog is kept mostly up to date with current works for ease of scrolling along with complete thoughts about the inspiration behind the work or collection ~ however this blog is not a comprehensive (yet) catalog of my works.
To explore all works and platforms I currently am showcased on, along with different social medias, on you can jump on my LinkTree here:
Additionally, I run a crypto art community focused blog in which I share writings, insights, news, events and other artists work along with my own. @theempresstrash
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who-is-carter · 7 months
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Bo Bundy @sxsw (2023)
Meet Bo in 2021 after an interview and he told me he liked my hat and how much I wanted for it I took it off and gave it to him and asked for a photo shoot in exchange for it he said he would have time the following week and we shot in Houston on his block that weekend I can’t thank Bo enough for doing that cuz it opened so many doors in Houston for me. We crossed paths again in 2023 at SXSW where we got to shoot him in a sold out show.
Thanks Bo.
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sleepykittypaws · 2 years
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2023 Theatrical Holiday Premieres
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Updated: December 6, 2023 (NOTE: Will try to keep schedule mostly up-to-date for this last year, but no longer following production)
Switch (a.k.a. Seuwichi; holiday movie starring Oh Jung-se and Kim Mi-kyung; directed by Ma Dae-Yoon; Korean language remake of 2000′s The Family Man; A spoiled actor experiences a new life when he meets a mysterious taxi driver on Christmas Eve) - Jan. 4, South Korea
Plane (New Year’s-set action movie starring Gerard Butler, Mike Colter, Yonson An and Tony Goldwyn; directed by Jean-François Richet; A New Year’s Eve storm causes a plane to crash lang on an island occupied by dangerous criminals, forcing the pilot to work with a convict to protect his passengers) - Jan. 13 (Trailer)
One Fine Morning (a.k.a. Un Beau Matin; French-language, partially holiday-set movie starring Pascal Lea-Seydoux, Melvil Greggory, Nicole Poupaud and Garcia; written and directed by Mia Hansen-Love; A widow and single mom juggles caring for her family, including her father with dementia, and a new affair with an old friend of her late husband’s) - Jan. 27, limited (Trailer)
Stars Fell Again (holiday-set sequel to 2021′s Stars Fell on Alabama starring James Maslow, Ciara Hanna, Cecilia Kim and Johnnie Mack; co-written and directed by V.W. Scheich; A year after they reunited at a high school reunion, Bryce is ready to pop the question with a Christmas proposal, but family drama interferes with his plans; filmed in Atlanta) - Feb. 3, limited (Trailer)
The Young Santa Claus (avant garde holiday origin story written, directed and starring Sidin Mido Salkic; A young indigenous man comes out of the sea with no memory, freezing, and puts on a Santa suit for warmth, finding himself instantly transformed; filmed in Australia) - Feb. 15, Melbourne premiere
A Disturbance in the Force (documentary from filmmakers Jeremy Coon and Steve Kozak on how the infamous 1978 Star Wars Holiday Special came to be) - Mar. 11, SXSW  (Website)
Great Yarmouth: Provisional Figures (Portuguese language drama starring Beatriz Batarda, Kris Hitchen, Bob Elliott, Romeu Runa, Victor Lourenço, Nuno Lopes and Rita Cabaço; directed by Marco Martins; Set in 2019, the story of Portuguese migrants who descend on the UK to work in turkey production factories in the lead up to Christmas, along with a woman who used to be one of them, now married to a local hotelier) - Mar. 16, limited (Trailer)
The Naughty List (small budget, partially crowd funded, Australian holiday movie about a girl who holds Santa hostage until she gets a “nice list guarantee”) - Apr. 16, Australian Premiere (Instagram, Facebook)
Hellmark (Hallmark horror parody short starring Tanya Jade and Giles Panton; directed by Jessica Lauren Doucet; A traditional Christmas rom-com takes a turn) - Apr. 16, Crazy 8s Gala (Instagram)
To Catch a Killer (partially holiday-set thriller starring Shailene Woodley and Ben Mendelsohn; directed by Damián Szifron; co-written by Jonathan Wakeham and Szifron; A troubled Baltimore police detective tracks down a New Year’s Eve serial killer) - Apr. 21 (Trailer)
With Joyful Ring (holiday short film starring Matthew Rhodes and Elena Hollander; written and directed by Gary Karapetyan; A lonely and depressed widower makes an effort to reconnect with the world at Christmas) - April 22, Myrtle Beach International Film Festival (Trailer)
R.M.N. (Romanian-French movie directed by Cristian Mungiu; A man who has been working overseas returns to his small, Romanian village for Christmas, only to find his former friends and neighbors caught up in fear and prejudice, which comes to a head when new foreign workers come to town) - April 28, limited (Trailer)
L’immenmsita (partially holiday-set, Italian drama starring Penelope Cruz, Vincenzo Amaro and Luana Giuliani; co-written and directed by Emanuele Crialese; A mother and her children move to Rome in the 1970s; filmed in Italy, where it was released theatrically in 2022; first U.S. release) - May 12, limited (Trailer)
Jingle Hell (holiday horror short starring Keith Szarabajka, Shalini Bathina and Poonam Basu; directed by Sean Cruser; written by Tyler Beveridge; A married couple spending their holidays in a remote cabin must fight off a Christmas Eve killer) - June 8, Marina Del Ray Film Festival
Another Year Together (holiday movie starring Alexandra Turshen, Kiva Dawson, Marilyn Sokol and Robert S. Gregory; directed by Daniel Hendricks Simon; written by Patrick Davin and Hendricks Simon; Three multi-generational romances are tracked through the New York holiday season; filmed in New York City) - June 20, Manhattan Film Festival (Trailer, Instagram)
