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fibula-rasa · 4 months

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Favorite New-to-Me Films

January ’24

READ on BELOW the JUMP!

(listed in order of collage above, L to R)

Eleven P.M. (1928)

[letterboxd | imdb | kanopy]

Synopsis: Sundaisy, a violinist, tries to fulfill a friend’s dying request to ensure his son is raised away from the criminal element of the city. Unfortunately, Sundaisy is duped by a phony priest, and the boy grows into a low-level crime boss. After a series of misfortunes spurred on by the boy over the course of decades, Sundaisy’s family is nearly ruined. However, Sundaisy’s will for vengeance leads to supernatural consequences. All this is couched in a frame story of a man trying to meet an 11 p.m. deadline.

This is easily my favorite first-time viewing of the month. The synopsis above admittedly does not capture the mystical/transcendental attitude that Eleven P.M. reflects. This is the only film Detroit-based Richard Maurice ever directed, but it displays sophisticated ideas about film storytelling, using an array of devices in inventive ways. It’s always a treat to be reminded of how creative and exciting independent filmmaking can be in America. If you want to check this one out, I advise you to keep an open mind and not approach it with an overly literal, nitpicky mindset. Let Richard Maurice take you on this ride and I don’t think you’ll regret it!

I watched this on the Pioneers of African-American Cinema box set, which I can’t recommend highly enough. The films are outstandingly curated and contextualized and the set showcases an often-overlooked but indispensable part of American cultural history. A lot of the films are also available on streaming through kanopy, which you may be able to access with your library card if you live in the US.

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Lea on Rollerskates / Lea sui pattini (1912)

[letterboxd | imdb]

Synopsis: Lea isn’t allowed by her parents to go rollerskating with a friend, so she decides to skate in her own bedroom. She proceeds to wreak havoc in the home before an accidental self-defenestration sets her free to wreak havoc at the roller rink instead.

A jam-packed, stunt-heavy bit of nonsense led by Lea Giunchi. I’ve watched quite a few of her films now and I’ve learned this is pretty standard for her. I love each and every pratfall.

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Two Girls are in Love with Foolshead / Le due innamorate di Cretinetti (1911)

[letterboxd | imdb]

Synopsis: Cretinetti is dating two girls at the same time. The girls decide to duel, but Cretinetti is the one who loses… repeatedly.

I’ve finally gotten around to watching more Andre Deed films and this one was a highlight for January. I don’t know who the skinny woman is, but she and Valentina Frascaroli are great together.

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X (2022)

[letterboxd | imdb]

Synopsis: A crew of filmmakers leave Houston, TX for the country in order to film a farm-themed porn. The producer of course did not disclose the nature of their stay to the elderly property owners. Said owners have ulterior motives in renting their cabin and respond violently to the group.

Appreciative of all of Ti West’s work, and X has so much going on and so much to say that I originally typed out two full pages (single spaced) on it before I knew it. I won’t be sharing those two pages because I think there are a few points on the approach to gore in recent horror movies that I need to mull over more. For now though, I’ll just say, I didn’t enjoy X at all, but I deeply appreciate what Ti West is putting out there. I probably won’t watch it again and I’m going to be sure my stomach is prepared for whenever I get around to Pearl (2022).

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The Hayseed (1919)

[letterboxd | imdb | Silent Comedy Watch Party]

Synopsis: Fatty wants to marry Molly, but so does the sheriff. Buster tries to keep the general store in working order while the sheriff plots against Fatty.

Luke the dog is one of my top 5 movie dogs of all time. I’ve never made an official list, but I know in my heart that Luke is at the top. Also, I adore how many modern professional wrestling moves you end up seeing in Fatty/Buster collaborations! In this instance, note the dance sequence with the lady who gets swung around wildly.

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The Ghost Ship (1943)

[letterboxd | imdb]

Synopsis: Tom Merriam, a young officer, reports for his first commission on a long haul trip on the Altair. The captain has a bit of a strange vibe, but the newbie likes him, at first. As crewmen perish under the captain’s leadership, and the captain’s lectures take on a more sinister tone, Tom knows he needs to act to save the remaining crew and the ship.

