#Also in general. I LOVED making the poses!! The whole reason I wanted to draw him in the first place!! | Explore Tumblr Posts and Blogs

egophiliac · 1 month

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Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?

thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')

1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:

and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!

2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)

and you can also use lines against each other to get different vibes:

it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.

(just gonna use my own art as examples, apologies)

if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.

and don't forget about negative space either! the spaces between things have their own interesting shapes too!

I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D

3. acting!

just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.

this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)

it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!

3. thumbnailing!

this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.

it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!

(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)

then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!

(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)

4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.

that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.

↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!

#art #twisted wonderland #(not really related but since that's what the examples are)#i'm so sorry most of my art advice boils down to 'SHAPES ARE FUN'#(they are though)

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evelmiina · 8 months

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Love your work! I wanted to ask what your process is like when it comes to coming up with a design/composition to a piece? Do you have any specific methods you use or it is more improvised:)? Thanks!

I'd say both - method and improvisation. To me all pictures are basically shapes organized in a pleasing way. Even when I draw lines I think more about overall shapes together and how I feel about them. There's a lot to consider about design and composition, some pretty smart books on the subject are Marcus Mateu-Mestre: Framed Ink and Hans Bacher: Vision - color and composition for film. I'm still learning all the time and I make mistakes but I think method to making composition comes down to: readability and narrative intention, moving from simplicity to complex. But it's also fun and important to play around and see what works, that's why my process is not always the same and I can show some examples. Here are the sketches and final I did for my Magic card illustration:

This is my go-to method when I want to rely on tried and true process and I know I won't get lost once I start drawing/painting because I can rely on my steps. I don't always do things this way, but for paid work I want the client to have as clear idea of my intention as possible. The reasoning why 3 worked the best is because it's more dynamic and dimensional than 2, but more readable than 1. It also best showcases how the tower is supposed to be huge, something that was important for the design.

This on the other hand was personal work and I approached it in more relaxed way just to see where it goes. Still I think what made me want to finish it is I liked the variety of shapes and rhythm of the room, like how the screens lead towards the doorway, lot of rectangles but varied in their size and angle. If it was client work I probably would've been called out in the sketch, because the focal point is this empty wall that makes no sense. I came up with the idea of shadow of a window while making it and in the end it worked, but it was an example how I made a big design problem for myself that I was gambling on to figure out.

This one had very specifically just one photo reference, but I did the sketch to put down the essentials of what I was seeing in the photo. In the end I referenced dog's face and pose more from the photo so it looks more natural, which was also funnier than my own initial interpretation

Sometimes the initial comp just doesn't pan out exactly. I did the sketch for this Unicorn fanart and I even drew the interior at some point, but it just Did Not Work for me, I also discarded the idea of medieval dragon in the statue for same reason. So it sat in my folder for a while until I could look at it again and after taking a break, I still liked the statue and the general idea, but decided to make the surroundings easier to look at so that the statue stands out better.

When I did the sketch for this dragon I wanted it to feel big and heavy, like lifting its head from the ground. But I didn't want to do vertical picture which lead me to painting over digitally and extending the picture, then painting the whole thing traditionally anyway.

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amerricanartwork · 5 months

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True Love Conquers All (Lilypad Essay cont.)

Ever since I realized the fairytale parallel was one of the main reasons I ship Lilypad, I've wanted to draw this, so here it is! Sig and Moon as Prince Phillip and Princess Aurora!

Actually, though, besides the drawing I'm also making this because I wanted to expand on that point from my Lilypad essay; there's still more I wanna gush about regarding the fairytale parallel!

I was too nervous to say it before, because it's derived largely from my personal tastes. However, I really wanna just write about my opinions on it now. Much of it's actually the feelings I've had about several ships before in various other fandoms, yet I've never really had the courage to express these feelings openly because I have yet to find even one person in any of these fandoms who feels the same way. However, I started thinking about it again, and I think it's about time I get it out somehow, at the very least to express these feelings in some tangible way so they don't stay bottled up forever. And maybe, just maybe, to find someone who likes these themes as much as I do!

Again, it's definitely very personal, so I don't mind if you completely disagree with all of it. But with that being said, if you want to read an additional 1,846 words on Lilypad fantasies, it's just below the cut!

To elaborate on why I love ships with fairytale parallels so much, it has to do with the poetic feeling stories like Sleeping Beauty seem to carry. I must preface that I don’t know the original fairytale, I’m pretty much entirely going off the 1959 animated Disney film, but even so I still love various themes within it and how they can be applied to other stories. Sleeping Beauty isn’t the only old Disney movie where I interpret these themes, or even the only animated story in general where these themes can be interpreted, but I think it’s overall the most similar to Lilypad specifically because of the whole “fair maiden dies and gets revived by the prince’s love” dynamic.

Something I’ve come to realize, especially upon developing a love for Rain World specifically, is that I adore stories about accepting one’s own nature and learning how to have it coexist with your personal goals rather than conflict with it. Sleeping Beauty has this not only through the eternal bond between Aurora and Phillip (I mean, “Once Upon a Dream” literally seems to be about how the singer will always love the person they fell for even if their love seemed too good to be true), but in the whole curse put on Aurora and the “true love conquers all” message. The conflict is all about how to ensure Aurora’s safety despite the impending doom of Maleficent’s curse on her, which is made more intense by how the curse can’t really be stopped, only lessened in severity. However, the inevitability of true love’s triumph over all obstacles, and really the inevitability of nature as a whole, is just so beautiful to me because it’s something so universal. As much as we may try to hide it, we humans are still animals, and still a part of nature as much as any other animal is, so the idea that forces as powerful and omnipresent as natural phenomenon could just as easily be on your side and working to help you reach your goals instead of trying to hurt you and keep you from them is very comforting specifically because of how powerful and inevitable these forces are. I mean, if forces like those can pose a seemingly impossible challenge when they seem to oppose your goals, what if they could also supply seemingly invincible support if you learned to work with them? Hence, why true love conquers all. It’s basically, “I can’t stop this thing, but maybe I don’t actually need to”. And the fact that both this and the next theme I’ll write about are present in stories which are, by this point, quite old, and can even be interpreted in newer and more recent stories just helps to further support their eternal, everlasting power by adding a sense of real-life timelessness to it all that I just find so beautiful!

Part of my love for stories like this actually comes from a specific natural force I freaking love and have been craving more of ever since I rewatched the old Disney movies and really begun to appreciate the poetic themes of them, and that force is the classic attraction between men and women. I’m not gonna get super into it now because I imagine I’ll have other chances to talk about this (again, Lilypad is far from the first ship I’ve derived this theme from, and I doubt it will be the last), but I’ll provide an intro of sorts to it here. If you’ve seen my full Lilypad essay you already know I’m a BIG fan of “inverses attract” ships, where the characters display opposite sides of the same base trait, conflict, or subject, and when they come together they help balance each other out in ways no one else can by offering each other the benefits unique to the other side of that subject. Well, simply put, if you ask me, what better example of this “inverses attract” dynamic exists in real life than the natural inverses of male and female, where the strong protectiveness and creative nurturing combine to literally create a family, from which all people come? The presence of the inverses attract dynamic is always nice to see in ships regardless of gender, but whether or not it occurs in this way specifically — that being whether or not it showcases the inverse characteristics of men and women and the positive potential when those forces combine as a team — is another major factor that, throughout my fandom experience so far, has determined which pairings I actively ship rather than just mildly smile at from time to time. (And on a side note, now that I have much more skill in art and feel more confident about my art, I figured it’s about time I start acting on that love more openly!)

So what in the WORLD does this all have to do with Lilypad?

Well, even disregarding how this very idea will basically be the major theme of my personal worm-off-the-string AU (I may elaborate on that more later because it’s just SO perfect for these particular characters and can even be interpreted in the base game to some degree), I think Lilypad, at least as I choose to imagine it, is the Rain World ship that best embodies this idea — that nature and instincts can actually help you once you simply stop fighting and accept them — more than any other in the fandom for a variety of reasons.

I’m actually going to start with how Looks to the Moon and No Significant Harassment, as strange as this may sound given who and what these characters are, actually do still display that feminine and masculine energy I love at least when I picture them, especially with Sig being confirmed as a “he” according to the wiki. It’s clear to me that Moon is very feminine (I mean, c’mon, her design in the CGs, how the moon is often associated with femininity and feminine things in real life, how she tries, even after her collapse, to connect with Five Pebbles and nurture their relationship in a very caring way, etc.), but I wanna elaborate on how part of the reason I love Sig as a character and the slag reset keys as a plot point so much is because it perfectly demonstrates that masculine protectiveness that happens in stories like Sleeping Beauty, where a man faces great trials all to rescue the fair maiden. Again, it may not have happened literally because Hunter had to deliver the slag keys, but the sentiment is the same if you ask me! And it’s always so nice to see because, again, he literally brought her back to life! How could it NOT be a sign of deep love and devotion that someone would go through so much trouble just to make sure you’re okay?