A Corpse for Christmas (small-budget holiday horror movie starring Kasper Meltedhair, Nicholas DeGideo and Josh Christensen; written and directed by Bruce Longo; Splatter holiday horror set and filmed in Philadelphia) - July 17, PhilaMOCA
Family Portrait (a.k.a. The Christmas Card; holiday drama starring Rachel Alig, Miriam Spumpkin and Katie Folger; directed and co-written by Lucy Kerr; As the pandemic looms, a Southern family struggles to take the perfect Christmas card photo that hides all the dysfunction and grief they’re actually experiencing; filmed in Hunt, Texas) - Aug. 4, Locarno Film Festival  (Website) 
Forgetting Christmas (holiday drama starring Melan Perez, Victoria Rowell, Dennis Jones, Donnie Brown Jr., Raisa D'Oyley and Honour Drew; written and directed by Cadell Cook; A young woman comes home for the holidays to deal with her father's early-onset Alzheimer's diagnosis) - Aug. 5, Martha’s Vineyard African American Film Festival (Website)
The Shepherd (holiday-set short starring John Travolta, Ben Radcliffe, Steven Mackintosh, Asan N'Jie and Scarlet Grace; based on the short story by Frederick Forsyth; adapted and directed by Iain Softley; A British pilot heading home from Germany for the holidays has all his instruments fail in deep fog and is miraculously saved by a mysterious plane that guides him home safely; filmed in Norfolk, UK) - Aug. 10, HollyShorts Film Festival (Trailer) 
Santastein (partially Kickstarter-funded holiday slasher movie based on a film school short, co-directed by Benjamin Edelman and Manuel Camilion; In a world without Christmas, a vengeful Santa takes his rage out on a group of unsuspecting teens; filmed in Miami) - Aug. 12, Popcorn Frights Film Festival (Instagram, Trailer)
Championship Christmas (faith-based holiday movie starring Erica Rowell Green, Dalton Delk and Joey Traywick; written and directed by Traywick; A woman reconnects with an old flame who is now a professional wrestler; filmed in Mississippi) - Aug. 26, Quitman, Mississippi premiere
Operation White Christmas (German-language action-comedy; starring Rauand Taleb, Tim Wilde, Tim Seyfi, Roland Düringer, Andreas Vitasek, Yvonne Yung Hee Bormann and Petra Morzé; written and directed by Flo Lackner; A video clerk finds himself drawn into high-stakes intrigue when he’s tasked with stopping a state visit on Christmas Eve to save his shop.) - Aug. 24, Austria (Teaser)
Werewolf Santa (UK-filmed horror movie starring Nicholas Vince, Mark Arnold and Joe Bob Briggs; written and directed by Arielle Anthony Hayles; Santa turns into a werewolf on Christmas Eve and a YouTuber catches it all on camera; filmed in Surrey, England) - Aug. 25, FrightFest London Film Festival (Website)
War is Over! (animated short film inspired by the song “Happy Xmas (War is Over)” from John Lennon and Yoko Ono, produced their son, Sean Ono Lennon) - Sep. 11, limited
You’re Not Me (a.k.a. Tú No Eres Yo; Spanish-language, holiday-set thriller starring Jorge Motos and Roser Tapias; directed and written by Moisés Romera and Marisa Crespo; A woman returns home for the holidays to find a stranger has taken her place) - Sep. 22, Fantastic Fest
The Sacrifice Game (holiday-set horror movie starring Mena Massoud, Olivia Scott Welch, Gus Kenworthy, Chloë Levine, Derek Johns, Laurent Pitre, Madison Baines and Georgia Acken; directed and co-written by Jenn Wexler with Sean Redlitz; Two students, alone at an all-girls boarding school over Christmas break, have to fight off uninvited guests to survive; filmed in Montreal) - Sep. 23, Fantastic Fest
Christmas for Three (holiday movie starring Naomi Matsuda, Ashley Brinkman, Kenney Myers and Paulie Calafiore; written and directed by Candy Cain; A single man suddenly tasked with caring for a child finds himself falling for the social worker trying to help them) - Oct. 28, Lake Placid International Film Festival
How to Ruin the Holidays (holiday comedy starring Colin Mochrie and Amber Nash; directed by Arlen Konopaki and written by Kevin Gillese; filmed in Atlanta) - Nov. 2, limited (Website)
Glisten and the Merry Mission (animated holiday movie from Build-A-Bear, starring Julia Michaels, Dionne Warwick, Chevy Chase, Trinity Jo-Li Bliss and Sisanie Villaclara; directed by Cory Morrison; written by Temple Matthews; A young elf and her mother must find an enchanted deer to save Christmas) - Nov. 3, Cinemark Exclusive (Trailer)
What Happens Later (rom-com starring Meg Ryan and David Duchovny; directed by Ryan; Exes snowed in at a small airport spend a magical night together) - Nov. 3 (Trailer)
The Christmas Classic (holiday movie starring Malin Ackerman, Amy Smart, Ryan Hansen, Will Blagrove, Wes Hager and Charlotte Taylor; written and directed by Shane Dax Taylor; A ski resort owner promises to sell if his ex can defeat her sister, the reigning champ, in an annual Christmas contest a series of outrageous, holiday-themed challenges; filmed in Ruidoso, New Mexico) - Nov. 3, limited (Trailer); also available PVOD
The Snow Queen and the Princess (Russian animated movie based on the Snow Queen fairy tale; released in Russian in February, new English-language dub coming to theaters and PVOD across Europe and the Middle East) - Nov. 9, international (Trailer)
The Holdovers (1970s-set holiday drama starring Paul Giamatti, Carrie Preston and Da’Vine Joy Randolph; directed by Alexander Payne and written by David Hemingson; A universally despised teacher without family of his own is forced to stay at his boarding school to supervise students who can’t go home for the holidays, including one particularly surly teen, with only the school’s longtime cook to help; filmed in New England) - Nov. 10 (Trailer)