Checked this out as I was on a Val Lewton kick not knowing much about it beforehand. I did not expect it to be a movie about fascism done in microcosm. So, if you were looking for a movie about ghosts or a Flying Dutchman, this ain’t it. Its off-beat structure amped up the tension, though the denouement was a little too pat. Cinematography was fantastic, as you might expect from Nicholas Musuraca. I hope Sir Lancelot got two checks for how much his singing contributes to the movie. Richard Dix is such a skilled actor in everything I’ve seen him in, but he is pitch-perfectly terrifying in this movie.

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Miss Pinkerton (1932)

[letterboxd | imdb]

Synopsis: A nurse who’s bored with hospital work gets assigned to an old woman who’s ailing after a big shock: finding the dead body of her nephew. The detective on the case asks the nurse to gather reconnaissance for him at the house and she gets all the excitement she can stomach as a result.

Miss Pinkerton is a pre-code gem I somehow have never seen before, despite my devotion to Joan Blondell. The plot and characters are interesting, the cinematography (done by Barney McGill) and staging of the film is very dynamic and Joan Blondell brings so much to Miss Pinkerton with her signature effervescent sass. It’s also just over an hour long, so it would make a great watch for one of those evenings where you’re indecisive but want to find something compelling but compact.

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Phil-for-Short (1919)

[letterboxd | imdb]

Synopsis: Damophilia “Phil” Illington is a free-spirited tomboy brought up by a Greek-professor father and his right-hand man, Pat. Her lack of lady-like decorum raises the ire of two town elders, who are also the local killjoys. When her father passes away, one of the elders abuses his position of power to force her into a conservatorship. Phil disguises herself as a boy and hightails it with Pat. While on the lam, Phil makes the acquaintance of a young woman-hating Greek professor. Through a set of misadventures, Phil and the Professor end up married, but it takes quite a bit of work after the marriage for them to find happiness with one another.

Great characters and performances and I enjoyed marriage not being treated as the resolution or an end point to the story. It’s also very endearing to see such a pervasively queer story about a man and a woman getting together.

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The Mystic (1925)

[letterboxd | imdb]

Synopsis: A con artist enlists the help of Hungarian travelling carnival performers to enact a phony medium scheme against the hoi polloi of New York City.

Tod Browning is a sure-bet filmmaker for me and The Mystic was no exception. Highlights for me were: the execution of the seance sequences, Erte’s gorgeous costumes for Aileen Pringle, and an ending that I hoped would happen but assumed wouldn’t!

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There Ain’t No Santa Claus (1926)

[letterboxd | imdb | Silent Comedy Watch Party]

Synopsis: When Christmas rolls around, Charley doesn’t have enough money to both pay the rent and buy his wife a present. He uses his $80 to buy her a watch, instead of the rent, and his nasty landlord/next-door-neighbor steals the watch. Christmas Day turns into a free for all, when both Charley and his landlord dress as Santa and plan to enter via their respective chimneys for their respective children.

Well-paced, great comeuppance, and very well-executed gags. Additionally, Charley Chase looks absolutely outrageous in his Santa wig and he knew it!

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This one didn’t make it into the collage, but it’s still on the list:

Little Moritz Runs Away With Rosalie / Little Moritz enlève Rosalie (1911)

[letterboxd | imdb]

Synopsis: Little Moritz loves Rosalie and wishes to marry her, but her father objects. So, of course Rosalie and Mortiz run away together in his funky little flivver, but dad and the family dog give chase.

Most of this short is the chase sequence and it’s very well executed. Sarah Duhamel is so cute and so is her family dog. The location shooting is nicely done (was this shot in Nice?) This charming poster captures the vibe of the short perfectly:

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In January we were hit with a nasty winter storm and, while we were relatively lucky in my neighborhood, we were without internet for a third of the month. So, we ended up relying on our home video collection, which accounts for five of the films above and me re-watching two seasons of Soap and Fritz Lang’s Niebelungenlied (1924).

Despite the holdup, I continued my “Lost, but Not Forgotten” series with The Dancer of the Nile (1923) and started a limited spin-off series, “How’d They Do That?” about special effects and stunts in the silent era.

I also made themed gif & still sets for: Miss Pinkerton, Dementia (1955), and A Christmas Carol (1971).

Here’s to a less eventful February! And, as always, if you’re interested in any of these films, but have specific content warning needs, feel free to ask me.