It’s also great because I imagine the local group would have a tendency to not always take Sig seriously because he’s so careless about their purpose, so I’m sure the slag key stunt would also warrant a lot more respect for him from the other iterators. This is another thing I love seeing — both when the character everyone else overlooks finally uses their full power and their peers have to re-evaluate their impression of them, but specifically when men feel inspired to use their full power and skills to help the women they love! I love it because it demonstrates just how powerful and valuable femininity can be, shedding light on a more subtle kind of power, that being power through influence and aura rather than raw strength and stubbornness. Heck, I like to imagine wanting to protect Looks to the Moon and make sure she lasts as long as possible is a major reason why, in my AU, their physical interactions are when Sig and Moon finally begin to act on their love despite it having existed almost since Sig came online. Moon’s collapse would’ve shown both of them directly that she won’t be around forever, and if you ask Sig, someone as beautiful, kind, intelligent, noble, and all-around beloved as Looks to the Moon deserves to at least enjoy her life a little more before she fades (again), even if all the iterators falling apart is inevitable. But, coming back to what I said about nature, the inevitability of the eventual end is what makes the time they have left all the more precious!

And that’s the next part of Sleeping Beauty and fairytale-esque stories I see in Lilypad — there’s also the inevitability of this dynamic, which hits hard with Rain World iterators specifically because their whole purpose is fundamentally opposed to natural phenomena. Solving the Great Problem is, as far as I know, all about trying to escape the natural cycle of life, death, and reincarnation, and likely about escaping all natural cycles as a whole. And the iterators exist specifically to facilitate this rejection on a massive scale. So think about how poetic it would be that even they, seemingly so far detached, so far above these things, STILL fall in love and embrace these forces despite every attempt by the Ancients to prevent them from doing so! It’s made better by the fact that the iterators are machines and, even though they’re very much biomechanical ones (a big example of natural phenomena still manifesting in them despite their attempts to separate from it), one can argue they’re therefore somewhat detached from nature inherently, especially that bond between masculinity and femininity I discussed. So again, the fact it still finds a way to show up in them despite seemingly having much less reason to exist and the iterators themselves likely having much less desire to possess it just re-emphasizes how eternal it is. But once again, are they (and by extent, we the audience) sure that’s such a bad thing?

Lilypad in an ideal scenario, to me, is of all the Rain World ships the strongest embodiment of “true love conquers all, and that’s not a bad thing after all!”

And it makes me more eager to develop my worm-off-the-string AU because I imagine that’s where their relationship really gets to flourish. Moon and Sig can finally enjoy that physical aspect of romance, and Moon in particular would, by that point, more confidently join him in rejecting the Ancients’ ascensionist philosophy. Not to mention how cute it would be to see them drawing parallels between their relationship and the love the Ancients used to feel for one another long ago, once again supporting true love as a truly timeless phenomenon. And it would branch off to not just embracing their romance that existed for so long but could never fully go anywhere, but learning to enjoy and partake in all the aspects of the world that were denied to them and that they were told to deny for who knows how long! And when it comes to not just for Sig and Moon, but the local group as a whole, what could be more poetic than that?

-.-.-.-.-.-.-.-.-

Man, a HUGE thank you to anyone who made it to the bottom of all this! To know that anyone bothered to at least consider what I have to say in this fandom is always nice, but with this in particular I greatly appreciate anyone who read it all! And again, PLEASE let me know if you agree with any of this, especially the parts about masculine-feminine teamwork. I'd love to know even one other person in one of my fandoms who's into that as well, and maybe even hear possible additions to it!

Regardless, I've gone on about this for so many words already. I hope you enjoyed the ideas, or at least the art! Thanks again for reading!

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mtkay13 · 1 year

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Qi Ye cast poster!!

This had started as a sketch, waaay back as I was still reading Qi Ye. The original is pretty different from this (I considered adding it in the post but I actually don't like it anymore haha), but the plan was already to make this big spread with most of the -more or less- important cast.

I will add here some thoughts about the whole piece, and I guess, Qi Ye itself. My main goal was probably to express my deep and intense feelings for Qi Ye, its grandness, and its awesome cast-- and along with that, flesh out my mental image of each of them, their personality, their style. Here is a table with the names, so we know who is whom, and so I can add some details about my perspective on them and their design.

Jing Beiyuan has always come quite naturally. I just go for the "prettiest face" I ever came with in terms of : my own taste, and the features I find the most delicate. I'd argue he's the easiest character to draw for me across both QY and TYK. On this image, he's probably around 16 or 17. I find his expressions to be very fun to work on in general.

Ping An is also quite an easy character to draw, just for how specific Priest is when describing him.

Wu Xi's design is mainly inspired by a discussion with my friend Hanya, who talked about how, in SHL, Wu Xi more resembled a northern shaman than a southern shaman. It made me want to explore the designs and characteristics a bit more, and come up with more colourful fabrics, patterns, and darker skin color. Same goes for Ashinlae and Nuahar, to have them matching Wu Xi's aesthetic.

Ming Hua was included in this just because of the mess the mention of his name caused in the story. The two jealousy tantrums are just so delightful!!

Su Qingluan was made to resemble Jing Beiyuan, of course. What I wanted to reflect in her face was her frustration, mainly.

Ji Xiang and Hua Yue... Well. Nothing particular about their design either, but they had to be there. Of course, of course they had to be there.

Finally, an opportunity to draw Zishu with his fan and henchmen! Not mad that he kinda looks like a villain, here.

Lu Yu!! I drew him with an Ashinlae mask, since he disguises himself as Ashinlae. I included him because he matters a lot in my headcanons about Siji Manor. (it isn't specified, in Qi Ye, whether or not he's actually part of the manor, but I like to consider that he is for various reason that I may detail if I ever make a Siji Manor post)

I'll skip Jiang Xue and Liang Jiuxiao because their designs are steady for me, now.

I hesitated a lot for Helian Pei's pose, but ended up going for this one (looking bored, out of his depth, lost in the distance with his birds around him). I considered showing him with a bird in his hands, but I guess that's not the main vibe I get from him. And then, well, golden, flashy clothing, suited for an emperor.

Helian Zhao had to be in a showy armor, and I hated making it because it's so much work, haha. I took inspiration from an armor in NiF. I'm quite happy with how he came out in terms of both vibe and showiness.

I tried going full out on Helian Qi. Making him the villain that Qi Ye deserved. Dark, showy, elegant and horrible.

Helian Yi is also pretty solid for me, by now.

About the illustration itself, the main challenge was definitely to make a nice colour palette while still differenciating all the characters. I wanted to go with something intense, eerie, that could also complement the main tones I would go for (= red, purple, blue and green). I'm quite happy with how the golden tones, along with the green and reddish lights, make the whole thing come together. I struggled a little bit with the composition at first, but once I got the flow and the main figures down, it just happened quite easily. Anyway, I'm quite proud of this, and hope it conveys the love and admiration I have for Qi Ye well.

#qi ye #lord seventh #cast #meta #talk about art #七爷

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sannyo-appreciation-posts · 6 months

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A ridiculously extensive critique and analysis of Sannyo Komakusa Touhou Lost Word art.

the time has come to analyze and critique the Lost Word art for Sannyo Komakusa.

[This also gives me an excuse to show select angles from Lotus Eaters, her Alphes style art by Dairi, stuff like that ]

Love it or hate it, the Touhou lost word gacha game could potentially be someone's first introduction to a given touhou character, so it's important that character portraits leave a good first impression. So with that in mind, I'm gonna critique their art for the booker Touhou cutie that, honestly, just from her profession alone she deserves their utmost respect.

(I can only hope she pokes fun at gacha within a gacha game in the same way she pokes fun at gamblers within her gambling den)

I'm gonna be zooming in to each part of the outfit to discuss the benefits and downsides of each design choice. I'm gonna be comparing pieces to the Zun art or Lotus Eaters for references and also generally to showcase things for comparison.