It’s a Wonderful Knife (holiday horror-thriller starring Jane Widdop, Joel McHale, Justin Long, Sydney Scotia, Sean Depner, Aiden Howard, Erin Boyes and William B. Davis; directed by Tyler MacIntyre; written by Michael Kennedy; A final girl wishes she'd never been born, and lands in an alternate reality where she must once again battle the Christmas Eve killer; filmed in Vancouver) - Nov. 10 (Trailer)
Family Time (a.k.a. Mummola; holiday-set Finnish drama starring Ria Kataja, Elina Knihtilä, Leena Uotila, Tom Wentzel and Jarkko Pajunen; written and directed by by Tia Kouvo, based on his 2018 short; A dysfunctional family slowly implodes during a holiday visit) - Nov. 10, Finland (Trailer)
Manodrome (holiday-set drama starring Jesse Eisenberg and Adrian Brody; directed by John Trengrove; An uber driver with a pregnant girlfriend gets drawn into a cult-like male empowerment group) - Nov. 10, limited
Journey to Bethlehem (musical retelling of the Biblical Christmas story, starring Fiona Palomo, Milo Manheim, Antonio Banderas,  Stephanie Gil, Joel Smallbone, Lecrae, Rizwan Manji, Geno Seagers and Omid Djalili; directed by Adam Anders; written by Anders and Peter Barsocchini; original music by Adam and Nikki Anders, along with Peer Astrom; filmed in Spain) - Nov. 10 (Trailer)
Your Lucky Day (holiday-set thriller; starring Angus Cloud, Jason O'Mara and Spencer Garrett; written and directed by Dan Brown; When a winning lottery ticket is purchased at a down-and-out convenience store, a hostage situation breaks out as everyone grapples for the winnings) - Nov. 10 (Trailer)
There’s Something in the Barn (holiday horror movie starring Martin Starr, Amrita Acharia and Jeppe Beck Laursen; directed by Magnus Martens; written by Aleksander Kirkwood Brown; An American family inherits a remote cabin in the Norwegian mountains and heads there for the holidays only to find they’re not alone; filmed in Norway) - Nov. 10 (Trailer)
Vandits (holiday movie starring Enrico Colantoni, Robb Wells, Tony Nappo, Francesco Antonio, Jesse Camacho, Victoria Turko, and Jann Arden; directed by Stuart Stone; written by Rodness and Stone; A group of stoners decide to rob a senior center bingo hall on Christmas Eve; filmed in Winnipeg) - Nov. 10, limited (Trailer)
The Great Turkey Town Miracle (faith-based holiday movie starring and directed by Angus Benfield, along with J William and Cameron Arnett; Inspired by true events, a fired DJ must find 4,000 turkeys for needy families in just a month to hold onto his new job) - Nov. 10, limited (Trailer)
Christmas on Cobbler Street (a.k.a. Den Første Julen i Skomakergata; Norwegian family film starring Henki Kolstad and Kristoffer Olsen; directed by Mika Hovland; written by Maren Skolem; adapted from the classic 1979 TV Norweigan “TV advent calendar” Jul I Skomakergata; An orphan in 1945, post-war Norway takes refuge in a grumpy cobbler’s shop at the holidays) - Nov. 10, Norway (Trailer)
I’ll See You on Thanksgiving (holiday movie starring Aditya 'Adi' Maitra, Ramona Schwalbach and Ulises Ruiz; written and directed by Meshach Malley; College friends meet up after graduation for the holiday and quickly learn how much has changed; filmed in Ohio) - Nov. 11, Columbus, Ohio premiere (Website)
A Savage Christmas (holiday movie starring Rachel Griffiths, Helen Thomson, Darren Gilshenan, David Roberts, Gary Sweet, Ryan Morgan, Thea Raveneau, Max Jahufer and Rekha Ryan; co-written and directed by Madeleine Dyer; A trans woman returns home for the holidays for the first time with her boyfriend, expecting her transition to be the most shocking thing at Christmas dinner only to be upstaged by her dysfunctional family; filmed in Brisbane, Australia) - Nov. 16, Australia (Website)
Thanksgiving (holiday horror movie starring Milo Manheim, Jalen Thomas Brooks, Nell Verlaque, Addison Rae, Gina Gershon and Patrick Dempsey; directed by Eli Roth, written by Jeff Rendell; based on the mock trailer seen in Quentin Tarantino and Robert Rodriguez's 2007 movie Grindhouse, where a killer fashions a carving board out of his victims; filmed in Toronto) - Nov. 17 (Trailer)
So This is Christmas (Irish holiday documentary about people who struggle with the festive season; directed by Ken Wardrop; filmed in Ireland) - Nov. 17, Ireland (Website)
A Gettysburg Christmas (holiday movie starring Kelley Jackle, Tom Vera, Kate Vernon, Sean Ferris, Lee Majors and Bruce Boxleitner; directed by Bo Brinkman; A woman buys an apple orchard but finds herself lonely at the holidays and in need of a Christmas miracle to keep it all going; filmed in Pennsylvania) - Nov. 27, Majestic Theater, Gettysburg, Pa. (Instagram)
Christmess (Australian holiday comedy starring Steve Le Marquand, Susan Prior and Hannah Joy; directed by Heath Davis; An actor just out of rehab can only get hired as a store Santa during a dysfunctional Down Under summer Christmas; filmed in Campbelltown, Australia) - Nov. 30, Australia (Trailer)
Animal Crossing Christmas Festival: The Movie! (animated movie based on the video game series; A young boy moves to the village and tries to get his busy new friends to celebrate Toy Day with him.) - Dec. 1 (Teaser)
Silent Night (holiday-set, dialogue-free, action-thriller starring Joel Kinnaman, Kid Cudi, Catalina Sandino Moreno and Harold Torres; directed by John Woo; written by Robert Lynn; A father avenges the death of his son, killed by gang violence on Christmas Eve; filmed in Mexico) - Dec. 1 (Trailer)
Teddy’s Christmas (English-language version of the 2022 Norwegian animated-live action release Teddybjørnens Jul, starring Zachary Levi; directed by Andrea Eckerborn; A little girl wins a magical teddy at a holiday market and wants to keep him, but Teddy prefers a more glamorous life) - Dec. 1, limited (Trailer)
