*deep breath in*
the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏
let me explain.
so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.
Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home
Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.
Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.
Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.
Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.
Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.
Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.
And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.
Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.
There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.
Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.
Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.
The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”
Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar
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One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).
And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?
Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.
Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.
And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.
Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP
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so um anyway jiang cheng canonically does not consider wei wuxian a servant—let alone “just a servant”—and does not treat him like one. idk where this idea came from but it is factually untrue.
in fact, jc repeatedly indicates that he thinks wwx’s station is on par with other gentry, that he likes the idea of being part of a pair with wwx, and even jokes with wwx, mocking the notion that wwx could be a servant.
after wwx was taken in, they were functionally raised as equals, and there is nothing in their interactions as youths that indicates or even hints that their relationship was master/servant instead of simply childhood friends.
and obviously wwx is not sect leader, so yeah, he is expected to defer to jc after the war, (and that’s not an inherently bad thing, that’s how leadership works) but jc lets him get away with SO much shit that Would Not Fly if wwx were a servant (or treated like one). if jc only regarded wwx as a servant, there is literally no reason to be as lenient as jc was with wwx’s loose canon tendencies.
i’m sorry, but there is simply no valid reading of their relationship where the dynamic of their relationship is master/servant. their relationship simply is not built on obligation, as much as they both try to act like it. this assumption undercuts a huge amount of context and motivation, leaving nonsensical character decisions and gaping plot holes. there is no mdzs unless they care about each other as individuals.
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“That one time Barnaby broke somebody’s jaw for going a little too far w/ insulting Wally & almost got expelled <3”
Full story please? <3
WITH PLEASURE!
for those who are slightly confused, this is for 'my' modern human au! well. modern-ish!
okay so when they were in freshman year / 9th grade, Barnaby and Wally are soldily Bonded. they are a set, do not separate. they receive a lot of shit for this, because some kids are assholes and that's especially true for 14yr olds. and it's 2006. so Wally and Barnaby get teased/bullied a lot for their closeness. at this point they're kind of used to it. they met early in 7th grade and have been inseparable ever since. most of it slides off of them
but what is Barnaby was having an especially stressful week? one of those weeks were everything is going wrong, nothing is working out. so Barn is at the end of his rope, and then one of the main kids who likes to bother them insults Wally specifically, and badly. like it's some next level So Bad Its Almost Impressive shit. at present Barnaby is walking to his next class with Wally and Poppy. so Barnaby just kind of stops in place, mentally chooses violence, turns, walks up to the kid, and punches him as hard as he can. it knocked the bully out instantly and broke his jaw.
and keep in mind that at this point in time, Barnaby isn't the big strong guy he is later on. he hasn't had his main growth spurt yet. and he still packed enough of a punch to do Damage - which makes him even more intimidating when he Does hit his growth spurt and towers over practically everyone
the pros of this event: Frank and Julie were watching, and Frank respected Barnaby's response so much that he allowed Julie to bring him to hang out with the growing friend group at lunch / asshole kids were less inclined to insult Wally and Barnaby (or his friends) to their faces
cons: Eddie was also watching and was too scared of Barnaby for the rest of their school career to try and talk to him or his friends / Barnaby nearly got expelled but did get suspended, and that's a permanent mark on his record
so the kid goes down, everyone freaks out. Barnaby is still too angry to feel anything other than pissed off vindication. naturally higher Authorities (teachers) come to get the unconscious student to the (i almost said vet) nurse's office, and to bring Barnaby to the principle's office. they call Ms. Beagle and have her come pick him up. Wally has stuck like glue to Barnaby pretty much the whole time, except for when Barnaby was in the office to get chewed out / interrogated. when Ms. Beagle is done w/ her conversation with the principle, she takes Barnaby and Wally home.
there, Barnaby is still worked up, and as "punishment" Ms. Beagle has him do some menial tasks alongside his usual after school chores. Wally tags along, of course, and asks why the hell Barnaby did that. in a nicer Wally way of asking. this is what breaks the camels back. Barnaby just sits down and starts crying, to which Wally is like "oh no. oh fuck. what do i do." cue a solid minute of him just standing and staring in panic before awkwardly sitting next to Barnaby in solidarity.
when they go inside, Ms. Beagle already has Barnaby's favorite dinner whipped up and ready. She gives him a talk where she's essentially says "blah blah blah violence isn't the answer. however, good job for standing up to that kid. he's an asshole and deserved a good wallop." (listen im a firm believer in ms beagle having been a Wild Youth that would have thrown bricks at cops). Moods are lightened, they have a good dinner. The next day or so they need to go have a meeting with the Injured Kid's parents. that's when they find out Barnaby fully broke the kids jaw (he feels a little bad for that) and that the parents are pushing for his expulsion and also juvie. Ms. Beagle manages to whittle down the sentence to a long suspension and then detention for the rest of the year, as well as her paying the kid's hospital bill.
tl;dr Barnaby punches a kid for insulting Wally, gets a new friend out of it, nearly gets expelled, and gains a mostly unfounded Reputation that dissuades most from outright messing with him or his pals
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