Since it surrounds the whole design I think I'll need to mention the smoke dragon and pipe first. On the whole, it's cool, and her pipe does match her zun art. Unfortunately it covers up a lot of her outfit and pose. And lastly regarding this there is definitely one detail that's remarkably annoying.

The smoke isn't coming from the pipe.

Its just coming from around her feet

but you will notice an important detail while looking her feet

she's got painted toenails like in Lotus Eaters.

Next, I will move up to her skirt

All in all, it's a pretty good version of her skirt, it has a crease on the side thats catching a little too much light though. it's got the pretty pattern she has in her zun art, but they lowered her coat so it's all an even line of pattern. It even ends up lining up with her sleeve for some reason. It's pretty, but I think it makes the transition from her skirt to her top look a little more drastic, since there isn't a fresh line of coat pattern to break it up. Frankly, it just looks really cool as a long or mid length jacket like in Lotus Eaters and the Zun art instead of a big skirt length coat like they did.

(Yes, I realize Lotus Eaters doesn't feature color or her intricate coat pattern, [presumably since it'd be a nightmare to keep track of. Though I like to imagine it's just yet another outfit of hers]

but anyway, it at least demonstrates my point about a coat with a different length then her skirt creating a cool contrast.

Next is the chest, first I must say her buttons and clothes look perfectly fine. Though they generally pin to the side in Lotus Eaters as well as in her Alphes style art by Dairi (Though these buttons do look like they are struggling)

There are many different different ways people draw Sannyo's chest, but eventually they can be categorized a bit, because at some point there is a tempting result to what the size can make you want to do with her outfit

Naturally, if someone wants to draw her breasts in a larger size, like in Lost Word, it makes it more difficult to draw her coat over her shoulders. The reason being that when you get into the much larger anime sizes, the cloth from a coat would start to just drape over the lower sections of her body from her breasts. So I think people try to avoid that in different ways, often she often ends up with her coat lowered and hanging loosely above her elbows, which can actually serve a double purpose and give her a ton of personality.

As an example here is some gorgeous art by "syuri22" I found here

Syuri22 even extended the line of her skirt up into a bow to make her breasts pop out a bit more, which was really clever.

sometimes fan artists part her coat around her breasts which is a clever way to have her coat over her shoulders without hanging over her breasts too, sometimes she tucks the coat under with her arms in a pose. Sometimes they have it drape a bit but ultimately return to her waist. My point is there are a lot of creative ways artist do it. To lostword's credit the way they did it does kinda accentuate her smug energy. Though adding it together with how thick and soft they made the hem of her coat does kinda make it look like she has a comfortable blanket draped over her.

As for her face. It's good, of course. I mean it's Sannyo's face, hard to go wrong with that. It's got her cute bow. She's got a good expression mixing cute and smug energy. Her ponytail is looking good. No complaints there.

looking at the art as a whole, it's fine. Sure, it looks more like she's wearing a blanket than a coat, but I guess it does make her look kinda soft and huggable. Oh, and I completely forgot to mention her fan is freaking massive. But She's ultimately got the right energy. Though I honestly think it would be better if she had her coat line up a bit less. The way her sleeves and coat and skirt all make an even arc along the design sound like a interesting idea, but it kinda makes her design have less interesting stuff going on.

I do prefer her Alphes style art by Dairi by quite a bit tbh

Even still i hope some day they do her winter outfit, I'm curious what that would look like. it's actually got the fuzzy energy they were going for.

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laithraihan · 2 months

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Hey I really love your art - I wanted to ask if you use references from anywhere specific.

Also, have you considered the idea of Reigan becoming Minori's Guardian Ad Litem? I agree that Reigans not exactly the kind of person to make the most responsible father (at least where we leave him in the show) but I could totally imagine him becoming her guardian for some legal reason.

He's really the only adult she'd know to trust outside her father.

I can imagine they're put a whole court case together with Reigan as her guardian just for legal reasons and they win, and then Minori's like. "Oh shit where do I go? Guess your my guardian for real now." And Reigan is like.

What?

Thank you 🫶💜 hmm well for pose references including clothing etc I just get them from google stock images, I generally try to avoid making the pose too similar to the images I see so I sometimes draw in different angles (honestly most of the time I struggle looking up references because I cant find a picture in a specific angle I want, so I go with my intuition even if it's wrong), honestly google is probably the place I rely on the most for this. Like if I forget what a shoe looks like then I'll just google it.

If you're talking about where I got inspiration for my art style (or what I look to get ideas for my art etc) I'd say the major ones for me are ONE's sketches on twitter (especially his shaky lineart and how he draws eyes), early episodes of Detective Conan (clothing folds, color choices sometimes, body proportions like the chest being pointed etc), Revolutionary Girl Utena (also clothing and body proportions), FLCL (I have no idea what parts of it influenced my art but I feel like it's an obligation to list it here)

Uhh for the fun drawings that require more effort I'd say music is inevitably the most important part of it. 99% of the time my drawings that arent plain sketches are modeled after a specific song I listen to (primarily from ZARD but other artists too although not as often) even then I think my sketches are still influenced by ZARD somehow. Wait I completely forgot to mention I also look up images of ZARD on Pinterest for poses or just... to draw anything honestly. Theres a good number of pictures of her in various angles (I remember one of her photographers said she was very photogenic so most of her pictures are very casual as if a camera wasn't present) I think it's good to look at them if you are looking for something natural. Just looking up "Izumi Sakai" there will give you results.

For text placement/colors/vibe/whatever I like to look at old media I grew up with like MADs, shitty websites made in the 90s/2000s, old anime subtitled in Arabic (I have plenty of DVDs with anime dubbed/subbed in Arabic that I have no idea where we got them from, I assume it's all pirated. Anime openings/endings in Arabic also have very poor aesthetics when it comes to logo placement/text color/text animation/etc but that's exactly why I like them) I also have a Pinterest board with outdated ZARD edits that I look at often while drawing. For image textures or backgrounds I use this website. If I struggle with art block or don't know how to draw a specific thing I also look at everything I previously listed and reference from there. Anyways I talked a Lot but hopefully I could help with that.

As for Reigen being a guardian .... I never considered it seriously but I think he could pull it off. He'll definitely make mistakes but he could succeed if he had a daughter. I just have to kill off Minori's real dad or something and it'll work. The only problem would be that Minori has to live with the fact that her new father is broke and unable to spend thousands of dollars for her every week.

#asks

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3000-200-grains-of-salt · 11 months

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i ramble a lot be warned <33

"if you woke and i was gone"

jes' sumthin short, sweet, and angsty for @aquaquadrant and @lunarcrown 's hels to pay au :] im known for fluff but i wanted to cry for a change i guess </3

bigger better things comin! <33 but i literally just got back from a 6 day thing ereyesterday w/no drawing time and in actually 7 hours i have to wake up to get on an airplane and have not slept yet. lmao. im gonna see the crane wives in chicago literal core memory abt to be made, ill keep ya posted otherwise.

also my vaforite crane wives song????? in the HashTag official pathbubs playlist???????? and also the songs i used for art titles???????? i am crying thbak you!!!!!!!!! <33333

and i dont say it enough, but thank you to wveryone for supporting me! every reblog helps and even a lil' like helps me microdose serotonin!

and thank you specifically to lunar n aqua for being so incredibly kind and leaving like an entire Paragraph of tags on each of my arts.!!!?.?!!?!! every time i see your guyses names in my notifs i get so incredibly happy and its not even funny because one day we're all gonna be 80 yrs old and still in the hermitcraft fandom and ill have a heart attack and die becuase i was so overjoyed to see that you liked my pieces!!!!!!!!!! genuinely yall have been a main reason why i create art in recent days, you both are so skilled in each of your respective crafts its amazing iand you dont get it wnough!!!!!!!!! my """little""" deranged series of pathbubs works has made me see a Significant improvement in drawing heads in 3d spaces! (cough cough its all th e kissing poses cough hm what was i sayin) and anatomy in general! ive gained such an understanding of the hesd in 3d, the way it attatches to the neck+torso and im feeling good about my art and like im actually improving and its because of two people and their names are lunarcrown and aquaquadrant seriously i cant thank you enough for just being here and doing what you do whether it be breathing life into empty canvases or creating whole universes in that squishy grey lump of sauce you keep in your skull or somehow making me cry because of a buhnch of squiggly lines and aeird symbols smushed together that i somehow understand?????? by using my own grey slab of meat????????????!!!!!!!!!!! just!!! wow!!!!!!!! i need to take a minute or twelve to go like bake bread and look at the stars and stuff and appreciate human life and the universe and maybe think about the mars opportunity robot

anyways. the POINT is. ...i lobve these gay idiots and the two incredible people who made them. love yall nd see you in a week <3

#almost physically hurts to remove the etho tags from this one #seattlesaltsartowrk #pathbubs #hels to pay au #hermitshipping #htp au #htp art #hels to pay art #bdubs fanart #bdoubleo100 #bdoubleo fanart #bdoubleo #bdoubleo100 fanart

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moongothic · 6 months

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Crocoman has been on my mind lately and I had a realisation (what I have to admit is that my memory is shit, so the whole conundrum might be pointless, but) wet + Croco = bad times for our Sandman. So... If he slices up a man and in turn gets splashed by blood, does he just... nullifies his own power? You can smush or suffocate with sand, but Crocodile makes stabby weaponry from it too, stabby weaponry that I am reasonably sure is attached to his arm at times. Does he developed a combo of sucking the moisture off his victim right before it soaks him and makes him a sad soggy man?