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suchamiracle-does-exist · 1 year

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#conrad veidt #polls #conrad veidt polls #certain kind of films you wish you'd seen?#a certain movie or a tv show where he should have been in?#'ingmarsarvet' (1925) is directed by finnish born swedish gustaf molander #i can imagine connie speaking swedish so why not scandinavian cinema is included 😄#imo he had continued working in hollywood + returned to germany when possible #can u imagine connie sitting in citroen dc or been dubbed in italian in a COLORFUL giallo?#connie in 'gaslight' (1940) in stead of anton walbrook?#or 'victim' (1961) in stead of dirk bogarde?#or deutsche krimis on telly?#hell yeah #impossible?#YEEES #ich und die kaiserin #own gif #own post

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mudwerks · 1 year

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Fantasia (1940)

Italian postcard by Grafiche Biondetti, Verona, no. 120. Image: Walt Disney Productions. The Centaurs in the 'Pastoral Symphony' in Fantasia (James Algar, Wilfred Jackson, Hamilton Luske, Ben Sharpsteen, a.o., 1940).

#Fantasia #film #vintage #animation #art #disney #1940 #postcard #italian #Grafiche Biondetti

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jeanharlowshair · 8 months

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Modern Screen Magazine, August 1949.

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nine-frames · 2 years

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Ladri di biciclette (Bicycle Thieves), 1948.

Dir. Vittorio De Sica | Writ. Oreste Biancoli, Suso D'Amico, Vittorio De Sica, Adolfo Franci, Gherardo Gherardi, Gerardo Guerrieri & Cesare Zavattini | DOP Carlo Montuori

#ladri di biciclette #bicycle thieves #vittorio de sica #italian film #1940s #drama #neorealism #10 frames

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alfred-st-john · 10 months

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#mischa auer #biancaneve e i sette ladri #1940s #italian movies #1940s movies #40s #italian film #italian cinema

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seeksorrow-xvx · 1 year

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Bicycle Thieves (1948), dir. Vittorio De Sica

#criterion channel #criterion collection #bicycle thieves #1940s #1940s film #filmedit #movieedit #moviegifs #Ladri di biciclette #fyeahmovies #fyeahmotionpictures #Vittorio De Sica #italian film #pizza

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old-movie-stars · 2 years

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Clara Calamai. She was the first actress to appear topless in the Italian film La cena delle beffe (1942) & the brief moment caused a sensation when the film was first released in Italy.

#clara calamai #1940s #40s #cinema #film #italy #italian movies #movie stars #italian cinema #actresses #the jesters supper #la cena delle beffe #vintage #old movie stars #vintage aesthetic #black and white #beautiful #movies #alida valli

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gravygod · 2 years

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my great grandparents in Brooklyn, late 1940s.

#italian #nonna #nonno #brooklyn #1940s #grandparents #me #digitized #film pictures

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fliits · 1 year

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Porco Rosso but they're transmasc

#I haven't thought about this movie in years #It's such a a great film #transgender #ghibli films #studio ghibli #Society insists that they're a monster #So that's what they eventually come to see themselves as too #And 'Breaking The Curse' then becomes an obvious metaphore #Also adds a new dimension to them being the ultimate italian fighter pilot in the 1940s

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driveintheaterofthemind · 4 months

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Vintage Poster - Zorro's Fighting Legion (Italian)

Atlantis Film (1948)

#Posters #Film #Zorro #Zorro's Fighting Legion #Pulp #Atlantis Film #Italy #Italian #1948 #1940s #40s #Pulp Heroes

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alightinthelantern · 6 months

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Movies on Youtube:

Brief Encounter (1945, David Lean)

Opening Night (1977, John Cassavetes)

Close Up (1990, Abbas Kiarostami)

Taste of Cherry (1997, Abbas Kiarostami)

The Song of Sparrows (2008, Majid Majidi)

Russian Ark (2002, Alexander Sokurov)

Dreams (1990, Akira Kurosawa)

Dersu Uzala (1975, Akira Kurosawa)

The Idiot (1951, Akira Kurosawa)

Drunken Angel (1948, Akira Kurosawa)

Tokyo Story (1953, Yasujirō Ozu)

Early Summer (1951, Yasujirō Ozu)

Late Spring (1949, Yasujirō Ozu)

The Flavor of Green Tea over Rice (1952, Yasujirō Ozu)

Good Morning (1959, Yasujirō Ozu)

An Autumn Afternoon (1962, Yasujirō Ozu)