Holiday Twist (holiday movie starring Kelly Stables, Neal McDonough,  Sean Astin, Brian Thomas Smith, Alison Eastwood, Kelly Rutherford and Caylee Cowan; written and directed by Stephanie Garvin; A workaholic Grinch sees the err of her ways thanks to help from a mall Santa) - Dec. 1, limited (Website, Trailer)
How the Gringo Stole Christmas (holiday movie starring George Lopez, Emily Tosta, Mariana Treviño, Jack Kilmer and Alma Martinez; directed by Angel Gracia; written by Ezequiel Martinez Jr.; A father is shocked when his daughter comes home for the holidays with a new, white boyfriend in tow; filmed in Jackson, Miss.) - Dec. 1, limited (Trailer)
La Navidad en Sus Manos (a.k.a. Holiday in His Hands; Spanish-language holiday movie starring María Botto, Santiago Segura and Ernesto Sevilla; directed by Joaquín Mazón; written by Francisco Arnal and Daniel Monedero; An average man must save Christmas when Santa has a serious accident and needs counseling) - Dec. 1, Spain (Trailer)
Andre Rieu White Christmas (holiday concert special feature André Rieu and his Johann Strauss Orchestra, with interview and backstage footage hosted by Charlotte Hawkins) Dec. 2, limited (Website)
Noel Joyeux (a.k.a. Christmas Unplanned; French holiday movie starring Emmanuelle Devos, Franck Dubosc, Dominique Frot, Amel Charif, Axel Auriant and Amir Elkacem; written and directed by Clement Michel; A lonely couple decide to invite seniors from the local retirement home for Christmas; filmed in France) - Dec. 6, France
The Perfect Christmas (faith-based holiday movie starring Anthony Hackett, Cameron Arnett, Gigi Orsillo and Robert Amaya; co-directed by Hackett and Marc Thevenin Jr.; A father tries to pull off the perfect Christmas for his family, but ends up making a mess of their holiday; filmed in the Washington, D.C. area ) - Dec. 8, limited (Website)
Eileen (holiday-set drama starring Thomasin McKenzie, Anne Hathaway and Shea Whigham; directed by William Oldroyd; based on the book by Ottessa Moshfegh; A lonely prison employee becomes fascinated by a newcomer to the staff, but her obsession leads to tragedy; filmed in New Jersey) -  Dec. 8 (Trailer)
Love Actually (20th anniversary theatrical re-release of the classic 2003 movie starring Hugh Grant, Emma Thompson, Liam Neeson and Bill Nighy; written and directed by Richard Curtis) - Dec. 8 (Trailer)
A Creature was Stirring (holiday-set horror movie starring Chrissy Metz, Annalise Basso, Scout Taylor-Compton and Connor Paolo; directed by Damien LeVeck; written by Shannon Wells; A nurse’s plan to keep her daughter sedated to protect her from a mysterious, malevolent affliction is thwarted by unexpected holiday houseguests with tragic consequences) - Dec. 8, limited (Trailer)
A Male (a.k.a. Un Varon; Columbian holiday-set movie directed by Fabian Hernandez; A young man leaves the safety of his youth shelter in order to spend Christmas day with his family, but must navigate his dangerous neighborhood to do so; filmed in Bogota; submitted for consideration in the Best International Feature category for the 96th Academy Awards) - Dec. 8, limited
A Christmas Story (40th anniversary theatrical re-release of the classic 1983 movie starring Peter Billingsley, Darren McGavin, Melinda Dillon and Ian Petrella about a boy who longs for a Red Ryder BB gun) - Dec. 10
A Small Town Christmas (holiday movie co-written, directed and starring Gin Blanton with Tahjjic Smith; A busy attorney with a thriving career finally returns home for the holidays after her grandmother falls ill ) - Dec. 11, Atlanta Premiere (Website)
Christmas with the Chosen: Holy Night  (new Christmas special edition of the faith-based story of the birth of Jesus, featuring a musical performance from Andrea Bocelli) - Dec. 12, Fathom Events
SuperKlaus (joint Spanish/Canadian, animated holiday movie/mini-series directed by Steven Majaury and Andrea Sebastián; A concussed Santa adopts the persona Superklaus but gets locked out of his workshop just before Christmas. Can two savvy kids and a loyal elf save Christmas?) - Dec. 15, Spain  (Website)
The Christmas Room (holiday movie starring Kelsey Delemar, Donnie Brown Jr., Kimia' Workman, Cassandra Grant, Jordan Nancarrow, Maya Jai Pinson, Chanel Collins, Kelsey Delemar, Mignon Pinson and Faheem Saadiq Abdus-Salaam; written and directed by Pinson; A woman home for the holidays is shocked by her grandfather’s slide into dementia and struggles to get him the help he needs; filmed in Prince George’s County, Maryland) -  Dec. 16, Maryland premiere (Instagram)
A Fireman for Christmas (holiday movie sequel to 2022′s Christmas at the Holly Hotel starring Kristen Ryda, Donnell J Clayton, Joe Kurak and Jesi Jensen; directed and co-written by Joel Paul Reisig; A woman falls in love with a firefighter at the holidays; filmed in Michigan) - Dec. 17, The Maple Theater, Michigan
A Christmas in New Hope (holiday movie starring Adrianne Palicki, Malcolm Goodwin, Katrina Bowden, David Anders, Ryan Cooper and Mia Armstrong directed by Julia Barnett; co-written by Barnett and Kathleen Estes; A single mom of a special needs child enters a home renovation contest focused on saving her home from foreclosure, but things get complicated when she falls for her musician neighbor; filmed in Waco, Texas) - Dec. 20, limited (Austin and surrounding areas)
An L.A. Christmas Story (holiday movie starring Jessica Moore, Derrick Zonca, Kaylee Frazier, Marla Lizbeth Perez, McKenzie Kelly and Eric Marq; written and directed by Michael Kallio; When her online video asking for a man who is “not an idiot” for Christmas goes viral, a lifestyle vlogger finds her life turned upside down; filmed in Hollywood, Ca.) - Dec. 20, L.A. premiere (Facebook) 