He loves living right on the edge. Desk right in front of a huge glass window that is the only thing separating him from tons of water rushing in and ending his career? check (additional flex is that it'd take as little as one very motivated bonk from his bananawani to said window for that end to come). Close ranged, bloody fights that pose the very reasonable danger of getting soaked by blood? check. Our man fears nothing.

I mean from what we've seen, usually Crocodile uses his stabby-slicy attacks from a distance, while in close range it's usually either Sables to blast people off or Barján to dehydrate people, as seen here

Like Barján doesn't cut people, surely Crocodile could've used it to cut people instead if he wanted to, but no, it mummified the guards instead

So considdering our beloved Crocodile is a smart little boy, this all could be intentional, because yeah, if he did get splooshed with blood he would lose his Logia Invunerability at least until the blood would dry, and that would just be inconvenient

And that would make for a good combat tactic in general- mummify those in range, if you can't mummify them then nuke them with Sables, and if Sables only blasts them out of your range, well now you can use Desert Spada to slice 'em without getting moisturized. Like if this was a video game that'd make for a good gameplay loop

Also while it's only stated in canon he can absorb moisture with his hand, I wouldn't be surprised if Crocodile could also passively absorb moisture from his whole body (if just less efficiently). Like during Round 2 with Luffy he did get completely soaked but was able to turn back to sand soon again, so unless the Alabastan Heat was on Croc's side, surely he couldn't have dried that fast. Same for when he was covered partially in his own blood in Marineford, surely when Doflamingo decapitated him he would've actually died if his face was still wet with blood (though Oda forgot to draw the blood on that page so take that with a grain of salt lmao)

Really the only thing that doesn't seem to quite fit into his combat loop nicely is the Big Ol' Stabby Hook as you mentioned, because if anything's gonna make people bleed all over him, it's that, that's the thing (though he could just use the actual base of the hook to pummel people with and the hook is there because. It's a prosthetic.) (You know I did always wonder why Croc wanted to use the hook instead of the hidden blade because surely the blade would be more convenient for inflicting pain but, actually, yeah, the hook makes sense)

This all said, while it would be inconvenient for him I would like to see Crocodile get covered in blood more often, it looks good on him ❤️

#Asks #OP Meta #Sir Crocodile #Did I kind of misread the original ask because I'm eepy #Yes #Can I be bothered to rewrite my response to be an actual response instead of an analysis of Croc's fighting style #No #I wrote all this shit I can not be bothered to redo it man #I even went and got that screencap for it #Also it's funny that you mention Crocodile not fearing anything because I was lowkey thinking about writing A Thing About That #IDK if I have enough Thoughts for a whole post though but the point was that #Like people do go off often about how Croc is willing to fight anyone and anything at the drop of a hat without giving a fuck #But we literally do see him get dunked on by Jozu just once and he immidiately gives up on fighting the guy #Like he tanks one (1) attack from the guy in Marineford and he takes it with relative grace #But he really does go ''awe hell naw I ain't dealing with that'' after getting attacked by Jozu and backs out #(Or would've if Doflamingo didn't wanna chat)#And we don't really even see him FIGHT anyone properly in Marineford #Like he exchanges a few blows here and there but there's no big fight with anyone in particular or anything #Even with Akainu he mostly just distracts the guy long enough for Luffy and Jinbei to escape #And we know he's smart. He doesn't rush into danger like a dumbass (see: Luffy) and always has like Things Planned Out #So really. Does he actually like to live as dangerously as people tend to assume. 'Cause I'm kind of starting to doubt it?#God I just wanna see him fight a bastard or two is that too much for me to ask

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cadriox · 5 months

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Sorry if i'm bothering you/ you dont have to respond, but how do you come up with cool backgrounds and ideas for your fanart drawings? Your stuff is super creative!! I was just curious because i draw characters in the same poses every day 😭❤

I check my tumblr notif every once in a few days but still missed this, so sorry if I was keeping you wait!

Thank you so much for the compliments! 💖💖💖 this makes me really happy, you’re not a bother at all.

Just speaking from my experience, but an artist usually have several ways of kicking off a drawing. If I start off drawing a character without actually knowing what I want to draw, I face the same exact problem as you where all the characters are just there! Standing! That isn’t a bad thing, however. I sketch a lot (roughly and fast ngl) so I immediately shift to the next drawing and considered those my warmups until a solid idea pops up. I love focusing emotions so I often start from drawing emotions on the character before coming up with scenarios for them.

Another way of kicking off a drawing is to start with a general idea. It can be a concept, a dialogue, or a composition.

Examples of said ideas I can recall:

•eremin kissing in a wide bloody background

•Eren holding armin’s face w that bloodied hand

•Flojean in a cell. Floch lives

•Gen with his hand as foreground

Concepts can start forming when you’re drawing so you keep adding in the details, or they can even change completely midway depends on you. No need to commit to it, these are just something to get your engine running!

I firmly believe that putting stories in art make it so much more special. My favorite artist is a comic artist, and they express so much and so well in even the smallest panel, their art is truly my inspiration! So as long as you got your story down and try to express it, every piece of your art is unique in its own way💖

(Also if you notice, all my backgrounds are suuuuper lazy made. I barely drawing them, most are a bunch of gradient and colors. But that’s the whole point, as long as the colors indicate what, where, and the atmosphere I don’t feel the need to draw them out!)

I find my art very rough most of the times, but the skill to let go “refining art” and prioritize dynamic and overall atmosphere are essential. It’s also always beneficial to practice drawing people on different angles and pose because it broadens your options for composition!

One last thing: everyone has a personal library in their head, whether it’s for stories, compositions, cool dialogues, lighting, character designs, music, or more. Your library was built according to your interests and what you consume. Personally I LOVE reading fanfics, watching films and series and animations of the genres I’m into. Watching more media will always give you ideas, once in a while you can go back to your library and think what would you like to see that suits your taste and haven’t been done yet.

OKAY, This replies become super long for some reason😭 I’m not the best person when it comes to explaining my thought process but I’ve always love art questions.

Anyway I hope this helps! May your drawing journey be filled with joy

#ask #ok how do I tag this #art ask #snk #aot #attack on titan #armin arlert #shingeki no kyojin #eremin #eren yeager #eren jaeger #erearu #asagiri gen #dr. stone #dr.stone #dcst

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dark-bakura1 · 3 months

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You know the feeling, when you have somethin in your head and you NEED to draw it down? I have this since saturday -i have a pose in my head and i just have to draw it, to make sure, it dont get lost. And i LOVE it, when it turns out, like it was in your head <3

I want to draw a fanart/ Self insert from @vivisols first fanfiction since i read it, but never had the motivation. Im only since a few months into the DCA fandom and draw them only for short time, so i dont wanted to draw something, that maybe dont look good enoght (Thats the reason, why i dot draw GITM Fanart for now). i want to do the characters justice and i haven't been able to do that yet. Aaaaand, I've become a bit more confident lately and have also started drawing a lot in my traditional way again instead of my 3d model in the drawing program on Sunday. I'm getting happy with how I'm drawing Sun and Moon in general and was finally able to transfer it to Vivi's awesome characters. Since the main image itself is 1 quite messy and opaque because everything is in position as planned and 2 the whole image is sized at 7200x7500 pixels, I've added the rough drawings of all the characters a bit smaller: In case anyone is interested in how I'm approaching and preparing ^^ Just open it in the browser and you have a better view, because you can get the biggest possible version to see some details. I'm very happy with the result so far and I'm really looking forward to working on it… but not now, it's already after 1 o'clock in the morning xD

#my art <3 #art wip

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flower-zombie-rob · 1 year

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Hiya! I know you're favorite ego is Robbie, but which of your drawings of him is your favorite?