Sword for Hire (1952, Inagaki Hiroshi)

Rebecca (1940, Alfred Hitchcock)

Thunderbolt (1929, Josef von Sternberg)

Larceny (1948, George Sherman)

Among the Living (1941, Stuart Heisler)

Andrei Rublev (1966, Andrei Tarkovsky)

Mirror (1975, Andrei Tarkovsky)

Solaris (1972, Andrei Tarkovsky)

Ivan’s Childhood (1962, Andrei Tarkovsky)

Aguirre, the Wrath of God (1972, Werner Herzog)

Fitzcarraldo (1982, Werner Herzog)

Medea (1969, Pier Paolo Pasolini)

Medea (filmed stageplay)

Is It Easy To Be Young? (1986, Juris Podnieks)

We'll Live Till Monday (1968, Stanislav Rostotsky)

Ordinary Fascism (aka Triumph Over Violence) (1965, Mikhail Romm)

Battleship Potemkin (1925, Sergei Eisenstein)

The Third Man (1949, Carol Reed)

Johnny Come Lately (1943, William K. Howard)

Mister 880 (1950, Edmund Goulding)

Beethoven’s Eroica (2003, Simon Cellan Jones)

Katyn (2007, Andrzej Wajda)

Lemony Snicket’s A Series of Unfortunate Events (2004, Brad Silberling)

Mean Girls (2004, Mark Waters)

The Neverending Story (1984, Wolfgang Petersen)

The NeverEnding Story II: The Next Chapter (1990, George T. Miller)

The Thief and the Cobbler (Richard Williams)

Osmosis Jones (2001, myriad directors)

Megamind (2010, Tom McGrath)

Ghost in the Shell (1995, Mamoru Oshii)

Ghost in the Shell 2: Innocence (2004, Mamoru Oshii)

Steamboy (2004, Katsuhiro Otomo)

Badlands (1973), Terrence Malick

Wargames (1983, John Badham)

By the White Sea (2022, Aleksandr Zachinyayev)

White Moss (2014, Vladimir Tumayev)

The Theme (1979, Gleb Panfilov)

The Duchess (2008, Saul Dibb)

Bed and Sofa (1927, Abram Room)

Fate of a Man (1959, Sergei Bondarchuk)

Ballad of a Soldier (1959, Grigory Chukhray)

Uncle Vanya (1970, Andrey Konchalovskiy)

An Unfinished Piece for Mechanical Piano (1977, Nikita Mikhalkov)

Family Relations (1981, Nikita Mikhalkov)

The Seagull (1970, Yuli Karasik)

My Tender and Affectionate Beast (1978, Emil Loteanu)

Dreams (1993, Karen Shakhnazarov & Alexander Borodyansky)

The Vanished Empire (2008, Karen Shakhnazarov)

Winter Evening in Gagra (1985, Karen Shakhnazarov)

Day of the Full Moon (1998, Karen Shakhnazarov)

Zero Town (1989, Karen Shakhnazarov)

The Girls (1961, Boris Bednyj)

The Diamond Arm (1969, Leonid Gaidai)

Operation Y and Shurik's Other Adventures (1965, Leonid Gaidai)

Ivan Vasilievich Changes Profession (1973, Leonid Gaidai)

Unbelievable Adventures of Italians in Russia (1974, Eldar Ryazanov & Franco Prosperi)

Office Romance (1977, Eldar Ryazanov)

Carnival Night (1956, Eldar Ryazanov)

Hussar Ballad (1962, Eldar Ryazanov)

Kin-dza-dza! (1986, Georgiy Daneliya)

The Most Charming and Attractive (1985, Gerald Bezhanov)

Autumn (1974, Andrei Smirnov)

War and Peace: Part 1 (1966, Sergei Bondarchuk)

War and Peace: Part 2 (1966, Sergei Bondarchuk)

War and Peace: Part 3 (1967, Sergei Bondarchuk)

War and Peace: Part 4 (1967, Sergei Bondarchuk)

The Red Tent (first half) (1969, Mikhail Kalatozov)

The Red Tent (second half) (1969, Mikhail Kalatozov)

Sherlock Holmes: The Hound of the Baskervilles (1939, Sidney Lanfield)

The Adventures of Sherlock Holmes (1939, Alfred L. Werker)

Sherlock Holmes and the Voice of Terror (1942, John Rawlins)

