I need more quality Hannibal blogs to follow! Plus points if you have a tagging system and a nice theme!
Like or reblog so I can follow you. (Follow back is appreciated)
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I would like to remain not dead for the foreseeable future.
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oh you know youâve done some idiot shit when bedelia drinks whiskey
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The ending of Hannibal destroyed me.
Not because of the fall, no, that was just a bonus.
Iâve been in a love and hate relationship with this series, Loving it at first then I started to hate it towards the middle and it took me forcing myself to watch the 3rd season through the god awful first episodes to finally reach acceptance.
Thatâs when I realized the genius of it, it made me go through the exact same thing Will did.Â
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For both of us.
The Wrath of the Lamb (S3E13)
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Hi! could you please explain the "CHEKHOVâS PUN" about the eroding bluff? English is not my first language and i fear i'm missing something..
Alright bare with me cause i didnât even pick that up (mainly cause i was just 0_0 *mind ainât working anymore*)
So google gave me two option the pun or the chekhov gun. And then wiki helped me with the last one.
A chekhov gun is:
âChekhovâs gun is a dramatic principle that requires every element in a narrative to be irreplaceable, with anything else removedâThis way of writing has been explained by Anton Chekhov who makes it much much clearer:
âRemove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If itâs not going to be fired, it shouldnât be hanging there.â
So when you put it in context of the whole âblahrocksblachcliffblahblaherodingâ speech, it just shows that it wasnât poetic metaphors for the sake of being poetic. The cliff was going to be essential in the last seconds of the episode. It was going to be essential for Hannibal and Willâs relationship. And also a big step in Willâs character development. You can also apply the Chekhovâs gun to Comoliâs thoughts in âArrĂȘt sur Histoireâ when he says that when a director decides to frame, shot something (then keep it in the final cut) itâs because it is essential, itâs important, it is going to be used at some time in the plot. A shot is never neutral, it serves a purpose just as Hannibal talking about that bloody cliff for so long serves a purpose.
But also, i think that during the final 5mins, the storyline strips itself to itâs core. There is no well laced sentences, no cat and mouse, no other characters other than the essentials ones in Will and Hannibalâs relationship: them killing a man together.So just as the cliff is getting stripped, the plot is coming to itâs climax and for that itâs going to the core: Hannibal and Will.
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Murder husbands
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The reason you caught me is that weâre just alike
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My copy of the Hannibal special FANGORIA edited by Bryan Fuller is here!
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Alright, enough of this. Theyâre both alive.
Their death was fake and staged, and the proof lies in plain sight.
The video camera.
 During Will and Francisâs scuffle outside, it would have been very, almost criminally easy for Hannibal to nudge the camera so that it faced them outside through the wide open windows (er, broken windows)
And there you have it. They staged the most believable, beautiful little death for the world to see, to get everyone off their backs.
Now they can go be inlove together, kill bad people, and sometimes eat old friends
Now go write me some epic murder husbands fanfics that are basically canon
Bonus:
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Iâm actually really glad it was worded in such a way. If this is it, if itâs really the end, we can come to peace knowing that Will and Hannibal died together, in one anotherâs arms. And we can die knowing it was their choice.
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