Ooooo thats really really hard!!!!!

I have a few ones of robbie that I'm particularly proud of, firstly, the one that's currently my banner. I just think its really cute and I'm really happy with how simple and cosy it feels, as well as the way I dove into a little lighting, which I dont normally do.

Now I've also got this one of Robbie in an experimental Iris facility. This one, despite me really liking the color scheme and pose, has a special place in my heart because someone wrote a whole little fanfic based on it, which was absolutely amazing!!! I always like using glass to make texture and in general I liked the concept of this drawing and the background is all eerie. It's one of my slightly more serious ones, which are far and few between with my cartoonish art style.

But there's also these delightful little things, which are not only special because I think the poses in general of everyone in the frame are quite good, but because theyre drawings of an actual event! When I went to Comic-Con October, I met up with a few really cool jse creators and we spent the day cosplaying the egos. The photos we took that day were so fun that I just had to make them into drawings, so they are very personal to me and remind me of a good memory!!

These 2 are also really cute for no reason other than I felt really confident about them and I think they were just really good drawings and presentations on how much I love the character! They both just show him being who he is, a soft, sweet, baby zombie boy, and I love that a lot! Thats all I ever want out of a robbie drawing.

So there's a lot of stuff for me to decide when figuring out my favourites, mostly because I draw him so often!!! But yeah, these are my personal highlights, top two are probably my banner brick wall graveyard drawing and the doodling drawing where i drew multiple robbies, which one was your favourite? Id love to hear what peoples favourites were with my drawings of this character, whos so important now to my personal brand on this blog!

#zombie draws #robbie the zombie #jse robbie

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xbuster · 9 months

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Pardon me if this is jumping the gun and you planned to do this after your cutie honey viewing, but what's your general opinion/take on the tone of the series as a whole? I've heard a lot of mixed stuff, ranging from it being sexual in a tasteless and often concerning way to it being a fun, cute erotica series. From your gifs especially a-go-go it's making me want to watch it and to me itooks like a fun time, but I wanted a little insight form someone who's viewed the series a whole and recently too

Well, I haven't viewed the series as a whole yet since I haven't finished the original anime (though I'm around halfway through so my opinion on it is pretty decided), Flash (and it's movie), or The Live, (and a couple manga like the seemingly unimportant sequel written by Go Nagai and some spin-offs) but my opinion on the franchise from all that I've seen has been all over the place and I simultaneously loathe and love it. This is because that both of what you've heard about it is right. It is tasteless and gross and it is cute ecchi (I can't say it ever really becomes erotica but Re: Cutie Honey got very close). It really depends on what you read and watch. I'll tell you my opinion on each entry of the Cutie Honey franchise I've consumed so far and whether I think it's worth checking out.

Go Nagai's original Cutie Honey manga: This is where it all started. It's also the worst part of Cutie Honey and it's not even close. My opinion of Go Nagai is very low. Of his big hits, I've read Cutie Honey and Devilman, but I've also read a few of his other works and of all of them, I've only enjoyed Devilman (I am planning on reading Mazinger Z eventually too though). The rest is all atrocious. Go Nagai is a terrible mangaka. It's actually amazing that I really loved Devilman because I had bought Cutie Honey thinking that I would love a magical girl manga written by the man who could create something as unique an experience as Devilman and it ended up being one of the worst things I've read. Almost all the fan service comes from sexually assaulting Honey, it's very uncomfortable to read. The plot isn't very interesting until like halfway through volume 2, but by that point the story is already almost over. There's a reason it was cancelled. No, it's not worth reading, but unfortunately it did shape how most Cutie Honey adaptations were structured so reading it does set you up to understand the many references the other manga and anime will make to it. It's up to you if you want to actually read that, but it's only 2 volumes long so it's a quick read at least.

The first Cutie Honey anime from 1973: This is what made Cutie Honey into an icon. It ignored almost everything from the manga to make it into something enjoyable, mostly just borrowing characters, enemies, and abilities from the manga while focusing on making an enjoyable monster of the week show. Fan service is often, but fairly light, so it's not as uncomfortable as it was in the manga. Honey actually has a personality in the anime. In the manga, she was kind of incompetent and whiny with nothing really interesting about her. In the anime, she's witty, funny, and really skilled at dealing with her enemies. This means she's fun to watch when she's posing as a civilian because she'll charm you with her personality and she's fun to watch as a fighter because the action scenes are well composed and she has many ways to fight Panther Claw. The manga didn't feel like it took advantage of her ability to transform at all, despite that being her main draw. The anime introduces a ton of different forms, with new ones being introduced each episode. The first episode introduced her main 5 forms outside of her identity as Honey Kisaragi and Cutie Honey and has a fight scene with every single transformation. This was a great way of showcasing her abilities as a fighter. It was honestly really impressive. This anime is a must-watch, it lays the foundation for what other good adaptations would borrow from.

Hideaki Anno's live action Cutie Honey movie: This was the first thing I had seen with the name Cutie Honey on it that I actually enjoyed. Its relationship to previous versions of Cutie Honey is thin, really just using the general idea of the character of Cutie Honey and the names of some other characters from the manga. The roles these characters fill are almost completely different from their original incarnations except for maybe on or two surface level similarities. This actually works in its favor because of how bad the original manga was. Anno's vision is fresh and the plot is engaging. It has some problems, like Honey's characterization not being very good, and some of the lighter moments being a bit boring, but whenever Panther Claw appears it becomes very fun with really unique fight choreography and special effects you could only see from a team that worked on Gainax anime. There's some fan service, but it wasn't as ecchi as the manga and anime. It's not a must-watch, but it is worth your time and serves as the groundwork for the next two entries.

Cutie Honey a Go Go!: This manga is very loosely based on the screenplay for Hideaki Anno's movie. There are common elements that both share, but it's ultimately a very original story when compared to the movie. It's also pretty fun. It's a lot more focused on the character of Natsuko Aki, with Honey not even being involved much until a few chapters in. It's a fresh idea to follow a character who isn't Honey, but I really like how Honey was portrayed in this manga and while I did like Natsuko, I still probably would have preferred to see more of Honey. But like Go Nagai's original, this manga was sadly cancelled with volume 2 and ends on a cliffhanger reminiscent of the original. It's a fun read, but you won't get a complete story. The art breathes new life into Honey and while I wished there was more, I still enjoyed my time with it. It was also the closest to being as ecchi as the original manga, but it's actually fun with it and it never made me uncomfortable to see Honey suddenly get naked.

Re: Cutie Honey: This is the horniest Cutie Honey anime I have seen and it's amazing for it. Gainax knew how to do fan service and since this was an OVA and not a TV anime, they were allowed to go all out with it. Instead of feeling like Honey was constantly getting assaulted, the scenes where her clothes are shredded or characters are suddenly naked feels more playful, and at times erotic (especially episode 2 when she has an intimate moment with a certain character). This anime is very clearly based off Hideaki Anno's movie. Like all the characters from the movie appear in the OVA, they have similar roles and similar design philosophies, but most of their characterization and arcs are different and that helps elevate it over the movie. Honey isn't as naive and annoying, she's more like the Honey from the original anime. Witty and funny, playful and sexy. She's a competent fighter and fun to watch in any situation. It's not at all like Nagai's original vision and that's what makes it so good. Definitely a must-watch.

Cutie Honey Universe: Probably the most disappointing entry on this list. It's started off interesting. It looked to be the closest adaptation of Nagai's manga while distancing itself from the main elements of what made the manga so bad. It was a TV anime, so it wasn't very explicit, but the Blu-ray release uncensored it. But it still wasn't on the level of ecchi you would see in Re or even a Go Go. Unfortunately, it was still trying to somewhat adapt Nagai's manga and that really held it back when Universe would decide to recreate scenes from the manga. While they weren't as bad as the original, these scenes still weren't very good most of the time. The characters of Junpei and Danbei were dialed back in the 1973 anime, but they're far more annoying in this. Even the original parts of the plot (of which there are a LOT) weren't good. Like at all. By the midpoint I had gotten so bored that I put it on hold for half a year and when I got back to watching it, it was just bad. It was not a good anime and I wouldn't recommend it unless you really just want to watch everything Cutie Honey. The character designs were so 2010's anime with barely any originality, it would get really bright sometimes and wash out the details in the art for no reason, and most of the actual animation wasn't very good. And not in a charming way like the 1973 anime. I don't know, there were some things I liked but they would usually go to waste. It was just really disappointing because I think there was potential. It was also the only series to not use the iconic theme song.

tl;dr definitely watch 1973 and Re: Cute Honey, they're fantastic. Watch the Anno movie before Re if you want to see what Re borrows from it, but you don't need to. Read a Go Go if you like any of the three I just mentioned because it's also fun. If you really want to know what Cutie Honey was intended to be, read the original manga first, but definitely avoid it if you don't care. Universe isn't as bad as the original manga, but it's also not really worth watching for any reason besides just wanting to watch all Cutie Honey anime because it was honestly pretty boring.