Sherlock Holmes and the Secret Weapon (1943, Roy William Neill)

Sherlock Holmes in Washington (1943, Roy William Neill)

Sherlock Holmes Faces Death (1943, Roy William Neill)

Sherlock Holmes: The Spider Woman (1944, Roy William Neill)

Sherlock Holmes: The Scarlet Claw (1944, Roy William Neill)

Sherlock Holmes: The Pearl of Death (1944, Roy William Neill)

Sherlock Holmes: The House of Fear (1945, Roy William Neill)

Sherlock Holmes: The Woman in Green (1945, Roy William Neill)

Sherlock Holmes: Pursuit to Algiers (1945, Roy William Neill)

Sherlock Holmes: Terror by Night (1946, Roy William Neill)

Sherlock Holmes: Dressed to Kill (1946, Roy William Neill)

If any of the links don’t work, try looking up the film in this playlist: link

#movies #films #cinema #film #movies on youtube #films on youtube #youtube #movie recs #film recs

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hotvintagepoll · 1 month

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Propaganda

Sophia Loren (Marriage Italian Style, Houseboat)—Major Italian star, first actress to win an Oscar for a performance not in English (for Two Women (1960)) and later when Roberto Benigni won an Oscar in 1999 he jumped over the chairs towards the stage going "Sophia Sophia!!" because he was running towards Sophia Loren and said he cared more about her than the Oscar, that's the effect she had on people. She was big in the 60s already even though she gained a lot more notoriety after that. And I mean. Can we take a moment and just.

Pola Negri (The Wildcat, Men, A Woman Commands)—Legally obliged to submit her as she's from Poland, but also it is one of the greatest stars of silent film, both in Hollywood and Europe, so she has to be here. The og femme fatale and a fenomenal dramatic actress. And just so hot in this 1920s vamp style. Obviously her career slowed down in America with the introduction of sound movies, because of her accent and low voice. I'd say her voice is so much hotter thanks to that, but I'm just a simple simp. But then she made movies in Germany, and after the war she was even offered Gloria Swanson's role in "Sunset Boulevard'' but she declined. She was probably bisexual as after romances with Charlie Chaplin and Rudolf Valentino in the 20s, since the 1940s she lived with her 'female friend'.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Sophia Loren:

She has maxed out all her stats: beauty, elegance, sensuality, she's got it all. her mesmerizing eyes, her sensual mouth, her sharp face shape, her everything is so striking and unlike any other beauty in films. she was also voted the world most beautiful woman when she was freaking 65

im submitting her in honor of my dad bc she was the first celebrity crush of his he ever admitted to me and my sister :) and he was right. shes so pretty

OSCAR WINNER. Worked with some of the hottest leading men in Hollywood but remained faithful to her husband whom she had a loving marriage with till he died (even though Cary Grant almost tempted her once, it's complicated)

One of the most well-known sex symbols of the Golden Age of Hollywood, and unlike some unfortunate others, she seems to have been pretty well at peace with occupying that status. She made assertiveness and a tempestuous temper seem glamorous, and although she's famous for side-eying Jayne Manisfield's cleavage, honestly? She's one to talk.

Absolutely, drop-dead sexy, also a hard working, extraordinarily talented actress who didn't shy away from the less glamorous roles to gift us some gritty, memorable performances

Submitting this on behalf of my dad, who knows nothing of tumblr or this blog, but I remember being a kid watching Houseboat while my mom thirsted after Cary Grant, dad thirsted after Sophia Loren, and I was excited that they lived on a boat. Anyway, she's extremely beautiful and was an international star, doing a ton of movies in Italy before being recognized in the US.

JUST LOOK AT HER Y'ALL

Very smart and beautiful, the characters that she played (I mean those in the movies that I put in the previous question) are as strong and determined as her which I think adds to her hotness.

Global superstar and my late grandfather's long time movie star crush and for a man as quiet as he was, and as hopelessly devoted to his wife as he was, the fact that I know that means she was EXCEPTIONAL.

Big in the chest, snatched in the waist, pretty in the face 😳

Sexy, beautiful, deep. A real star.

Her performance in "Man of La Mancha" is just so very captivating. Dubbed as "the Italian Marilyn Monroe", she looks beautiful in any movie and at any age.