All of Us Strangers (partially holiday-set drama starring Andrew Scott and Paul Mescal; written and directed by Andrew Haigh; inspired by Taichi Yamada’s Strangers; A lonely man’s encounter with his equally isolated neighbor changes his dreary existence, mostly occupied by memories of past losses) - Dec. 22 (Trailer)
Migration (seasonal animated movie directed by Benjamin Renner; written by Mike White; A family of birds flies south for the winter and encounters dangers along the way) - Dec. 22 (Teaser)
Spy x Family Code: White (holiday-set Japanese anime movie directed by Takashi Katagiri from a screenplay by Ichirō Ōkouchi; based on the manga series; A cooking competition at the academy sets off a chain of events that threaten world peace) - Dec. 22 (Teaser)
Four Little Adults (a.k.a. Neljä Pientä Aikuista; holiday-set Finnish drama  starring Eero Milonoff, Alma Pöysti and Vilhelm Blomgren; from writer-director Selma Vilhunen; A middle-aged couple with a marriage in crisis attempt to integrate the husband’s mistress into their relationship) - Dec. 27, Finland
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literarysiren · 1 year
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Cruel Summer is such a wildly good return to the genre of teen murder mystery that doesn't ever really let itself go too off the rails. Three alternating timelines--distinguished mostly through color palettes--a ton of twists, and a soundtrack to make my little '90s heart happy! You can find this one on Hulu and Freeform.
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ballroomboxer · 8 months
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FOR IMMEDIATE RELEASE Multi-platinum producer, Kenny Carkeet (AWOLNATION, FITNESS) brings subversive pop sound to Chicago indie band Ballroom Boxer’s single “Wrigley (Jason’s song)”
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Stats: Tiktok 68,800 likes, Instagram 2384 followers, Spotify 306,000 plays, Soundcloud
Toured & shared stages across Chicago, NYC, Austin, Boston, Nashville, Cleveland, Minneapolis and Milwaukee with Bastille, Friday Pilots Club, Dinosaur Pileup, Big Pink, the Whigs, Kodaline, etc, playing Official SXSW & Lollapalooze Aftershows as well as (2) international shows in Cape Town, South Africa.
[Chicago, IL, August 30, 2023] — Ballroom Boxer, the indie pop band known for their infectious melodies and thought-rocking lyrics, will unveil their newest effort October 25, 2023. Titled "Wrigley (Jason's Song)," the track showcases the band's exceptional songwriting prowess and their continued growth as artists in the face of unexpected loss. The single will be available on all major streaming platforms.
"Wrigley (Jason's Song)," written the day after their friend Jason passed away in 2021, is a mesmerizing blend of lush instrumentation, shimmering sonic brushes, and painfully spoken vocals. The song takes listeners on an introspective journey of what it’s  like to Google search how to deal with loss.
If the emotional challenges of capturing the grief journey weren’t enough, the band added a physical one when drummer, Dave Altier, broke his hand a week before entering the studio, forcing him to complete drums one handed. Thankfully, producer Kenny Carkeet came well equipped with creative solves and modern production techniques. 
Renowned for his work with numerous chart-topping artists, including AWOLNATION’S “SAIL” and his recent collaboration with Grammy award-winning band The Lumineers, Carkeet, shared his thoughts on the creation of "Wrigley (Jason's Song)." 
"Working with Ballroom Boxer on this track has been a wildly fulfilling experience. Their dedication to craft and storytelling shines in the music. 'Wrigley' is a powerful song that I got to add my own sonic brushes and production spin too."
Lead singer Mike Altier shared his take on the new release, stating, "We poured everything of ourselves into Wrigley (Jason's Song). It's my most personal song that reflects the complex emotions that take hold while navigating loss, specifically, sudden loss and moving forward with it."
With their new single, Ballroom Boxer continues to establish themselves as a rising force in the indie pop scene. "Wrigley (Jason's Song)" will be available October 25, 2023 on all major music platforms. Listeners are encouraged to follow Ballroom Boxer on social media for the latest updates on upcoming releases, live performances, and more.
For press inquiries, please contact: Dan Purdy, [email protected] 
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firsttarotreader · 2 years
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So in a certain forum someone took the time to make a “timeline” full of fantasy and inaccuracies to convince people p and sm are ringing the wedding bells by now. However, they left some key moments out that do not fit their love story and that are gathered in this list below. Enjoy!
- Pedro and SM like each other’s pics since 2015 on Instagram.
- They are longtime friends and met at the NYU
- January 2021 Pedro starts to promote SM’s book. Sm was in Argentina until March as he always does. He was not in Italy in December or January. Pedro was in Switzerland.
- April 2021 SM goes to London and shows up at the BAFTAS, wearing regular clothes. The next day he hangs out with some female friends of his and takes Pedro and Maria B., who look like outsiders with sm and his friends.
- These same friends visit SM in Tuscany in July 2021.
- Pedro goes to Chile in May 2021, SM stays home.
- Pedro goes to sm’s event in Milan on end of May as any friend could do.
- Pedro goes to Canada to film TLOU.
- Sm stays home, travels with friends in Italy, does his thing. Travels to the Dolomites or the Swiss Alps and fandom goes crazy thinking it was Canada but it wasn’t.
- December 2021, sm goes to Argentina and stays there until March as he always does.