Hope that helps!

#i didn't proofread this so i hope this didn't sound like nonsense

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amplesalty · 2 years

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Christmas 2022 - Day 2 - Home Alone: The Holiday Heist (2012)

On t he second day of Christmas, my true love gave to me...

...two thousand dollars worth of tools!

Oh hey, we’ve reached the point where they got embarrassed about the number of sequels they were making. We took a diversion last year to look at the newest entry in the franchise, Home Sweet Home Alone, but we’re going back into the archives now to check out the last new to me entry actually set at Christmas. I’ve never seen 3 but I know that’s not set at Christmas and doesn’t involve the McAllisters either but maybe I’ll look at that one day as a random review just for the sake of completeness. With this coming out in 2012, it almost sort of maybe looks like they’re going for a ‘once a generation’ thing where they draw in one bunch of kids, then hit the next batch when the others have grown up. I mean, you had the original and the sequel at the beginning of the 90’s, 3 came out mid-to-late 90’s, then 4 was early noughties, now this one in the early tens and finally HSHA in 2021. At this rate I suppose we can look forward to the next entry in the early 2030’s. Maybe by then it’ll be set on a terraformed Mars.

I don’t know why but I’ve somehow always managed to misjudge this art for the film. I think something about the hair looking floppy made me think he was a spoilt little rich kid. Plus what is quite plainly a hoodie I’d somehow seen as like a blazer of sorts with a tie. I can only assume I only ever glanced at this and didn’t pay too much attention because boy is that ever a wide of the mark assessment. Indeed, this is the story of your average American family with 2.4 kids who have moved all the way from California to Maine in aid of mom’s new job.

At least he’s doing the whole ‘scream’ thing here to immediately remind you of the old movies. They even mention the painting at one point and the kids get oddly embarrassed at their parents doing the pose. I don’t know if he’s really selling fear here though, he just looks slightly appalled by something.

Fittingly for Maine the house is allegedly haunted by the spirit of an old timey bootlegger but we’re not exactly going into Stephen King territory here. It does give extra reason for our young protagonist, Finn (played by Christian Martyn), to be scared senseless but he doesn’t exactly need any help since he’s pretty much scared of his own shadow most of the time. It’s also the motivation for our obligatory gang of baddies as they plan to steal a painting which is said to reside in the house.

And hey, there are actual recognisable people in these roles again! Malcolm McDowell makes another appearance on our Christmas list, this time as the ringleader Sinclair. Alongside him he has Jessica played by Debi Mazar who sort of looks familiar but I don’t think that’s down to some of the more logical places I would have seen her like Goodfellas or Empire Records. She’s apparently Madonna’s bestie as well and she’s been in a whole bunch of her videos.

Maybe it’s because she looks like she’s come straight out of that Jim Carrey Grinch movie at one point. Definite Who vibe off her here. Plus there’s Eddie Steeples who was ‘Crab Man’ Darnell Turner on My Name is Earl and was also in Would You Rather that I watched during Halloween a year or two back.

Say what you will about these sequels being cash ins but they put their hand in their pocket sometimes to get people you might actually know. Granted, McDowell is very much a working actor and whilst thoughts do obviously turn to A Clockwork Orange, you can just as easily find him providing voice work to Pinocchio 3000 (okay that sounds stupid and I kinda want to see it) or Tom and Jerry Meet Sherlock Holmes (...same) so it’s probably not an amazing ‘get’ but I imagine he doesn’t come cheap.

Another recognisable face is Edward Asner who just feels destined to turn up in so many Christmas films. I swear it’s either him or the goddamned Northen Lights. At least he’s not playing Santa this time. It’s kind of a weird performance because he’s hosting this Christmas party and the mum is his new hire, only they’re trying to play him off as being massively drunk but it’s not that far removed from just being a vaguely senile old man.

The whole former bootlegger house does very nearly come close to giving this movie a gimmick and some sort of identity as pretty early on Finn inadvertently finds a hidden safe in the basement. Eventually he and his sister find out that it has a hidden wall that has a speakeasy behind it which, when his sister tries to steal a bottle of alcohol, triggers the door to shut behind her and lock her in. The idea of the house itself having these sort of traps built in and leftover from it’s former occupant would’ve been a new dynamic and you could potentially have moments of peril from Finn accidently finding himself on the wrong end of one. But it doesn’t really come up so we’re just left with the results of Finn’s imagination; icing up the front porch (a classic), pouring oil over people or baking poisoned cookies full of hot sauce. Hey, Home Sweet Home Alone took that one! That movie has clearly sunk to a new low if it’s having to rip off this movie. Thinking about it though, the kid in these movies is meant to be the viewer analogue, the little boys and girls watching at home are meant to be able to imagine themselves being the one setting the traps and getting their own back on all the mean grownups so it doesn’t exactly work if the kid isn’t the one actively setting the traps.

His big secret weapon is the power of sexual harassment as Jessica gets stuck in a window trying to break in so, when he two partners in crime try to pull her out, Finn keeps firing things at her that smack her on the arse and makes her think the guys are trying to cop a feel. A swift mule kick to the nards sorts them right out though. I don’t know if I want to run the risk of upsetting the moderation bots of Tumblr again though in order to show you, I’m not sure what the party line is on a nice bottom.

The traps feel a little tame in comparison to the other movies, especially when you consider the multiple times Kevin nearly killed the Wet/Sticky bandits with blunt force trauma, electrocution, burning, falls, Birdemic... Honestly, the most violent act isn’t even directed at the bad guys, it’s when he’s convinced the house is haunted so tries to collect evidence and ends up shooting his own Father with a taser. I know these kids are shown to be resourceful in these movies but where did he get that from?!It’s like the reverse Chekhov’s Gun as it never shows up again.

Or when this one guy pretty much gets Swatted and maced by about a dozen cops. See, there’s this whole subplot where Finn just wants to play videogames and not make any actual real life friends, only it comes across vaguely weird when the one guy he’s talking to online is this one dude in like his mid 20’s. Finn kinda has this whole borderline social issue though as he seems geniunely anxious at the thought of any human interaction with his peers. His sister is portrayed as being obssesed with her phone so it’s very much the type of writing you expect from that relatively early period of smart phones where adults are complaining about how their kids just wont get off the dang cell phone or those violent viddy games!

Then there’s this whole scene where Finn tells the guy they’re being robbed so he hacks Finn’s gamertag, gets his mum’s mobile number from the account details and calls her to tell her what’s happening. Only it turns into this whole misunderstanding where she thinks he’s grooming her son and has her daughter locked in the basement. Oh, noncing and child abuse, what japes we have.

Honestly, this one wasn’t too bad. It’s massively derivative and there’s no reason to watch it over 1 or 2 but it’s not the worst thing in the world. It’s just a very safe rehash that makes absolutely no attempt to try and stray from the formula, it just settles into the well worn arse groove that the original movie and the sequel already made and is quite content with that. It’s just the same movie but adjusted 20 years down the line with some new possibilities thanks to the advancement of technology. Still, because it’s giving itself such a low bar it didn’t really come across as making any massively glaring faults. Whereas last year I think Home Sweet Home Alone kind of forgot it even was a Home Alone movie for large portions so it’s a lot easier to pick fault with it. Maybe that one just set some low expectations for me that this one was able to meet.

It’s not to say there aren’t problems. Like Finn is just a massive dweeb who seems to have this sad look on his face the entire movie. Plus, him being scared borders on the ridiciousless on occasions. Like there’s one moment where he manages to run screaming out of the secret room, through the basement, up the stairs, through the kitchen, up another flight of stairs, into his room, throw off the covers and then dive under them. It feels like one of those jokes where someone is falling for a really long time so they have to stop to breathe before starting to scream again. Granted, Kevin was pretty scared in the first movie but he was a good couple of years younger, was actively left alone for days on end rather then just a couple of hours whilst his parents went to a party and the Wet Bandits were a lot more intimidating the guy guys on show here. These guys are only interested in the painting and even when they do discover Finn and his sister, they just try to keep them out of the way. The Bandits though, they took that shit seriously when Kevin was fighting back against them and you really did think they were going to kill him before Old Man Marley showed up with that snow shovel. I suppose this is a kids movie after all though and you’ve got to keep the menace and fear to a minimum.