Forget the exotic sexpot of her Hollywood films and go back to her Italian career: sparking with Marcello Mastroianni as the woman who drives him mad and outwits all his fumbling attempts at macho posturing in their early films, and showing a tender side in their 1970s films. Sophia isn’t self-conscious about who she is or her beautiful body: she enjoys being herself and she wants us all to enjoy ourselves too.

She starred in films as a sexually emancipated persona and was one of the best known sex symbols of the time. She is a great cook and her filmography is immense.

On the misattributed quote that Sophia owed everything to spaghetti: 'Did you actually say the quote frequently attributed to you, "Everything you see I owe to spaghetti"?' "Non è vero! It's not true! It's such a silly thing. I owe it to spaghetti, no, no. Completely made up."

Pola Negri:

A tempestuous green-eyed vamp of the silent screen, she tantalized with both her onscreen and offscreen romances. Rocked a Polish accent - well, once there was sound! A true proficient at promoting herself and using all possible tools to do so - from a dead Rudolf Valentino to a cheetah named Teddy, the latter of which she brought to a press conference.

First European actress to be contracted by Hollywood! She survived poverty and illness to become The Queen of Tragedy, she divorced a count to date stars like Charlie Chaplin and Rudolph Valentino, then spent the rest of her life living with Margaret West in what could have been a romantic relationship.

I don't have much to say about her actual career, personal life, etc. but I just need everyone to see how hauntingly beautiful her face is. I haven't been able to stop thinking about her since the first time I saw her LOL like its pretty clear why she was such a star

#pola negri #sophia loren #hotvintagepoll #fuck that old woman #ladies 4

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arosesstorm · 4 months

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bangtan as love stories ♡₊˚ ・₊✧

jungkook - Bonnie and Clyde The couple was known for their bank robberies, although they preferred to rob small stores or rural funeral homes. Their exploits captured the attention of the American press and its readership during what is occasionally referred to as the "public enemy era" between 1931 and 1934. They were ambushed by police and shot to death in Bienville Parish, Louisiana. They are believed to have murdered at least nine police officers and four civilians.

taehyung - lady and the tramp A pampered Cocker Spaniel whose life takes a sudden turn when a dashing Tramp from the other side of town finds his way into her heart. A streetwise mutt who knows his way about town, but once a little lady catches his eye, this scruffy bachelor becomes one tame Tramp.

yoongi - call me by your name Set in 1983 in northern Italy, Call Me by Your Name chronicles the romantic relationship between a 17-year-old, Elio Perlman, and Oliver, a 24-year-old graduate-student assistant to Elio's father Samuel, an archaeology professor.

jimin - titanic Incorporating both historical and fictionalized aspects, it is based on accounts of the sinking of RMS Titanic in 1912. Rose and Jack star as members of different social classes who fall in love during the ship's maiden voyage.

namjoon - the notebook The film stars a young couple who fall in love in the 1940s. Their story is read from a notebook in the present day by an elderly man, telling the tale to a fellow nursing home resident.

jin - pride and prejudice A novel of manners, it follows the character development of Elizabeth Bennet, the protagonist of the book, who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.

hope - Romeo and Juliet Romeo and Juliet is a tragedy written by William Shakespeare early in his career about the romance between two Italian youths from feuding families.

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rgr-pop · 5 months

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My goal for the year was to watch & log 100 movies. Shorts count, didn't matter whether I had seen them before, but they can only count once for the year. I logged 117!

First & last watched: Ken Russell's Women in Love (1969)--the reason I cared about movies so much this year, just an obvious life-changer for me--and Ken Russell's The Rainbow (1989)--Westlin's suggestion for the perfect round out. Surprised to be surprised by how good it was. Great films! Totally on the program! Questions to this day unanswered! Let's go!

Shorts (everything short of Superstar: The Karen Carpenter Story) watched: 16

Favorite shorts: Nuit et Brouillard (Alain Resnais, 1956) (decided this year one of my all-time favorite films); Un Chant d'Amour (Jean Genet, 1950); Fireworks (Kenneth Anger, 1947)

Next year my shorts watching will be more programmatic

Films I watched twice in 2023: Superstar: The Karen Carpenter Story (Todd Haynes, 1987) (another film I realized this year obviously belongs in my top ten--more specifically I decided finally that this is my favorite non-Texas Chain Saw film); Beau is Afraid (Ari Aster, 2023); The Nightmare Before Christmas (Henry Selick, 1993)