- He and Pedro meet in Colombia after the Holidays for a quick friends trip. Pedro sees his longtime friend Cristina and goes to San Andres with sm and other friends, a place he has been with several of his friends, men and women, and his rumoured boyfriend BA.
- They spent the Holidays apart when they could have definitely spent it together.
- Pedro spends his bday in LA with family and friends in April and SM spends his with his family in Argentina.
- May 2021, Sm goes visit Pedro in LA and goes to his TUWOMT premiere along with several of other Pedro’s longtime friends and family like Grace R., Robin T, and his father. Then he visits Calgary because he is already there, right? But goes just for a few days
- Sm doesn’t go to the premiere in NYC or the SXSW event, but goes to LA and every other that has the big wigs.
- Pedro wraps filming on TLOU in June and goes straight home to LA and stays there chilling with friends for the entire month of June and part of July. Sm stays in Italy.
- Pedro goes to Madrid in July for a week to start the Almodovar movie, then goes to Lisbon for another week to visit other friends. Then returns to Madrid and works on the movie
- Sm spends his time in Tuscany with the same female friends from London, the ones he visited in April 2021. This time, they visit him in Italy.
- Sm goes to Greece for 2 weeks and follows and gets followed by a lot of hot guys, and posts pics at the same places as them. Stays at the beach chilling. Then he returns home and stays put.
- Sm shows up at the Venice Film Festival as a guest along with Javiera and Pedro and other people who worked at Javiera’s movie: No media outlets talk about them, they act like regular friends.
- After 2 months of Pedro in Spain, they meet at the festival in Venice that is literally near Milan, where sm lives.
- Sm goes to Madrid, but right when Pedro leaves. Pedro goes to LA and sm stays in Europe.
- Except for Colombia, all their meet ups were on event occasions. They could have met many times along the year but chose not to.
- Sm is a writer and could stay longer anywhere since he can work from home, yet stays in Milan.
Omg, anon! 🤯🤯 after all this work you had I couldn’t not post it! And yeah, it’s hard to not notice everything you pointed out! 😛😛😛
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panicinthestudio · 2 years
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The other end of a black hole – with James Beacham, June 16, 2022
What would happen if you fell into a black hole? Join James Beacham, particle physicist at the Large Hadron Collider at CERN, as he explores what happens when the fabric of reality – physical or societal – gets twisted beyond recognition. Watch the Q&A with James here: https://youtu.be/Q37oEB4bNSI Subscribe for regular science videos: http://bit.ly/RiSubscRibe James Beacham searches for answers to the biggest open questions of physics using the largest experiment ever, the Large Hadron Collider at CERN. He hunts for dark matter, gravitons, quantum black holes, and dark photons as a member of the ATLAS collaboration, one of the teams that discovered the Higgs boson in 2012. In addition to his research, he is a frequent keynote speaker about science, innovation, the future of technology, and art at events and venues around the world, including the American Museum of Natural History, the Royal Institution, SXSW, and the BBC, as well as private events for companies and corporations, including KPMG, Bain, Dept Agency, and many others. This talk was recorded at the Royal Institution on 28 October 2021. The Royal Institution
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carolinesiede · 1 year
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My 2022 Roundup
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Phew! What a year.
2022 started with news of some disappointing corporate shake-ups at The A.V. Club — my main freelance home for the past nine years. After leaving the site in solidarity with my wonderful departing editors, I went all-in on a full-time contract gig with FOX Digital only for that to rather unexpectedly end in mid-November. Add in the tumult that has taken over Twitter in the last third of the year, and I’m ending this year without any of the pillars of stability that have propped me up for my entire career, not to mention nearly my entire adult life.
And, yet, remarkably, I also feel more rejuvenated and excited than I have since the start of the pandemic. After a challenging 2021 took a fairly drastic toll on my mental health, 2022 was filled with adventures that pushed me out of my comfort zone and reminded me that I’m capable of more than I think I am.
I started the year covering virtual Sundance, which was my first experience with a major film festival like that. Then in March I hopped on a plane for the first time since 2015 (!!!) to attend SXSW, where I saw a Dolly Parton concert, watched Nic Cage watch Nic Cage play Nic Cage, and just generally had 10 of the most surreal, exhausting, exhilarating days of my life.
May brought my first-ever on camera interview, with Cha Cha Real Smooth writer/director/star Cooper Raiff, who was in town for the Chicago Critics Film Festival. Then June took me to L.A., where I watched a dear college friend get married and took my first-ever trip to Disneyland! (I also dealt with my first major cancelled flight snafu and managed to have only a minor emotional breakdown in LAX.)
The adventures didn’t stop there, as I took a relaxing trip home to St. Louis in August, dashed around like a madwoman covering the Chicago International Film Festival in October, and took a semi-spontaneous trip to New York City in November, where I squeezed in five Broadway shows amongst catching up with friends old and new.
The year wasn’t all easy, of course, especially when it came to the major mental adjustment of switching from a freelance lifestyle to the structure and demands of a full-time job creating a brand new section with a two-person team.
And it was incredibly bittersweet to say goodbye to some of the long-time anchors of my career: My episodic recaps of This Is Us (my favorite show I’ve ever gotten to write about in such an in-depth way) and especially my long-time A.V. Club column When Romance Met Comedy, which came to a close after 101 columns totaling 187,227 words.
I’m especially proud that my final four WRMC entries (Roman Holiday, Win A Date with Tad Hamilton!, 2005′s Pride & Prejudice, and How To Be Single) really sum up the scope of what I was trying to do with this four-year project. And though it was kind of nice to take a break from writing about rom-coms for most of 2022, I feel like the genre is calling me back again in 2023. 
Other highlights of the year included celebrating Nathan Chen’s gold medal win at the Beijing Olympics (I’ve been following his skating career since 2016!), spotting Nate from The Bachelorette at my screening of Black Adam, re-hauling my wardrobe, getting my bivalent booster (a major turning point in pandemic safety — get yours today!) and reconnecting with friends I hadn’t seen in person in years.