#Christmas 2022 #home alone #Home Alone 5 #Home Alone The Holiday Heist

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rajingdragon · 2 years

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Tf2 x the Isle crossover art (don’t ask)

With Twitter in a weird place atm I wanted to salvage the last bits of my tf2 x the Isle crossover phase from a few years ago and share it with the world. It all started when someone made a spy troodon edit and I decided to make the rest of the team as well (please don’t judge my picks too hard, some of these were picked purely for aesthetic reasons). Also these were made pre evrima release, so all the creatures are described in a legacy context, except for the specifically evrima playables.

Scout utah

A pretty obvious choice. Both annoying, fast and agile. The way I edited the neck still bugs me to this day.

Pyro dilo

Dilos in the Isle were intended as night hunters, their superior night vision gaining them an edge over other playables. Hearing a dilo call in the distance would send a slight shiver down your spine, which I felt matched pyro’s personality and intent quite well.

Sniper hypsi

One of my first edits and I feel a pretty obvious choice, too. Hypsi is (at least as of now) the only creature with a ranged attack. Coupled with its jumping and tree climbing capabilities, allowing it to stay out of reach of most predators, made it the perfect fit for sniper.

Heavy shant

They’re both tanks, what else do you want me to say. (Plus, I could make a blue plant referrence)

Demoman teno

I don’t actually have a specific reason for this pick, it just felt right, you know? Probably one of my favorite edits!

Medic carno

Why carno? Heck should I know! It was a choice between carno and maya, but I think I picked carno because 1- both characters run a lot and 2- I felt a carni was the appropriate choice for medic instead of a herbi because of medic’s grin and general energy. (I also had a version of this edit with little spectacles, but unfortunately it has been long since deleted)

Soldier allo

I got nothing for this one. I think it’s because soldier is kinda the default/starting merc and allo is very basic, but like??? I’d love to hear better suggestions. (look at his crappy little drawn on helmet!)

Engineer dryo

Again, a choice between maya and dryo, but public vote decided on dryo. I think it’s also the only legacy playable that can build a structure other than a nest, so kinda fitting.

Aaaand to top it all off, here’s the whole gang in drawing form! It was heavily referenced off the og poster and was (very lightly) traced with stick figures to get the proportions and poses down because I sucked at human anatomy (still do)

Tbh I’m still kinda really proud of these and I hope to re-visit it someday.

#tf2 #team fortress 2 #team fortress fanart #the isle #dinosaur

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captnjacksparrow · 3 years

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Hey. So when do you think Sasuke realised his true feelings for Naruto? I feel like he knew since part one itself, in some way at least. He was aware of something. When Sasuke tells Naruto his body moved on its own, I feel like there were seeds of realisation or at least a trigger point. In Shippuden, he always seems like he is fully aware of his depth of feelings for Naruto, he gets super emotional because of it. The fact that he is driven to ask Naruto again and again about his feelings, and is disappointed except for chapter 698 proves that he knew this feeling was somehow different, and he wanted understanding from Naruto, maybe to validate his own feelings, since he is equally inexperienced if not oblivious like Naruto.

He knows deep down that Naruto is special to him, he adores Naruto privately, he had since before the genin days. At the end of vote 1, I think he realises it fully, his true feelings for Naruto. What do you think?

Wonderful Ask, Anon!!! 😍😍😍.

[[Lengthy Post ahead]]

WHEN DID SASUKE REALIZED HIS TRUE FEELINGS FOR NARUTO?

I am damn sure, like 100%, the moment he realized his true feelings is when he thought he was going to die and recollected all the memories he shared with Naruto (including the Accidental Kiss and Roasting Sakura for insulting Naruto) for one Last Time in the Land of the Waves Arc.

You might be thinking now, "What makes you so sure?"

Well, Kishimoto just hammered into our faces in many plotlines.

How is this panel has to do anything with Sasuke?, You may ask.

The answer is here.

"You will realize what you are, as death comes to embrace you".

Itachi, no matter how cold he acted before Sasuke in that battle, he simply couldn't keep up his Evil Brother act at the final moment of his death.

He just smiled. That is who Itachi really was and always will be for Sasuke.

Again, you may ask, 'All this happens much later in the series, Kishi might've had a different mindset back when he was drawing part 1'.

You are right. But Kishi's mindset was the same all the time. He even established this 'True face before Death' theme very strongly in Land of the Waves arc itself.

This is who Zabuza really was. He didn't treat Haku like a Tool. Infact, his final words were, "I wanted to go the same place as you".

Kakashi made sure to convey this message to Haku in the War Arc, when he fought with the Edo Tensei'ed Haku and Zabuza.

And there are many characters who died in this series. Almost all of them projects their true feelings before their death. Just rewind the deaths of Nagato, Yahiko, Konan, Obito, Madara. You might've noticed that there won't be any lies. For Example, Obito. When he died for the first time, he was really thinking about Kakashi and Rin. He even said, ‘I wish I could’ve spent more time with them’. That’s who Obito really was. He was convinced with that Tsukuyomi plan because he wanted to live in a dream world where Rin and Kakashi will be with him happily.

So, a person, at their final moment thinks only about all their memories shared with that 'precious' person signifies only one thing. That person must have unconditionally loved the one they thought about.

Sasuke realized that he loves Naruto at that moment and he had no regrets because he smiled before falling into Naruto's lap.

And I always wondered, 'Why did Sasuke thought only about Naruto? Didn't he have any other good memories other than the ones he shared with Naruto?'.

Well, this goes way back when he was just 8, right after the Massacre. Yes, the chapter 698 confession. But I am not going to attach all the panels here as I will go in-depth about it later in this post.

However, there are three panels that provides the general gist of what Sasuke felt about Naruto, the whole time.

Happiness:

Whenever Sasuke watches Naruto, he reminded him of his family and it made Sasuke 'felt relieved' or 'feel warm and fuzzy'. Simply put, Naruto's presence made him happy.

And did Sasuke ever felt relieved?

Yes, he did!!

This above scene happens sometime after the massacre and yet, somehow Naruto could make him smile even in that distressful situation.

And this is one recurring feeling which Sasuke experience whenever he comes in contact with Naruto. After the Massacre, somehow Naruto became his source of happiness or relief. This panel right after massacre, that smile before his ‘supposed’ death, on seeing the Great Naruto Bridge with a relaxed smile, VoTE2 smile.....

Sasuke smiled at all these scenes and you know the reason why!!!

Weakness:

This is exactly opposite from how he felt earlier. And this conflicting thoughts are what Sasuke was battling in his mind throughout Part 1 and Part 2 until Chapter 697. He liked Naruto's presence. But, For him, the very thought of bonding with him made him feel weak.

According to Sasuke, the stronger he bonds with someone the more he has to worry about losing them and the very thought of losing them will put him in a precarious position which is considered as a weakness. And Sasuke doesn’t want to experience this again.

Meaning, Sasuke doesn’t want to feel the pain of loss over someone, ever again. He wants to be the person who don’t care about anyone.

Did Sasuke ever expose his weakness?

Yes he did!!!

This is his absolute display of weakness and this is what he always wanted to avoid. The very thought of something is going to happen to Naruto made him do something that put him under immense pain.

Yes, In his mind, he doesn’t want to care about anyone’s loss. But his body doesn’t seem to listen to him. And that’s why his body moved on it’s own.

God!!! This made me cry!!!!

Pain:

Now, this feeling Sasuke had towards Naruto was very evident in the War Arc. That one time he sensed Naruto’s Chakra in Konoha and asked Orochimaru to hurry up. Also when Naruto was bawling after seeing countless shinobi’s deaths, Sasuke’s reaction changed from ‘I don’t care 😶’ to ‘How dare you😠’, I consider all these moments where Sasuke was bothered about Naruto . But since, I want to focus only on Pre- Land of the Waves moments, I’m not going to add those moments here.

Did Sasuke felt pain in Part 1?

Of course, he did!!!

Well, I always consider this scene as something ‘very personal’ for Sasuke.

In this post, I’ve written about how chapter 3 is masked by the ‘Accidental Kiss’ as a comical facade but when you analyze it deeply you will find that Naruto and Sasuke’s rivalry thing goes long back, even before the series started.