By decade: Before 1900: 0 1900 - 1910: 1 1910 - 1919: 1 1920 - 1929: 1 bro come ON what the FUCK 1930 - 1939: 1 im literally evil 1940 - 1949: 7 1950 - 1959: 3 1960 - 1969: 24 1970 - 1979: 14 1980 - 1989: 16 1990 - 1999: 17 2000 - 2009: 13 2010 - 2019: 9 2020 - 2023: 10

By nation/language roughly: uk/english: 6 us/english: 66 canada/english: 6 france/french: 10 italy/italian: 4 italy/france/french: 1 italy/english: 1 czechoslovakia/czech: 5 palestine/arabic: 3 soviet/russian: 2 russia/russian: 1 austria/german: 1 austria/french: 1 spain/spanish: 1 japan/japanese: 1 poland/yiddish: 1 poland/polish: 1 senegal/wolof: 1 brazil/portuguese: 1 sweden/swedish: 1 eur/farsi: 1 south africa/afrikaans: 1

numbers not adding up there but w/e

By director: Not sure if this is surprising or totally unsurprising, but in spite of my auteurial talk (and all the thematic/completionist plans I like to make), I very rarely watched more than two movies by the same director. I can't decide how I feel about this, nor do I know how to proceed this year given that my goal is to discover who my top five directors might actually be. How do you go about investigating that?

Overwhelmingly the director I watched the most was Adrian Lyne, with five films. I have a few more things to work on but I'm close to done with my shakedown/theory. Neither my favorite director nor favorite guy, I would say I probably 'enjoy' and 'personally get more out of watching' his films more than most. In second place, I watched three Kenneth Anger films--all shorts of course. I watched two films each by the following directors: Ken Russell, David Cronenberg, Stanley Kubrick, Pier Paolo Pasolini, Paul Schrader, Bernardo Bertolucci, Ti West, Todd Haynes, Michael Haneke, Jan Švankmajer (both shorts), and Billy Wilder (one of which being a war department documentary short).

I have mixed feelings about this approach (let me watch man movies if i I want to!) but a quick skim suggests I watched about 15 films directed by women (12%)--lower than expected and probably low for me typically. I always have a romance habit on the backburner so it's never hard for me to watch a lot of movies by women, but obviously my focus on revered directors I never previously wanted to spend time on has had an impact here, meaning I should make an effort with Great women directors in 2024 to keep that in check. I will also say that I specifically recall having a hard time getting my hands on things I wanted to watch by women in a few different cases, including by Great women directors (Barbara Hammer and Akerman), and especially also soviet women directors. There's an overlap here with difficulty accessing short films!

I'm not an active or thoughtful starrer, but these are the films I watched in 2023 that I've given five stars to:

Women in Love (Ken Russell, 1969) (upgraded from four after the year of appreciating it) Mandabi (Ousmane Sembène, 1968) Crash (David Cronenberg, 1996) Superstar: The Karen Carpenter Story (Todd Haynes, 1987) The Texas Chain Saw Massacre (Tobe Hooper, 1974) Night and Fog (Alain Resnais, 1956) Salò, or the 120 Days of Sodom (Pier Paolo Pasolini, 1975) (demoted Teorema [1968] to four stars to prevent Salo is A Perfect Film deflation) Un Chant d'Amour (Jean Genet, 1950)

Least favorite films watched in 2023: Jojo Rabbit (Taika Waititi, 2019), Barbie (Greta Gerwig, 2023), All My Good Countrymen (Vojtěch Jasný, 1968), Zahrada (Jan Švankmajer, 1968), the one streaming true crime doc I watched that I then had to log (will not repeat in 2024)

Loved/treats for me: Barry Lyndon, Crossing Delancey, Unfaithful, The Cremator, The Night Porter, Cabaret, talking to people about Funny Games and realizing I love it more than I think I do

Recommended for the romance girls as a thank you for the good romance you have recommended me: Habibi (Susan Youssef, 2011)

Most incredible movie experience of the year by miles and I can only hope 2024 has something this good to offer: House of 1000 Corpses (Rob Zombie, 2003) anniversary screening my birthweek

The otherwise defining film of 2023 for me: Hostel (Eli Roth, 2005)

Onward! Back to work! On the Terror and Violence line! The Family is out there, comfortable, in relative peace…

#film #violence factory

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