I also created a public Instagram account, recapped “The Slap” Oscars, delved deep into the nerd-spheres of the MCU, Stranger Things, and House of the Dragon, and kept things going strong with my podcast Role Calling, where we covered the careers of Meg Ryan, Antonio Banderas, and Zac Efron, and released a series of Lord of the Rings specials that I’m especially proud of.
Oh and I picked my 10 favorite films of 2022, even though this is the first time in years that I didn’t actually publish any official year-end coverage:
Marcel the Shell with Shoes On
Living
Cha Cha Real Smooth
Elvis
Honk for Jesus. Save Your Soul.
The Woman King
Aftersun
Everything Everywhere All At Once
Saint Omer
Turning Red
As we head into 2023, I’ll leave you with wishes for a Happy New Year and a roundup of all the major writing and podcasts I did in 2022. If you enjoyed my work, you can support me on Kofi or PayPal. Or you can just share some of your favorite pieces with your friends! That really means a lot. 
When Romance Met Comedy
Nearly 70 years on, Roman Holiday remains one of romantic comedy’s most delectable treats
Win A Date With Tad Hamilton! now has retro charms twice over
Joe Wright made Pride & Prejudice feel fresh all over again
Can romantic comedies teach us How To Be Single?
My last A.V. Club TV recaps
This Is Us season 6
The Doctor Who 2022 New Year’s Day Special
Op-eds and Features
At the SXSW Film Festival, Nicolas Cage watches Nicolas Cage play Nicolas Cage
Revisit the lighthearted nun comedy that won Sidney Poitier the Oscar
Awards show recap: The chaos Oscars
‘Romy and Michele’s High School Reunion’ is still timeless at 25
75 years of the Roswell incident — pop culture’s favorite alien conspiracy theory
Watch rare color footage of Queen Elizabeth II’s 1947 royal wedding
Interviews
Cooper Raiff on his new Apple TV+ indie rom-com ‘Cha Cha Real Smooth’
Film Reviews
Say "maybe" to Jennifer Lopez’s Marry Me (my last A.V. Club film review!)
‘The Worst Person in the World’ might be the best movie of the year
Unfortunately, ‘Uncharted’ isn’t quite a national treasure
‘The Batman’ review: Why so serious?
'After Yang' review: Colin Farrell grapples with the loss of his android son
‘Turning Red’ is Pixar at its weird, wonderful best
‘The Lost City’ almost strikes gold at SXSW
‘Everything Everywhere All At Once' is transcendent and a bit exhausting
‘Morbius’ is a boring, bloodless bat man
In ‘Apollo 10½: A Space Age Childhood,’ nostalgia becomes rocket fuel
‘Dual’ review: Two Karen Gillans, one deadpan dark comedy
‘The Bad Guys’ review: Animated baddies make for a good time at the movies
‘Doctor Strange in the Multiverse of Madness’ review: Marvel makes a messy horror movie
‘Downton Abbey: A New Era’ review: Mamma Mia, here we go again
‘Top Gun: Maverick’ review: ‘Top Gun 2’ is a gloriously corny nostalgia fest
HBO’s ‘The Janes’ tells the story of radically empathetic abortion activists
‘Jurassic World Dominion’ review: Just going through the dino motions
‘Cha Cha Real Smooth’ is a stellar new riff on a classic indie dramedy formula
‘Elvis’ somehow has both the best and worst performances of the year
‘Thor: Love and Thunder’ review: A surprisingly bittersweet romp
‘Where the Crawdads Sing’ lacks grit
‘Marcel the Shell with Shoes On’ is pure magic
‘My Old School’ is a wild, weirdly charming documentary
‘DC League of Super-Pets’ has delightful Saturday morning cartoon vibes
‘Bullet Train’ review: Brad Pitt’s thrill ride just barely stays on track
‘Bodies Bodies Bodies’ review: A wickedly fun Gen Z slasher from A24
‘Not Okay’ and ‘Vengeance,’ two provocative comedies about narcissism
‘13: The Musical’ review: Broadway magic gets lost in Netflix translation
John Boyega gets a dramatic showcase in ‘Breaking’
‘Honk for Jesus. Save Your Soul.’ review: A megachurch mockumentary masterclass
‘The Woman King’ review: Viola Davis’ crowning achievement
‘Don’t Worry Darling’ should’ve worried more
‘Bros’ review: Billy Eichner is a glorious rom-com lead
‘Black Adam’ review: The Rock goes bad — mostly for good
‘Ticket to Paradise’ review: George Clooney and Julia Roberts grin and bear it
'Call Jane' review: An abortion drama with optimism
‘My Policeman’ and ‘Causeway’: Harry Styles and Jennifer Lawrence lead quiet new dramas
‘Black Panther: Wakanda Forever’ review: A superhero elegy
TV Reviews/Recaps
‘Welcome to Flatch’ S1 (premiere + final recap)
‘Monarch’ S1 (premiere + final recap)
Streaming pick of the week: Hulu’s ‘Pam & Tommy’
‘The Dropout’ review: Amanda Seyfried leads TV’s latest scammer drama
Marvel’s ‘Moon Knight’ is promising but weirdly paced
‘Doctor Who’ review: A pirate-themed Easter special is a throwaway romp
Get ready to fall in love with ‘Ms. Marvel’
‘She-Hulk’ review: Marvel’s bold comedic experiment’
‘House of the Dragon’ review: ‘Game of Thrones’ is back and better than ever
‘Andor’ review: ‘Star Wars’ grows up, with a rebel yell
Explainers & Rankings
Oscars 2022: Where to watch the Best Picture nominees (and other movies like them)
Marvel second installments ranked — including ‘Doctor Strange in the Multiverse of Madness’
‘Top Gun 2’: Film critic eats his shoe (literally) over ‘Top Gun: Maverick’
'Stranger Things' recap: Here's a refresher ahead of the season 4 premiere
‘Stranger Things’ season 4 storylines, ranked
Here's everything Marvel announced at Comic-Con
'She-Hulk': Three Marvel movies (and one TV show) to revisit before starting the series
The 11 best movies of the year so far: ‘Top Gun 2,’ ‘Turning Red’ and more
10 of the best streaming shows of the year (so far)
22 things we loved in 2022
‘House of the Dragon’ 101
‘Game of Thrones’ returns: Everything you need to know about HBO’s ‘House of the Dragon’
‘House of the Dragon’ 101: Who's who in this new game of thrones
‘House of the Dragon’ 101: What are the Stepstones and where’s Old Valyria?