After hearing Pinky’s insensitive comment, what Sasuke did here was completely extreme. He was just giving her a ‘Murder Stare’ which was way too extreme for Naruto, if he was just a teammate. When in reality, Naruto was not just his teammate. That’s why I think Sasuke was bothered by this insensitive comment and roasted her because he knew Naruto was suffering from this loneliness ever since he saw him when he was 8. And when someone made fun of his loneliness, Sasuke just couldn’t keep quiet.

Isn’t this some form of feeling pain of the person you care about and standing up for them?

This is another scene which I don’t have to go in detail about.

On my first watch, I always wondered, ‘Why Sasuke was making exceptions for Naruto? They just know for a very few days and yet why was he giving his lunch and standing up for him, which he doesn’t have to in the first place? It’s just 2 episodes in and Sasuke has already made 4 exceptions, why was he doing this?’

But after watching Episode 478, I came to the realization that Sasuke did all these because he knew about Naruto before the series even started.

It’s funny that before this scene, Sasuke was giving his long-ass serious speech to Pinky about how he is an avenger, he was crying at that time, he wants to get stronger than someone and wants to kill him, he can’t waste his time here..... And yet when he saw Naruto suffering from Hunger, he just gave his lunch without minding the consequences. (Ninja Career says Hello!!!!)

Now, Let’s get back to my previous question I posed here,

Why did Sasuke thought only about Naruto in his final moments? Didn't he have any other good memories other than the ones he shared with Naruto?

The answer is, ‘Sasuke always felt any one of the three extreme emotions such as Happiness, Weakness, Pain in the presence of Naruto. And all these 3 extremities are not something you feel for everyone unless that person shares your blood or the person you love unconditionally. Sasuke, at this point has no one that shares his blood plus the only blood relation left was the one he wants to kill. And since Sasuke thinks he is going to die, he doesn’t mind thinking about his happiest moments with the person he considers as ‘precious’ , because somehow Sasuke considers Naruto as ‘His Person’ or you can say ‘a part of himself’’

And that’s why I think Sasuke realized his true feelings just when he was about to die.

At the end of vote 1, I think he realizes it fully, his true feelings for Naruto.

I had this same thought before, anon!!! But after multiple re-watches, I realized something else. You cannot realize your true feelings and say a painful ‘Good Bye’ at the same time.

Realizing true feelings works only in two ways,

You either say a ‘Good Bye’ to someone. After leaving that person you may realize you miss that person and eventually you may come to term with your feelings.

You already have a strong feeling established in your heart and say a painful ‘Good Bye’. And VoTE 1 belongs to this category.

Simply put, Break ups and Love realization cannot happen simultaneously.

And that’s why Sasuke casually said, “To me, you’ve become my closest friend” without any hesitation. Because he already knew it otherwise obtaining Mangekyou Sharingan (MS) will not be possible if you don’t have such a strong feelings established already.

That whole battle started off as a way to obtain MS but then it changed into his desperate attempt to cut off his bond with Naruto to become stronger and only killing him can sever it because it’s such a strong one. It’s not a bond that will be severed by saying a simple, ‘Thank you’.

At this moment, Sasuke must be realizing he simply cannot cut off this bond and he is again making an exception by letting this one weakness to exist and embracing it by being closer to him for one final time.

And this is one of the hauntingly brilliant way of conveying A Connection indirectly. And the best part is... this scene is not accidental. We know Sasuke felt stinging pain in his arms and knelt down & coughed up blood. How did he end up straight above Naruto’s face?

It’s because Sasuke simply wanted to convey his unbroken bond with Naruto by deliberately leaning towards his face. Rain falls on Sasuke and all those droplets passes through Sasuke’s face and falls upon Naruto’s face or it is very possible that Sasuke might by crying and his tears might be touching his face, but either way, it creates a Connection which he couldn’t able to cut off. In the fillers, Sasuke’s sweat drop falls on Naruto. It’s almost similar to how at the end of chapter 698, both of their blood connects together to form a connection. Which means only death can separate their connection.

That’s why I feel that this is the moment where he is painfully saying his Good Bye for one last time, it pains him immensely because he already knows that leaving his ‘precious’ person who became a part of himself is not very easy added to that he hurt him so much during the battle. And for this reason, Sasuke felt ‘leaving Naruto is like ripping off half of his body’.

He knows deep down that Naruto is special to him, he adores Naruto privately, he had since before the genin days. What do you think?

Sasuke always fights this inner battle within himself. Mind Vs Heart & Body.

His mind says, ‘No more Bonds. Just stay alone. That will save you a lot of pain’.

His body says, ‘Create Bonds. Feel Relieved’.

When Sasuke met Naruto near the lake pier, His body wins the battle and that’s why he smiled back at him despite the trauma he went through few days earlier. This is when Naruto became special to him.

When Sasuke attempted to make friendship with Naruto. His body wins the battle and that’s why he offered food, trained along with him.

When Sasuke died for Naruto by casting away his dreams, his body moved on its own.

At the beginning of VoTE1 battle, his mind said, ‘Leave Naruto. Pursue your dreams by treading in a darker path by filling your heart with hatred’. His body said, ‘Be with Naruto. Achieve your goals by filling your heart with Love’.

By the end of VoTE1, Sasuke came to the conclusion that he really couldn’t sever his bond with Naruto, no matter how hard he tried. That’s why his body moved on its own and ended up straight above Naruto’s face for one last time. Carrying all the heart break of a painful breakup, Sasuke treads towards the darker path. For the very first time, Sasuke’s mind won the inner battle. And he was extremely saddened by it.

Throughout Shippuden, Sasuke mostly listened to his mind and whenever he does, he was seen pushing Naruto away like leaving with Orochimaru, ramming chidori through Naruto’s Shadow Clone when pursuing Itachi, promising to kill Naruto before Attacking Konoha, wanting to fight with Naruto in VoTE2.

But whenever he followed his heart, you can see scenes like Sasuke occupying Naruto’s personal space in Orochimaru hideout, Sasuke smiling at Great Naruto Bridge, asking Obito about Kyuubi (Naruto) when he joined Akatsuki, stopping his rampage on seeing Naruto’s eyes under The Bridge, asking Obito to wait and listened to Naruto under the Bridge, sensing Naruto’s chakra in Konoha and getting concerned about it, prioritize saving Naruto over everyone in the War Arc, switching off Sharingan at the last moment. These are all the moment where Sasuke’s heart was winning over his mind.

And finally at the end of VoTE2, Sasuke happily claimed, ‘I lost’, meaning, his mind which always asked him to cut the bond with Naruto lost to his Heart and Body which always wanted him to be with Naruto. And when Sasuke felt that he was unconditionally loved by Naruto who was willing to share his pain, Sasuke cried happily and finally sealed his Bond with Naruto.

But anyways, I still get this question, why do Sasuke had to battle his feelings for Naruto like a lover? And why Naruto had to act all Tsundere towards Sasuke for most of the Part 1 if only they are friends!!! Like Shikamaru was never shown to be acting tsundere towards Chouji or Naruto. Or Obito was never shown to battle his feelings towards Kakashi!!! Itachi was never shown to be obsessed about Sasuke all the time. Or Hashirama was never obsessed about Tobirama either. Like we were shown many fraternal bonds, friendly bonds throughout the series. And yet why none of those bonds fits for Naruto and Sasuke?

Well, this post is not the right place to cover these questions and I am simply going to leave it at that.

Sasuke realized it very early and that’s why he decided to push Naruto away by the end of Part 1. Whereas Naruto truly realized his feelings at the end of Part 1 and decided to put himself close with Sasuke in Part 2 and finally confessed in VoTE2 that, ‘Remember, you once gave me your food during the Bell Test? It’s because you simply can’t tolerate to watch me suffer before your eyes.... I also feel the same way about you.. I simply cannot see you suffer alone when you were willing to give your body to Orochimaru... It just hurt me a lot inside’.

They finally realize the feelings they had for each other is a love in a broader sense which cannot be labelled under a certain term (it may include a father, a mother, a friend, a lover too) and we can call them as Pure Soulmates, where one cannot live without the other, where one cannot bear to see the other one suffer and they always wanted to be standing next to each other sharing their happiness and pain in their hearts.

#sasunaru #sasunarusasu #narusasu #sns #naruto #sasuke #they are the eternal soulmates #naruto analysis #meta post #when did sasuke realize his feelings for naruto

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