‘House of the Dragon’ 101: What’s up with Targaryen incest?
‘House of the Dragon’ 101: That time jump (and those kids), explained
Festival Coverage
Sundance coverage part one, two, three, four, and five
The coolest, weirdest, best things at this year’s SXSW festival: Vol. 1
The coolest, weirdest, best things at this year’s SXSW festival: Vol. 2
The splashiest movies out of this year’s SXSW festival, Vol. 1
The splashiest movies out of this year’s SXSW festival, Vol. 2
Chicago International Film Festival preview, part one and two
Movie Previews
February, March, April, May, June, July, August, September, October
Role Calling Podcast
Meg Ryan: When Harry Met Sally, Joe Versus the Volcano, Sleepless In Seattle, Anastasia, You’ve Got Mail
Antonio Banderas: The Mask of Zorro, Tie Me Up! Tie Me Down!, Desperado, Evita, Pain and Glory
Zac Efron: High School Musical, Hairspray, Neighbors, The Greatest Showman, The Greatest Beer Run Ever
Lord of the Rings: The Fellowship of the Ring, The Two Towers, The Return of the King
Specials: One Year Anniversary Special, Thor: Love and Thunder, Halloween Ends, The Best and Worst Films of 2022: Letterboxd Special
Other Podcast Appearances
The Filmcast: The Tragedy of Macbeth
Culturally Relevant: Breaking Down the Films of Sundance 2022 
Travolta/Cage: Old Dogs/National Treasure 2: Book of Secrets
The Filmcast: The Lost City
The Filmcast: Morbius
Happy Harvest Horror Show: Hocus Pocus 2
And here are similar year-end wrap-ups I did in 2021, 2020, 2019, 2018, 2017, 2016, 2015, 2014, and 2013.
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bubblesandgutz · 2 years
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Every Record I Own - Day 752: Genghis Tron Dream Weapon
This is an album highlight of 2021.
I saw the early electronic grindcore incarnation of Genghis Tron live once back in 2008. I was at Red 7 in Austin, TX with Russian Circles as part of a tacked-on mini-festival at the end of SXSW. My memory of the night is hazy, though the internet tells me that Maps & Atlases, Lymbyc Systym, Caspian, This Will Destroy You, Circle Takes the Square, Constants, Coliseum, Junius, Portugal the Man, Tera Melos, and The Coma Recovery also played. While I realize that in some circles this is a pretty impressive line-up, back in 2008 most of these bands were just starting out, and rather than feeling like an amazing festival it felt like a disorganized show with way too many artists involved. 
I remember getting a little fatigued by all the post-rock stuff on the bill, and by the time Genghis Tron set up I was excited to hear a band that had a bit more energy and aggression behind them. Unfortunately, in lieu of a drummer they had a drum machine, and while the PA in Red 7 should’ve been adequate enough to make those mechanized beats sound absolutely crushing, the band was hobbled by a mix that made the drums sound quiet and completely cut-off from the live instrumentation. 
For me, this is the big risk when combining electronic elements in a rock band. With the right sound engineer and the right PA, it can sound amazing. But in a small club with a disinterested sound engineer and no real soundcheck, the electronic components often sound detached and separate instead of fully integrated into the band’s sound. I wanted to believe, but I was not made into a Genghis Tron convert that night.
After a thirteen year hiatus, Genghis Tron returned with Dream Weapon. The metal elements are completely gone. The vocals have switched from grindcore grunts and shrieks to layered harmonies and vocoded treatments. The guitars are minimal while the synths take center stage. And though there are still electronic drum patterns, my SUMAC comrade Nick Yacyshyn hammered out live drums on the album. So really, it feels like a totally different band. And while I’m generally down for the mechanized assault of industrialized metal/hardcore (see: Uniform, Agoraphobic Nosebleed, Godflesh, Austerity Program, etc.), I gotta say that this new incarnation of Genghis Tron completely won me over in a way their earlier work did not. Dream Weapon isn’t about brute force. While Nick’s drumming definitely lends an aggressive power to the album, the overall vibe of the record is more exhilarating than antagonistic. 
I remember driving on Lake Shore Drive in Chicago one night, past the skyscrapers of downtown, the city lights glowing, Tangerine Dream turned up loud on the car stereo. The music paired with the monoliths of concrete and neon felt like some joyride into the future. Listening to Dream Weapon feels a little like that night if you were to add some element of danger and adrenaline---a pursuit, or perhaps a race to some urgent destination but with the full confidence of succeeding in the mission. It’s the soundtrack of accelerating into the night, of feeling in control of the man-made constructs surrounding us, of retaining the sense of self in an increasingly automated world.
Dream Weapon came out when we were all still in the pre-vaccine COVID lockdown, when the idea of live shows returning was still up in the air. And while that generally felt like a difficult time to release albums since there was no ability to promote them through touring, those restrictions might have actually served as a boon to Genghis Tron. This is music from some future world. Its sense of space feels divorced from reality. While I would absolutely love to see this incarnation of the band perform live, there’s also something really special about the fantasy world it creates. Dream World came out at a time when reality was pretty bleak and we were all relatively cut off from each other, and it offered a beguiling alternate world for us to bask in during our isolation. 
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